More Cons! ECOF, REH Days & Classicon

May 8, 2017 by

With eighty days to go until PulpFest 2017, you might be getting a little bit hungry for some pulps or pulp fiction. To whet your appetite for “Summer’s Hardboiled Pulp Con,” here are three more conventions that will take place in the next month or so.

This year’s Robert E. Howard Days will feature Paul Herman — author of THE NEVERENDING HUNT: A BIBLIOGRAPHY OF ROBERT E. HOWARD — as its guest of honor. Mr. Herman will be the speaker at the “Celebration Dinner” on Friday evening at the convention. He will discuss Howard as leading, “A Mildly Adventurous Life.” Additionally, Mr. Herman will be interviewed by Mark Finn and serve on two panels during the convention.

This annual gathering of Two-Gun Bob’s fans is presented by Project Pride of Cross Plains and sponsored by the Robert E. Howard Foundation, with help from the members of the Robert E. Howard United Press Association. Visit the convention’s home page or Facebook site to learn more about this great event, taking place in Cross Plains, Texas — Howard’s home town — on June 9 – 10.

The 2017 gathering of the Edgar Rice Burroughs Chain of Friendship is planned for the weekend of June 8 – 11. It will be held at the Dallas-Fort Worth Airport North Marriott in Irving, Texas. Hosted by Jim Goodwin, the gathering will feature discussions on at least three new books: Buddy Saunders’ TARZAN AND THE CANNIBAL KING, Bob Zeuschner’s new Burroughs bibliography, and Joe Lukes’ THE DESCRIPTIVE BIBLIOGRAPHY OF THE GROSSET AND DUNLAP REPRINTS. For additional information on the 2017 ECOF — including a schedule of events — please visit Bill and Sue-On Hillman’s ERBzine or email Jim Goodwin at jimmiecg@PRODIGY.NETYou can also reach Jim by calling 940-704-6499.

Classicon is one of the oldest pulp and paperback shows. Featuring 35 tables and thousands of collectible pulp magazines, paperbacks, vintage comic books, original artwork, and more, it is held in the spring and the fall in Lansing, Michigan. The next Classicon will take place later in June. Admission is $3. For more information, please write to the Curious Book Shop at 304 East Grand River Avenue, East Lansing, Michigan 48823, by email at curiousbooks@gmail.com, or by telephone at 517-332-0112.

Hopefully, these cons will keep you satisfied while you wait for PulpFest 2017 —  the destination for fans and collectors of vintage popular fiction, art and related materials. It will begin on Thursday, July 27, and run through Sunday, July 30.  Join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. PulpFest will be celebrating the 100th anniversary of the birth of Robert Bloch and the work of pulp artist Gloria Stoll Karn, as well as the “Hardboiled Dicks, Dangerous Dames, and a Few Psychos” of the pulps! Click our Programming for 2017 button just below our home page banner to get a preview of all the great programming we’ll have at this year’s convention.

To register for PulpFest 2017, please click the Register for 2017 button just below our home page banner. To book a room at the DoubleTree by Hilton — our host hotel — click one of the Book a Room buttons likewise located on our home page. Start planning now to attend PulpFest 2017 and join hundreds of pulp fiction fans at the pop-culture center of the universe. You’ll have a pulp-filled time, especially if you’re planning to stay at the DoubleTree! We look forward to seeing you in July.

(The Robert E. Howard Days 2017 banner was designed by Jeff Shanks and features Howard’s Underwood typewriter, the machine that he used to pound out 2.8 million words.)

3 Rivers Comicon: Putting Comics Back in Conventions

May 5, 2017 by

During the third weekend of May, a couple of Pittsburgh nerds are hoping to make comic con all about comics again. 3 Rivers Comicon — which runs May 20 – 21 in West Mifflin, Pennsylvania — is the latest addition to the many conventions in the Pittsburgh area.

New Dimension Comics owner Todd McDevitt and general manager Jon Engel launched 3 Rivers Comicon in 2016 after hearing complaints from customers about the increasing cost of conventions and how the shift to an array of pop culture has left comics in the shadows. “I felt like we were almost being challenged. No one said it, but we made it our mission to do it,” McDevitt said. “This is going to be a comic convention. If you want something else, go somewhere else.”

McDevitt and Engel both have years of experience under their utility belts, attending and also working at comic conventions. From that involvement, as well as feedback from customers, they have the knowledge for what will work at their own event.

One major goal is to make 3 Rivers Comicon affordable. Admission is $13 per day or $18 for a weekend pass. Tickets are available through the convention’s website or at any of the six New Dimension Comics locations. They will also be available at the door. Guests include KINGDOM COME and DAREDEVIL writer Mark Waid, NIGHTWING artist Scott McDaniel, and SPIDER-MAN and THOR artist Ron Frenz. Weekend events include panels, gaming, photo opportunities and costume contests for kids and adults. Sunday is Family Day at 3 Rivers Comicon, with kid-focused programming all day. There is also the very popular beer party on Saturday evening.

Tickets to the beer party are $50 and include both days of the convention in addition to a bunch of take-home loot including a T-shirt, exclusive comics, graphic novels and two bottles of BEEREDEEMABLE. McDevitt once again convinced Helltown Brewing to create a beer for the convention. This year’s recipe is a Russian imperial stout, a blend of young beer and barrel-aged whiskey. The name is a nod to the comic IRREDEEMABLE, whose artist Peter Krause illustrated the beer’s label.

“I always thought it would be fun to get a comic artist to do a beer label,” McDevitt said. “And if I was going to do it, I wanted it to be for one of our events.”

Krause and IRREDEEMABLE writer Mark Waid will both attend the beer party to autograph bottles.

“The beer party was the aspect we sold the most of last year,” McDevitt said. “We had people who didn’t care for comics and came for the beer, and people who didn’t care about beer, but came for the comics.”

Let’s hope that Todd and Jon save a few bottles of BEEREDEEMABLE to help us celebrate our first Pittsburgh PulpFest from July 27 through July 30 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City.” Although PulpFest 2017 will not have its own beer, the convention will still have a lot of great programming. Add to that a dealers’ room featuring tens of thousands of pulp magazines, vintage paperbacks, digests, men’s adventure and true crime magazines, original art, first edition hardcovers, series books, reference books, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and Golden and Silver Age comic books, as well as newspaper adventure strips. We’ll also have a con suite. So what are you waiting for? Start making your plans to join us at the “pop culture center of the universe” for PulpFest 2017.

(Our illustration is the banner for the 3 Rivers Comicon home page, featuring a New Dimension Comics’ rack in the background. New Dimension Comics has six stores in the Pittsburgh region, providing the opportunity for feedback as well as year-round promotion of the convention.)

PulpFest’s New & Improved PayPal Page

May 3, 2017 by

PulpFest is always seeking new and improved ways to help keep the pulps vibrant and alive. That’s why we’ve revised our PayPal page. Click here and check it out. You’ll find that the page is far smoother and sleeker. Best of all, after you place your Paypal order, you’ll be sent back to PulpFest.comThat’s where you’ll find the latest news about summer’s fantastic pulp con!

If you don’t use Paypal, you can also pay for your registration by sending a check or money order to David J. Cullers, 1272 Cheatham Way, Bellbrook, OH 45305.

If you have any questions about member or dealer registrations, please write to Jack Cullers at the address noted above or by email at jack@pulpfest.com. If you’d like a copy of our PulpFest 2017 newsletter — packed with information about the convention — you can download a copy by clicking here or by writing to Jack Cullers at one of the addresses noted above.

We look forward to seeing you at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry from July 27 – 30 for PulpFest 2017 and our salute to the “hardboiled dicks, dangerous dames, and a few psychos,” of the pulps.

2017 Munsey Award Nominees

May 3, 2017 by

The PulpFest Organizing Committee is pleased to announce that seventeen individuals have been nominated by their peers for the 2017 Munsey Award. Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. Congratulations to all of the nominees for this prestigious award, presented annually at PulpFest.

The nominees listed below — who received multiple nominations — will be forwarded to a committee made up of all the living Lamont, Munsey, and Rusty Award winners who will select the person to receive the 2017 Munsey.

Author, editor, historian, and critic MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. These include THE AGE OF THE STORYTELLERS: BRITISH POPULAR FICTION MAGAZINES, 1880-1950, ALGERNON BLACKWOOD: A BIO-BIBLIOGRAPHY, “BLUE BOOK — The Slick in Pulp Clothing,” THE GERNSBACK DAYS: A STUDY IN THE EVOLUTION OF MODERN SCIENCE FICTION FROM 1911 TO 1936, MONTHLY TERRORS: AN INDEX TO THE WEIRD FANTASY MAGAZINES PUBLISHED IN THE UNITED STATES AND GREAT BRITAIN, SCIENCE FICTION, FANTASY AND WEIRD FICTION MAGAZINESTHE SUPERNATURAL INDEX: A LISTING OF FANTASY, SUPERNATURAL, OCCULT, WEIRD AND HORROR ANTHOLOGIES, and others. In 2000, Ashley began to publish his multi-part THE HISTORY OF THE SCIENCE-FICTION MAGAZINES, beginning with THE TIME MACHINES: THE STORY OF THE SCIENCE-FICTION PULP MAGAZINES FROM THE BEGINNING TO 1950. Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps.

JOHN BETANCOURT as publisher of Wildside Press has made available hundreds of stories from the pulp magazines, digests, and early paperbacks available in print and ebook form, particularly in his MEGAPACK format. In the late 1980’s, John also helped to revive WEIRD TALES. The magazine went on to garner a World Fantasy Award in 1992 and a Hugo Award in 2009. In 2015, Betancourt helped the revived WEIRDBOOK get off the ground. Originally published by W. Paul Ganley — for which he won a World Fantasy Award in 1992 — WEIRDBOOK continues to be appear on a regular basis from Betancourt and Wildside Press. He also serves as the publisher of SHERLOCK HOLMES MYSTERY MAGAZINE and the infrequently issued ADVENTURE TALES, which presents classic tales from the pulp magazines.

CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” With the help of various writers and indexers including Gary Lovisi, Al Lybeck, Jerry Page and, most recently, Mike Taylor, PULPDOM has explored nearly every pre-1932 general fiction pulp ever published, including ARGOSY, ALL-STORY, BLUE BOOK, CAVALIER, and THE POPULAR. Caz continues to publish PULPDOM today as a free, online pulp fanzine.

Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles. Pulps are heavily represented, of course, but pulp writers turn up in other magazines, too, and the FictionMags Index allows them to be discovered. A huge endeavor, the FictionMags Index has been a tremendous boon to pulp-magazine research.

RON FORTIER has been a professional writer for three decades. In 2007, Ron teamed up with illustrator Rob Davis to start Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Ron’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. The first PFAs were awarded at the 2010 Windy City Pulp and Paper Convention. Recently, Ron helped publish LEGENDS OF NEW PULP FICTION, an all-new anthology to benefit new pulp publisher, editor, and writer Tommy Hancock, recently diagnosed with congestive heart failure. All proceeds of the book will help Tommy to defray some of his medical bills. On Saturday, July 29, Ron will be moderating a panel on new pulp fiction at PulpFest.

JOEL FRIEMAN worked for many years in the publishing industry. He was the person most responsible for taking The Shadow to a new paperback house, Pyramid/Jove, after it had failed at Bantam Books. It was Joel who worked to have Jim Steranko do the covers for the new Shadow line. Joel was also responsible for the Pocket Books editions of The Spider in the 1970s and, as the fiction editor at Freeway Press, he reprinted several Operator 5 adventures in paperback, featuring cover art by pulp illustrator George Gross. In 1981, Joel purchased Popular Publications from Popular Publications International. Joel has been directly involved with every Popular Publications reprint in any format ever since. He licensed The Spider to paperback numerous times, as well as G-8 and His Battle AcesOperator 5, and numerous novels from ARGOSY for various book projects. Joel rarely attends conventions outside of New York, but he is well known by pulp fans and publishers throughout the country.

For nearly two decades RON HANNA, through his Wild Cat Books operation, selflessly served the pulp community by maintaining interest in the great pulps. Beginning with his fanzine SECRET SANCTUM — which ran for seventeen issues from 1996 – 1999 — Ron published material by both new and old writers and artists, exhibiting his great love and respect for the pulps. Some of the books that he published included MASTER OF THE PULPS: THE COLLECTED ESSAYS OF NICK CARR, THE HANDBOOK OF BRONZE: THE DEFINITIVE GUIDE FOR THE DOC SAVAGE COLLECTOR, and THE CAPTAIN FUTURE HANDBOOK. Long before anyone else, he took his love of pulp fiction to the next level and began presenting brand new pulp stories and artwork by some of today’s finest creators, helping to set the stage for the “New Pulp” movement. More recently, he revived the classic science-fiction magazine, STARTLING STORIES. Ron’s work to keep the spirit of the old pulps alive has cost him a great deal both personally and financially, but he keeps giving it everything he can. His efforts come from his heart and his genuine love for the pulps.

Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. Two of the highlights were two short stories by Norvell Page, offering the first two adventures of the popular pulp hero The Spider. Rich — along with his onetime partner, Cat Jaster, would go on to reprint two dozen of The Spider’s adventures. As Bold Venture Press, he is currently in the midst of a six-volume series reprinting the complete run of Johnston McCulley’s Zorro tales, publishing unique tales from one of the longest lived pulp magazines, RAILROAD STORIES, “new pulp” adventures in AWESOME TALES, and pulp old and new in the continuing PULP ADVENTURES. Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans. Rich is also great at communicating personally with fans one-on-one, whether on email or facebook.

CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’ work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris is the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.

Like many of us, RICK LAI has dedicated much of his adult life and disposable income to his passion for collecting pulp fiction (in all its permutations). Rick distinguished himself with his erudite and insightful scholarship that has made him respected among Wold Newtonians and purists alike. Rick’s speculative theories on character and continuity may have been inspired by Philip José Farmer, but were never bound by Farmer or anyone else’s parameters. Rick’s brilliant and provocative flights of fantasy informed, inspired, and even infuriated readers, but kept them coming back for the next article or book. Later in life, Rick made the natural progression from scholar to storyteller as he began creating works that supplement and expand upon his literary speculations. Among his many books are CHRONOLOGY OF SHADOWS: A TIMELINE OF THE SHADOW’S EXPLOITS, THE RETURN OF JUDEX, THE REVISED COMPLETE CHRONOLOGY OF BRONZE, RICK LAI’S SECRET HISTORIES: DARING ADVENTURERS, and SHADOWS OF THE OPERA: RETRIBUTION IN BLOOD.

WILLIAM LAMPKIN is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs The Pulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award, who calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director.

PHIL STEPHENSEN-PAYNE is a prolific bibliographer and pulp researcher based in the United Kingdom. For many years, he has been compiling extremely useful “working bibliographies,” (often in collaboration with the late Gordon Benson, Jr.) of speculative fiction writers, many of whom got their start writing for the pulps. These bibliographies, numbering about sixty, are some of the best reference resources available today in the area of science fiction and fantasy. Additionally, his Galactic Central website contains an online checklist of all known fiction magazines that is attempting to include the cover to every such magazine ever published. It also indexes bibliographies, pulps, science fiction magazines, and other genre magazines. Stephensen-Payne is also a significant contributor and host to the FictionMags Index — principally edited by William G Contento — and co-author (with Stephen T. Miller and William G. Contento) of the CRIME, MYSTERY, AND GANGSTER FICTION MAGAZINE INDEX, originally released on CD-ROM by Locus Press in 2011.

MICHAEL USLAN originally fell in love with pulp characters by listening to rebroadcasts of The Shadow radio show when he was a kid. When the Shadow Belmont paperbacks began to come out, followed by the Doc Savage paperbacks and then the Avenger paperbacks, he built up his knowledge of the original pulps and poured himself into the history of the industry as well as each of the characters. His first professional job writing comics was for the legendary DC Comics series, THE SHADOW. He went on to write “Night of the Avenger” in the eleventh issue, which to this day is considered an all-time  classic pulp team-up. In the 1980s, Uslan worked with Walter Gibson on a movie project, and learned so much about the pulps and specifically The Shadow direct from the primary source. More recently, Michael wrote the graphic novel, “The Shadow/Green Hornet: Dark Nights” for Dynamite as well as the mini-series, “Justice, Inc.,” the first-ever team-up of the three great Street and Smith pulp characters, The Shadow, Doc Savage, and The Avenger. Turning to old-time-radio for inspiration, Uslan also wrote the graphic novel, LONE RANGER/GREEN HORNET: CHAMPIONS OF JUSTICE. Michael Uslan has done so much to keep these pulp era characters alive and vibrant in plot-driven, character-driven stories filled with Easter eggs for pulp fans and historical footnotes for the readers in each issue. He has respected the integrity of these characters in the process and respected their creators.

GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. And what about his Peter the Brazen series, his five volumes featuring the work of Seabury Quinn, THE COMPLEAT ADVENTURES OF THE PARK AVENUE HUNT CLUB, his Green Ghost set, THE COMPLEAT SAGA OF JOHN SOLOMON, THE ADVENTURES OF THE GOLDEN AMAZON, and THE COMPLEAT ADVENTURES OF THE SUICIDE SQUAD? He has also given us numerous collections of detective fiction, including volumes featuring the Thinking Machine, Dr. Thorndyke, and Martin Hewitt. Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps.

Although some may believe he is old enough to have purchased pulps off the newsstand, CHUCK WELCH is a mere whippersnapper. As one of the original Internet Fans of Bronze, Chuck started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of those conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director and webmaster. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

For the last twenty-five years, HOWARD WRIGHT has been publishing the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory. Through Howard’s sustained efforts, interest in Doc was maintained and his return to the limelight assured. His final issue of the GAZETTE was published at the beginning of this year. The magazine will be continued by Terry Allen, Kez Wilson, and Chuck Welch, creator of the Hidalgo Trading Company and a member of the PulpFest organizing committee.

DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He recently published the fiftieth issue of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine, distributed around the globe. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press. Additionally, he has supported the pulp community by drawing his readers’ attention to various pulp conventions, including the Windy City Pulp and Paper Convention, Pulpcon, and PulpFest. Dan has also served as the sponsor of Windy City’s annual pulp art exhibit and created the limited edition print of David Saunder’s Munsey Award painting without cost to the PulpFest organizing committee.

The recipient of the 2017 Munsey Award will be announced on July 29 as part of the Saturday evening programming, open to all PulpFest 2017 registrants. A limited edition of thirty-six numbered and signed prints, designed by artist and pulp enthusiast David Saunders, serves as the Munsey Award. Congratulations to all of the nominees for the 2017 Munsey Award.

(A New York artist whose work can be found in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, The New Museum and at other museums and in public buildings throughout the United States and other countries, David Saunders has taught art at Yale, Oberlin and many other colleges worldwide, including schools in Paris, London and Tokyo. An expert on pulp art, he has been a guest speaker on the subject, including The Pulp Art Show held at the Brooklyn Museum in 2003, and has served as the guest of honor at various pulp conventions. David has written biographical articles on pulp artists Allen Anderson, Rudolph Belarski, Frederick Blakeslee, Ernest Chiriacka, Rafael DeSoto, John Newton Howitt, J. W. Scott, and others. He is also the author of WALTER BAUMHOFER, NORMAN SAUNDERS, and H. J. WARD, book-length biographies and appreciations of these great pulp artists. David’s website — Field Guide to Wild American Pulp Artists — is a leading source of information for those interested in the artwork found in the pulp magazines.)

Starting Today — A PulpFest Post Every Monday, Wednesday, Friday!

May 1, 2017 by

Since the beginning of September 2016, we’ve had an announcement about PulpFest 2017 once a week. Starting today, we’ll be releasing a post every Monday, Wednesday, and Friday. We’ll be maintaining that pace until early June when we’ll begin offering one post every weekday. Even the PulpFest promotion department needs a day off every now and then.

During the next month, we’ll be discussing our 2017 Munsey Award nominees, related conventions, and some of our programming plans for the upcoming convention. PulpFest 2017 will be saluting the 100th anniversary of the birth of Robert Bloch and the “hardboiled dicks, dangerous dames, and a few psychos” 0f the pulps. We’ll be exploring DIME DETECTIVE MAGAZINE — one of the pulps where the hard-boiled detective story began to take shape — and Robert Leslie Bellem’s tough-guy detective, Dan Turner; Pat Savage, The Domino Lady, and other dangerous dames of the pulps; and some of the mad scientists, crazed hunchbacks, and foul cultists who decimated American cities on a monthly basis in the rough-paper magazines.

Our Guest of Honor will be Pittsburgh artist Gloria Stoll Karn. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

So what are you waiting for? Register now for PulpFest 2017! There’s no other way for you to be part of “Summer’s HARDBOILED Pulp Con.” While you’re at it, you can reserve a room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry by clicking one of the links on the PulpFest home page that reads “Book a Room.” You can also call 1-800-222-8733 to book a room by telephone. However, be sure to mention PulpFest to get the special convention rate. By staying at the DoubleTree, you’ll help to ensure the convention’s success. Given its popularity, we urge every member to book a hotel room for PulpFest 2017 as soon as possible.

(Designed by PulpFest’s artistic director, William Lampkin, our PulpFest 2017 post card features the work of artist John Newton Howitt. His painting was originally used as the cover for the April 15, 1934 number of Popular Publications’ DIME DETECTIVE MAGAZINE. PulpFest 2017 has used Howitt’s cover art since last fall to promote our convention at book stores, comic shops, and other conventions and fairs.)