Get Your Copy of THE PULPSTER

Aug 27, 2018 by

THE PULPSTER #27Copies of THE PULPSTER #27 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

THE PULPSTER is back with a battle-scarred 27th issue tied to the themes of PulpFest 2018 — World War I and Grand Master of Science Fiction Philip José Farmer.

Tom Krabacher takes a look at editor Arthur Sullivant Hoffman’s World War I-era ADVENTURE and how it showed that pulps could be more than just escapist fiction. There’s also an article by Hoffman himself where he recounts the creation of the original American Legion in the pages of his magazine. And illustrator and cartoonist George Evans looks back at growing up reading air-war pulps.

There’s a short biography of Farmer — written by the man himself — as well as a piece on Farmer by PulpFest 2018 Guest of Honor Joe R. Lansdale.

But that’s not all . . .

A letter by author and editor Irene Cumming Kleeberg describes her time as a college intern working summers at Popular Publications in the early 1950s. David W. Smith examines the original Suicide Squad, a team of G-Men who battled crime well before DC Comics’ super-villain team took the name. And editor William Lampkin offers a glimpse at the reading material of Fatty Arbuckle’s cellmate.

Rounding out the issue, are columns by the editor, publisher Michael Chomko, and “Final Chapters,” in which editor emeritus Tony Davis remembers those of the pulp community who have passed away during the last year.

If you’d like to order a copy of THE PULPSTER #27, please write to Mike Chomko at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #23 and 26 are available. The cost of each is $13, postage paid. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. All other issues of THE PULPSTER are out of print.

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

To learn more about THE PULPSTER, please visit thepulpster.com. For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

(The cover art for THE PULPSTER #27 was originally painted by Rudolph Belarski  for April 1940 THRILLING ADVENTURES, published by Ned Pines’ Standard Magazines.)

Related Posts

Share This

Highlights from THE PULPSTER

Jul 6, 2018 by

THE PULPSTER #27THE PULPSTER returns with a battle-scarred 27th issue at PulpFest 2018. As usual, it’s packed with a variety of interesting articles pertaining to the pulp magazines.

Assistant editor Peter Chomko and editor William Lampkin put the issue to bed earlier this week. After the July 4 holiday, our printer got to work on the magazine, readying it for the members of this year’s PulpFest and FarmerCon 100.

Number 27 will offer articles that tie into the themes of this summer’s pulp convention — the war pulps and the depiction of war in popular culture, and Grand Master of Science Fiction Philip José Farmer.

Tom Krabacher takes a look at editor Arthur Sullivant Hoffman’s World War I-era ADVENTURE and how it showed that pulps could be more than just escapist fiction. There’s also an article by Hoffman himself where he recounts the creation of the original American Legion in the pages of his magazine. And illustrator and cartoonist George Evans looks back at growing up reading air-war pulps.

There’s a short biography of Farmer, written by the man himself, as well as a piece on Farmer by PulpFest 2018 Guest of Honor Joe R. Lansdale.

But that’s not all:

A letter by author and editor Irene Cumming Kleeberg describes her time as a college intern working summers at Popular Publications in the early 1950s. David W. Smith examines the original Suicide Squad, a team of G-Men who battled crime well before DC Comics’ super-villain team-up took up that name. And Lampkin offers a glimpse at the reading material of Fatty Arbuckle’s cellmate.

Rounding out the issue, are columns by the editor, publisher Michael Chomko, and “Final Chapters,” in which editor emeritus Tony Davis remembers those of the pulp community who have passed away during the last year.

A longstanding tradition cherished by attendees of summer pulp cons, THE PULPSTER #27 will be released at PulpFest 2018. Every member of PulpFest — including supporting members — will receive a complimentary copy of THE PULPSTER.

PulpFest 2018 begins on Thursday, July 26, and runs through Sunday, July 29 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. We’ll be welcoming  Joe Lansdale — the author of over forty novels, numerous short stories, and more — as our Guest of Honor. The convention will also be hosting a rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley. Additionally, there will be author readings, a great programming line-up, two auctions featuring unique collectibles, and a dealers’ room filled with pulps, digests, men’s adventure magazines, collectible paintings and illustrations, rare first editions, vintage paperbacks, comic books, unique films and more. All this, plus you get ten dollars off the daily admission to Confluence. It’s taking place the same weekend as summer’s AMAZING pulp con! All you have to do is show your PulpFest badge at the door to Pittsburgh’s long-running science fiction, fantasy and horror conference.

You can join both PulpFest 2018 and FarmerCon 100 by clicking the Register for 2018 button on the PulpFest home page.

(The cover art for THE PULPSTER #27 was originally painted by Rudolph Belarski  for April 1940 THRILLING ADVENTURES, published by Ned Pines’ Standard Magazines.

Following the convention, a limited number of copies of our program book will be available for purchase through Mike Chomko, Books. Please write to Mike — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542 to reserve your copy. Mike also has selected back issues of THE PULPSTER. Please write to him to learn about availability.

For questions about submissions to THE PULPSTER or comments about the issue, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in future issues of THE PULPSTER, back issues, or ordering issue #27 of THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.)

Related Posts

Share This

Advertise in THE PULPSTER

Mar 26, 2018 by

Bill Lampkin is already hard at work on the next issue of THE PULPSTER. Expect another slam-bang issue from the esteemed editor and designer of our award-winning program book. Every member of PulpFest will receive a complimentary copy of THE PULPSTER.

If you’d like to place an advertisement in our 2018 PULPSTER, you have until June 1 to do so. All advertising is sold on a first-come, first-served basis, with payment expected upon reserving a space. Please realize that the cover spaces sell very quickly. Our advertising rates are reasonable: color back cover – $200; inside front color cover – $150; inside back color cover – $125; inside color full page – $100; inside black-and-white full page – $80; color half-page – $75; black-and-white half-page – $40; black-and-white quarter page – $30. To inquire about space availability, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. You can also ask Mike about print specifications. THE PULPSTER has a circulation of 450 – 500 copies.

Another way to advertise at PulpFest is to donate material for our giveaway tables and to serve as door prizes. Over the years Chaosium, THE MAGAZINE OF FANTASY AND SCIENCE FICTION, Radio Archives, Stark House Press, and other organizations have donated a variety of materials that have been given away free of charge to PulpFest attendees. Your donation will be acknowledged on our website and at the convention. If you’d like to offer something for our giveaway table or a door prize, please contact Mike Chomko at mike@pulpfest.com.

Sponsorships are also available for our website at a cost of $150 per year. Our current sponsors include AbeBooks.com and two writing services. PulpFest also accepts sponsorships of the convention’s hospitality suite. For $50, you’ll be listed as one of our evening sponsors for our hospitality suite. What a great way to get your name out there as a supporter of the pulp community.

If you or your organization would like to learn more about sponsorship opportunities at PulpFest, please contact PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com.

(The proposed cover art for the forthcoming 2018 PULPSTER was originally painted by Rudolph Belarski  for April 1940 THRILLING ADVENTURES, published by Ned Pines’ Standard Magazines.

Copies of THE PULPSTER #26 are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. For additional information, please write to Mike at mike@pulpfest.com.)

Related Posts

Share This

THE PULPSTER Wants You!

Feb 19, 2018 by

In 2018, PulpFest will mark the 100th anniversary of the end of World War I. The War to End All Wars had been raging in Europe since 1914. Though the Allied Forces and the Central Powers signed an armistice on Nov. 11, 1918, the war was only getting started in the pulp magazines. THE PULPSTER will look at how World War I was reflected in the pulp magazines during and in the decades after the Great War.

A draft cover for this year’s issue of THE PULPSTER is shown at left. French troops rush across no man’s land in artwork by Rudolph Belarski for the April 1940 issue of THRILLING ADVENTURES.

However, World War I is not the only subject we hope to cover in the issue. And that’s where you come in.

THE PULPSTER reflects not only the themes of PulpFest, but also the pulp magazine collecting hobby in general. We’re looking for articles on the pulps, their authors, artists, and editors, pulp history, and collecting itself. If you’ve got an idea, we’d like to hear it!

New material is preferred, but reprinted features — of limited distribution that our readers may not have seen — are also welcome.

PulpFest 2018 will also be saluting the centennial of the birth of Grand Master of Science Fiction Philip José Farmer. So THE PULPSTER is certainly interested in articles on the celebrated author of TARZAN ALIVE: A DEFINITIVE BIOGRAPHY OF LORD GREYSTOKEDOC SAVAGE: HIS APOCALYPTIC LIFE, the Riverworld and World of Tiers series, and many other works.

Please email editor Bill Lampkin at bill@pulpfest.com with your ideas. We have a number of articles in the works. So the earlier you reach out, the better. The deadline for completed articles is May 1, 2018.

If you’re interested in advertising in THE PULPSTER, please contact publisher Mike Chomko at mike@pulpfest.com. He can provide prices for ads and reserve your space. For information on ad sizes, please see the Advertising page at THE PULPSTER website. Cover spaces sell quickly, so order early.

We look forward to hearing from you!

Related Posts

Share This

Write for THE PULPSTER

Sep 25, 2017 by

In 2018, PulpFest will mark the 100th anniversary of the end of World War I.

The War to End All Wars had been raging in Europe since 1914. Though the Allied Forces and the Central Powers signed an armistice on Nov. 11, 1918, the war was only getting started in the pulp magazines. THE PULPSTER will look at how World War I was reflected in the pulp magazines during and in the decades after the Great War.

A draft cover for next year’s issue of THE PULPSTER is shown at left. French troops rush across no man’s land in artwork by Rudolph Belarski for the April 1940 issue of THRILLING ADVENTURES.

But World War I is not the only subject we hope to cover in the issue. And that’s where you come in.

THE PULPSTER reflects not only the themes of PulpFest, but also the pulp magazine collecting hobby in general. We’re looking for articles on the pulps, their authors, artists, and editors, pulp history, and collecting itself. If you’ve got an idea, we’d like to hear it!

New material is preferred, but reprinted features of limited distribution that our readers may not have seen are also welcome.

Please email Editor Bill Lampkin at bill@pulpfest.com with your article pitch. We already have a number of articles in the works, so the earlier you can reach out, the better. The deadline for completed articles is May 1, 2018.

If you’re interested in advertising in THE PULPSTER, please contact publisher Mike Chomko at mike@pulpfest.com. He can provide prices for ads and reserve your space. For information on ad sizes, please see the Advertising page at THE PULPSTER website. Cover spaces sell quickly, so order early.

We look forward to hearing from you!

Related Posts

Share This