Premiering at PulpFest 2015

Aug 3, 2015 by

MurrayAs they do every year, a number of publishers have chosen to roll out new titles at PulpFest 2015. Altus PressMurania Press, and Stark House Press will be premiering reprints of classics from the past, while Adventures in BronzeAirship 27, and Meteor House will debut new work inspired by the great fiction of the past. And since PulpFest will be hosting four New Fictioneer readings, expect to meet some of the creators of today’s pulp fiction at the convention. Check out our schedule page for the times of our readings.

Tarzan. Doc Savage. The Shadow. All three of these iconic characters will be at PulpFest, courtesy of Adventures in Bronze and author Will Murray. You’ll be able to get signed copies in both hardcover and softcover of the fully authorized editions of RETURN TO PAL-UL-DON and DOC SAVAGE: THE SINISTER SHADOW. They’ll be available at PulpFest 2015 where their author, pop culture historian Will Murray, will be appearing on four different panel presentations.

GunnisonAlthough it originally appeared in 2007, THRILLING DETECTIVE HEROES certainly deserves a mention here. Edited by John Locke and John Wooley, it was published by Adventure House, one of the leading publishers of pulp reprints and reference works in the country. On Thursday, August 13th, at 8:40 PM, John Wooley and Adventure House publisher John Gunnison will pay a visit to some of the continuing characters that were featured in the Thrilling line of detective pulps. Join them for a discussion of “Thrilling Detectives” during our Thursday evening presentations in PulpFest‘s second-floor programming area at the Hyatt Regency. Their discussion will center around many of the characters featured in THRILLING DETECTIVE HEROES, a book that also includes the most complete history of the Thrilling Group of pulp magazines ever to be published. You’ll be able to pick up a copy at the Adventure House tables during the convention and have one of its editors and its publisher sign it for you. That won’t happen on ebay!

Airship 27New pulp fans will see a number of books for the very first time at PulpFest 2015, courtesy of Ron Fortier and Rob Davis of Airship 27 Productions. Frederick C. Davis’ occult detective, Ravenwood, the Stepson of Mystery, will appear in his first, full-length novel. Author Micah Harris links the classic pulp hero with one of the most notorious crimes in Hollywood history in RETURN OF THE DUGPA. Also debuting is the second volume of SIX-GUN TERRORS in which the Wild West meet WEIRD TALES. Fred Adams, Jr. weaves a weird western novel concerning warriors able to transform themselves into beasts!

AltusAs he does every year, Mike Chomko will be premiering the latest books from America’s leading pulp reprint house Altus Press. Thanks to an arrangement with Altus publisher Matt Moring, Mike will be offering both hardcover and softcover editions of THE COMPLETE ADVENTURES OF THE MOON MAN, VOLUME ONE; THE MASKED RIDER ARCHIVES, VOLUME TWO; THE BLACK BAT OMNIBUS, VOLUME THREE; and five books written by H. Bedford-Jones, including THE DEVIL’S BOSUN, GHOST HILLS, and WILL O’ THE WISP. Mike will also have the first ten volumes of the recently released ARGOSY LIBRARY, including Lester Dent’s GENIUS JONES, Victor Rousseau’s DRAFT OF ETERNITY, Otis Adelbert Kline’s THE SWORDSMAN OF MARS and W. Wirt’s WHEN TIGERS ARE HUNTING. Mike Chomko, Books has been one of the leading purveyors of pulp reprint books and periodicals since the early nineties. Look for his tables just inside the entrance to the PulpFest 2015 dealers’ room and say hi to the convention’s marketing and programming director.

Bold VentureWe’re very happy to have Rich Harvey and Audrey Parente of Bold Venture Press as one of this year’s fifty exhibitors. Since 1992, Bold Venture has been publishing quality reprints of classic pulp fiction. At this year’s convention, Rich and Audrey will be premiering John Wooley’s and Robert Leslie Bellem’s HOMICIDE HIGHBALL: THE LOST DAN TURNER MOVIE SCRIPT, Richard Lupoff’s DREAMER’S DOZEN, PULP JAZZ: THE CHARLES BOECKMAN STORY, the latest issue of PULP ADVENTURES featuring stories by Bellem, Lupoff, Stewart Sterling, and others, and Audrey’s own PULP NOIR: A CLUTTERED ROMANCE, in which two avowed hoarders of paper memorabilia try to make room in their lives for each other. It’s a funhouse mirror image of the world of collecting pulps and comics. Bold Venture Press brings you vintage pulp fiction and exciting new stories. Learn for yourself at PulpFest 2015.

EnosDick and Norma Enos of Fantasy Publishing will have a new adventure of Rick Steele at PulpFest 2015. Watch for DEATH ON THIN ICE, the latest yarn featuring the ace trouble buster from the fifties. A former test pilot with a trio of “ace” assistants, Rick will go anywhere in search of adventure. It’s part one of THE MONSTER OF CHINATOWN and you’ll see it at PulpFest.

Derleth MythosJohn D. Haefele, who will be part of our panel on the development of Lovecraft’s Cthulhu Mythos, will be offering copies of his landmark study, A LOOK BEHIND THE DERLETH MYTHOS: ORIGINS OF THE CTHULHU MYTHOS. Published by The Cimmerian Press, Haefele’s book answers numerous questions about the Lovecraft/Derleth controversy with fresh evidence and thunderous revelations, covering in unprecedented detail everything from the notorious “Black Magic Quote” to Derleth’s infamous “posthumous collaborations” with Lovecraft. Signed copies will be available at Mike Chomko, Books.

MaynardOn Saturday, August 15th, co-authors William Patrick Maynard and Alexandra Martukovich will be on hand to sign copies of FURTHER ENCOUNTERS OF SHERLOCK HOLMES, released by Titan Books in 2014. Their story, “The Adventure of the Coin of the Realm,” was one of twelve stories selected by George Mann for this new collection of Sherlock Holmes stories from a variety of exciting voices in modern horror and steampunk. Visit Bill’s tables in the PulpFest dealers’ room to meet the authors.

Meteor HouseMeteor House, a publisher of science fiction and fantasy that specializes in works set in the worlds created by Philip José Farmer and and original science fiction and fantasy novels and novellas, hopes to offer four new books at PulpFest 2015. Jim Beard’s and Duane Spurlock’s AIRSHIP HUNTERS delves into the mystery of 19th-century UFOs as the skies are haunted by mysterious airships and unfathomable secrets. Can two agents of a newly formed secret government agency discover the truth behind the greatest mystery of them all? HADON, KING OF OPAR, written by Christopher Paul Carey, picks up fourteen years after the novel THE SONG OF KWASIN, co-authored by Farmer and Carey. FLIGHT TO OPAR features nearly 4,000 words cut from Farmer’s original manuscript when it was originally published in 1976. Lastly, EXILES OF KHO is a new hardcover edition of the out-of-print prequel to Philip José Farmer’s beloved Khokarsa adventure series.

Murania Press PreviewEd Hulse and Murania Press will be offering a new issue of the award-winning “Journal of Adventure, Mystery and Melodrama in American Popular Culture” BLOOD ‘N’ THUNDER at this year’s PulpFest. The Summer 2015 issue takes a detailed look at the classic Munsey and Popular Publications pulp FAMOUS FANTASTIC MYSTERIES. Also appearing will be a Wold Newton article on “The Secret Son of Bran Mak Morn,” a piece entitled “32 from ’32: A Banner Year for Fantastic Cinema,” the story behind the all-but-forgotten radio dramatization of KING KONG, and much more.

Ed will also have several new titles from the MURANIA PRESS book line at the convention — William Corcoran’s THE PURPLE EYE,  a 60,000-word novel that could very well have served as the template for Popular’s hero pulps, and three volumes of crime and mystery yarns written by Johnston McCulley, the creator of Zorro — ALIAS THE THUNDERBOLT, THE RETURN OF BLACK STAR, and THE SPIDER SPINS HIS WEB.

Stark HouseIn the business of reprinting some of the best mysteries and supernatural fiction of the past 100 years, Stark House Press hopes to have several new titles ready for PulpFest 2015. Douglas Sanderson wrote a series of white hot thrillers in the 1950s which were published under his two pseudonyms, Martin Brett and Malcolm Douglas. But he also published a good many novels under his own name, and Stark House is proud to reprint two of them: NIGHT OF THE HORNS & CRY WOLFRAM. Peter Rabe was a psychology professor turned hardboiled crime writer back when Gold Medal ruled the original paperback racks of the fifties and sixties. The second volume of Rabe’s fictional study of the use and abuse of power features the final three stories of the Daniel Port gangster series. Other titles that Stark House hope to have ready for PulpFest include Robert W. Chambers’ THE KING IN YELLOW & THE MYSTERY OF CHOICE,  two collections of decadent horror fiction that will feature an introduction by noted critic, Stefan Dziemianowicz; Bruno Fischer’s THE BLEEDING SCISSORS & THE EVIL DAYS, two hard-boiled classics from one of Cap Shaws’ BLACK MASK  boys; and Ed Gorman’s GRAVE’S RETREAT & NIGHT OF SHADOWS, two classic western mysteries. Mike Chomko, Books will be representing Stark House at the convention.

These are just a few of the great publications that you’ll find in the PulpFest 2015 dealers’ room. So what are you waiting for? Book a room for three nights and register now for “Summer’s Great Pulp Con.” To book a room for this year’s convention, please visit www.pulpfest.com/2015/06/16872/.

PulpFest Specials

Jul 29, 2015 by

2015 FlyerIn just over two weeks, PulpFest 2015 will begin its celebration honoring the 125th anniversary of the birth of celebration of H. P. Lovecraft as well as its salutes to WEIRD TALES and the Thrilling Group of pulp magazines. The convention begins on Thursday afternoon, August 13th, at 4 PM. That’s when you’ll have four hours to pick up your registration materials or, if you have yet to register for convention, sign up to become a member. We’ll also have dealers’ room set-up taking place from 4 to 11 PM on Thursday, August 13th. Click our red schedule button to see our complete schedule.

As we did during our 2014 convention, PulpFest will be offering early-bird shopping in the PulpFest dealers’ room on Thursday, August 13th, from 6 PM until 10 PM. To reward loyal attendees who help to defray the convention’s substantial costs by staying three nights at our host hotel – the Hyatt Regency in the heart of Columbus — PulpFest 2015 will be providing free early-bird privileges. Thanks very much for your support.

Unfortunately, the Hyatt has been completely booked for about a month. So although you can no longer take advantage of our free early-bird offer, you can still partake in early shopping. If you prepay for your membership, Thursday night shopping will cost an additional $25 over the regular membership fee. Early-bird shopping privileges will cost $30 if you pay for them at the door. Advance registration will be available through Monday, August 10th. Please click the red registration button on our home page and you’re on your way. You can pay for your membership using the Paypal link that’s located under “Payment Instructions” on our registration page. Only staff, dealers, and early-bird shoppers will be allowed into the dealers’ room during Thursday evening, August 13th. Please realize that due to travel conditions and other contingencies, PulpFest cannot guarantee that each and every registered dealer will be available during our early-bird hours.

But free early-bird shopping isn’t the only way that we’ll be thanking those who stay three nights at the Hyatt Regency. On Saturday, August 15th, PulpFest will be holding a drawing at the close of our annual business meeting for two full membership fee refunds. Two lucky convention attendees who have prepaid for their membership, booked a room for three nights at our host hotel, and have chosen to attend our business meeting will receive full refunds of their membership fees to PulpFest 2015. You must provide proof of your stay at the Hyatt Regency Columbus and be present at the drawing to receive your free membership refund.

Please remember that PulpFest will be sharing downtown Columbus with Matsuricon in August. Therefore, we are urging all of our members to book their hotel rooms for PulpFest 2015 as soon as possible! If you have not yet booked your room for PulpFest 2015, there are still some rooms available at nearby hotels. Please click here and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not later. Rooms that are relatively close to PulpFest are disappearing fast during the time frame of our convention. So what are you waiting for? Book a room for three nights and register now for “Summer’s Great Pulp Con.”

(Join us August 13th – 16th at PulpFest 2015 for a celebration of H. P. Lovecraft and WEIRD TALES and a salute to the Thrilling Group of pulp magazines. Our flyer for this year’s convention features Matt Fox’s cover art for the November 1944 issue of WEIRD TALES. The cover story for the issue is August Derleth’s “The Dweller in Darkness,” a story that even S. T. Joshi — one of the author’s fiercest critics — has suggested “. . . is perhaps Derleth’s one relatively successful Mythos tale,” citing the Wisconsin setting and “effective atmosphere of cumulative horror.” Also featured in the issue are stories by Robert Bloch, Hannes Bok, Ray Bradbury, Manly Wade Wellman, and others.)

Cthulhu is Calling You to PulpFest’s Gaming Track

Jul 14, 2015 by

Call of Cthulhu Banner

During the late summer of 1926, H. P. Lovecraft wrote “The Call of Cthulhu.” Initially rejected by WEIRD TALES editor Farnsworth Wright, it was first published in “The Unique Magazine” in its February 1928 issue. Although a few related stories predated it — “The Nameless City,” “The Hound,” and “The Festival” — in what has come to be known as “The Cthulhu Mythos,” “The Call of Cthulhu” is a seminal work of its author. As writer and Lovecraft correspondent Fritz Leiber observed, “Here for the first time, Lovecraft moves horror from the realm of Earth to the stars.”

In Lovecraft’s remaining years following the publication of “The Call of Cthulhu,” he expanded on its themes in such tales as “The Whisperer in Darkness,” “At the Mountains of Madness,” and “The Shadow Out of Time,” depicting a universe of mind-numbing horror and reflecting his own materialistic atheism. During his last years, Lovecraft invited other writers to pen their own tales using the “synthetic folklore” he had created. “I think it is rather good fun to have this artificial mythology given an air of verisimilitude by wide citation.” Some of the authors who responded with their own “Cthulhu” fiction were Clark Ashton Smith, Robert E. Howard, Robert Bloch, Frank Belknap Long, and Henry Kuttner.

In later years, particularly following the death of “the old gentleman,” August Derleth worked to expand Lovecraft’s so-called “mythos,” shaping it in a way that some scholars claim to be a corruption of the original author’s intent. Derleth’s “Cthulhu Mythos,” as the story-type came to be known, shifted away from Lovecraft’s nihilistic universe toward a more “good versus evil” theme. Other writers, notably Lin Carter and Brian Lumley, continued this process.

Although Derleth may have corrupted Lovecraft’s “synthetic folklore,” he also helped to popularize the author’s fiction through his Arkham House Publishers and significantly expanded Lovecraft’s reputation. His visions increasingly came under the microscope of academia and scholars. His fiction became increasingly known and popular, leading to adaptations in a variety of media. All of this came to a head in 1981 when a wargame and role-playing-game publisher known as Chaosium released the first edition of CALL OF CTHULHU, a game developed by Sandy Peterson. It is is now in its seventh edition and is one of the role-playing games that will be featured during PulpFest‘s new gaming track.

Based on H. P. Lovecraft’s observation that “The oldest and strongest emotion of mankind is fear, and the strongest kind of fear is fear of the unknown,” the setting of Chaosium’s CALL OF CTHULHU is a darker and stranger version of our world, where the players try to hold back the darkness. The original game is set in the 1920s, the setting of many of Lovecraft’s stories. There have been numerous interesting adventures written for the game system over the years, including the CTHULHU BY GASLIGHT supplement, a blend of occult and Holmesian mystery set in Victorian England; CTHULHU DARK AGES that takes place about 1000 AD; CTHULHU RISING and its 23rd century setting; and CTHULHU INVICTUS, which takes place in the first century at the time of the Roman Empire.

Whatever the setting, the players take on the roles of detectives, criminals, scholars, artists, war veterans, and others who are drawn into the realm of the mysterious. Often, events begin innocently enough, until more and more of the true nature of reality is revealed. As the players experience more of the true horrors of the world and the irrelevance of humanity, their sanity inevitably withers away. The fun of these games comes from assuming roles that are different from everyday life and sometimes, making choices that one would not make in reality.

CALL OF CTHULHU has a reputation as a game in which it is quite common for a player character to die in gruesome circumstances or end up in a mental institution. Eventual triumph of the players is not a guarantee. However, dying heroically or going insane is part of the fun of this game. But who knows? You may gain the tools you need to defeat the creatures of the night – mystical knowledge and magic – and outsmart your opponents. As H. P. Lovecraft wrote in 1926, “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.”

The PulpFest 2015 gaming track will begin at 10 AM on both Friday and Saturday and last until 10 PM or thereabouts. On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. You can join us at the beautiful Hyatt Regency in Columbus, Ohio, beginning on Thursday evening, August 13th and running through Sunday afternoon, August 16th. To book a room for this year’s convention, please visit www.pulpfest.com/2015/06/16872/. Then, click the red “register” button on our home page to learn how to register for “Summer’s Great Pulp Con,” and now, “Summer’s Great Pulp Gaming Con.”

(Many thanks to Chaosium, the publisher of CALL OF CTHULHU, one of the most recognized role playing games in the world. Chaosium has donated a selection of books and role-playing-game supplements to be used as prizes for PulpFest‘s new gaming track.)

Pulp Macabre — The Art of Lee Brown Coye

Jul 11, 2015 by

Weird Tales 45-07Back around the beginning of May, Feral House, a small press with a taste for the outrageous, approached PulpFest with an offer that was very difficult to refuse. Author and collector Mike Hunchback had put together a definitive survey of the later work of illustrator Lee Brown Coye and was interested in presenting a slide show of the artist’s work at this year’s PulpFest. Given that our convention was celebrating the 125th anniversary of the birth of author H. P. Lovecraft, we jumped at the chance to have Mike be part of our 2015 conference. After all, Coye, like Lovecraft, was very strongly associated with “The Unique Magazine, “ WEIRD TALES.

Born in Syracuse, New York in 1907, Lee Brown Coye became very interested in drawing as a teenager and began studying art books on his own. In the late twenties, he was introduced to the technique of scratch-board drawing by woodcut illustrator Howard McCormick. This became the artist’s favored medium.

Coye made his first pulp magazine appearance in the July 1930 issue of GOLDEN BOOK.  However, it was not until the middle forties — after illustrating August Derleth’s SLEEP NO MORE, an anthology of horror and ghost stories for Farrar & Rhinehart — that his work began to appear regularly in the rough-paper market. He was soon illustrating stories and painting covers for pulp magazines such as SHORT STORIES and WEIRD TALES. His work for the latter proved very popular and he became a prolific contributor, sometimes appearing four or five times in a single issue. His drawings for the magazine included a running series of illustrations called “Weirdisms.” Coye pragmatically believed that, “I’d rather have my stuff in pulp magazines where people can see it than in a museum where they don’t.”

Writing in THE WEIRD TALES STORY, Robert Weinberg opined, “There was never an artist who came close to capturing horror and dread like Lee Brown Coye. He was master of the weird and grotesque illustration. Coye’s sketches had the shape of nightmares.”

More Derleth anthologies featuring Coye illustrations followed in the late forties — WHO KNOCKS? and THE NIGHT SIDE. The artist’s work continued to appear in WEIRD TALES until 1952. Beginning in 1962, following a ten-year hiatus from fantasy illustrating, Coye began producing horror and fantasy dust jackets for August Derleth’s Arkham House books. During this same period, his illustrations could be found in AMAZING STORIES, FANTASTIC STORIES OF IMAGINATION, and THE MAGAZINE OF FANTASY AND SCIENCE FICTION. In later years, he illustrated books and periodicals from other independent publishers including several for Carcosa, a small press founded by Jim Groce, David Drake, and Karl Edward Wagner. According to the latter, Lee Brown Coye was “enormously talented and possessing the unsettling combination of a certain morbid genius with a whimsical sense of humor.” In the late seventies, Coye twice won the “World Fantasy Award for Best Artist.” He suffered a stroke, which left him partially paralyzed, in 1979 and died in September 1981, at the age of seventy-four.

Pulp MacabreNow, thanks to editors Mike Hunchback and Caleb Braaten, some of Coye’s weirdest and most passionately ghoulish artwork is once again being made available. PULP MACABRE, co-published in 2015 by Feral House and Sacred Bones Records, an alternative record company and publisher from Brooklyn, New York, showcases the art of Lee Brown Coye’s final and darkest era, a period when he was “king of the weird artists,” producing some of his strongest and most fearless work.

On Saturday afternoon, August 15th, at 2:30 PM, Mike Hunchback will discuss Coye’s life and work and share selected images from PULP MACABRE as well as fanzine covers, dust jackets, and photographs from his own collection that were not included in the book. Please be sure to visit www.pulpfest.com/pulpfest-2015-registration-information/ to learn how to register for this great convention and be part of PulpFest‘s salute to H. P. Lovecraft, WEIRD TALES, and the art of Lee Brown Coye.

(Not long after the appearance of the August Derleth anthology SLEEP NO MORE, the book’s illustrator, Lee Brown Coye, began a long relationship with WEIRD TALES. The first of his ten covers for the magazine appeared on its July 1945 number. He also produced many interior illustrations for the magazine, including a series of pen-and-ink drawings that the artist “called “Weirdisms.” His work continued to appear in WEIRD TALES until 1952.

After growing up on a steady diet of horror and fantasy fiction from Arkham House Publishers and old pulp magazines, people such as Jim Groce, David Drake, and Karl Edward Wagner started their own small presses during the 1970s. Another was Stuart David Schiff who, in 1973, began to publish WHISPERS, a magazine that “embraced classic horror pulp fiction as well as then-current Horror Culture. Under Schiff’s editorship, the poetry, short stories, essays, and various forms of artwork featured in the zine often reveled in the type of weird extremes found only in the grisliest pulps. Within just a few issues, WHISPERS elevated the quality of fiction found in fanzines, and other publishers would have to follow suit.

The third issue of Schiff’s magazine was dedicated entirely to Lee Brown Coye. In Schiff’s featured essay from the issue, he wrote: “Lee’s pen conjures up spheres beyond normal perception and brings them to you with both subtlety and gut-wrenching directness.” Lee Brown Coye’s cover art for the issue — dated March 1974 — also serves as the cover art for Mike Hunchback’s and Caleb Braaten’s PULP MACABRE compilation.”)

The Call of Cthulhu and the Lovecraft Mythos

Jul 6, 2015 by

Tales of the Cthulhu MythosDuring the late summer of 1926, H. P. Lovecraft wrote “The Call of Cthulhu.” Initially rejected by WEIRD TALES editor Farnsworth Wright, it was first published in “The Unique Magazine” in its February 1928 issue. Although three related stories predated it — “The Nameless City,” “The Hound,” and “The Festival” — in what has come to be known as “The Cthulhu Mythos,” “The Call of Cthulhu” is a seminal work of its author. As writer and Lovecraft correspondent Fritz Leiber observed, “Here for the first time, Lovecraft moves horror from the realm of Earth to the stars.”

In the years remaining to Lovecraft following the publication of “The Call of Cthulhu,” he expanded on its themes in such tales as “The Whisperer in Darkness,” “At the Mountains of Madness,” and “The Shadow Out of Time,” depicting a universe of mind-numbing horror that was a reflection of his own materialistic atheism. During this period, Lovecraft invited other writers to pen their own tales using the “synthetic folklore” he had created. “I think it is rather good fun to have this artificial mythology given an air of verisimilitude by wide citation.” Some of the authors who responded with their own “Cthulhu” fiction were Clark Ashton Smith, Robert E. Howard, Robert Bloch, Frank Belknap Long, Henry Kuttner, and August Derleth.

“All of our gang frequently allude to the pet daemons of the others — thus Smith uses my Yog-Sothoth, while I use his Tsathoggua. Also, I sometimes insert a devil or two of my own in the tales I revise or ghost-write for professional clients. Thus our black pantheon acquires an extensive publicity & pseudo-authoritativeness it would not otherwise get.”

In later years, particularly following the death of “the old gentleman,” August Derleth worked to expand Lovecraft’s so-called “mythos,” albeit shaping it in a way that some scholars claim to be a corruption of the original author’s intent. Derleth’s “Cthulhu Mythos,” as the story-type came to be known, shifted away from Lovecraft’s nihilistic universe toward a more “good versus evil” backdrop. Other writers, notably Lin Carter and Brian Lumley, continued this process, basing their work on what Lovecraftian scholars have labeled, “the black magic quote,” purportedly written by Lovecraft:

“All my stories, unconnected as they may be, are based on one fundamental lor or legend: that this world was inhabited an one time by another race, who in practicing black magic, lost their foothold and were expelled, yet live on outside, ever ready to take possession of this earth again.”

Although Derleth may have corrupted Lovecraft’s “synthetic folklore,” twisting it away from its author’s intent, he also helped to popularize Lovecraft’s fiction through his Arkham House Publishers, significantly expanding Lovecraft’s reputation. The New Englander’s visions increasingly came under the microscope of academia and amateur scholars. His fiction became more widely read and popular, leading to adaptations in a variety of media including motion pictures, television, comic books, role-playing and video games, and even action figures and other toys. His stories are known the world over and though he lived much of his life in poverty, Lovecraft’s words and ideas have been transformed into a multi-million-dollar industry.

Call of Cthulhu One-SheetAs part of its celebration of the 125th anniversary of the birth of H. P. Lovecraft, PulpFest 2015 is proud to welcome John D. Haefele, author of A LOOK BEHIND THE DERLETH MYTHOSa critically acclaimed account of the birth of the Cthulhu Mythos; Don Herron, editor of the scholarly landmark, THE DARK BARBARIAN, and winner of the 2006 Black Circle Award for lifetime achievement in Robert E. Howard studies; popular culture scholar Rick Lai, who regularly appears as a panelist on podcasts produced by THE LOVECRAFT eZINE; Professor Tom Krabacher of California State University, Sacramento and a member of the Pulp Era Amateur Press Association; and Nathan Vernon Madison, a researcher involved in The Pulp Magazines Project and author of the Eisner-nominated ANTI-FOREIGN IMAGERY IN AMERICAN PULPS AND COMICS for a presentation entitled “The Call of Cthulhu: The Development of Lovecraft’s Mythos.” Scheduled for Friday evening, August 14th, at 9:50 PM, our panelists are promising a lively discussion that will explore the inspirations and origins of the Cthulhu Mythos as opposed to the Lovecraft’s Mythos and the Mythos of his contemporaries, as well as the controversies and personalities involved with these ideas over the years.

Join PulpFest 2015 at the beautiful Hyatt Regency in downtown Columbus, Ohio, beginning on Thursday, August 13th and running through Sunday, August 16th, for a salute to H. P. Lovecraft and WEIRD TALES, just a few short days before the author’s 125th birthday. Although our host hotel is completely booked, there are still some rooms available at nearby hotels. Please click here and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not later. Rooms that are relatively close to PulpFest are disappearing fast during the time frame of our convention.

(The first edition of TALES OF THE CTHULHU MYTHOS is credited to “H. P. Lovecraft and Others.” Edited and with an Introduction by August Derleth, it was released in 1969 by Arkham House Publishers in an edition of 4024 copies. The jacket art was created by the incomparable Lee Brown Coye who twice won the “World Fantasy Award for Best Artist.” Coye and his artwork will be the subject of a presentation at PulpFest 2015 on Saturday afternoon, August 15th, beginning at 2:30 PM.

As Lovecraft’s fiction became more widely read and popular, it led to adaptations in a variety of media including motion pictures, television, comic books, role-playing and video games, and even action figures and other toys. It was left to an organization devoted to the live-action role-playing game CTHULHU LIVES, to create one of the most faithful film adaptations of the work of H. P. Lovecraft. In 2005, the H. P. Lovecraft Historical Society released THE CALL OF CTHULHU, a silent movie based on Lovecraft’s 1928 story. PulpFest will be offering a fully authorized showing of this film on Friday, August 14th, beginning at 11:30 PM. It will be accompanied by “Cool Air,” an episode from ROD SERLING’S NIGHT GALLERY that originally aired in 1971. Learn more by reading “The Films of H. P. Lovecraft.”

Please be sure to visit www.pulpfest.com/pulpfest-2015-registration-information/ to learn how to register for “Summer’s Great Pulp Con” and be part of our salute to H. P. Lovecraft, WEIRD TALES, and the art of Lee Brown Coye.)