Saturday at PulpFest

Jul 29, 2017 by

There’s still time to get in on the action. The PulpFest dealers’ room will be open today from 10 AM until 4:45 PM. Located in the Grand Ballroom of the DoubleTree, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. The general public is welcome to attend. There is ample free parking surrounding our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. If you have not yet registered, you can download a copy by clicking herePaper forms will also be available at the door. Please visit our registration page for further details.

Our Saturday afternoon programming will start at 12:30 PM with our New Fictioneers readings. Afterward, author and editor Ron Fortier will be joined by five authors to discuss their writing and today’s “New Pulp Fiction.” It will be followed by an encore presentation of an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 3:30 PM.

The PulpFest dealers’ room will be closing today at 4:45 PM. This should allow plenty of time for people to prepare for our Saturday Night Dinner. Currently, we’re planning to dine informally at ember & vine, located right in the DoubleTree. However, if you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many restaurants in the vicinity of the DoubleTree by clicking here.

Saturday evening’s events will include the PulpFest 2017 business meeting, starting at 7 PM. It will be followed by the 2017 Munsey Award presentation. Laurie Powers, the winner of our 2017 Munsey, will reveal the name of this year’s recipient. Laurie was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The Munsey is a fine art print created by Dan Zimmer of a David Saunders painting. It is presented annually to a person who has worked for the betterment of the pulp community.

Our programming for Saturday evening will include Our Guest of Honor presentation, featuring one of the few living pulp magazine artists, Gloria Stoll Karn. A Pittsburgh resident, Gloria will be joined by fine artist and pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

Another dangerous dame of the pulps — Pat Savage — gets her night to shine when members of the Narada Radio Company read from Will Murray’s SIX SCARLET SCORPIONS, the first book in the author’s THE ALL-NEW WILD ADVENTURES OF PAT SAVAGE series.

The convention’s celebration of the hardboiled dicks of the pulps continues with a look at The Don Everhard Stories of Gordon Young, featuring Professor Tom Krabacher of California State University. A member of the Pulp Era Amateur Press Association, Tom has often presented at PulpFest. He’ll be joined by Walker Martin, one of the foremost collectors of pulp magazines in the country. Walker is one of the few people who have owned and read complete runs of both BLACK MASK and DIME DETECTIVE MAGAZINE.

Our evening will conclude with the annual PulpFest Saturday Night Auction. The convention will be offering about 100 lots of material from the collection of Woody Hagadish. We’ll have a variety of both pulps and digests from such diverse genres as air war, science fiction, western, and the detective fields. Also included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE. Finally, there will be a number of Gnome Press, Shasta, and Avalon first edition hardcovers offered. The estate is hoping to find good homes for all of these collectibles, getting them to the people who would best appreciate them, as Woody Hagadish had done during his lifetime.

This year’s auction will also feature a number of pulp magazines from the collection of the late Larry Latham. Larry enjoyed a varied career in animation, film, TV, theater and teaching. PulpFest will be offering a variety of pulps from Larry Latham’s collection, such as copies of THE ARGOSY and THE ALL-STORY, the first three issues of FAMOUS FANTASTIC MYSTERIES, a selection of THE WIDE WORLD, and a number of hero pulps, including the May 1934 issue of DOC SAVAGE, autographed to Latham by cover artist Walter Baumhofer.

One of our members has also mentioned that he may be offering a complete set of the second volume of AMRA — no. 1 to no. 71 — published by George Scithers from 1959 to 1982. AMRA featured high-quality artwork by Roy G. Krenkel, Gray Morrow, and other articles. The magazine’s writers included L. Sprague de Camp, Poul Anderson, Leigh Brackett, Fritz Leiber, Marion Zimmer Bradley, and many others.

Click on the “PulpFest Auction” link along the right side of our home page for highlights featured in this year’s auction.

Rounding out the auction will be material consigned by our membership. Any member of PulpFest 2017 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. To learn more about selling material through our Saturday night auction, please click here.

You can find additional details about these and all of our events by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

PulpFest members are also welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. If you’re new to the hobby, please join us in our con suite and learn more about pulps and pulp fiction and art.

Saturday’s sponsor of the PulpFest hospitality suite is Meteor House, a publisher of science fiction and fantasy. Their main specialty is authorized limited edition novels and novellas, set in the worlds of Grand Master of Science Fiction Philip José FarmerPulpFest is extremely pleased to have Meteor House as our Saturday evening hospitality suite sponsor.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.

PulpFest 2017 will continue tomorrow. Our dealers’ room will be open to all members from 9 AM to 2 PM as our exhibitors pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday, July 30, will be $10, the cost of our annual program book, THE PULPSTER.

Please join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Like Robert Bloch, John D. MacDonald — who was born 0n July 24, 1916 — got his start in the pulp magazines. From about 1946 through 1951, he placed dozens of stories each year with various pulp magazines. His output included adventure, detective, fantasy, science fiction, sports fiction, and western stories. When his story “Dead to the World” garnered the cover spot for the February 1947 issue of Popular’s DIME DETECTIVE — featuring cover art by Robert Stanley — MacDonald had become a reliable producer for the pulp market. Not long after, MacDonald began selling increasingly to the original paperback market. His first Travis McGee novel — THE DEEP BLUE GOOD-BY –was published by Fawcett in 1964.

Granted, the PulpFest auctions are a bit more tame than this depiction by Milton Luros for the DIME DETECTIVE from February 1939. Nevertheless our auctions are quite exciting. Plan to attend PulpFest 2017 and find out for yourself why it’s called “Summer’s AMAZING Pulp Con!”

Pulp Fiction’s “hardboiled dicks” will come to the fore during PulpFest’s final night of programming, scheduled to begin at 7 PM this evening. We hope to see you in at the DoubleTree Grand Ballroom for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Saturday, July 29

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

3:00 – 4:30 PM — Auction Viewing at the DoubleTree

Programming

12:30 – 2:00 PM — New Fictioneers Readings — (author readings by Win Scott Eckert and Frank Schildiner)

2:15 – 3:15 PM — Six Writers of New Pulp (moderator Ron Fortier and authors Fred Adams, Jr., John Bruening, Wayne Carey, Michael Maynard, and Charles Millhouse)

3:30 – 4:00 PM —  Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

5:00 – 6:50 PM — PulpFest 2017 Group Meal at Ember & Vine in the DoubleTree (Volunteer Coordinator Sally Cullers)

7:00 – 7:20 PM — PulpFest 2017 Business Meeting (meet the convention organizers)

7:20 – 7:30 PM — 2017 Munsey Award Presentation (presented by Laurie Powers)

7:30 – 8:10 PM — Guest of Honor Gloria Stoll Karn with David Saunders

8:10 – 8:20 PM — The Wild Adventures of Pat Savage by Will Murray — A Reading by Pulp-Pourri Theatre

8:20 – 8:50 PM — Hard-Boiled at 100: The Don Everhard Stories of Gordon Young (Tom Krabacher & Walker Martin)

8:50 – 9:10 PM —  Intermission (Auction Viewing)

9:15 – 12:15 AM — Saturday Night at the Auction (John Gunnison and Joseph Saines, Auctioneers)

The Pulp Art of John Fleming Gould

Jun 23, 2017 by

The legacy art of illustrator John Fleming Gould is coming to PulpFest 2017 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

Robert Gould, son of the artist, will be coming to PulpFest with many originals and prints by his father, pulp illustrator John Fleming Gould. The artist graduated from Pratt Institute in Brooklyn, New York in 1926. He soon moved into a studio in New York City, sharing space with Walter Baumhofer and other artists. John Fleming Gould soon began free-lancing in the pulp paper field and continued to do so until 1941. He created an estimated 15,000 illustrations. These were all pen and ink , dry brush, scratch board and coquille board drawings.

Gould began with Clayton Publishing, illustrating titles such as DANGER TRAILS and COWBOY STORIES. In 1930 he began a long and fruitful relationship with Popular Publications, drawing interior illustrations for their pulp magazines. He was the lead interior artist for many titles, including DIME DETECTIVE, G-8 AND HIS BATTLE ACES, OPERATOR #5, THE SPIDER, and 10-STORY WESTERN. The artist also contributed work to ACES, ADVENTURE, ASTOUNDING STORIES, BLUE BOOK, CLUES DETECTIVE, WAR BIRDS, WINGS, and other pulp magazines.

During the Second World War, the artist began working for the slick magazines. He became one of the top illustrators for the SATURDAY EVENING POST, COUNTRY GENTLEMAN, COLLIER’S, and REDBOOK. He expanded into advertising art in 1946, working for General Electric and other top corporations. Throughout the 1950s he worked for men’s adventure magazines, such as ARGOSY, OUTDOOR LIFE, and TRUE. In later years he turned to Fine Art. He was also a teacher and lecturer, lecturing at Pratt for 22 years.

Robert Gould has continued the traditions of his father and mother, the founders of Bethlehem Art Gallery in Cornwall, New York. Robert and his wife Loretta have strived to meet and expand the vision of his parents, working to provide images as well as the stories behind the illustrations that thrilled the original pulp readers. At PulpFest 2017, Robert will offer framed and unframed original sketches — some matched to the original publication page — magnets, and framed and unframed John Fleming Gould pulp prints.

PulpFest 2017 will take place from Thursday evening, July 27, through Sunday afternoon, July 30. You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(In 1930, John Fleming Gould began a long and fruitful relationship with Popular Publications, drawing interior story illustrations for their pulp magazines, including the March 1942 issue of THE SPIDER.)

Hardboiled Dicks: A Look at DIME DETECTIVE MAGAZINE

Jun 12, 2017 by

Matt Moring — the publisher of Altus Press and its fine line of pulp reprint and history volumes — turns an eye toward DIME DETECTIVE MAGAZINE on Saturday, July 29, at 9 PM. It’s all part of the celebration of hardboiled dicks, dangerous dames, and a few psychos at PulpFest 2017.

Although the earliest pulps were general fiction magazines, the rough-paper rags eventually began to specialize. Pulps featuring aviation and war stories, fantasy and the supernatural, love and romance, the railroad, science fiction, sports, and other genres emerged. There were also titles devoted to prison yarns, firefighters, and even engineering stories. However, one of the longest lasting and most popular categories was the detective field. In fact, the first pulp magazine successfully dedicated to a single fiction genre was Street & Smith’s DETECTIVE STORY MAGAZINE.

Although a trailblazer as a specialty magazine, DETECTIVE STORY did little to further the development of the detective or crime story. That task would be left to its highly prized successors: BLACK MASK  — the pulp where the hardboiled detective story began to take shape — and DIME DETECTIVE MAGAZINE — where the tough guy detective became extremely popular. Call them what you will — flatfoots, gumshoes, dime detectives, or private eyes  — it was these hardboiled dicks that transformed the traditional mystery story into the tough guy (and gal) crime fiction that remains popular to this very day.

Most critics site BLACK MASK MAGAZINE as the fertile ground where hardboiled detective fiction gathered its form. From 1923 through 1931, it reigned supreme as the home of the genre. Then, in 1931, Henry Steeger and Harold Goldsmith of Popular Publications introduced DIME DETECTIVE MAGAZINE. Costing a nickel less than BLACK MASK, its appeal to the cash-strapped consumers of the Great Depression was hard to dispute. As Stefan Dziemianowicz wrote in his introduction to HARD-BOILED DETECTIVES (1992):

As added inducement, it was able to lure BLACK MASK regulars like Gardner, Nebel, Chandler, Norbert Davis, and Frederick C. Davis into its pages by paying them the princely sum of four cents per word — one cent more than BLACK MASK and quadruple the going pulp fiction rate. DIME DETECTIVE made only two stipulations to its authors: there were to be no novel serializations and the characters they created could not appear in competing magazines. The result was a looser and more varied magazine than BLACK MASK.

Before long, DIME DETECTIVE would become the best-selling title of the mystery-detective genre and the most popular magazine of its publishers’ line of pulp magazines. By the summer of 1933, it was appearing twice monthly, a schedule it maintained through June of 1935. It would be one of Popular’s longest lived titles, running for 274 issues — largely on a monthly basis — through its August 1953 number.

Running for twenty years, Popular Publications’ DIME DETECTIVE MAGAZINE published thousands of high-quality hard-boiled stories by hundreds of authors, eventually becoming the most respected detective pulp magazine behind BLACK MASK. However, DIME DETECTIVE excelled at introducing long-running series characters, something BLACK MASK normally didn’t do. These series characters run the gamut of quirky detectives, completely unique and offbeat: the types of investigators which had never been seen before (and rarely repeated with such skill since).

Matt Moring — who wrote the words above — is the publisher at Altus Press. Reprinting pulp fiction from a wide variety of pulp genres, including hero, detective, jungle, the French Foreign Legion, and more, Matt has quickly become one of the leading publishers in the pulp world. He has also published numerous historical works on the pulps including biographies, indices, and examinations of single-character magazines. Together with Will Murray, Matt revived the Doc Savage series, publishing brand new stories after a long absence. The Altus Press website is also an excellent reference source, featuring links to The Pulp Superhero Index and The ECHOES Index. Matt was our Munsey Award winner in 2012.

(In addition to employing some of the pulp industry’s leading authors, DIME DETECTIVE MAGAZINE also employed its leading artists, including the “king of the pulp artists,” Walter Baumhofer. The skilled brushes of artists such as Baumhofer — his work graces the cover of the January 1936 issue shown here — along with the experienced writers, low price, and continuing characters such as Vee Brown and Jack Cardigan helped DIME DETECTIVE to become the leading magazine of its field.)

Shopping for Collectibles at PulpFest 2017

Jun 7, 2017 by

Year after year, PulpFest is a paradise for the fan of pulp magazines, digests, vintage paperbacks, original artwork, and other collectibles. The collector will also find first edition hardcovers, men’s adventure and true crime magazines, series books, dime novels, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age comic books in our spacious dealers’ room, located at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh.

For those who simply like to read pulp and genre fiction, you’ll find science-fiction hardcovers and paperbacks, mysteries, adventure fiction, and countless pulp reprints from publishers such as Adventure HouseAge of AcesAltus Press, Meteor House, Sanctum Books, and Stark House Press. Fans of new pulp will have readings by their favorite authors on both Friday and Saturday as well as a panel moderated by Ron Fortier, plus books for sale from Will Murray’s Adventures in BronzeAirship 27, and other purveyors of today’s pulp fiction.

Accommodating over 100 tables, our dealers’ room will be open to all comers from 10 AM to about 4:45 PM on July 28 and 29, and from 9 AM until 2 PM on Sunday, July 30 (although buying and selling opportunities may be limited on our final day as many of our dealers will be packing up for their return trip home). And don’t forget about our early-bird hours on Thursday evening, July 27, from 6 PM to 9 PM. For an additional $30 over your regular membership fee, you’ll be able to purchase early-bird privileges for an extra three hours of shopping. Better still, to reward loyal attendees who help to defray the convention’s substantial costs by staying at our host hotel, PulpFest is pleased to offer free early-bird privileges. That’s a very significant savings!

You can book your room at the DoubleTree by clicking one of the Book a Room buttons on our home page. To learn about registering for the convention, click the Register for 2017 button below our home page banner. Remember, if you read or collect pulps, pulp reprints, books, vintage paperbacks, original artwork, golden-age or silver-age comic books, PulpFest is the place to be.

(Perhaps you’ll find one of the early issues of Popular Publications’ DIME DETECTIVE MAGAZINE — such as the July 1932 issue, featuring cover artwork by William Reusswig — at this year’s PulpFest. Debuting with its November 1931 number, DIME DETECTIVE was one of the leaders in its fiction category and helped to turn Popular into a powerhouse of the pulp magazine industry.

We’ll be celebrating the “hardboiled dicks, dangerous dames, and a few psychos” of the pulps at this year’s convention. Start planning now to attend PulpFest 2017 and its celebration of pulp fiction and pulp art. Join us July 27 – 30, just outside of Pittsburgh, Pennsylvania at the “pop culture center of the universe” in the DoubleTree by Hilton Hotel Pittsburgh – Cranberry for PulpFest 2017.)

Happy Thanksgiving from PulpFest

Nov 21, 2016 by

dime-detective-39-08Today, the PulpFest organizing committee would like to wish everyone a happy Thanksgiving. After the holiday, we hope your ice box doesn’t contain any surprises for you like this young maid has encountered. It looks like one instance when the butler really did do it!

Over the last few months, we’ve been featuring various covers from DIME DETECTIVE, the pulp that helped Popular Publications become one of the leaders of its industry. The company was launched in 1930 by Henry Steeger and Harold S. Goldsmith. It was the dark days of the Depression and many pulps were having hard times. With most of their titles losing money, Steeger and Goldsmith decided to begin a line of magazines that sold for ten cents.

Using some of the writers from the leading detective pulp of the day — BLACK MASK — the new Popular magazine became a terrific seller. Publishing stories by Raymond Chandler, Carroll John Daly, Frederick Davis, Erle Stanley Gardner, John Lawrence, Frederick Nebel, Cornell Woolrich, and other hardboiled writers, DIME DETECTIVE moved to the top of its field. It ran for 274 issues, its last one dated August 1953.

We’ll be offering a profile of DIME DETECTIVE MAGAZINE at PulpFest 2017. It’s all part of our salute to “Hardboiled Dicks, Dangerous Dames, and a Few Psychos.” We’ll also have live theater, author readings, and presentations on the villains of THE SHADOW MAGAZINE, “The Dangerous Dames of Kenneth Robeson,” Hollywood detective Dan Turner, Pat Savage and the Domino Lady, Philip José Farmer, and much more. PulpFest 2017 will take place at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry from July 27 – 30.

We’ll keep you informed about all  of these exciting topics through our website and social media sites. So please be sure to bookmark PulpFest.com and visit at least once a week. We’ll be offering a new post every Monday morning around 9 AM, eastern time. Alternately, you can read our posts via our facebook site or catch our tweets by following us via our Twitter page.

(Debuting with its November 1931 number, DIME DETECTIVE MAGAZINE was one of the leaders in its fiction category. Part of the reason for its success was its great covers. Featuring work by such artists as Walter Baumhofer, Samuel Cherry, Rafael DeSoto, Albert Drake, John Newton Howitt, Tom Lovell, William Reusswig, Norman Saunders, and Robert Stanley, DIME DETECTIVE flew off America’s newsstands. Unfortunately, the cover art for the August 1939 issue was not credited.)

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New for PulpFest 2017 — Hardboiled Dicks, Dangerous Dames, and a Few Psychos I

Oct 10, 2016 by

PulpFest 2017 Post CardBeginning with its first convention in 2009, PulpFest has annually drawn raves from pop culture enthusiasts. Planned as the summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor pulp fiction and pulp art by drawing attention to the many ways they have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades. That’s why PulpFest is renowned for its wide range of interesting and entertaining programming. So what will be happening at PulpFest 2017?

Although the earliest pulps were general fiction magazines, the rough-paper rags eventually began to specialize. Pulps featuring aviation and war stories, fantasy and the supernatural, love and romance, the railroad, science fiction, sports, and other genres emerged. There were also titles devoted to prison yarns, firefighters, and even engineering stories. However, one of the longest lasting and most popular categories was the detective field. In fact, the first pulp magazine successfully dedicated to a single fiction genre was Street & Smith’s DETECTIVE STORY MAGAZINE.

Introduced in late 1915, the first pulp devoted to “stories dealing with the detection of crime” inspired dozens of similar titles: ALL DETECTIVE MAGAZINE,  CLUES, CRACK DETECTIVE, DETECTIVE-DRAGNET, DETECTIVE FICTION WEEKLY, HOLLYWOOD DETECTIVE, NEW DETECTIVE, POPULAR DETECTIVE, PRIVATE DETECTIVE STORIES, REAL DETECTIVE TALES, SPICY DETECTIVE STORIES, THRILLING DETECTIVE, and many others.

Popular Engineering Stories, 30-04Although a trailblazer as a specialty magazine, DETECTIVE STORY did little to further the development of the detective or crime story. That task would be left to its highly prized successors: BLACK MASK  — the pulp where the hard-boiled detective story began to take shape — and DIME DETECTIVE MAGAZINE — where the tough guy detective became extremely popular. Call them what you will — flatfoots, gumshoes, dime detectives, or private eyes  — it was these hardboiled dicks that transformed the traditional mystery story into the tough guy (and gal) crime fiction that remains popular to this very day.

We’ll be back in a month with another post on our 2017 themes. Next time, we’ll explore the dangerous dames of the pulps. Meanwhile, stay tuned to PulpFest.com for news on our “New Fictioneers” readings, Saturday Night Auction, and much more.  We’ll have a new post each and every Monday in the weeks ahead. So visit often to learn all about PulpFest 2017, “Summer’s Hardboiled Pulp Con!”

(Designed by PulpFest’s artistic director, William Lampkin, our PulpFest 2017 post card features the work of artist John Newton Howitt. His painting was originally used as the cover for the April 15, 1934 number of Popular Publications’ DIME DETECTIVE MAGAZINE.

The April 1930 issue of POPULAR ENGINEERING STORIES, a “Blue Circle Magazine,” was the only issue of this pulp. Published by Harold Hersey’s Magazine and Book Corporation, it featured front cover art by W. C. Brigham, Jr.)

Sunday at PulpFest

Jul 24, 2016 by

Dime Detective 34-04-15PulpFest 2016 is drawing to a close, but there is still time to get in on the action. The dealers’ room will be open from 10 AM until 2 PM today. With most of our dealers getting ready to head for home, our admission for the day is only $10, which includes a copy of our highly collectible program book, THE PULPSTER. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. There are no programming events scheduled for Sunday.

Although our dealers’ room will be open, buying opportunities may be limited as most of our dealers will be packing up their displays, preparing for their trip home.

If you have not been able to attend PulpFest in 2016, start making your plans right now to join the 46th convening of “Summer’s Great Pulp Con” in 2017. Your PulpFest organizing committee is already starting to plan for next year’s convention. We’ll be celebrating “Hardboiled Dicks, Dangerous Dames, and Some Psychos” at PulpFest 2017. As always, expect a great dealers’ room and superb programming.

To keep informed about PulpFest 2017, bookmark http://www.pulpfest.com/ and visit often. News about the convention can also be found on the PulpFest Facebook site at http://www.facebook.com/PulpFest. And for those who prefer their news short and sweet, follow our Twitter feed at https://twitter.com/pulpfest. You’ll also find us on Instagram at https://www.instagram.com/pulpfest/ and Tumbler at http://pulpfest.tumblr.com/. Wherever you look for PulpFest on the web, we’ll be sure to keep you informed of our plans.

Many thanks to all of you who attended this year’s convention. We hope that you enjoyed yourself and will return for PulpFest 2017. Please bring your friends!

Your PulpFest Organizing Committee — Mike Chomko, Jack Cullers, Sally Cullers, Bill Lampkin, Barry Traylor, & Chuck Welch

(One of the anniversaries celebrated by PulpFest 2016 was “A Century of Specialty Pulps.” Beginning with the October 5, 1915 issue of DETECTIVE STORY MAGAZINE, pulps devoted to a single theme or genre began to blossom on the newsstands across America. “While not the first of the specialized fiction magazines, being preceded by THE OCEAN and THE RAILROAD MAN’S MAGAZINE, it accomplished what they had not by creating a trend that would result in the proliferation of the pulps into western, love, air, science fiction, and supernatural, as well as detective.”

One of the most successful genre magazines was Popular Publications’ DIME DETECTIVE MAGAZINE. Among the publisher’s most popular magazines, it debuted in the fall of 1931 and ran for 274 issues. Its final issue was dated August 1953. Pictured here is the April 15, 1934 number, with front cover art by John Newton Howitt.

Start making your plans right now to join PulpFest 2017. You just might meet up with some hardboiled dicks, dangerous dames, or even a few psychos. We look forward to seeing you.)