Our 2018 Munsey Winner

Jul 28, 2018 by

William Lampkin has been named the winner of the 2018 Munsey Award. Nominated by the general pulp community, Bill was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award is a fine art print created by David Saunders and published by Dan Zimmer of The Illustrated Press. It is presented annually to an individual or institution that has bettered the pulp community. David Saunders — winner of a special “retro” Lamont Award in 2016 — presented this year’s award. As Bill was unable to attend PulpFest 2018 due to family obligations, the award was accepted by Mike Chomko.

Our 2018 Munsey Award winner, William Lampkin, is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). After freelancing for a number of years, he’s now the public information officer for a professional licensing board. Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs ThePulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award. Tony calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director and webmaster.

Congratulations to Bill for this most deserved award.

Nominations are now being accepted for the 2019 Munsey Awards. If you’d like to make a nomination for this prestigious award, please send a short explanation concerning your reasons for the nomination to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. You can also reach Mike at 2217 W. Fairview Street, Allentown, PA 18104-6542. Previous winners of the Lamont, Munsey, or Rusty Award are not eligible for the award. Click here for a list of our previous winners.

The deadline for nominations is April 30, 2019. Please click here for additional details. Thanks for your help.

125 Years of Chris Schaare

Jul 5, 2018 by

Born on July 5, 1893, Christian Schaare was born in Cincinnati, Ohio. After moving with his family to West Hoboken, New Jersey, Schaare trained as an engraver’s assistant and a graphic designer. According to pulp scholar and art historian David Saunders, Schaare began selling freelance cover art to a variety of pulp magazines in 1925. His work was used by ACE-HIGH, AIR STORIES, AIRPLANE STORIES, ALL-AMERICAN SPORTS, COMPLETE SKY NOVEL, GUN MOLLS, LARIAT STORY, MASKED RIDER, NAVY STORIES, SKY RIDERS, WAR BIRDS, WAR STORIES, and others. He continued to work for the pulps until 1940.

Beginning in 1932, Schaare began a long series of covers for THE RING, a boxing magazine. He continued to work for the title into the 1950s. During this period, the artist also started working as a penciler and inker for comic books. His work appeared in Fawcett’s WOW COMICS, Holyoke’s BLUE BEETLE, Continental’s CAT-MAN COMICS, and other titles. From 1945 until 1960, Schaare worked as packaging design artist for The American Can Company. He produced several iconic advertising images, including the logos for Maxwell House Coffee and Sunoco.

(PulpFest 2018 will honor the 100th anniversary of the armistice that ended the First World War. The convention will focus on the so-called “war pulps” of the early twentieth century and the depiction of war in popular culture. As part of our WWI programming, David Saunders will discuss the artists of the war pulps, including Chris Schaare.

From early 1928 through late 1930, C. R. Schaare painted at least fifteen covers for Dell Publishing’s WAR STORIES and its companions, WAR BIRDS and NAVY STORIES. He also contributed at least seven covers for Dell’s aviation title, SKY RIDERS. Although his covers sometimes had a humorous bent — such as the “Sausages” cover for the July 5, 1928 WAR STORIES — they often depicted soldiers in hand-to-hand combat. Chris Schaare died in 1980, at the age of eighty-six.)

Life and Death on the Front Lines: The Art of the War Pulps

Jun 8, 2018 by

At this year’s convention, PulpFest 2018 will honor the 100th anniversary of the armistice that ended the First World War. Our programming will focus on the so-called “war pulps” of the early twentieth century and the depiction of war in popular culture. The first of these pulps — WAR STORIES — debuted with its November 1926 number and demonstrated that tales of men in battle could sell magazines, including ones about the war in the air.

Of course, it wasn’t only the stories that sold such magazines. Although the writers and editors “made” the magazines, it was the cover and interior artists who often piqued the interest of potential readers. Artists such as Rudolph Belarski, Frederick Blakeslee, H. T. Fisk, Eugene Franzden, F. R. Glass, John Fleming Gould, George and Jerome Rozen, Frank Tinsley, and others coaxed many a coin out of a Depression era pocket. Join PulpFest on Saturday, July 28, at 8:25 PM for “Life and Death on the Front Lines: The Art of the War Pulps.”

Pulp art historian David Saunders will explore the sensational cover art of the war pulps, often painted by artist veterans of the Great War, who served as Army Doughboys, Naval Gunners, Ace Aviators, or Marine Corps Sergeants. The “blood and guts” cover art of the war genre makes it a perfect example of how Pulp Art is different from the mundane art of Slick Magazine illustration.

PulpFest 2018 will also be celebrating the 100th birthday of Philip José Farmer with FarmerCon 100. We’ll be welcoming  Joe Lansdale — the author of over forty novels, numerous short stories, and more — as our Guest of Honor and hosting a rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley. Additionally, there will be author readings, a great programming line-up, two auctions featuring unique collectibles, and a dealers’ room filled with pulps, digests, and men’s adventure magazines, collectible paintings and illustrations, rare first editions, vintage paperbacks and comic books, unique films and more. All this, plus you can get ten dollars off the daily admission to Confluence. It’s taking place the same weekend as summer’s AMAZING pulp con! All you have to do is show your PulpFest badge at the door to Pittsburgh’s long-running science fiction, fantasy and horror conference.

PulpFest 2018 begins on Thursday, July 26, and runs through Sunday, July 29 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. You can join both PulpFest and FarmerCon by clicking the Register for 2018 button on the PulpFest home page. And don’t forget to book a room at the DoubleTree while you’re visiting the PulpFest site. They’re going fast!

(The son of pulp artist Norman Saunders, David Saunders was awarded a special “retro” Lamont Award to recognize his substantial service to the pulp community over the years. David is, quite probably, the foremost scholar of American pulp illustrators. His free public website, Field Guide to Wild American Pulp Artists, has over three-hundred biographical profiles of these creators of popular culture including Rudolph Belarski, who painted the cover for the April 1929 issue of Ramer Reviews’ AIRPLANE STORIES. Additionally, he has written biographical profiles of artists for ILLUSTRATION MAGAZINE and several coffee-table art books on pulp artists.)

 

2018 Munsey Award Nominees

May 2, 2018 by

The PulpFest Organizing Committee is pleased to announce that fifteen individuals have been nominated by their peers for the 2018 Munsey Award. The honor is named after Frank A. Munsey — the man who published the first pulp magazine. This annual award recognizes an individual or institution that has bettered the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and foster interest in the pulp magazines we all love and enjoy. Congratulations to all of the nominees for this prestigious award, presented annually at PulpFest.

The nominees listed below — who received multiple nominations — will be forwarded to a committee made up of all the living LamontMunsey, and Rusty Award winners who will select the recipient of this year’s Munsey.

Author, bibliographer, critic, editor, and historian MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. These include THE AGE OF THE STORYTELLERS: BRITISH POPULAR FICTION MAGAZINES, 1880-1950, ALGERNON BLACKWOOD: A BIO-BIBLIOGRAPHY, “BLUE BOOK — The Slick in Pulp Clothing,” THE GERNSBACK DAYS: A STUDY IN THE EVOLUTION OF MODERN SCIENCE FICTION FROM 1911 TO 1936, MONTHLY TERRORS: AN INDEX TO THE WEIRD FANTASY MAGAZINES PUBLISHED IN THE UNITED STATES AND GREAT BRITAIN, SCIENCE FICTION, FANTASY AND WEIRD FICTION MAGAZINES,  THE SUPERNATURAL INDEX: A LISTING OF FANTASY, SUPERNATURAL, OCCULT, WEIRD AND HORROR ANTHOLOGIES, and others. In 2000, Ashley began to publish his multi-part THE HISTORY OF THE SCIENCE-FICTION MAGAZINES, beginning with THE TIME MACHINES: THE STORY OF THE SCIENCE-FICTION PULP MAGAZINES FROM THE BEGINNING TO 1950. Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps. He is currently working to compile an index to the most important British popular fiction magazines between 1880 and 1950.

The Collections Librarian at the University of Connecticut, RICHARD BLEILER is a bibliographer and researcher in the areas of science fiction, fantasy, horror, crime, and adventure fiction. In 2002, he was nominated for the Bram Stoker Award for Best Non-Fiction for the second edition of SUPERNATURAL FICTION WRITERS: FANTASY AND HORROR. With his father, Everett Bleiler, Richard compiled SCIENCE-FICTION: THE EARLY YEARS and SCIENCE-FICTION: THE GERNSBACK YEARS, both published by Kent State University Press. His other work includes THE INDEX TO ADVENTURE MAGAZINE, THE ANNOTATED INDEX TO THE THRILL BOOK, the second edition of SCIENCE FICTION WRITERS: CRITICAL STUDIES OF THE MAJOR AUTHORS FROM THE EARLY NINETEENTH CENTURY TO THE PRESENT DAY, and REFERENCE AND RESEARCH GUIDE TO MYSTERY AND DETECTIVE FICTION. Richard’s essay, “Forgotten Giant: A Brief History of ADVENTURE MAGAZINE,” originally published in EXTRAPOLATION: A JOURNAL OF SCIENCE FICTION AND FANTASY, is considered the finest overview of the classic pulp magazine. He has also written essays on early science fiction, fantasy, and mystery authors for THE DICTIONARY OF LITERARY BIOGRAPHY and other reference works, as well as articles on the writings of Frank Belknap Long and Clark Ashton Smith for Gary Hoppenstand’s PULP FICTION OF THE ’20S AND ’30S.

CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” With the help of various writers and indexers including Gary Lovisi, Al Lybeck, Jerry Page and, most recently, Mike Taylor, PULPDOM has explored nearly every pre-1932 general fiction pulp ever published, including ARGOSY, ALL-STORY, BLUE BOOK, CAVALIER, and THE POPULAR. Caz continues to publish PULPDOM today as an online pulp fanzine.

Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles. Pulps are heavily represented, of course, but pulp writers turn up in other magazines, too, and the FictionMags Index allows them to be discovered. A huge endeavor, the FictionMags Index has been a tremendous boon to pulp-magazine research.

RON FORTIER has been a professional writer for three decades. In 2007, Ron teamed up with illustrator Rob Davis to start Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Ron’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. The first PFAs were awarded at the 2010 Windy City Pulp and Paper Convention. Ron helped publish LEGENDS OF NEW PULP FICTION, an all-new anthology to help with the medical expenses of publisher, editor, and writer Tommy Hancock. Mr. Fortier has often moderated panels on new pulp fiction for PulpFest.

The late JOEL FRIEMAN worked for many years in the publishing industry. He was the person most responsible for taking The Shadow to a new paperback house — Pyramid/Jove — after it had failed at Bantam Books. It was Joel who worked to have Jim Steranko do the covers for the new Shadow line. Joel was also responsible for the Pocket Books editions of The Spider in the 1970s and, as the fiction editor at Freeway Press, he reprinted several Operator 5 adventures in paperback, featuring cover art by pulp illustrator George Gross. In 1981, Joel purchased Popular Publications from Popular Publications International. Joel was directly involved with every Popular Publications reprint in any format ever since. He licensed The Spider to paperback numerous times, as well as G-8 and His Battle AcesOperator 5, and numerous novels from ARGOSY for various book projects. Joel rarely attended conventions outside of New York, but was well known by pulp fans and publishers throughout the country.

STEPHEN HAFFNER — The “Big Poobah” of Haffner Press — has been returning the work of a number of well-regarded pulp fiction writers into print for nearly twenty years. Specializing in science fiction, fantasy, and mystery fiction, Stephen has brought back the early work of Leigh Brackett, Fredric Brown, Howard Brown, Edmond Hamilton, Henry Kuttner, C. L. Moore, Manly Wade Wellman, and Jack Williamson in a series of beautifully designed hardcovers. He is also working on volumes featuring the fiction of Robert Bloch, Donald Wandrei, and others. Ed Gorman wrote the following about Haffner Press books: “They’re among the best made and most handsomely illustrated of all the collectibles I’ve ever seen. These are masterpieces in every way.” Stephen has also been involved in furthering interest in the pulps among both academia and the general public. He has been associated with the annual Jack Williamson Lectureship at Eastern New Mexico University for many years and in 2009 was a co-sponsor with the Kinsman Historical Society of the first Edmond Hamilton Day in the late author’s hometown. Finally, Stephen has been a presenter at a number of pulp conventions.

Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. Two of the highlights were two short stories by Norvell Page, offering the first two adventures of the popular pulp hero The Spider. Rich — along with his onetime partner, Cat Jaster, would go on to reprint two dozen of The Spider’s adventures. As Bold Venture Press, he has published a six-volume series reprinting the complete run of Johnston McCulley’s Zorro tales, reprinted unique tales from one of the longest lived pulp magazines, RAILROAD STORIES, “new pulp” adventures in AWESOME TALES, and pulp old and new in the continuing PULP ADVENTURES. Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans. Rich is also great at personally communicating with fans one-on-one, whether on email or facebook.

CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’ work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris was the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.

WILLIAM LAMPKIN is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs The Pulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award. Tony calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director and webmaster.

While some nominees are like Doc Savage — out front and known to most — others are like The Shadow — hidden from view for most the time, yet still there and appearing when needed. A pulp collector since a teenager, SHEILA VANDERBEEK began attending pulp conventions in 1975. She has attended 62 of the 63 major pulp conventions since her first. She helped with all the radio recreations that were performed at Pulpcon. A member of the Battered Silicon Press pulp advisory committee, Sheila has helped on many books for the publisher. In addition to recommending authors and series, she has supplied all or most of the stories included in Battered Silicon’s Great Merlini, John Solomon, Needle Mike, Park Ave Hunt Club, Satan Hall,  and Suicide Squad collections, as well as others. She has also provided copies of stories to Altus Press and other pulp-related publishers. Owning one of the largest and widest ranging pulp collections in existence, Sheila also provided content information to Leonard Robbins for his groundbreaking pulp magazine indices. She has also helped on countless other research projects in the pulp field. Sheila has been a member of the Pulp Era Amateur Press Society since 1997.

GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. And what about his Peter the Brazen series, his five volumes featuring the work of Seabury Quinn, THE COMPLEAT ADVENTURES OF THE PARK AVENUE HUNT CLUB, his Green Ghost set, THE COMPLEAT SAGA OF JOHN SOLOMONTHE ADVENTURES OF THE GOLDEN AMAZONTHE COMPLEAT ADVENTURES OF THE SUICIDE SQUAD, and others? He has also given us numerous collections of detective fiction, including volumes featuring the Thinking Machine, Dr. Thorndyke, and Martin Hewitt. Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with the late Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps.

Although some may believe he is old enough to have purchased pulps off the newsstand, CHUCK WELCH is a mere whippersnapper. As one of the original Internet Fans of Bronze, Chuck started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of those conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

For twenty-five years, HOWARD WRIGHT was the publisher of the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory. Through Howard’s sustained efforts, interest in Doc was maintained and his return to the limelight assured. His final issue of the GAZETTE was published at the beginning of 2016. The magazine is being continued by Terry Allen, Kez Wilson, and Chuck Welch, creator of the Hidalgo Trading Company and a member of the PulpFest organizing committee. It takes three people to duplicate Howard’s superb work on the GAZETTE.

DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He is nearing the sixtieth issue of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press. Additionally, he has supported the pulp community by drawing his readers’ attention to various pulp conventions, including the Windy City Pulp and Paper ConventionPulpcon, and PulpFest. Dan has also served as the sponsor of Windy City’s annual pulp art exhibit and created the limited edition print of David Saunder’s Munsey Award painting without cost to the PulpFest organizing committee.

Other nominees — who each received a single nomination — include Gene Christie, Digges LaTouche, Michelle Nolan, James Reasoner, and Sai Shanker.

The recipient of the 2018 Munsey Award will be announced on July 28 as part of our Saturday evening programming, open to all PulpFest 2018 registrants. A limited edition of thirty-six numbered and signed prints, designed by artist and pulp enthusiast David Saunders, serves as the Munsey Award. Congratulations to all of the nominees for the 2018 Munsey Award.

(A New York artist whose work can be found in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, The New Museum and at other museums and in public buildings throughout the United States and other countries, David Saunders has taught art at Yale, Oberlin and many other colleges worldwide, including schools in Paris, London and Tokyo. An expert on pulp art, he has been a guest speaker on the subject, including The Pulp Art Show held at the Brooklyn Museum in 2003, and has served as the guest of honor at various pulp conventions. David has written biographical articles on pulp artists Allen Anderson, Rudolph Belarski, Frederick Blakeslee, Ernest Chiriacka, Rafael DeSoto, John Newton Howitt, J. W. Scott, and others. He is also the author of WALTER BAUMHOFER, NORMAN SAUNDERS, and H. J. WARD, book-length biographies and appreciations of these great pulp artists. David’s website — Field Guide to Wild American Pulp Artists — is a leading source of information for those interested in the artwork found in the pulp magazines. In 2016, David was honored with a special “retro” Lamont Award, to acknowledge his generous and substantial work for the pulp community.)

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Saturday at PulpFest

Jul 29, 2017 by

There’s still time to get in on the action. The PulpFest dealers’ room will be open today from 10 AM until 4:45 PM. Located in the Grand Ballroom of the DoubleTree, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. The general public is welcome to attend. There is ample free parking surrounding our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. If you have not yet registered, you can download a copy by clicking herePaper forms will also be available at the door. Please visit our registration page for further details.

Our Saturday afternoon programming will start at 12:30 PM with our New Fictioneers readings. Afterward, author and editor Ron Fortier will be joined by five authors to discuss their writing and today’s “New Pulp Fiction.” It will be followed by an encore presentation of an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 3:30 PM.

The PulpFest dealers’ room will be closing today at 4:45 PM. This should allow plenty of time for people to prepare for our Saturday Night Dinner. Currently, we’re planning to dine informally at ember & vine, located right in the DoubleTree. However, if you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many restaurants in the vicinity of the DoubleTree by clicking here.

Saturday evening’s events will include the PulpFest 2017 business meeting, starting at 7 PM. It will be followed by the 2017 Munsey Award presentation. Laurie Powers, the winner of our 2016 Munsey, will reveal the name of this year’s recipient. Laurie was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The Munsey is a fine art print created by Dan Zimmer of a David Saunders painting. It is presented annually to a person who has worked for the betterment of the pulp community.

Our programming for Saturday evening will include Our Guest of Honor presentation, featuring one of the few living pulp magazine artists, Gloria Stoll Karn. A Pittsburgh resident, Gloria will be joined by fine artist and pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

Another dangerous dame of the pulps — Pat Savage — gets her night to shine when members of the Narada Radio Company read from Will Murray’s SIX SCARLET SCORPIONS, the first book in the author’s THE ALL-NEW WILD ADVENTURES OF PAT SAVAGE series.

The convention’s celebration of the hardboiled dicks of the pulps continues with a look at The Don Everhard Stories of Gordon Young, featuring Professor Tom Krabacher of California State University. A member of the Pulp Era Amateur Press Association, Tom has often presented at PulpFest. He’ll be joined by Walker Martin, one of the foremost collectors of pulp magazines in the country. Walker is one of the few people who have owned and read complete runs of both BLACK MASK and DIME DETECTIVE MAGAZINE.

Our evening will conclude with the annual PulpFest Saturday Night Auction. The convention will be offering about 100 lots of material from the collection of Woody Hagadish. We’ll have a variety of both pulps and digests from such diverse genres as air war, science fiction, western, and the detective fields. Also included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE. Finally, there will be a number of Gnome Press, Shasta, and Avalon first edition hardcovers offered. The estate is hoping to find good homes for all of these collectibles, getting them to the people who would best appreciate them, as Woody Hagadish had done during his lifetime.

This year’s auction will also feature a number of pulp magazines from the collection of the late Larry Latham. Larry enjoyed a varied career in animation, film, TV, theater and teaching. PulpFest will be offering a variety of pulps from Larry Latham’s collection, such as copies of THE ARGOSY and THE ALL-STORY, the first three issues of FAMOUS FANTASTIC MYSTERIES, a selection of THE WIDE WORLD, and a number of hero pulps, including the May 1934 issue of DOC SAVAGE, autographed to Latham by cover artist Walter Baumhofer.

One of our members has also mentioned that he may be offering a complete set of the second volume of AMRA — no. 1 to no. 71 — published by George Scithers from 1959 to 1982. AMRA featured high-quality artwork by Roy G. Krenkel, Gray Morrow, and other articles. The magazine’s writers included L. Sprague de Camp, Poul Anderson, Leigh Brackett, Fritz Leiber, Marion Zimmer Bradley, and many others.

Click on the “PulpFest Auction” link along the right side of our home page for highlights featured in this year’s auction.

Rounding out the auction will be material consigned by our membership. Any member of PulpFest 2017 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. To learn more about selling material through our Saturday night auction, please click here.

You can find additional details about these and all of our events by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

PulpFest members are also welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. If you’re new to the hobby, please join us in our con suite and learn more about pulps and pulp fiction and art.

Saturday’s sponsor of the PulpFest hospitality suite is Meteor House, a publisher of science fiction and fantasy. Their main specialty is authorized limited edition novels and novellas, set in the worlds of Grand Master of Science Fiction Philip José FarmerPulpFest is extremely pleased to have Meteor House as our Saturday evening hospitality suite sponsor.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.

PulpFest 2017 will continue tomorrow. Our dealers’ room will be open to all members from 9 AM to 2 PM as our exhibitors pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday, July 30, will be $10, the cost of our annual program book, THE PULPSTER.

Please join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Like Robert Bloch, John D. MacDonald — who was born 0n July 24, 1916 — got his start in the pulp magazines. From about 1946 through 1951, he placed dozens of stories each year with various pulp magazines. His output included adventure, detective, fantasy, science fiction, sports fiction, and western stories. When his story “Dead to the World” garnered the cover spot for the February 1947 issue of Popular’s DIME DETECTIVE — featuring cover art by Robert Stanley — MacDonald had become a reliable producer for the pulp market. Not long after, MacDonald began selling increasingly to the original paperback market. His first Travis McGee novel — THE DEEP BLUE GOOD-BY –was published by Fawcett in 1964.

Granted, the PulpFest auctions are a bit more tame than this depiction by Milton Luros for the DIME DETECTIVE from February 1939. Nevertheless our auctions are quite exciting. Plan to attend PulpFest 2017 and find out for yourself why it’s called “Summer’s AMAZING Pulp Con!”

Pulp Fiction’s “hardboiled dicks” will come to the fore during PulpFest’s final night of programming, scheduled to begin at 7 PM this evening. We hope to see you in at the DoubleTree Grand Ballroom for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Saturday, July 29

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

3:00 – 4:30 PM — Auction Viewing at the DoubleTree

Programming

12:30 – 2:00 PM — New Fictioneers Readings — (author readings by Win Scott Eckert and Frank Schildiner)

2:15 – 3:15 PM — Six Writers of New Pulp (moderator Ron Fortier and authors Fred Adams, Jr., John Bruening, Wayne Carey, Michael Maynard, and Charles Millhouse)

3:30 – 4:00 PM —  Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

5:00 – 6:50 PM — PulpFest 2017 Group Meal at Ember & Vine in the DoubleTree (Volunteer Coordinator Sally Cullers)

7:00 – 7:20 PM — PulpFest 2017 Business Meeting (meet the convention organizers)

7:20 – 7:30 PM — 2017 Munsey Award Presentation (presented by Laurie Powers)

7:30 – 8:10 PM — Guest of Honor Gloria Stoll Karn with David Saunders

8:10 – 8:20 PM — The Wild Adventures of Pat Savage by Will Murray — A Reading by Pulp-Pourri Theatre

8:20 – 8:50 PM — Hard-Boiled at 100: The Don Everhard Stories of Gordon Young (Tom Krabacher & Walker Martin)

8:50 – 9:10 PM —  Intermission (Auction Viewing)

9:15 – 12:15 AM — Saturday Night at the Auction (John Gunnison and Joseph Saines, Auctioneers)

2017 Munsey Award Nominees

May 3, 2017 by

The PulpFest Organizing Committee is pleased to announce that seventeen individuals have been nominated by their peers for the 2017 Munsey Award. Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. Congratulations to all of the nominees for this prestigious award, presented annually at PulpFest.

The nominees listed below — who received multiple nominations — will be forwarded to a committee made up of all the living Lamont, Munsey, and Rusty Award winners who will select the person to receive the 2017 Munsey.

Author, editor, historian, and critic MIKE ASHLEY has a special expertise in the history of magazine science fiction, fantasy, and weird fiction. In 2002, he received a Pilgrim Award from the Science Fiction Research Association in recognition of his distinguished contributions to the study of science fiction. He is the author or co-author of numerous works related to the pulps, science fiction, and fantasy. These include THE AGE OF THE STORYTELLERS: BRITISH POPULAR FICTION MAGAZINES, 1880-1950, ALGERNON BLACKWOOD: A BIO-BIBLIOGRAPHY, “BLUE BOOK — The Slick in Pulp Clothing,” THE GERNSBACK DAYS: A STUDY IN THE EVOLUTION OF MODERN SCIENCE FICTION FROM 1911 TO 1936, MONTHLY TERRORS: AN INDEX TO THE WEIRD FANTASY MAGAZINES PUBLISHED IN THE UNITED STATES AND GREAT BRITAIN, SCIENCE FICTION, FANTASY AND WEIRD FICTION MAGAZINESTHE SUPERNATURAL INDEX: A LISTING OF FANTASY, SUPERNATURAL, OCCULT, WEIRD AND HORROR ANTHOLOGIES, and others. In 2000, Ashley began to publish his multi-part THE HISTORY OF THE SCIENCE-FICTION MAGAZINES, beginning with THE TIME MACHINES: THE STORY OF THE SCIENCE-FICTION PULP MAGAZINES FROM THE BEGINNING TO 1950. Mr. Ashley has also edited many anthologies and single-author collections, often drawing work from the pulps.

JOHN BETANCOURT as publisher of Wildside Press has made available hundreds of stories from the pulp magazines, digests, and early paperbacks available in print and ebook form, particularly in his MEGAPACK format. In the late 1980’s, John also helped to revive WEIRD TALES. The magazine went on to garner a World Fantasy Award in 1992 and a Hugo Award in 2009. In 2015, Betancourt helped the revived WEIRDBOOK get off the ground. Originally published by W. Paul Ganley — for which he won a World Fantasy Award in 1992 — WEIRDBOOK continues to be appear on a regular basis from Betancourt and Wildside Press. He also serves as the publisher of SHERLOCK HOLMES MYSTERY MAGAZINE and the infrequently issued ADVENTURE TALES, which presents classic tales from the pulp magazines.

CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” With the help of various writers and indexers including Gary Lovisi, Al Lybeck, Jerry Page and, most recently, Mike Taylor, PULPDOM has explored nearly every pre-1932 general fiction pulp ever published, including ARGOSY, ALL-STORY, BLUE BOOK, CAVALIER, and THE POPULAR. Caz continues to publish PULPDOM today as a free, online pulp fanzine.

Probably best known for the SCIENCE FICTION, FANTASY, AND WEIRD FICTION MAGAZINE INDEX that he originally compiled with Steve Miller, WILLIAM CONTENTO has assembled other works that have become essential tools of reference. These include his INDEX TO SCIENCE FICTION ANTHOLOGIES AND COLLECTIONS, INDEX TO CRIME AND MYSTERY ANTHOLOGIES (with Martin H. Greenberg), THE SUPERNATURAL INDEX (with Mike Ashley), and others. In the last seventeen years, he and Phil Stephensen-Payne have built up the online FictionMags Index into a research juggernaut. It currently lists the contents of over 75,000 issues of thousands of different magazine titles. Pulps are heavily represented, of course, but pulp writers turn up in other magazines, too, and the FictionMags Index allows them to be discovered. A huge endeavor, the FictionMags Index has been a tremendous boon to pulp-magazine research.

RON FORTIER has been a professional writer for three decades. In 2007, Ron teamed up with illustrator Rob Davis to start Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Ron’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. The first PFAs were awarded at the 2010 Windy City Pulp and Paper Convention. Recently, Ron helped publish LEGENDS OF NEW PULP FICTION, an all-new anthology to benefit new pulp publisher, editor, and writer Tommy Hancock, recently diagnosed with congestive heart failure. All proceeds of the book will help Tommy to defray some of his medical bills. On Saturday, July 29, Ron will be moderating a panel on new pulp fiction at PulpFest.

JOEL FRIEMAN worked for many years in the publishing industry. He was the person most responsible for taking The Shadow to a new paperback house, Pyramid/Jove, after it had failed at Bantam Books. It was Joel who worked to have Jim Steranko do the covers for the new Shadow line. Joel was also responsible for the Pocket Books editions of The Spider in the 1970s and, as the fiction editor at Freeway Press, he reprinted several Operator 5 adventures in paperback, featuring cover art by pulp illustrator George Gross. In 1981, Joel purchased Popular Publications from Popular Publications International. Joel has been directly involved with every Popular Publications reprint in any format ever since. He licensed The Spider to paperback numerous times, as well as G-8 and His Battle AcesOperator 5, and numerous novels from ARGOSY for various book projects. Joel rarely attends conventions outside of New York, but he is well known by pulp fans and publishers throughout the country.

For nearly two decades RON HANNA, through his Wild Cat Books operation, selflessly served the pulp community by maintaining interest in the great pulps. Beginning with his fanzine SECRET SANCTUM — which ran for seventeen issues from 1996 – 1999 — Ron published material by both new and old writers and artists, exhibiting his great love and respect for the pulps. Some of the books that he published included MASTER OF THE PULPS: THE COLLECTED ESSAYS OF NICK CARR, THE HANDBOOK OF BRONZE: THE DEFINITIVE GUIDE FOR THE DOC SAVAGE COLLECTOR, and THE CAPTAIN FUTURE HANDBOOK. Long before anyone else, he took his love of pulp fiction to the next level and began presenting brand new pulp stories and artwork by some of today’s finest creators, helping to set the stage for the “New Pulp” movement. More recently, he revived the classic science-fiction magazine, STARTLING STORIES. Ron’s work to keep the spirit of the old pulps alive has cost him a great deal both personally and financially, but he keeps giving it everything he can. His efforts come from his heart and his genuine love for the pulps.

Although pulp reprints abound in our day and age, such was not only the case. Along with John Gunnison of Adventure House, RICH HARVEY was one of the first small publishers to get the pulp reprint movement off the ground. He started in the pages of his fanzine, PULP ADVENTURES — begun in 1992 — where he published stories from COMPLETE NORTHWEST NOVEL, DIME DETECTIVE, .44 WESTERN MAGAZINE, NEW DETECTIVE MAGAZINE, and other pulps. Two of the highlights were two short stories by Norvell Page, offering the first two adventures of the popular pulp hero The Spider. Rich — along with his onetime partner, Cat Jaster, would go on to reprint two dozen of The Spider’s adventures. As Bold Venture Press, he is currently in the midst of a six-volume series reprinting the complete run of Johnston McCulley’s Zorro tales, publishing unique tales from one of the longest lived pulp magazines, RAILROAD STORIES, “new pulp” adventures in AWESOME TALES, and pulp old and new in the continuing PULP ADVENTURES. Along with his current partner, Audrey Parente, Rich manages the twice-a-year Pulp AdventureCon in two locations, New Jersey and Florida. These one-day events help to bring the world of pulp to a wider geographic range of fans. Rich is also great at communicating personally with fans one-on-one, whether on email or facebook.

CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’ work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris is the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.

Like many of us, RICK LAI has dedicated much of his adult life and disposable income to his passion for collecting pulp fiction (in all its permutations). Rick distinguished himself with his erudite and insightful scholarship that has made him respected among Wold Newtonians and purists alike. Rick’s speculative theories on character and continuity may have been inspired by Philip José Farmer, but were never bound by Farmer or anyone else’s parameters. Rick’s brilliant and provocative flights of fantasy informed, inspired, and even infuriated readers, but kept them coming back for the next article or book. Later in life, Rick made the natural progression from scholar to storyteller as he began creating works that supplement and expand upon his literary speculations. Among his many books are CHRONOLOGY OF SHADOWS: A TIMELINE OF THE SHADOW’S EXPLOITS, THE RETURN OF JUDEX, THE REVISED COMPLETE CHRONOLOGY OF BRONZE, RICK LAI’S SECRET HISTORIES: DARING ADVENTURERS, and SHADOWS OF THE OPERA: RETRIBUTION IN BLOOD.

WILLIAM LAMPKIN is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs The Pulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award, who calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director.

PHIL STEPHENSEN-PAYNE is a prolific bibliographer and pulp researcher based in the United Kingdom. For many years, he has been compiling extremely useful “working bibliographies,” (often in collaboration with the late Gordon Benson, Jr.) of speculative fiction writers, many of whom got their start writing for the pulps. These bibliographies, numbering about sixty, are some of the best reference resources available today in the area of science fiction and fantasy. Additionally, his Galactic Central website contains an online checklist of all known fiction magazines that is attempting to include the cover to every such magazine ever published. It also indexes bibliographies, pulps, science fiction magazines, and other genre magazines. Stephensen-Payne is also a significant contributor and host to the FictionMags Index — principally edited by William G Contento — and co-author (with Stephen T. Miller and William G. Contento) of the CRIME, MYSTERY, AND GANGSTER FICTION MAGAZINE INDEX, originally released on CD-ROM by Locus Press in 2011.

MICHAEL USLAN originally fell in love with pulp characters by listening to rebroadcasts of The Shadow radio show when he was a kid. When the Shadow Belmont paperbacks began to come out, followed by the Doc Savage paperbacks and then the Avenger paperbacks, he built up his knowledge of the original pulps and poured himself into the history of the industry as well as each of the characters. His first professional job writing comics was for the legendary DC Comics series, THE SHADOW. He went on to write “Night of the Avenger” in the eleventh issue, which to this day is considered an all-time  classic pulp team-up. In the 1980s, Uslan worked with Walter Gibson on a movie project, and learned so much about the pulps and specifically The Shadow direct from the primary source. More recently, Michael wrote the graphic novel, “The Shadow/Green Hornet: Dark Nights” for Dynamite as well as the mini-series, “Justice, Inc.,” the first-ever team-up of the three great Street and Smith pulp characters, The Shadow, Doc Savage, and The Avenger. Turning to old-time-radio for inspiration, Uslan also wrote the graphic novel, LONE RANGER/GREEN HORNET: CHAMPIONS OF JUSTICE. Michael Uslan has done so much to keep these pulp era characters alive and vibrant in plot-driven, character-driven stories filled with Easter eggs for pulp fans and historical footnotes for the readers in each issue. He has respected the integrity of these characters in the process and respected their creators.

GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. And what about his Peter the Brazen series, his five volumes featuring the work of Seabury Quinn, THE COMPLEAT ADVENTURES OF THE PARK AVENUE HUNT CLUB, his Green Ghost set, THE COMPLEAT SAGA OF JOHN SOLOMON, THE ADVENTURES OF THE GOLDEN AMAZON, and THE COMPLEAT ADVENTURES OF THE SUICIDE SQUAD? He has also given us numerous collections of detective fiction, including volumes featuring the Thinking Machine, Dr. Thorndyke, and Martin Hewitt. Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps.

Although some may believe he is old enough to have purchased pulps off the newsstand, CHUCK WELCH is a mere whippersnapper. As one of the original Internet Fans of Bronze, Chuck started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of those conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director and webmaster. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

For the last twenty-five years, HOWARD WRIGHT has been publishing the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory. Through Howard’s sustained efforts, interest in Doc was maintained and his return to the limelight assured. His final issue of the GAZETTE was published at the beginning of this year. The magazine will be continued by Terry Allen, Kez Wilson, and Chuck Welch, creator of the Hidalgo Trading Company and a member of the PulpFest organizing committee.

DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He recently published the fiftieth issue of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine, distributed around the globe. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press. Additionally, he has supported the pulp community by drawing his readers’ attention to various pulp conventions, including the Windy City Pulp and Paper Convention, Pulpcon, and PulpFest. Dan has also served as the sponsor of Windy City’s annual pulp art exhibit and created the limited edition print of David Saunder’s Munsey Award painting without cost to the PulpFest organizing committee.

The recipient of the 2017 Munsey Award will be announced on July 29 as part of the Saturday evening programming, open to all PulpFest 2017 registrants. A limited edition of thirty-six numbered and signed prints, designed by artist and pulp enthusiast David Saunders, serves as the Munsey Award. Congratulations to all of the nominees for the 2017 Munsey Award.

(A New York artist whose work can be found in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, The New Museum and at other museums and in public buildings throughout the United States and other countries, David Saunders has taught art at Yale, Oberlin and many other colleges worldwide, including schools in Paris, London and Tokyo. An expert on pulp art, he has been a guest speaker on the subject, including The Pulp Art Show held at the Brooklyn Museum in 2003, and has served as the guest of honor at various pulp conventions. David has written biographical articles on pulp artists Allen Anderson, Rudolph Belarski, Frederick Blakeslee, Ernest Chiriacka, Rafael DeSoto, John Newton Howitt, J. W. Scott, and others. He is also the author of WALTER BAUMHOFER, NORMAN SAUNDERS, and H. J. WARD, book-length biographies and appreciations of these great pulp artists. David’s website — Field Guide to Wild American Pulp Artists — is a leading source of information for those interested in the artwork found in the pulp magazines.)

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Last Call for Munsey Nominations

Apr 28, 2017 by

Every year, PulpFest recognizes the efforts of those who work to keep the pulps alive for this and future generations through its Munsey Award. Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy.

Nominations for the 2017 Munsey are now being accepted. All members of the pulp community, whether they plan to attend PulpFest 2017 or not (of course, we certainly hope that you do attend the convention), are welcome to nominate a deserving person for this year’s award.

If you have someone in mind that you feel worthy to receive this prestigious award, please let us know. All members of the pulp community, excepting past winners of the Munsey, Hevelin, or Lamont Awards (which had been awarded by Pulpcon, the predecessor of PulpFest), are eligible. Please send the person’s name and a brief explanation describing why you feel that person should be honored to PulpFest marketing and programming director Mike Chomko, 2217 W. Fairview Street, Allentown, PA 18104-6542 or to mike@pulpfest.com. The deadline for nominations is May 1, 2017.

The recipient of the Munsey Award will be selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award will be presented on Saturday, July 29, during the convention’s evening programming at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, the host hotel for PulpFest 2017.

Our 2016 Munsey Award winner was Laurie Powers. PulpFest also award a special “retro” Lamont Award to David Saunders You can read about Laurie and David by clicking here. No one was nominated for the Rusty Hevelin Service Award.

(The Munsey Award was created in 2009 by artist David Saunders, the son of legendary illustrator Norman Saunders. Dan Zimmer of The Illustrated Press and publisher of ILLUSTRATION MAGAZINE has produced a limited edition of thirty-six numbered and signed prints. The PulpFest Committee is indebted to both David and Dan for their generous support of our convention.)

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Artist Gloria Stoll Karn to be PulpFest GOH

Feb 27, 2017 by

With 2017 being the year that PulpFest celebrates the hardboiled dicks, dangerous dames, and psychos of the pulps, we’re very pleased to welcome as our Guest of Honor, pulp artist Gloria Stoll Karn. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

It was Rafael DeSoto who inspired Gloria to become a commercial artist and introduced her to Popular Publications. A graduate of New York’s High School of Music and Art, Gloria Stoll began her career doing black and white interior illustrations for Popular. This evolved into painting covers for the publisher’s line of women’s pulps, particularly RANGELAND ROMANCES. She also did covers for Popular’s ALL-STORY LOVE, LOVE BOOKLOVE NOVELS, LOVE SHORT STORIES, NEW LOVE, ROMANCE, ROMANCE WESTERN, and Standard Publications’ THRILLING LOVE.

Beginning in late 1943, Stoll also began painting covers for Popular’s mystery and detective pulps. Her work was featured on BLACK MASK, DETECTIVE TALES, DIME MYSTERY MAGAZINE, and NEW DETECTIVE. In addition, she did interior illustrations for ARGOSY magazine. The artist continued working in the pulp field until 1949.

In Ms. Stoll Karn’s own words: “Pulp artists were required to come up with ideas for the magazine covers which reflected the general flavor of the stories within. Moving on to painting covers for mystery and detective magazines involved a radical conceptual switch. It was a surprise when I came up with gruesome ideas and concluded that, within the human psyche, there is a shadow side of which we are often unaware. I am grateful that my work struck a balance which uncovered the dark side within, along with the light side depicting the joys of romance.”

Gloria’s pulp artist career ended abruptly when she married Fred Karn in 1948. The couple moved to Pittsburgh, Pennsylvania where they raised three children. In the 1950s, Stoll Karn began teaching art classes. Her work has been exhibited at the Carnegie Museum of Art, the Brooklyn Museum’s National Print Annual, and the Pittsburgh Watercolor Society’s International Exhibition. Her work is in the permanent collections of Yale University, the Carnegie Museum of Art, Westinghouse Corporation, the Speed Art Museum, the Brooklyn Museum of Art, and the Pittsburgh Department of Education. She is listed in WHO’S WHO IN AMERICAN ART. Her current work is in abstraction and draws upon her life experience.

PulpFest is very pleased to welcome as its 2017 Guest of Honor, one of the few surviving contributors to the pulp magazine industry, Gloria Stoll Karn. Pulp art historian David Saunders — winner of our 2016 Lamont Award — will be joining Ms. Stoll Karn to discuss her freelance career in the pulps and much more on Saturday evening, July 29, from 7:30 to 8:10 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

We look forward to seeing you at the “pop culture center of the universe” from July 27 through July 30 at the beautiful DoubleTree by Hilton in Mars, Pennsylvania. Please join Gloria Stoll Karn — that “dangerous dame of pulp art” — and PulpFest for our celebration of the hardboiled dicks, dangerous dames, and psychos of the pulps. You can register for the convention by clicking one of the registration buttons on our home page. To make place a reservation with the DoubleTree, please click one of our “book a room” buttons.

Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, you’ve helped to ensure the convention’s success.

(DETECTIVE TALES was the number three title in Popular Publications’ detective pulp group. The publisher’s number one title was DIME DETECTIVE MAGAZINE, which saved Popular from going under during the challenging years of The Great Depression. After that came BLACK MASK, the pulp where the hardboiled detective genre originally took form. Popular had purchased the magazine from Pro-Distributers Publishing in 1940. DETECTIVE TALES ran for eighteen years, mainly on a monthly basis, producing a total of 202 issues. Most of the issues offered twelve stories for ten cents. In 1953, Popular merged it with NEW DETECTIVE to form FIFTEEN DETECTIVE STORIES. Between 1943 and 1945, Gloria Stoll Karn contributed six covers to DETECTIVE TALES, including the July 1945 number.

Although it is best remembered for its action-oriented pulps — magazines such as DIME WESTERN, ARGOSY, G-8 AND HIS BATTLE ACES, and THE SPIDER — Popular also boasted a strong women’s line-up. Although it never approached the popularity of Street & Smith’s LOVE STORY MAGAZINE or Warner Publications’ RANCH ROMANCES, the Popular line featured a number of successful titles. RANGELAND ROMANCES — which debuted with its June 1935 number — was one of its leading pulps for the women’s market. It lasted into 1955 — when it was absorbed by DIME WESTERN MAGAZINE — and ran for over 200 issues. Between 1943 and 1949, Gloria Stoll Karn contributed forty-two covers to RANGELAND ROMANCES, including the July 1944 number.)

 

Season’s Greetings from PulpFest

Dec 25, 2016 by

hardboiledxmasFrom July 27 – 30, 2017, PulpFest will celebrate the “Hardboiled Dicks, Dangerous Dames, and a Few of the Psychos” of the great pulp magazines. It was in such rough-paper periodicals as BLACK MASK and DIME DETECTIVE MAGAZINE that the hardboiled detective genre took shape and flourished. Still inspiring authors and readers across the globe, the hardboiled dick and dangerous dame had to be, as Raymond Chandler suggested, “the best man (or woman) in his world and a good enough man (or woman) for any world.”

The “hard-boiled detectives knew well how the world worked, that it was too often an ugly, unfair and brutal place that buried gentle virtues and kind gestures under spadefuls of smothering darkness …. They understood that they were trying to make a decent living in an often indecent business, but it was more than that. Deep down, they wanted to help humanity, wanted to restore compassion and kindness to the world — wanted, say, for themselves and others to be able to enjoy Christmas like a kid.”

Let’s hope a knight errant of the hardboiled school is around to help this poor woman enjoy her holidays. It’s not looking too good for her. The painting — by David Saunders — and the quote just above — by John Wooley and John McMahan — is from HARD-BOILED CHRISTMAS STORIES, an anthology of ten yuletide homicide tales published in 2012 by Reverse Karma Press. It’s highly recommended.

Here’s wishing everyone a healthy and happy holiday season from your PulpFest organizing committee — Jack and Sally Cullers, Mike Chomko, Bill Lampkin, Barry Traylor, and Chuck Welch

(To thank those members who will be supporting PulpFest in a very special well by staying at our host hotel — the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — the convention is holding a “Cyber Monday” sale through January 8, 2017. We’re offering those members an opportunity to lock in our 2016 prices for PulpFest 2017. If you act before January 9, you’ll save $5 on your membership fee! Exhibitors will save ten bucks for each table they rent!! What a great deal for the holidays!!!)

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Our 2016 Award Winners

Jul 23, 2016 by

Final Munsey AwardLaurie Powers has been named the winner of the 2016 Munsey Award. Nominated by the general pulp community, Laurie was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award is a fine art print created by Dan Zimmer of a David Saunders painting, presented annually to a person who has worked for the betterment of the pulp community. J. Barry Traylor, the recipient of the 2014 Rusty Award presented Laurie were her well-deserved Munsey.

The granddaughter of pulp author Paul S. Powers, Laurie was introduced to the pulp community in 2007 through the publication of PULP WRITER: TWENTY YEARS IN THE AMERICAN GRUB STREET, an autobiography and appreciation of her grandfather. She has also edited several collections of her grandfather’s work in various genres, releasing a number of previously unpublished stories. In 2013, she helped to arrange the donation of her grandfather’s personal papers as well more than 400 pulp magazines featuring his work to the Rare Books and Manuscripts Library at Ohio State University in Columbus. Laurie also publishes Laurie’s Wild West, an Internet blog site that has become a favorite destination for those interested in the pulps. She has published articles on “Who Read the Pulps?,” female pulp writers, a series of articles put together by various pulp fans entitled “My Favorite Pulps,” and many other topics. Although relatively new to the world of pulps, Laurie has shown tremendous support for the community by spreading the word about pulp fiction and publicizing the conventions that salute our wonderful hobby. She is currently working on a biography of pulp editor Daisy Bacon, editor of LOVE STORY MAGAZINE. At PulpFest 2016, Laurie presented “100 Years of the Specialty Pulp — LOVE STORY MAGAZINE and the Romance Pulp Phenomenon” during our evening programming on Thursday, July 22.

In a surprise announcement during on Friday evening programming on July 23, David Saunders was presented with a special “retro” Lamont Award to recognize his substantial service to the pulp community over the years. Since a limited edition of thirty-six numbered and signed prints — designed by David — serves as the Munsey and Rusty awards, it was decided to honor David’s significant contributions to the pulp world with one of the few remaining copies of Pulpcon‘s Lamont Award. The award was presented by our 2015 Munsey Award winner, Stephen T. Miller.

Born in 1954, David Saunders is a New York artist. His work has been collected worldwide and can be found in the Museum of Modern Art, The Metropolitan Museum of Art, The Brooklyn Museum of Art, and the Hirschhorn Museum of Art in Washington, DC. He has taught art at Yale, Oberlin, and the Kansas City Art Institute, as well as art schools in France, Korea, Mexico and Japan.

David’s father was the legendary illustrator, Norman Saunders. His mother, Ellene Politis Saunders, worked at Fawcett Publications as Chief Executive Editor for WOMAN’S DAY. In 1972, David became his father’s business secretary, which started a long project to catalog his father’s 7,000 published illustrations. He spent the next seventeen years gathering published examples of his father’s work from used bookshops and submitting each new entry to his father’s inspection. What began as a sentimental hobby for a father and son grew into an impressive archive of 20th century American illustration. After his father’s death in 1989, he completed the archive on his own. He interviewed his father’s surviving associates to record their oral histories. These transcripts helped to broaden his viewpoint of the popular culture publishing industry and also documented vital information about the lives of other artists. Some of this material has been published as biographical profiles in ILLUSTRATION MAGAZINE and several coffee-table art books on pulp artists.

David is, quite probably, the foremost scholar of American pulp illustrators. His free public website, Field Guide to Wild American Pulp Artists, has over three-hundred biographical profiles of these creators of popular culture. David continues to research, document, and promote a greater appreciation of pulp artists. To find out more, please visit davidsaunders.biz, normansaunders.com, and theillustratedpress.com.

Congratulations to both Laurie and David.

Nominations are now being accepted for the 2017 Munsey and/or Rusty Awards. If you have someone in mind that you feel worthy of either award, please send the person’s name and a brief paragraph describing why you feel that person should be honored to Mike Chomko, 2217 W. Fairview Street, Allentown, PA 18104-6542 or to mike@pulpfest.com. Previous winners of the Lamont, Munsey, or Rusty Award are not eligible for the award. Click here for a list of our previous winners.

The deadline for nominations is May 31, 2017. Please click here for additional details. Thanks for your help.

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