The Art of Edgar Rice Burroughs

Jul 3, 2019 by

The late Ray Bradbury called Edgar Rice Burroughs “the most influential writer, bar none,” of the twentieth century. In TARZAN: THE CENTENNIAL CELEBRATION, Tracy Scott Griffin labels Burroughs’ Tarzan as “one of the greatest literary achievements in history,” placing the character alongside “King Arthur, Robin Hood, and Superman in worldwide popularity.”

As part of our focus on the many ways pulp fiction and pulp art have inspired and continue to inspire creators, PulpFest 2019 will host an exhibition dedicated to artwork inspired by Edgar Rice Burroughs. On display will be original art for books, newspaper strips, comic books, graphic albums, and fan magazines, created by such major illustrators as Bob Abbett, Richard Hescox, Joe Jusko, and Richard Powers. Other prominent professional and fan artists will also be featured in the show.

A follow-up to last year’s rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley, here is your chance to view works featured in some of the most prominent archive editions and books featuring Burroughs’ work. With the support of The Burroughs Bibliophiles — the nonprofit literary society devoted to Burroughs and his works — this year’s PulpFest art show promises to be a unique way to experience the creative worlds of Edgar Rice Burroughs.

Join PulpFest 2019 on Friday, August 16, and Saturday, August 17, for this special art exhibition examining of the pervasive influence of Edgar Rice Burroughs on popular culture. “The Art of Edgar Rice Burroughs” will be open for viewing from 2:30 to 4:30 PM on both days.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA.

To become a member of PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Founded in September 1960, The Burroughs Bibliophiles is a worldwide organization of aficionados who share a love for the works and characters of American author Edgar Rice Burroughs, the celebrated creator of Tarzan. The group’s membership list boasts its fair share of bestselling authors, artists, scientists, teachers, and academicians, as well as readers who simply love a good story well told. Their logo is based upon J. Allen St. John‘s dust jacket art for TARZAN AND THE GOLDEN LION, published by A.C. McClurg & Co. in 1923.)

 

 

Author Signings at PulpFest 2019

Jun 17, 2019 by

There will be more than 30 fiction writers attending PulpFest 2019. Most of them will be reading from their work or participating in panels on writing and pulp fiction.

PulpFest 2019 will host nine readings by contemporary authors of genre fiction as part of its long-running New Fictioneers series. You can read about this year’s New Fictioneers readings here and here.

The convention will also host the Raw Dog Screaming Press Rapid-Fire Read & Sweet Sixteen Celebration on Friday and the Dog Star Books Rapid-Fire Read on Saturday. Additionally, PulpFest 2019 will showcase Popular Fiction from Seton Hill prior to the Dog Star event. Join Dog Star Books founder and author Heidi Ruby Miller and three writers from Seton Hill University’s Writing Popular Fiction Master’s Program on Saturday morning, August 17, in the convention’s programming hall.

One of the highlights of Saturday’s programming line-up will be a panel on Contemporary Pulp: Writing Genre Fiction. Fu Manchu continuation author William Patrick Maynard will be joined by Midnight Guardian creator John Bruening; Christopher Paul Carey, Director of Publishing at Edgar Rice Burroughs, Inc; Philip José Farmer collaborator Win Scott Eckert; Edgar-nominated author Craig McDonald, creator of the Hector Lassiter historical crime series; and Will Murray, author of “The All-New Wild Adventures of Doc Savage and Tarzan.”

In addition to the previously mentioned, PulpFest 2019 will stage two formal author signing sessions, right outside the entrance to our dealers’ room. The signings will take place from 1:30 to 2:30 PM on both Friday and Saturday afternoons. Our writer guests will also have copies of their recent books available for sale.

Friday afternoon’s signings will feature pulp historian and 2004 recipient of the Lamont award John Locke in advance of his Saturday evening presentation, “Born Writing: The Unparalleled Career of Arthur J. Burks;” pulp’s indefatigable Renaissance man, 1979 Lamont award recipient, and official continuation author of Doc Savage, Tarzan, and The Spider, Will Murray; as well as renowned horror, science fiction, and suspense author and PulpFest 2015 guest of honor, Chet Williamson.

Saturday afternoon’s signings will feature the author of ROD SERLING: HIS LIFE, WORK, AND IMAGINATIONNicholas Parisi following his Friday evening presentation, “The Key of Imagination: THE TWILIGHT ZONE and the Pulps.” Also appearing will be critically acclaimed pop culture historian and 2006 Lamont Award recipient John Wooley of Reverse Karma Press following his Friday evening presentation, “Dashiell Hammett and the Detective Story” and 2019 Munsey Award nominee, Win Scott Eckert who will be signing copies of his new novel, HUNT THE AVENGER.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(This year’s PulpFest will host over thirty writers of contemporary genre fiction. Most of them will be part of the convention’s afternoon programming on Friday, August 16, and Saturday, August 17.

Of particular note will be PulpFest’s first organized book signing event. Our guest authors will be more than happy to sign copies of their books on August 16 and 17, from 1:30 to 2:30 PM. So be sure to bring your copy of MR. CALAMITY, the latest Doc Savage adventure, featuring cover art by Joe DeVito.)

 

Lost John Carradine Fu Manchu Screening at PulpFest

Jun 10, 2019 by

There are a number of Holy Grails that every collector seeks. It is said the quest is more important than the treasure. This is probably because few such treasures are ever discovered. For fans of Sax Rohmer’s Fu Manchu series, one of the most obscure relics is a 1952 pilot film shot for NBC for a FU MANCHU television series starring John Carradine as the Devil Doctor. The pilot was never broadcast. A still has never been published in books or magazines. Many fans dismissed the pilot as nothing more than a rumor — an idea that was never actually filmed.

They were wrong.

William Cameron Menzies, the legendary Hollywood production designer, directed the highly stylized pilot film. It is a surprisingly faithful adaptation of the 1912 Sax Rohmer story that started it all — “The Zayat Kiss.” Cedric Hardwicke plays Nayland Smith, the driven British colonial official obsessed with capturing the elusive criminal mastermind, Dr. Fu Manchu. John Carradine — appropriately menacing as a silhouetted figure behind a screen intoning his commands in an educated hiss that is far removed from the province of yellowface performances — is the most faithful Fu Manchu ever to grace the big or small screen.

Born out of imperialist Britain’s fear of a Yellow Peril emerging from the East, Rohmer ingeniously imbued his fictional villain with greater intelligence and integrity than his Western protagonists.  Rohmer’s initial description of the character in “The Zayat Kiss” is unforgettable and one he would strive to re-create over the years without ever falling into direct imitation:

“Imagine a person, tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true-cat green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government — which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man.”

Dr. Fu-Manchu does not even make a physical appearance in the story, yet his presence pervades the atmosphere and hysteria of “The Zayat Kiss.” Set in a mad world filled with conspiracy theories, bizarre assassinations, and death traps, there was no way Rohmer’s story could not have been a smashing success when it debuted in print in October 1912. All of the ingredients were there to build a winning formula.

Thursday night, August 15, PulpFest 2019 will offer the first of three public screenings of a complete and pristine print of Carradine’s legendary lost classic. Also featured will be such rarities as the silent FU MANCHU serials made by Stoll Productions in the 1920s. Alongside the lost NBC pilot, these silent chapters are the most faithful adaptations of Sax Rohmer’s works ever attempted. There will be two encore presentations of the lost pilot on Friday afternoon, August 16, and Saturday night, August 17. The silent rarities screened with it during the encore presentations will be unique to each screening. This will allow repeat attendees to maximize their enjoyment. For reasons of copyright control, no copies can be made, distributed, or sold at these free public exhibitions that are open to any attendee of PulpFest 2019.

Join the licensed continuation author of the Fu Manchu thrillers, William Patrick Maynard, for these three very special screenings at PulpFest 2019. You’ll see John Carradine as Fu Manchu for the first time in 67 years and then enjoy the equally rare treat of seeing Fu Manchu serial chapters made nearly a century ago. You’ll bask in shimmering location footage genuinely shot on the streets and alleyways of London — including Limehouse — as it looked in the years when the names of Sax Rohmer and Fu Manchu were on everyone’s breath.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA. We’ll be celebrating “Children of the Pulps and Other Stories” — focusing on the pulp influences in popular culture — at this year’s gathering.

Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(THE MYSTERIOUS DR. FU MANCHU — directed by Rowland V. Lee and starring Warner Oland in the title role — was released by Paramount Pictures in 1929. The first talking Fu Manchu movie, it was based on Sax Rohmer’s novel, THE MYSTERY OF DR. FU MANCHU. Set during the Boxer Rebellion in China, Dr. Fu Manchu’s wife and child are killed by foreigners. Enraged, he vows to take his revenge on the British army officers he holds responsible for the killings. The poster advertising the film — one of several — was created by an unknown artist.)

Hollywood Pulp — From Pulp Page to the Silver Screen

Jun 7, 2019 by

Join PulpFest 2019 on Thursday, August 15, as we welcome pulp and film expert Ed Hulse for “Hollywood Pulp — From Pulp Page to the Silver Screen.” Ed will be debuting a book of the same title at our convention. Having spent decades researching the pulp-film nexus, Ed has shared his findings in a comprehensive encyclopedia that covers many hundreds of movies adapted from rough-paper fiction.

The motion-picture industry was still in its infancy when producers began licensing stories from pulp magazines for adaptation to celluloid. As early as 1912 — when movies were still novelties, screened primarily in store-front nickelodeons — recurring characters from the pulps were featured in short-subject series. That year the Edison Company enjoyed great success with THE CHRONICLES OF CLEEK. These monthly one-reel installments starred Ben Wilson as Thomas A. Hanshew’s “Man of Forty Faces,” a character then appearing regularly in the pulp SHORT STORIES.

Edison’s Cleek series was typical film fare of the day. During the silent movie era, a one-reel short yielded 12 to 15 minutes of screen time — just enough to tell a perfunctory story that might consume 5,000 to 10,000 words in prose. Nickelodeons ran “programs” that grouped four or five such films together. They changed their programs three to five times per week.

With filmmakers under constant pressure to satisfy thrill-hungry viewers, there was a huge market for adaptable yarns. Producers obtained stories from pulps and slicks alike. The two magazines most frequently tapped for material during the pre-1920 period were THE SATURDAY EVENING POST and THE ALL-STORY or ALL-STORY WEEKLY. During this period, many top pulp writers saw their rough-paper fiction immortalized on celluloid. This august group included Max Brand, Edgar Rice Burroughs, George Allan England, Zane Grey, James B. Hendryx, Johnston McCulley, Frank L. Packard, Mary Roberts Rinehart, and Perley Poore Sheehan, among others.

By 1920, the motion-picture industry had mushroomed. Lavish downtown “picture palaces” replaced the seedy nickelodeons, and practically every small town in the country boasted its own movie theater. Production, initially based on the East Coast, gravitated to Hollywood. Wall Street began investing in the most profitable studios. Weekly attendance soared to 40 million people and would continue to grow throughout the Roaring Twenties. Melodramas were second only to comedies as the most popular and profitable screen subjects. This meant that westerns, thrillers, and detective stories were in constant demand. Writers specializing in these genres could usually find a producer to license their pulp yarns if they looked hard (or had aggressive literary agents).

The demand for pulp fiction lessened somewhat as “talking pictures” took over the movie business in the late twenties. As the Great Depression began to affect American consumers, Hollywood was hard hit. In order to compete for the dimes and quarters that bought tickets, the studios increasingly adapted famous stage plays and mainstream novels. Such stories were carried by dialogue, rather than the melodramatic action of the sort found in rough-paper magazines. The Thirties still saw a significant number of pulp-based films, but they were increasingly low-budget “B” pictures and serials emanating from the Poverty Row studios.

Prominent pulp characters brought to the silver screen were Tarzan, Zorro, Buck Rogers, Sam Spade, The Shadow, The Spider, Doc Savage, Conan the Barbarian, and John Carter of Mars, to name just a few. But there were many others not easily recognizable to today’s aficionados. Ed will identify many of these in his presentation, which will be accompanied by a selection of rare stills and posters from the films.

A journalist for nearly forty years, Ed Hulse has written or edited many books about vintage motion pictures and their stars, as well as numerous books about pulp fiction. He was the editor and publisher of BLOOD ‘N’ THUNDER, the award-winning journal devoted to the study of adventure, mystery, and melodrama of the late 19th and early 20th centuries.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s convention. Please click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(THE MARK OF ZORRO — a 1920 silent — is the first of three adaptations of Johnston McCulley’s novel, “The Curse of Capistrano.” It was serialized in five parts in ALL-STORY WEEKLY, beginning with the August 9, 1919 issue. Starring Douglas Fairbanks as the title character and his alter ego, THE MARK OF ZORRO was the first film to be released by United Artists, the company formed by Fairbanks, Mary Pickford, Charlie Chaplin, and D. W. Griffith. The film’s advertising prominently mentioned ALL-STORY WEEKLY, its pulp source. Our presentation, “Hollywood Pulp — From Pulp Page to the Silver Screen,” will include behind-the-scenes information on the making of this historic film.)  

A Century of Zorro

Jun 5, 2019 by

In the early 1800s, California was still under Spanish rule. The peaceful indigenous people were victimized by the corrupt military commanders. One man rose to stand against injustice and the abuse of power. One man stirred the hearts of Californians and gave them the spirit to resist tyranny. That man was the masked avenger known as Zorro!

Thursday night, August 15, at PulpFest, publisher/author and 2019 Munsey Award nominee Rich Harvey of Bold Venture Press presents “A Century of Zorro,” marking not only the centennial of the legendary pulp character, but also the publication of the first matched set of every original Zorro novel and short story in six attractive volumes from Bold Venture Press.

Zorro was created by pulp writer Johnston McCulley. In the original stories, Zorro has a price on his head, but is too skilled and cunning for the authorities to capture him. Zorro is the secret identity of Don Diego de la Vega, the only son of Don Alejandro de la Vega, a wealthy landowner. He adopted his secret identity after learning California had fallen under the thrall of a ruthless dictator. Diego conceals his identity by posing as a cowardly fop.

Zorro was introduced in McCulley’s novel, “The Curse of Capistrano,” when it was serialized in the pages of ALL-STORY WEEKLY in 1919. The success of its 1920 film adaptation as THE MARK OF ZORRO, starring Douglas Fairbanks, convinced his creator to author further adventures. Over the next forty years, McCulley penned a total of five Zorro novels and nearly 60 short stories featuring the masked avenger. The stories appeared in ARGOSY, WEST, and other magazines. In book form, “The Curse of Capistrano” was retitled THE MARK OF ZORRO and sold more than 50 million copies. McCulley’s numerous follow-ups never achieved the same level of success. Most were never collected in book form until Bold Venture Press’ definitive editions.

Zorro appeared in over 40 film and television adaptations, including Walt Disney’s 1950s TV series starring Guy Williams. The character has appeared in numerous literary pastiches as well as radio, comic books, newspaper strips, and stage plays.

Being one of the earliest examples of a fictional masked avenger with a double identity, Zorro inspired the creation of several similar characters in pulp magazines and other media. McCulley’s hero is a precursor of the superheroes of American comic books, with Batman drawing particularly close parallels to the character. As such, today’s superheroes are very much “Children of the Pulps.” Join Bold Venture Press founder Rich Harvey on the opening night of PulpFest for a celebration of “A Century of Zorro.”

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA. We’ll be celebrating “Children of the Pulps and Other Stories” — focusing on the pulp influences in popular culture — at this year’s gathering.

Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Created by the prolific pulp writer Johnston McCulley, Zorro debuted in “The Curse of Capistrano,” a five-part serial that ran in the pages of the Munsey magazine, ALL-STORY WEEKLY during the month of August 1919. It will be the centennial of the first Zorro story during this year’s PulpFest.

The cover art featured on the August 9, 1919 issue was painted by P. J. Monahan. A native of Des Moines, Iowa, Monahan moved to Brooklyn in 1907. He became one of New York’s most prolific artists for the first three decades of the twentieth century, creating advertisements, movie posters, commissioned art, and, most of all, pulp magazine illustrations and covers.

Along with Bob Fujitani, Bob Correa and Alberto Giolitti, the late pulp artist Everett Raymond Kinstler created the interior pencils and inks for the Zorro stories featured in Dell’s FOUR COLOR COMICS series. Kinstler drew issue numbers 497 — featuring “The Sword of Zorro,” with the cover painted by an unknown artist — 538, and 574. Born in 1942, Kinstler was a freelance artist for the pulp, slick, comic book, and paperback industry before turning to portraiture during the 1950s.)

The Key of Imagination: Pulp Television

Jun 3, 2019 by

 

There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.

 

Sixty Years of THE TWILIGHT ZONE

 

Rod Serling’s THE TWILIGHT ZONE ran on CBS from 1959 to 1964. It remains in syndication to this very day. A new version of the series — narrated by filmmaker Jordan Peele — premiered on CBS All Access on April 1, 2019. Sixty years after its original debut, Rod Serling’s remarkable creation is still very much embedded in the public consciousness.

The creator of THE TWILIGHT ZONE was born on December 25, 1924 in Syracuse, New York. His brother, the late novelist and aviation writer Robert Serling, said: “We were fairly close as kids and we played together a hell of a lot, despite the seven-year difference. The two of us used to read AMAZING STORIES, ASTOUNDING STORIES, WEIRD TALES — all of the pulps. If we saw a movie together, we’d come home and act it out, just for the two of us.”

After serving in World War II as an army paratrooper, Rod Serling entered Antioch College in Ohio. He majored in language and literature and became involved in the college’s radio programming. While still in college, he began to sell his radio and television scripts. Long an admirer of Norman Corwin — a writer and producer who used entertainment to explore social issues — Serling complained that he was “. . . bitter about everything and at loose ends.” He began writing “. . . to get it off my chest.”

Rod Serling’s big break came in 1955 when KRAFT TELEVISION THEATER produced his drama, “Patterns.” It won the writer the first of his six Emmy awards. Serling’s “Requiem for a Heavyweight,” written for PLAYHOUSE 90, won him another Emmy in 1956. “The Comedian,” starring Mickey Rooney, won Serling a third Emmy  in 1958.

At the top of the entertainment world, but still dissatisfied, Rod Serling began to search for a new way to get things off his chest. He had previously written science fiction and fantasy while working for THE STORM, a television series that aired live in the Cincinnati area. He had also attempted to sell a few science fiction scripts to the ABC series, TALES OF TOMORROW. However, having written no published science fiction or fantasy and — according to author Ray Bradbury — knowing little about the field, Serling turned these genres for his first television series. In a 1963 interview published in the first issue of GAMMA, Rod Serling explained:

“Because I loved this area of imaginative storytelling — and because there had never been a TV series like it. The strength of TWILIGHT ZONE is that through parables, through placing a social problem or controversial theme against a fantasy background you can make a point which, if more blatantly stated in a realistic frame, wouldn’t be acceptable. Because of this from time to time, we’ve been able to make some pertinent social comments on conformity, on prejudice, on political ideologies, without sponsor interference. It offered a whole new outlet, a new approach.”

Although he wrote or adapted nearly sixty percent of the series’ 156 total episodes, Rod Serling also employed writers Ray Bradbury, Earl Hamner, Jr., Jerry Sohl, and his “three writing gremlins,” Charles Beaumont, George Clayton Johnson, and Richard Matheson, for the series. Most were actively writing science fiction or fantasy for the magazines of the day.

Join PulpFest 2019 on Friday, August 16, as we welcome Nicholas Parisi for “The Key of Imagination: THE TWILIGHT ZONE and the Pulps.” He will be discussing the creation and history of Rod Serling’s fantastic program and its relationship to the science fiction and fantasy pulps and digests. A former staff writer and editor for GOOD TIMES magazine, Nicholas is the author of ROD SERLING: HIS LIFE, WORK, AND IMAGINATION.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA.

To become a member of PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

You unlock this door with the key of imagination. Beyond it is another dimension — a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into the Twilight Zone.

(Rod Serling was interviewed for the first issue of GAMMA, a short-lived science fiction magazine that debuted in 1963. In addition to the Serling interview, five authors who wrote for THE TWILIGHT ZONE also had stories in the issue — Charles Beaumont, Ray Bradbury, George Clayton Johnson, Richard Matheson, and John Tomerlin. The cover painting for GAMMA #1 was by Morris Scott Dollens, an artist who got his start in the science fiction fanzines of the late 1930s.)

Two Sought Adventure

May 31, 2019 by

Fafhrd and the Gray Mouser faced each other across the two thieves sprawled senseless. They were poised for attack, yet for the moment neither moved.

Each discerned something inexplicably familiar in the other.

Fafhrd said, “Our motives for being here seem identical.”

“Seem? Surely must be!” the Mouser answered curtly, fiercely eyeing this potential new foe, who was taller by a head than the tall thief.

“You said?”

“I said, ‘Seem? Surely must be!”

“How civilized of you!” Fafhrd commented in pleased tones.

“Civilized?” the Mouser demanded suspiciously, gripping his dirk tighter.

“To care, in the eye of action, exactly what’s said,” Fafhrd explained. Without letting the Mouser out of his vision, he glanced down. His gaze traveled from the belt and pouch of one fallen thief to those of the other. Then he looked up at the Mouser with a broad, ingenous smile.

“Sixty, sixty?” he suggested.

The Mouser hesitated, sheathed his dirk, and rapped out, “A deal!”

 

Eighty Years of Fritz Leiber’s Fafhrd and the Gray Mouser

 

Fafhrd and the Gray Mouser first met in the story, “Ill Met in Lankhmar,” published in the April 1970 issue of THE MAGAZINE OF FANTASY AND SCIENCE FICTION. Fritz Leiber’s story won both the 1970 Nebula and 1971 Hugo awards in the novella category. However, the characters had been created decades earlier, in a 1934 letter that the beginning author received from his friend, Harry Otto Fischer:

“For all do fear the one known as the Gray Mouser. He walks with a swagger ‘mongst the bravos, though he’s but the stature of a child. His costume is all of gray, from gauntlets to boots and spurs of steel.”

 

Of Fafhrd he wrote that he laughed merrily and was “full seven feet in height. His eyes wide-set, were proud and of fearless mien. His wrist between gauntlet and mail was white as milk and thick as a hero’s ankle.”

 

They met “in the walled city of the Tuatha De Danann called Lankhmar, built on the edge of the Great Salt Marsh . . . and so the saga of the Gray Mouser and Fafhrd was begun.”

After further correspondence with his friend, Fritz Leiber began working on a novella, finishing it in early 1936. It was rejected by Farnsworth Wright of WEIRD TALES as being too full of “stylistic novelties.” Following several revisions, the author showed his manuscript to H. P. Lovecraft, who wrote:

“There will shortly be circulated among the gang . . . a remarkable unpublished novelette by young Leiber — “Adept’s Gambit,” rejected by Wright and now under revision according to my suggestions. It is a brilliant piece of fantastic imagination — with suggestions of Cabell, Beckford, Dunsany, and even Two-Gun Bob — and ought to see publication some day.”

Although the initial tale of Fafhrd and the Gray Mouser would not be published until 1947 in NIGHT’S BLACK AGENTS, pulp readers would be introduced to the characters in the August 1939 UNKNOWN. Beginning with “Two Sought Adventure,” the Street & Smith pulp would publish five of Leiber’s tales of the two adventurers. In later years, the stories would be featured in COSMOS SCIENCE FICTION AND FANTASY MAGAZINE, DRAGON, THE MAGAZINE OF FANTASY AND SCIENCE FICTION, OTHER WORLDS, SUSPENSE MAGAZINE, WHISPERS, and, most importantly, FANTASTIC and Donald Wollheim’s Ace Books.

“Two comrades to the death and black comedians for all eternity, lusty, brawling, wine-bibbing, imaginative, romantic, earthy, thievish, sardonic, humorous, forever seeking adventure across the wide world, fated forever to encounter the most deadly of enemies, the most fell of foes, the most delectable of girls, and the most dire of sorcerers and supernatural beasts and other personages.”

Join PulpFest 2019 on Thursday, August 15, as we welcome fantasy and horror writer Jason Scott Aiken and sword and sorcery expert Morgan Holmes, for “Two Sought Adventure — Eighty Years of Fritz Leiber’s Fafhrd & the Gray Mouser.” Dr. Holmes is the former official editor of the Robert E. Howard United Press Association and was nominated for a Hugo award in 2016 as Best Fan Writer.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

 

(Although the Fafhrd and the Gray Mouser series began in the pulp UNKNOWN, it was Cele Goldsmith of FANTASTIC who took a gamble and commissioned Fritz Leiber to author a new series of Fafhrd and the Gray Mouser stories. The first of these was “Lean Times in Lankhmar,” published in the November 1959 issue. FANTASTIC would run eleven tales featuring Leiber’s two comrades, concluding with “Under the Thumbs of the Gods,” published in the April 1975 number, featuring front cover art by Stephen E. Fabian.

Around 1967, Donald A. Wollheim asked Leiber to put the Fafhrd and Gray Mouser tales “into chronological order and write new ones to fill in the gaps.” The result was a series of six paperbacks, beginning with SWORDS AND DEVILTRY — with cover art by Jeffrey Catherine Jones — first published by Ace Books in 1970.

A seventh book of stories — THE KNIGHT AND KNAVE OF SWORDS — was published in 1988 by William Morrow and Company.)

Robert H. Davis — The Grandfather of Science Fiction

May 29, 2019 by

Born in Nebraska on March 23, 1869, Robert Hobart Davis has been called the greatest editor of the pulp era. Trained in the newspaper industry, Davis became the managing editor of Frank A. Munsey’s NEW YORK SUNDAY NEWS in the early 1900s. He soon shifted to fiction editor for MUNSEY’S MAGAZINE. As Munsey added more magazines to his stable, he turned them over to Davis. THE ALL-STORY MAGAZINE, THE CAVALIER, RAILROAD MAN’S MAGAZINE, THE SCRAP BOOK, and others were edited by Bob Davis.

Sam Hellman — a Davis protégé — knew of no other editor who had “graduated more writers from pulp to prominent pay.” Pulp historian John Locke also noted that, “More than sixty authors — many of them well-known — dedicated their books to Bob Davis.”

Bob Davis was the literary godfather to “Edgar Rice Burroughs, Zane Grey, Edison Marshall, Mary Roberts Rinehart, Octavus Roy Cohen, Max Brand, Fannie Hurst, Israel Zangwill, Dorothy Canfield Fisher, Sophie Kerr, Frank L. Packard, Montague Glass, Arthur Somers Roche, Faith Baldwin, James Oliver Curwood, Rex Beach, Louis Joseph Vance, Charles Van Loan, and Ben Ames Williams,” according to Richard Cary. He also signed O. Henry to a long-term contract — giving Munsey first look at the author’s works — and acquired the rights to Joseph Conrad’s last major work, “Victory.”

Science fiction and fantasy also owe a great deal to Robert H. Davis. He was a major force in their development during the early years of the twentieth century. Using the scientific romances of Edgar Rice Burroughs as a template, Davis inspired a style of fiction for the Munsey stable of magazines. He called this style the “different” story. The Munsey editor discovered or cultivated the talents of Ray Cummings, George Allan England, Philip M. Fisher, Homer Eon Flint, J. U. Giesy, Austin Hall, Murray Leinster, A. Merritt, Todd Robbins, Victor Rousseau, Garrett P. Serviss, Perley Poore Sheehan, Francis Stevens, and Charles B. Stilson. Robert H. Davis can very well be thought of as “The Grandfather of Science Fiction.”

Join PulpFest 2019 on Thursday evening, August 15, as we welcome Gene Christie for a look at the life of Bob Davis and his importance to the development of science fiction and fantasy.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Although he cultivated a school of writers to create “pseudoscientific” or “different” stories for the Munsey chain of magazines, Robert H. Davis also turned to Edgar Rice Burroughs for many such works. One was “Thuvia, Maid of Mars.” It was serialized in three parts, beginning with the April 8, 1916 issue of ALL-STORY WEEKLY, featuring cover art by P. J. Monahan.

Gene Christie will explore the life and influence of “The Grandfather of Science Fiction” at PulpFest 2019. A longtime pulp collector and scholar, Gene has edited over a dozen anthologies for various publishers. THE CRIME MAGNET: THE ADVENTURES OF MAJOR BERNARD DE TREVILLE, THE MAN WHO FOUND ZERO: EARLY SCIENCE FICTION AND WEIRD FANTASY FROM THE BLACK CAT, THE PEOPLE OF THE PIT AND OTHER EARLY HORRORS FROM THE MUNSEY PULPS, THE SPACE ANNIHILATOR: EARLY SCIENCE FICTION FROM THE ARGOSY, and THE THING FROM — OUTSIDE are just a few of Gene’s books.)

Dashiell Hammett and the Detective Story

May 27, 2019 by

Dashiell Hammett was born on May 27, 1894, making Memorial Day 2019 the 125th anniversary of his birth. Hammett was not the first pulp author to write hardboiled detective fiction, but he was the most influential. His was an original voice, steeped in cynicism bred by first-hand experience as a former Pinkerton Op. His stories and novels transcend their humble origins and are recognized as literature today. Hammett’s fiction and characters have left an indelible mark on popular culture nearly a century after he first appeared in the pages of SMART SET and BLACK MASK.

Friday night, August 16, at PulpFest 2019, critically acclaimed pop culture historian and 2006 Lamont Award recipient John Wooley of Reverse Karma Press presents “Dashiell Hammett and the Detective Story,” ably assisted with visual support from ADVENTURE HOUSE publisher and editor John Gunnison. Please join us for what is sure to be one of the highlights of this year’s convention.

While legendary Hammett characters such as The Continental Op, Sam Spade, Nick & Nora Charles, and Ned Beaumont started in the pulps (and slicks), they reached an even wider audience in film, radio, and television. Humphrey Bogart, the team of William Powell and Myrna Loy, and George Raft brought  Spade, Nick & Nora, and Ned Beaumont to the silver screen before being succeeded, respectively, by Howard Duff on radio, the team of Peter Lawford and Phyllis Kirk on television, and Alan Ladd in the silver screen remake of THE GLASS KEY. The nameless Continental Op was less faithfully transferred in ersatz adaptations for radio and a spin-off film version as Brad Runyon (rather than Casper Gutman) in THE FAT MAN, and 25 years later in a television mini-series with James Coburn as Hamilton Nash in THE DAIN CURSE. Less memorable variations of these properties preceded and followed these notable versions. Despite the undeniable charm of Nick and Nora on big and small screen and Bogart’s career-defining portrayal of Sam Spade in John Huston’s classic film version of THE MALTESE FALCON, no Hammett adaptation has remained entirely faithful to the written word or matched the depth and flawed moral complexities displayed by Hammett’s characters on the printed page.

The shining light of the BLACK MASK school of detective fiction left behind another legacy, albeit one that is less celebrated 85 years later. Alongside FLASH GORDON creator Alex Raymond, Hammett launched SECRET AGENT X-9 in 1934. The newspaper strip was enormously successful in its day spawning not one, but two Saturday matinee movie serials from Universal Pictures in the 1930s and 1940s. The newspaper strip continued for many decades, crossing over into comic books as well, and eventually becoming SECRET AGENT CORRIGAN. 

Hammett’s background as a Pinkerton man infused his detective stories with a realism few other writers could match. An unfaithful husband and an often absent father, he was a flawed man. His literary output teetered on the precipice as he debated deserting his wife and family. Like Sam Spade in the closing chapter of THE MALTESE FALCON, Hammett faced the consequences of his actions and, in the process, forever extinguished the spark of moral turpitude that lit his creative flames. Twenty years later, he teetered on the moral brink a second time when he struggled with what freedom really meant as an American citizen. His guilt over his violent past as a literal Union strikebreaker fueled his defense of workers’ rights late in life. He tried to make a better choice and was condemned in his own era for resolving to stick to his values once he recognized the wages of sin. A veteran of both World Wars, he served time in a state penitentiary for defending civil rights against the House Un-American Activities Committee. He was released from prison a broken man and died of the tuberculosis that had plagued him since the First World War.

Join John Wooley and John Gunnison at PulpFest 2019 for a celebration of the life and work of the single greatest writer of hardboiled detective fiction, the pulp writer who has achieved the greatest literary acclaim, and a man whose work is still justly celebrated for being as vital and influential today as it was when he typed his first story nearly a century ago.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA. We’ll be celebrating “Children of the Pulps and Other Stories” — focusing on the pulp influences in popular culture — at this year’s gathering.

Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(H. C. Murphy painted the initial cover for Dashiell Hammett’s five-part serial, “The Maltese Falcon.” It was originally published in the September 1929 through January 1930 issues of BLACK MASK. The story introduced the iconic private detective, Sam Spade.

THE ADVENTURES OF SAM SPADE was a radio series based loosely on Dashiell Hammett’s morally complex private eye, Sam Spade. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. It starred Howard Duff as Sam Spade and Lurene Tuttle as his secretary Effie. The series was produced and directed by William Spier and sponsored by Wildroot Cream Oil Hair Tonic.)

 

Born Writing: The Unparalleled Career of Arthur J. Burks

May 24, 2019 by

Pulp writer Arthur J. Burks was fated to be better known for the quantity of his output than the quality of his fiction. A familiar name on many pulp covers, he was a highly effective storyteller who authored approximately 800 stories. On Saturday, August 17, at Pulpfest 2019, the 2004 recipient of the Lamont award, pulp authority John Locke will host a presentation, “Born Writing: The Unparalleled Career of Arthur J. Burks.” We’re all familiar with the amazing million-word-a-year men of the pulps. This talk will focus on how Burks became one of them.

Burks was born to a farming family in Washington state on September 13, 1898. During World War I, he enlisted in the Marine Corps as a private; after rejoining the Corps during World War II, he retired a Lieutenant Colonel. His real passion, though, was writing. While stationed in the Dominican Republic from 1921-24, he witnessed strange things which gave him material for his first professional sales, to a new magazine, WEIRD TALES. In the 1930s, his work seemed to be everywhere. He wrote countless adventure, aviation, boxing, detective, and weird menace tales for AIR STORIES, ASTOUNDING STORIES, FIGHT STORIES, GANGSTER STORIES, MARVEL SCIENCE STORIES, POPULAR DETECTIVE, SKY FIGHTERS, SPORT STORY MAGAZINE, STRANGE TALESTERROR TALES, THRILLING ADVENTURES, THRILLING WONDER STORIES, UNKNOWN, and many others. Burks’ series characters include deaf detective Ewart D’Strange, flyer The Winged Cavalier, New York Chinatown detective Dorus Noel, and gangland boxer Kid Friel.

His friendship with L. Ron Hubbard in the 1930s triggered Burks’s interest in the paranormal and metaphysics. By the 1960s, he was a popular fixture on the lecture circuit, sharing his knowledge with the curious and skeptical alike. Much of Burks’ fantasy fiction centers on the metaphysical. One of his best known works (and one of the few to be published in book form), THE GREAT MIRROR (1942), concerns Martian technology utilized by Tibetan monks to foster ESP and matter transmission.

A writer to the very end, Burks died at age 75 on May 13, 1974.

We hope you’ll join pulp historian John Locke — the world’s foremost Burkologist — at PulpFest 2019 for this very special hour-long presentation on the career of the highly prolific and vastly underappreciated Arthur J. Burks.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA. We’ll be celebrating “Children of the Pulps and Other Stories” — focusing on the pulp influences in popular culture — at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Arthur J. Burks was a prolific and successful pulp writer who usually wrote over one million words per year. He wrote hundreds of stories for the adventure, aviation, detective, fantasy, science fiction, sports, war, and weird menace pulps.

Burks wrote fourteen stories for ASTOUNDING STORIES and its later incarnation, ASTOUNDING SCIENCE FICTION. Most of these tales were of novella or longer length. “The Mind Master” — a two-part serial featured in the January (with cover art by H. W. Wessolowski) and February 1932 issues — concerns a mad scientist who replaces the brains of several apes with human brains. It’s part of a short series that Burks began in 1931 with the story, “Manape the Mighty.”)

The Game’s Afoot!

May 22, 2019 by

Sherlock Holmes and the Pulps

Today marks the 160th anniversary of the birth of Sir Arthur Conan Doyle. Although best known as the creator of Sherlock Holmes, the author preferred the historical fiction that he wrote. THE WHITE COMPANY was his favorite among Conan Doyle’s many works. He was extremely prolific.

Conan Doyle began to write while a medical student. His first sale, “The Mystery of Sasassa Valley,” was published when he was twenty. However, countless rejections, low word rates, and lack of author credit, were leading nowhere.

Shortly after graduating from medical school, Conan Doyle married Louisa Hawkins. Armed with his wife’s small estate and encouragement, the author continued to write.

While trying to sell an early novel, Conan Doyle began a new one. It featured a character modeled after C. Auguste Dupin — Edgar Allan Poe’s amateur detective — and Dr. Joseph Bell, one of the author’s medical school instructors. Dr. Bell taught that keen observation and logic were paramount in the diagnosis of disease. Following several rejections, Conan Doyle sold “A Study in Scarlet.” It was published in the November 1887 number of BEETON’S CHRISTMAS ANNUAL. A hardbound book followed.

Although preferring to write historical fiction, Conan Doyle began to notice that readers wanted to learn more about his protagonists from “A Study in Scarlet.” After contracting to provide a forty-thousand word novel to LIPPINCOTT’S MONTHLY MAGAZINE, he obliged his readers. “The Sign of the Four” appeared in the February 1890 number of the magazine. It was not long before the author would return with more stories of Sherlock Holmes and Doctor Watson.

Looking for a way to efficiently exploit the growing market of monthly magazines, Conan Doyle decided to offer more of Holmes and Watson. In the summer of 1891, “A Scandal in Bohemia” appeared in THE STRAND MAGAZINE. It would be followed by eleven more tales, one per month for the next year. In writing the stories that became THE ADVENTURES OF SHERLOCK HOLMES, Conan Doyle created the first short story series. In the years to follow, his idea would be imitated across the globe. It resounds to our very day in series television and throughout popular culture.

Please join PulpFest 2019 on Friday, August 16, for “The Game’s Afoot: Sherlock Holmes and the Pulps.” Our presentation will begin at 7:55 in the programming area at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. It will feature George Vanderburgh, who has published over 600 books, including many volumes of Sherlockian scholarship. His Battered Silicon Dispatch Box has also published many pulp-related volumes and numerous collections of early detective fiction. George also served as the co-editor of Arkham House Publishers until the death of April Derleth.

Joining George will be Garyn G. Roberts, a professor of English and popular culture who has written extensively about the pulps, both professionally and as a fan. Garyn has also edited or co-edited some of the best collections of fiction from the pulps. He is the author/editor of the award-winning THE PRENTICE HALL ANTHOLOGY OF SCIENCE FICTION AND FANTASY. In 2013, Garyn was presented with the Munsey Award to honor his many contributions to the pulp community. He was also a Mystery Writers of America Edgar Award Finalist for DICK TRACY AND AMERICAN CULTURE in 1994.

Garyn and George will be discussing Sir Arthur Conan Doyle and his creations as well as their vital importance to the evolution of popular culture for over 100 years. Please join them at PulpFest 2019, taking place from Thursday evening, August 15, through Sunday afternoon, August 18, in Mars, Pennsylvania.

(Almost ten years after killing Holmes off at the Reichenbach Falls, Conan Doyle brought his character back in “The Adventure of the Empty House.” The story would appear first in the September 26, 1903 number of COLLIER’S, featuring a cover illustration by Frederic Dorr Steele.)

The Secret Life of Women Pulp Artists

May 20, 2019 by

The sensational pulp magazines were illustrated by many legendary artists with colorful personalities. They often competed for free-lance assignments. Among the ranks of this pecking order there were exceptional women, such as Constance Bailey, Margaret Brundage, Dorothy Flack, Madge Geyer, Thelma Gooch, Alice Kirkpatrick, Zoe Mozert, Margery Stocking, Gloria Stoll Karn, Xena Wright, and Irene Zimmerman. These women defied social norms and pursued their own art careers in the male-dominated world of publishing.

Please join PulpFest 2019 on Friday, August 16, as we learn all about “The Secret Life of Women Pulp Artists.” Pulp art historian, David Saunders, will share biographical profiles of these cultural pioneers who worked beyond glass ceilings.

David Saunders is the son of pulp artist Norman Saunders, and is also a foremost scholar of American illustration art. His free public website, Field Guide to Wild American Pulp Artists, has over five-hundred biographical profiles of artists.He has also written artist biographies for ILLUSTRATION MAGAZINE and several coffee-table books on pulp artists. To find out more, visit theillustratedpress.com. A New York artist, David’s own artworks have been exhibited worldwide and are collected by the Museum of Modern Art and the Metropolitan Museum of Art. Additionally, David is the creator of the Munsey Award.

This year’s PulpFest will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Irene Zimmerman — who used the pen-name Irene Endris — started her commercial art career during the 1920’s in newspapers and THE GOLDEN BOOK MAGAZINE. During the thirties, she began to draw pen and ink interior illustrations for Harry Donenfeld’s spicy pulp magazines. Zimmerman also painted covers for CRACK DETECTIVE, SPEED DETECTIVE, TEN DETECTIVE ACES — including the August 1946 number — and LIBERTY MAGAZINE.

Another woman pulp artist who David will discuss is Pittsburgh resident Gloria Stoll Karn.  The city’s public television station, WQED, recently released a documentary about five visual artists from Western Pennsylvania. Gloria Stoll Karn is one of the artists featured, sharing her work and stories about the rewards and challenges of being a woman in her field.

Entitled VISIBLE, the WQED documentary also features author and PulpFest member Heidi Ruby Miller. You’ll find a link to Gloria’s segment here and to the entire documentary here. PulpFest would like to thank the film’s producers, Anne Casper and Andrew Holman, for the opportunity to contribute to this wonderful project.)

 

Farmer of the Pulps: A Harvest of Influences

May 17, 2019 by

Philip José Farmer is arguably the most influential pulp figure to emerge since the Golden Age. His Wold Newton family of crossover fiction provides the pulp equivalent of the Sherlockian Great Game for its many followers; continues to inspire sectarian groups who form their own variations of crossover chronologies; confounds or infuriates the most ardent canonical purists; and enriches the pulp community as a whole through the peerless research and scholarship into pulp history undertaken in its wake. Since 2011, PulpFest has partnered with FarmerCon to bring pulp fans the biggest and best pulp con in the East while hosting an annual gathering for Wold Newtonians to celebrate our shared literary family tree.

On Saturday, August 17, FarmerCon XIV showcases a panel discussion, “Farmer of the Pulps: A Harvest of Influences” moderated by Paul Spiteri (co-editor of FARMERPHILE magazine and editor of the anthology, PEARLS OF PEORIA). The panel will explore the pulp origins and influences on some of Philip José Farmer’s most notable characters. It will also delve into Phil’s unique take on classic pulp characters in his writings, and the care and research he took to ensure they were treated with the reverence they deserved. Joining Paul on this panel will be a trio of distinguished and erudite pulp scholars.

Garyn G. Roberts, Ph.D. has written extensively about the pulps, both professionally and as a fan. He has edited or co-edited some of the best collections from the pulps including A CENT A STORY: THE BEST FROM TEN DETECTIVE ACES, MORE TALES OF THE DEFECTIVE DETECTIVE IN THE PULPS, THE COMPLEAT ADVENTURES OF THE MOON MAN, THE MAGICAL MYSTERIES OF DON DIAVOLO, and THE COMPLEAT GREAT MERLINI SAGA. His THE PRENTICE HALL ANTHOLOGY OF SCIENCE FICTION AND FANTASY, a university-level textbook, is notable for the attention paid to the pulp magazines. Professor Roberts was presented with the Munsey Award in 2013 to honor his many contributions to the pulp community.

Recently named the Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey is also among the most accomplished of the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series. He is also the authorized continuation chronicler of Philip José Farmer’s KHOKARSA series that bridges the works of Edgar Rice Burroughs and H. Rider Haggard. Carey has authored the novels SWORDS AGAINST THE MOON MEN, BLOOD OF ANCIENT OPAR, HADON — KING OF OPAR, EXILES OF KHO, and THE SONG OF KWASIN. He is also a seasoned editor, comic book writer, essayist, and author of short fiction.

Fantasy and horror writer Jason Scott Aiken is also the host and producer of “Pulp Crazy,” a video podcast devoted to pulp magazines since its inception in 2013. Jason has used this forum to provide overviews of pulp characters and authors, delve into the many pulp genres, and review pulp stories and novels. Jason has also provided audio recordings from PulpFest, with particular coverage of FarmerCon.

Additionally, FarmerCon XIV will see the debut of Meteor House’s latest fantastic collection of stories by Philip José Farmer! GREATHEART SILVER AND OTHER PULP HEROES collects for the first time in hardcover the stories Phil wrote in the 1970s to pay tribute to the pulps he first devoured in his youth.  The volume also features an introduction by pulp historian and panel member, Garyn G. Roberts, Ph.D. The collection gathers rare material that originally appeared in Byron Preiss’ WEIRD HEROES and in the THE MAGAZINE OF FANTASY & SCIENCE FICTION.

GREATHEART SILVER AND OTHER PULP HEROES will debut at FarmerCon XIV, but can be pre-ordered now. Meteor House is offering an “Early Bird Special” discount for this fascinating collection of Farmer paying homage to his literary heroes.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Philip José Farmer was a child of the pulps. Born in 1918, the Science Fiction Grand Master grew up with the pulps. He particularly favored Edgar Rice Burroughs’ Tarzan of the Apes. Running a close second was Lester Dent’s Doc Savage.

Farmer’s “biography” of Clark Savage, Jr. — DOC SAVAGE: HIS APOCALYPTIC LIFE — was released by Doubleday in 1973. It featured dust jacket art by Walter Baumhofer, excerpted from the April 1935 issue of Street & Smith’s DOC SAVAGE MAGAZINE.)

ARGOSY, ADVENTURE & BLUE BOOK — The Men’s Adventure Pulps

May 15, 2019 by

ARGOSY . . . ADVENTURE . . . BLUE BOOK . . . when it comes to pulps, these three magazines were the “aristocrats.”

THE ARGOSY was the first pulp magazine, having been converted to an all-fiction magazine with its October 1896 issue. Two months later, publisher Frank Munsey began to print it on wood-pulp paper. The rough-paper fiction magazine — or pulp  — was born.

When THE ARGOSY celebrated its 25th anniversary in 1907, its circulation had reached a half million copies. Given its success, THE ARGOSY was bound to attract imitators. Street & Smith, longtime publisher of dime novels and story papers, was first to meet the call. It debuted THE POPULAR MAGAZINE in late 1903. Munsey countered in 1904 with its second pulp, THE ALL-STORY. One year later, the Story-Press Corporation introduced THE MONTHLY STORY MAGAZINE. Not long thereafter, it became THE MONTHLY STORY BLUE BOOK MAGAZINE. In late 1910, the Ridgway Company introduced the pulp known as ADVENTURE.

These five periodicals —  along with SHORT STORIES — led the pulp magazine industry for decades, publishing some of the field’s best writers: H Bedford-Jones, Max Brand, Edgar Rice Burroughs, Agatha Christie, Zane Grey, H. Rider Haggard, James B. Hendryx, Harold Lamb, A. Merritt, Clarence Mulford, Talbot Mundy, E. Phillips Oppenheim, Sax Rohmer, Rafael Sabatini, Edgar Wallace, and others. They also introduced the world to Tarzan, Zorro, Barsoom, Hopalong Cassidy, Captain Blood, and Pellucidar.

The stresses of World War II — the loss of writers and artists to the war effort, paper shortages, declining readerships, changing tastes — generated a slow but steady metamorphosis of the “aristocrats.” ARGOSY was the first to change.

In 1943, ARGOSY was converted to a bedsheet, semi-slick magazine. Although fiction stories by top pulp writers remained a mainstay of the magazine, true war stories became more common, as did other true or fact-based stories. In the early fifties, ADVENTURE and BLUE BOOK followed suit.

With the contraction of the pulp industry during the 1950’s, men’s adventure magazines began to take off. The successful transformations of ARGOSY, ADVENTURE, and BLUEBOOK (as it was renamed in 1952) brought about a significant increase of men’s adventure magazine titles. Although many were short-lived, more than 150 men’s adventure magazines were launched during the decade, thanks to the three “aristocrats.”

Join PulpFest 2019 on Friday, August 16, as we welcome Bob Deis and Wyatt Doyle for “ARGOSYADVENTURE and BLUE BOOK — Men’s Adventure Pulps,” a look at the metamorphosis of these “pulp giants” into men’s adventure magazines.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Bob Deis has worked as a teacher, an artist, a musician, a logger, a magazine writer, and a state government bureaucrat. By accident, he fell into a lengthy career as a political consultant. Now retired, Bob spends much of his time collecting, writing, and publishing books about the men’s adventure magazines, including the November 1957 issue of ADVENTURE, featuring cover art by Mort Künstler (as Emmett Kaye) and the May 1954 issue of BLUEBOOK, featuring cover art by John Walter. In 2009, Bob created the popular website about the genre, MensPulpMags.com. Several years later he became friends with another fan of the men’s adventure genre, writer and publisher Wyatt Doyle, co-founder of the New Texture imprint.

Together, Bob and Wyatt co-edit and publish the Men’s Adventure Library series of books that collect classic stories and artwork from the men’s adventure magazines. Their books include WEASELS RIPPED MY FLESH!, HE-MEN, BAG MEN, & NYMPHOS, CRYPTOZOOLOGY ANTHOLOGY, A HANDFUL OF HELL, BARBARIANS ON BIKES, I WATCHED THEM EAT ME ALIVE, POLLEN’S ACTION: THE ART OF SAMSON POLLEN, and POLLEN’S WOMEN: THE ART OF SAMSON POLLEN.)

THE TWILIGHT ZONE’S Magic Man — Charles Beaumont

May 13, 2019 by

A prolific writer of both fiction and nonfiction, Charles Beaumont was born on January 2, 1929. According to award-winning writer and editor Roger Anker, “In a career which spanned a brief thirteen years,” Beaumont wrote and sold “ten books, seventy-four short stories, thirteen screenplays (nine of which were produced), two dozen articles and profiles, forty comic stories, fourteen columns, and over seventy teleplays.”

Beaumont grew up with the pulps. He wrote for PLAYBOY in 1962:

“Were they any good? No. They were great. DOC SAVAGE, THE SHADOW, THE SPIDER, G-8 AND HIS BATTLE ACES, THE PHANTOM, ADVENTURE, ARGOSY, BLUE BOOK, BLACK MASK, THRILLING WONDER STORIES, MARVEL TALES — and all the hundred-and-one other titles that bedizened the newsstands of America in the halcyon days — provided ecstasy and euphoria of a type unknown to this gloomy generation. They made to crawl deliciously young scalps. They inspired, excited, captivated, hypnotized — and, unexpectedly, instructed — the reckless young . . .”

During the summer of 1946, Beaumont met author Ray Bradbury in Los Angeles. Through a mutual interest in comic strips, the two became friends. Bradbury also became Beaumont’s writing mentor, reading and critiquing the budding author’s work. “When I read the first one, I said: ‘Yes. Very definitely. You are a writer,’ recalls Bradbury. ‘It showed immediately. . . . Chuck’s talent was obvious from that very first story.’”

Charles Beaumont’s professional writing career began with the novella, “The Devil, You Say?” published in the January 1951 issue of AMAZING STORIES. He was soon appearing in the pulps of his day — primarily digest magazines — IF, IMAGINATION, INFINITY SCIENCE FICTION, THE MAGAZINE OF FANTASY AND SCIENCE FICTION, MANHUNT, ORBIT SCIENCE FICTION and others. In September 1954, Beaumont’s “Black Country” appeared in PLAYBOY. Before long, his stories were appearing in prestigious magazines such as COLLIER’S, ESQUIRE, and THE SATURDAY EVENING POST.

Beaumont also began to write for television, authoring episodes for programs including ALFRED HITCHCOCK PRESENTS, THE D. A.’S MANFOUR STAR PLAYHOUSE, HAVE GUN, WILL TRAVEL, NAKED CITY, ONE STEP BEYOND, ROUTE 66, THRILLER, WANTED: DEAD OR ALIVE, and, most importantly, THE TWILIGHT ZONEBeaumont wrote twenty-two episodes for Rod Serling’s classic series including “The Howling Man,” “Living Doll,” and “Number 12 Looks Just Like You.” He also authored a number of screenplays including THE HAUNTED PALACE, THE MASQUE OF THE RED DEATH, and THE CIRCUS OF DR. LAO.

At the height of his writing career, Beaumont began to suffer from a mysterious ailment. “By 1964, he could no longer write. Meetings with producers turned disastrous. His speech became slower, more deliberate. His concentration worsened. . . . after a battery of tests at UCLA, Beaumont was diagnosed as having Alzheimer’s Disease; he faced premature senility, aging, and an early death.” He died on February 21, 1967 at the age of thirty-eight.

Join PulpFest 2019 on Friday, August 16, for an authorized screening of Jason and Sunni Brock’s documentary, CHARLES BEAUMONT: THE SHORT LIFE OF TWILIGHT ZONE’S MAGIC MAN. “The story of a man whose life was in many ways more incredible than any of his stories,” the film features Forrest J Ackerman, Christopher Beaumont, Ray Bradbury, Roger Corman, Harlan Ellison, George Clayton Johnson, S. T. Joshi, Richard Matheson, William F. Nolan, William Shatner, John Shirley, John Tomerlin, and others.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Although Charles Beaumont is highly regarded for the teleplays that he wrote for Rod Serling’s THE TWILIGHT ZONE, he started as a pulp writer. Following his initial appearance in AMAZING STORIES, his second published story — “The Beautiful People” — appeared in the September 1952 issue of IF: WORLDS OF SCIENCE FICTION. The author was prominently listed on the magazine’s cover, which featured a painting by Ralph Joiner. In 1963, the story was adapted by John Tomerlin for THE TWILIGHT ZONE. It was first broadcast on January 24, 1964 as “Number 12 Looks Just Like You.”

If you can’t wait for our special viewing of CHARLES BEAUMONT: THE SHORT LIFE OF TWILIGHT ZONE’S MAGIC MAN, you can pick up a copy via Amazon or by clicking here.)

 

Contemporary Pulp: Writing Genre Fiction

May 10, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!

At 3:15 PM on Saturday, August 17, please join Fu Manchu continuation author William Patrick Maynard in the PulpFest 2019 programming hall for a look at contemporary genre fiction. Joining him for the panel will be a quintet of established authors.

John C. Bruening is the co-founder of Flinch Books, publisher of Bruening’s critically acclaimed Prohibition-era pulp hero series MIDNIGHT GUARDIAN that began with 2016’s HOUR OF DARKNESS and continues with the 2019 publication of THE ANNIHILATION MACHINE. Bruening has also edited Flinch Books‘  adventure, horror, and science fiction anthologies BIG TOP TALES, RESTLESS, and QUEST FOR THE SPACE GODS

Recently named the Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey is also among the most accomplished of the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series. He is also the authorized continuation chronicler of Philip Jose Farmer’s KHOKARSA series that bridges the works of Edgar Rice Burroughs and H. Rider Haggard. Carey has authored the novels SWORDS AGAINST THE MOON MEN, BLOOD OF ANCIENT OPAR, HADON — KING OF OPAR, EXILES OF KHO, and THE SONG OF KWASIN. He is also an accomplished editor, comic book writer, essayist, and author of short fiction.

2019 Munsey Award nominee Win Scott Eckert launched the first Wold Newton website, The Wold Newton Universe in 1997. Over the next twenty-two years, he has written or co-written novels and short stories featuring characters such as Philip José Farmer’s Patricia Wildman, cult favorites Honey West and T. H. E. Cat, and classic properties such as The Green Hornet, Zorro, The Phantom, The Lone Ranger, The Green Ghost, Phileas Fogg, The Domino Lady, and Sherlock Holmes. His latest novel is HUNT THE AVENGER. A tireless chronicler of Farmer’s idiosyncratic view of a broad shared universe, Eckert has shown remarkable fidelity to Farmer’s vision and serves as an inspiration to the many who have followed in his wake.

Author of the Edgar-nominated HECTOR LASSITER historical crime series, Craig McDonald is an award-winning novelist, journalist and editor. The HECTOR LASSITER series chronicles the exploits of a fictional BLACK MASK author and his encounters with such notable figures as Ernest Hemingway, Orson Welles, Ian Fleming, and Lester Dent. McDonald’s internationally acclaimed works have found a global audience and have also been adapted in graphic novel format. His works have been published by Simon & Schuster and Macmillan Press.

It is arguable if a man who has penned so many introductions needs one of his own, but Will Murray’s many accomplishments and the esteem in which he is held by his peers demand recognition. Will Murray is the legendary author, historian, and comic book writer who continues to set the bar for everyone else in the field. The official continuation author of Doc Savage, Murray has also been licensed to continue the adventures of Tarzan, The Shadow, and King Kong. A tireless researcher of pulp and comics history, Murray has written extensively for both Marvel and DC Comics and co-created Squirrel Girl with the late Steve Ditko. Recipient of numerous industry awards for his scholarship, his fiction has also been recognized with Pulp Ark and Pulp Factory with Awards for Best Series Revival and Best Novel, respectively. A Lamont Award recipient in 1979 for his contributions to the betterment of the pulp community, Will Murray is just as vital 40 years later as he has ever been.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(In 2018, acclaimed artist Mark Wheatley shared with PulpFest the extensive array of illustrations that he created for the novel, SWORDS AGAINST THE MOON MEN.

In his novel, Christopher Paul Carey expands on Edgar Rice Burroughs’ Moon novels, while remaining solidly true to the established lore of the series. “This was a great project to be a part of,” Wheatley told us. “As a long-time Burroughs fan, I can tell you that Christopher is an excellent author. If I had any problem illustrating this book, it was that I was limited to eighteen pages of illustrations, and Christopher easily had a hundred great scenes in his manuscript!”)

Dog Star Books Rapid-Fire Read & Popular Fiction from Seton Hill

May 9, 2019 by

 

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!

On Saturday, August 17, at 11 AM, join six writers from Dog Star Books for a second Rapid-Fire Read for PulpFest. It will be hosted by publisher John Edward Lawson. Dog Star Books is the new Raw Dog Screaming Press imprint for Science Fiction Adventure titles. It is the specialty house for edgy, evocative, thought-provoking sci-fi and adventure fiction from new and established authors who shine among the best in their field today.

Readings on Saturday morning will be given by author and poet Matt Betts; editor and author J. L. Gribble; Dog Star Books founder/managing editor and science fiction and thriller author Heidi Ruby Miller; science fiction and urban fantasy author K. W. Taylor; science fiction author and poet Albert Wendland; and science fiction author, editor, and poet K. Ceres Wright.

Coffee, tea, and sweets — celebrating sixteen years of high quality Raw Dog fiction — will also be available, compliments of the publisher.

We’ll also be showcasing Popular Fiction from Seton Hill prior to the Dog Star Celebration. Join Dog Star Books founder and author Heidi Ruby Miller and three writers from Seton Hill University’s Writing Popular Fiction Master’s Program at 10 AM Saturday morning, August 17th at PulpFest in the convention’s programming hall. Horror and fantasy author Jeremiah Dylan Cook; author and screenwriter E. C. Skowronski,; and horror author, poet, and editor Sara Tantlinger will be reading from their work.

Meet the authors of science fiction that “goes for the throat” Saturday morning, August 17, at PulpFest and see if their Rapid-Fire Read doesn’t set you aflame and leave you barking for more.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(The Dog Star Books banner and logo were designed by Jennifer Barnes.)

Raw Dog Screaming Press Rapid-Fire Read & Sweet Sixteen Celebration

May 8, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!

On Friday, August 16, at 11 AM, join five writers from Raw Dog Screaming Press for a Rapid-Fire Read and Sweet Sixteen Celebration. It will be hosted by publisher Jennifer Barnes. Raw Dog Screaming Press has carved a niche for themselves as the specialty house for offbeat, dark, deviant, thought-provoking fiction. They were the recipient of the 2018 Horror Writers Association Specialty Press Award for outstanding horror, dark fantasy, and weird fiction. Their critically acclaimed publications are attracting mainstream attention with Ridley Scott recently optioning one of their titles as a major motion picture for Twentieth Century Fox.

Readings on Friday morning will be given by author/poet Michael A. Arnzen (four-time winner of The Bram Stoker Award); fantasy and science fiction author Carrie Gessner; author and founding editor of Raw Dog Screaming Press John Edward Lawson; novelist and journalist Jason Jack Miller; and Bram Stoker Award-winning poet and novelist Stephanie Wytovich.

Coffee, tea, and sweets — celebrating sixteen years of high quality fiction — will also be available, compliments of the publisher.

Help Raw Dog Screaming Press, the publisher who seeks to “publish the unpublishable,” celebrate their Sweet Sixteen in style by meeting the authors of fiction that “foams at the mouth” Friday morning, August 16, at PulpFest and see if their Rapid-Fire Read doesn’t set you aflame and leave you foaming at the mouth for more.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(The Raw Dog Screaming Press banner and logo were designed by Jennifer Barnes.)

Saturday’s New Fictioneers

May 7, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!  On Friday and Saturday, we’ll feature nine authors reading from their works and answering questions from the audience.

Reading from their works on Saturday, August 17

12:30 – 1:05 PM — John C. Bruening.

John C. Bruening, along with Jim Beard, is the founder of Flinch Books, publisher of Bruening’s critically acclaimed Prohibition-era pulp hero series MIDNIGHT GUARDIAN that began with 2016’s HOUR OF DARKNESS and continues with the 2019 publication of THE ANNIHILATION MACHINE. Bruening has also edited Flinch Books‘  adventure, horror, and science fiction anthologies BIG TOP TALES, RESTLESS, and QUEST FOR THE SPACE GODS. A 35-year writing professional with a background in journalism and marketing, Bruening found his niche in evoking the pulp classics of yesteryear. Come meet John C. Bruening Saturday afternoon, August 17, at PulpFest and take home a copy of the greatest pulp hero to emerge since the Golden Age in his latest MIDNIGHT GUARDIAN adventure.

 

 

 

1:10 – 1:45 PM — Roger Alford.

Author Roger Alford has written five books in THE BLACK SCEPTRE series thus far: GHOSTS IN THE ASYLUM, NO VICTORY WITHOUT SCARS, VENGEANCE WAITS AT THE DOOR, INVITATION TO DEATH, and DEATH IS A SILENT INTRUDER. He has also kicked off a brand new hardboiled series, HOLLYWOOD NEWSHAWK, with THE CITY BURNS AT NIGHT, adapted from his radio play. Alford’s works are published by his own imprint, Black Hood Press. Outside of the pulp world, Roger Alford is also webmaster of The Forbidden Zone, arguably the most comprehensive PLANET OF THE APES online resource. Come meet Roger Alford in person Saturday afternoon, August 17, at PulpFest and let him introduce you to both HOLLYWOOD NEWSHAWK and THE BLACK SCEPTRE.

 

 

 

1:50 – 2:25 PM — Sara Light-Waller.

The author of the sci-fi horror thriller LANDSCAPE OF DARKNESS and its sequel, ANCHOR, Sara Light-Waller is one of the few female pulp writers active in the field today. A talented illustrator as well as an author, Light-Waller has also penned four children’s books and published two coloring books. She serves as editor-in-chief of her own imprint, Lucina Press. A proponent of both the Coquille style of illustration and Neotopian storytelling, Sara is determined to let her art as both writer and illustrator make the world a better place. Come meet Sara Light-Waller in person at PulpFest on Saturday afternoon, August 17, and take a home a copy of both her sci-fi thrillers.

 

 

 

2:30 – 3:05 PM — Christopher Ryan.

Author Christopher Ryan has penned four books thus far in the MALLORY AND GUNNER supernatural crime series starting with CITY OF SIN and continuing through CITY OF WOE, CITY OF PAIN, and the brand new CITY OF LOVE. He has also written the science fiction novels A SIMPLE REBELLION and GENIUS HIGH. Ryan has also been chosen to continue the adventures of Alex Simmons’ pulp hero BLACKJACK with several new titles starting with SHOOTERS and continuing through RANSOM FOR A DEAD KING, DRIVEN, DARK END OF THE RAINBOW, and TRIAL BY FIRE / TRIAL BY ICE. Come meet Christopher Ryan in person Saturday afternoon, August 17, at PulpFest.

 

 

 

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Our featured image for this post is a photograph of an Underwood Portable typewriter from 1931. Writers believed to have used Underwoods — which “established the stereotype of a typewriter until the introduction of the IBM Selectric” — include Ray Bradbury, William S. Burroughs, Raymond Chandler, Daphne DuMaurier, Arthur Conan Doyle, William Faulkner, Erle Stanley Gardner, Robert A. Heinlein, Ernest Hemingway, Robert E. Howard, Sinclair Lewis, Henry Miller, Damon Runyon, Carl Sandburg, Upton Sinclair, James Thurber, and Orson Welles.)

Friday’s New Fictioneers

May 6, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!  On Friday and Saturday, we’ll feature nine authors reading from their works and answering questions from the audience.

 

Reading from their works on Friday, August 16

 

12:30 – 1:05 PM — Wayne Carey.

A regular contributor to QUATERMAIN: THE NEW ADVENTURES, published by Airship 27, Wayne Carey has gained recognition as one of the finest New Pulp writers for both Airship 27 and Pro Se Press. His passion for Edgar Rice Burroughs, H. G. Wells, Isaac Asimov, Talbot Mundy, Robert E. Howard, and H. Rider Haggard informs and permeates his own fiction. Carey’s pulp influences coalesced in his new adventures of Haggard’s seminal adventurer, Allan Quatermain. He has contributed both novels and short stories to the expanded Quatermain canon, including ALLAN QUATERMAIN AND THE BEAST MEN and ALLAN QUATERMAIN AND THE LIGHTNING BIRD. His most recent addition is the short story, “The Unholy Alliance” appearing in Volume Five of Airship 27’s QUATERMAIN: THE NEW ADVENTURES anthology series. Join Wayne Carey Friday afternoon, August 16, at PulpFest for a sampling of his thrilling pulp adventure works.

 

1:10- 1:45 PM — Craig McDonald.

Author of the Edgar-nominated HECTOR LASSITER historical crime series, Craig McDonald is an award-winning novelist, journalist and editor. The HECTOR LASSITER series chronicles the exploits of a fictional BLACK MASK author and his encounters with such notable figures as Ernest Hemingway, Orson Welles, Ian Fleming, and Lester Dent. McDonald’s internationally acclaimed works have found a global audience and have also been adapted in graphic novel format. His works have been published by Simon & Schuster and Macmillan Press. Meet Craig McDonald Friday afternoon, August 16, at PulpFest and become a fan of Hector Lassiter’s adventures in Hollywood, Paris, Key West, Cuba, Vienna, Berlin, Brazil, Mexico, the Midwest, and the Deep South. McDonald has created, in Hector Lassiter, the perfect vehicle to chart the key events of the last century that did so much to shape the present world. Pulp fiction of literate quality is a rarity to be cherished and Craig McDonald has earned entry in that rarified strata.

 

1:50- 2:25 PM — Joab Stieglitz.

The author of the UTGARDA pulp adventure series, Joab Stieglitz has crossed his love for cosmic horror and fantasy and Role-Playing Games into a Lovecraftian occult horror series that will appeal to pulp fans, Cthulhu Mythos acolytes, gamers, and horror movie fans in equal measure. The UTGARDA trilogy comprises three titles: THE OLD MAN’S REQUEST, THE MISSING MEDIUM, and THE OTHER REALM. The UTGARDA trilogy is a fast-paced, well-written supernatural thriller that channels H. P. Lovecraft and August Derleth’s Cthulhu Mythos in detailing the unspeakable entity that was unleashed upon the world in the 1920s by The Cabal. Come meet Joab Stieglitz in person Friday afternoon, August 16,  at PulpFest as he ushers UTGARDA into the 21st Century.

 

2:30- 3:05 PM — Christopher Paul Carey.

Recently named the Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey is also among the most accomplished of the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series. He is also the authorized continuation chronicler of Philip Jose Farmer’s KHOKARSA series that bridges the works of Edgar Rice Burroughs and H. Rider Haggard. Carey has authored the novels SWORDS AGAINST THE MOON MEN, BLOOD OF ANCIENT OPAR, HADON — KING OF OPAR, EXILES OF KHO, and THE SONG OF KWASIN. He is also an accomplished editor, comic book writer, essayist, and author of short fiction. A tireless champion of Wold Newtonian chronologies and Pathfinder RPG publications, Carey’s work stands out for its literate, often tragic view of history and empires that rise and fall from the actions of flawed characters who changed their world. Come meet Christopher Paul Carey in person at PulpFest Friday afternoon, August 16.

 

3:10 – 3:50 PM — William Patrick Maynard.

The licensed continuation author of Sax Rohmer’s Fu Manchu thrillers, William Patrick Maynard has written hundreds of articles for BlackGate.com, TheCimmerian.com, and DMRBooks.com among others. He has also contributed audio commentaries, liner notes, and rare footage to DVD and Blu-Ray releases by MGM, Shout Factory, Kino Lorber, and The Serial Squadron.  His short fiction and essays have appeared in numerous publications from Titan Books, Black Coat Press, EDGE Publishing, Airship 27, MX Books, Stark House Press, Black Dog Books, and Meteor House. Maynard is among the editorial staff of The Battered Silicon Dispatch Box and also serves as Assistant Director of Marketing for PulpFest. Come  meet William Patrick Maynard in person at PulpFest Friday afternoon, August 16.

 

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Our featured image for this post is a photograph of a Remington Noiseless 8 typewriter from 1937. Writers believed to have used Remingtons — “unrivaled in popularity until the Underwood locomotive roared onto the scene” — include Agatha Christie, Arthur C. Clarke, Harlan Ellison, William Faulkner, Dashiell Hammett, L. Ron Hubbard, Rudyard Kipling, Stan Lee, Sinclair Lewis, H. P. Lovecraft, H. L.Mencken, George Orwell, Ernie Pyle, Damon Runyon, Cornell Woolrich, and Philip Wylie.)