Philip José Farmer’s Most Dangerous Dame: Patricia Wildman

Jun 22, 2017 by

PulpFest is very pleased to welcome its FarmerCon members back to our joint conference. Since 2011, FarmerCon has offered to help with our programming. They’re mixing things up for 2017, with a panel on “The Psychos of Philip José Farmer — The Nine” and a solo presentation on the friendship of “Philip José Farmer and Robert Bloch.”

Additionally, FarmerCon has asked Win Scott Eckert to perform a couple of short readings: THE MONSTER ON HOLD — a chapter from a planned book that Philip José Farmer offered at the 1983 World Fantasy Convention — and an excerpt from Win’s short novel, THE SCARLET JAGUAR.

During his life, Philip José Farmer maintained that his book DOC SAVAGE: HIS APOCALYPTIC LIFE was a biography of a real person named Doctor James Clarke Wildman. Pat Wildman is the daughter of Doc Wildman, “the world-renowned adventurer and crimefighter of the 1930s and 40s.”

Introduced in the Wold Newton novel, THE EVIL IN PEMBERLEY HOUSE — which Eckert coauthored with Philip José Farmer — Patricia’s adventures continue in THE SCARLET JAGUAR, written solely by Win Scott Eckert.

The winner of the 2014 New Pulp Award for best novella, Eckert’s story tells of a young girl whose father has been kidnapped by the Scarlet Jaguar. Pat, following in her father’s footsteps of righting wrongs and assisting those in need, agrees to help the girl. Now, it’s a race against time, deep in the wilds of the Central American jungle, as Pat Wildman and her crew search for the girl’s father, and confront the Scarlet Jaguar’s weird power to eliminate his enemies from afar.

“But who—or what—is the Scarlet Jaguar? A power-mad dictator determined to reclaim power? A revolutionary movement bent on taking over the country, and the rest of Central America? Or a front for something even more sinister . . . ?”

Win Scott Eckert is the editor of and contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE. He has coedited three Green Hornet anthologies for Moonstone Books. His short tales of Zorro, The Avenger, The Phantom, The Lone Ranger, The Scarlet Pimpernel, Hareton Ironcastle, Captain Midnight, The Green Ghost, Sexton Blake, The Domino Lady, Doc Ardan, and Sherlock Holmes can be found in several character-themed anthologies available from various publishers. Eckert’s critically acclaimed, encyclopedic CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD 1 & 2, was released by Black Coat Press in 2010.

A Honey West/T.H.E Cat crossover, A GIRL AND HER CAT, the first new Honey West novel in over forty years, came out in 2014. Forthcoming works include: the third Pat Wildman adventure; a new novel of one of the preeminent pulp heroes of the ’40s, The Avenger; and the unfinished fourth novel in Farmer’s “Secrets of the Nine” series. You can find Win Scott Eckert online at winscotteckert.com and @woldnewton on Twitter.

Join Win Scott Eckert of FarmerCon on Friday, July 28, at 10:20 PM for a short reading from THE SCARLET JAGUAR. To learn more about Philip José Farmer, please visit The Official Philip José Farmer Web Page. It’s the Brobdingnagian collection of all things Farmerian! And please join us at PulpFest 2017/FarmerCon XII from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(Win Scott Eckert’s THE SCARLET JAGUAR was released in 2016 by Meteor House, featuring cover art by Mark Sparacio. A resident of Boca Raton, Florida, Mark is a Professor of Fine Arts at Digital Media Arts College. He has also worked as a comic book illustrator for Marvel, DC, and other companies.)

The Wild Adventures of Pat Savage

Jun 21, 2017 by

Will Murray discovered Doc Savage in 1969 when he picked up the Bantam Books edition of DUST OF DEATH. Within a few short years, he began contributing to Doc Savage fanzines, starting with THE DOC SAVAGE READERSoon thereafter, he began placing articles in other fanzines, including ECHOES, THE PULP COLLECTOR, and PULP VAULT, writing about Doc and other pulp characters and the magazines in which they appeared. Today, nearly fifty years later, Will is one of the most respected authorities on the pulp magazine, having authored countless articles and books, including THE DUENDE HISTORY OF THE SHADOW MAGAZINE and WORDSLINGERS: AN EPITAPH FOR THE WESTERN.

In addition to his many non-fiction works on the pulps, Murray was the ghost-writer for about forty of the Destroyer action-adventures novels. He has also written twenty Doc Savage novels and two Tarzan novels. He also serves as the literary agent for the Lester Dent estate and as the co-editor of Sanctum Books’ highly regarded pulp reprints.

In 2016, Murray decided to give many fans what they wanted and penned a solo Pat Savage novel — SIX SCARLET SCORPIONS. Well, almost solo, as Monk Mayfair joins Pat on her adventure:

“When a man so anemic that he could be a vampire’s victim comes to Patricia Savage for rescue, the impetuous girl can’t say no. Excitement is her meat and danger her dessert.

“Accompanied by Doc Savage aide, Monk Mayfair, Pat finds herself in the worst danger of her life. Wanted for murder, hounded by the minions of a weird mystery figure calling himself Chief Standing Scorpion, narrowly evading the hordes of the Vinegarroon tribe, the bronze-skinned golden girl battles her way to a sinister secret cached in an ancient ruin.

“From the oilfields of Oklahoma to the forbidding Ozark Mountains, the trail of scorpionic doom winds. Will Pat Savage’s first great adventure also be her last?”

Of course, for longtime fans of the Man of Bronze, SIX SCARLET SCORPIONS is actually the second Pat Savage novel. In “I Died Yesterday,” her final pulp appearance — published in the January/February 1948 issue of DOC SAVAGE SCIENCE DETECTIVE — she is the first-person narrator of the story. As he does in Murray’s recent novel, Monk teams up with Pat to work on the case.

Members of the Narada Radio Company and their PULP-POURRI THEATRE will perform a reading from Will Murray’s SIX SCARLET SCORPIONS, the first book in THE ALL-NEW WILD ADVENTURES OF PAT SAVAGE series, published by Adventures in Bronze in association with Altus Press. Based in Corpus Christi, PULP-POURRI THEATRE is an audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

“The Wild Adventures of Pat Savage by Will Murray,” a reading by PULP-POURRI THEATRE, will take place on Saturday, July 29, at 8:50 PM in the PulpFest 2017 programming area at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.” You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(Walter Swenson painted eleven DOC SAVAGE covers from January 1947 through September 1948. The January/February 1948 number is a good example of his cover art. His interior illustrations can be found in some issues of John W. Campbell’s ASTOUNDING SCIENCE FICTION. They were also published by Street & Smith, right around the same time as his Doc Savage covers. Little more is known about the artist.)

The Dangerous Dames of Kenneth Robeson

Jun 20, 2017 by

Over the years, PulpFest has sought to honor pulp fiction and pulp art by drawing attention to the many ways they have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades. Indeed, the hardboiled dicks, dangerous dames, and a few psychos of the pulps that we’ll be celebrating in 2017 have had a profound effect on popular culture.

Back in May, we set our sights on the mad scientists, crazed hunchbacks, and foul cultists who decimated American cities on a monthly basis in the rough-paper magazines. We also drew attention to the hundredth anniversary of the birth of Robert Bloch, who got his start in the pulps and wrote the suspense classic, PSYCHO.

June found us exploring DIME DETECTIVE MAGAZINE — one of the pulps where the hard-boiled detective story began to take shape. We also examined Robert Leslie Bellem’s tough-guy detective, Dan Turner; Gordon Young’s “Most Dangerous Man in America,” Don Everhard; and the many characters created by Erle Stanley Gardner.

Today, we’re turning our attention to the dangerous dames of the pulps, the hardboiled ladies who helped to pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski. Collectively, these authors and their characters have helped the hardboiled detective to evolve in new directions.

Female pulp characters such as Cleve Adams’s Violet McDade and Nevada Alvarado, John Russell Fearn’s Golden Amazon, Walter Gibson’s Myra Reldon and Margo Lane, Robert E. Howard’s Bêlit, “Queen of the Black Coast,” C. L. Moore’s Jirel of Joiry, Norvell Page’s Nita Van Sloan, Les Savage’s Senorita Scorpion, Theodore Tinsley’s Carrie Cashin, Gene Francis Webb’s Grace Culver, Lars Anderson’s Domino Lady, and Sheena, Queen of the Jungle, all depicted women in roles often reserved for men. Generally, they performed equal to or better than their male counterparts. These dangerous dames helped to remove women from the drawing rooms of Carolyn Wells and Agatha Christie, the love and western romance pulps, and into the mean streets.

Perhaps the best known female character of the pulps is Lester Dent’s Pat Savage. As Kent Gutschke has written on THE MARTIAN DEATH RAY:

“She is only the Bronze Goddess of pulp’s Golden Age, and distant cousin to Doc Savage, the Bronze Man of Tomorrow. And she is more fun and psychologically complex than the man whose shadow she lives under. Patricia Savage is also an underdog not because she lacks intelligence and skill, but because the men that surrounded her — both heroes and villains — forever underestimate her.

“In fact the only man in Patricia Savage’s life who does not underestimate her is her creator, Lester Dent. As early as 1934’s ‘Death in Silver,’ Dent planned for Pat to run her own detective agency within the pages of DOC SAVAGE, but editors at Street & Smith rejected the idea. While Street & Smith billed Doc as the Man of Tomorrow, Doctor Clark Savage and his editors had quaint, patriarchal notions about a woman’s place in their brave new world. So Pat Savage and Lester Dent settled for a beauty salon. What trouble could she possibly get into running a beauty salon? With Dent writing, quite a bit and when trouble failed to come her way, Pat cultivated a talent for elbowing into Doc’s adventures.”

Introduced in “Brand of the Werewolf” — originally published in the January 1934 issue of DOC SAVAGE MAGAZINE — Pat Savage would appear in 37 adventures of the Man of Bronze. In “I Died Yesterday,” her final pulp appearance (published in the January 1948 number), she is the first-person narrator of the story. As Terence Towles Canote has written on A SHROUD OF THOUGHTS

“She was in many ways the perfect, female counterpart to her cousin. Pat was spectacularly beautiful, yet very much her own woman. She could fight as well as any man, deadly with her six shooter and skilled in boxing, fencing, and jujitsu. She could fly a plane, pick locks, pick pockets, speak Mayan and German (although she was not very good at the latter), knew Morse code, and was a very convincing actress. She also had an undying love of adventure, which she shared with her cousin (even if Doc would never admit it). Over the course of her adventures Pat emerges as a fully realised character, perhaps more fully realised than any female character from the pulps save Nita Van Sloan from THE SPIDER. This could very well be the reason she still has more than her fair share of fans to this day.”

Please join PulpFest 2017 on Friday, July 28, at 10:30 PM as the convention’s technical director, Chuck Welch, examines The Dangerous Dames of Kenneth Robeson. In addition to Pat Savage, Chuck will be discussing Paul Ernst’s Nellie Gray and Rosabel Newton, two strong female characters featured in Street & Smith’s THE AVENGER, a hero pulp introduced in 1939.

As one of the original Internet Fans of Bronze, Chuck Welch started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of these conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director and webmaster. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

(Doc Savage and his assistants travel to British Columbia to visit his uncle, Alex Savage, and cousin, Patricia Savage, in “The Brand of the Werewolf,” originally published in DOC SAVAGE MAGAZINE for January 1934, with cover art by Walter M. Baumhofer. When they reach the cabin of Doc’s relatives, they discover that Alex Savage has been murdered. From the start, Pat is ready for adventure, hoping to find the killers of her father. She would be “ready for adventure” in nearly forty tales of Lester Dent’s Man of Bronze.)

Fans of Bronze to Gather for Doc Con XIX

Sep 26, 2016 by

Doc Con XIX (2016)Fans of Doc Savage, the Man of Bronze, will gather for the 19th annual Doc Con on Friday, November 4, through Sunday, November 6, in Glendale, Arizona, a suburb of Phoenix.

The con has grown from the five fans who first got together in Scottsdale, Arizona, in 1998, to almost 100 fans who attended last year to celebrate the 40th anniversary of the 1975 movie DOC SAVAGE: THE MAN OF BRONZE with its star and con Guest of Honor Ron Ely.

This year, fans will have a chance to meet guests Will Murray, pulp historian and author of the “All-New Wild Adventures of Doc Savage,” and Joe DeVito, the artist for Murray’s original Doc Savage books at Bantam and Altus Press. “Attendees will meet Will and Joe in a way that they never have before,” says Jay Ryan, one of Doc Con‘s organizers. “We hope our format will make them more personable and accessible and that we will get to know them as a human being rather than just for their roles as Doc’s author and artist.”

Jay also says that with Dwayne “The Rock” Johnson having announced that he’s signed on to play Doc in a new movie, written and directed by Shane Black, this may be the last year for Doc Savage fans to gather before the flood gates of fandom open wide.

Doc Con XIX begins Friday evening with a group dinner, continues Saturday with a day full of programming, and wraps up Sunday morning. Evenings — “Doc Con After Dark” — include a variety of activities and a chance to mingle with fellow fans and their families.

The convention will again be held at the Comfort Suites Glendale, 9824 W Camelback Rd, Glendale, Ariz. A pre-registration web page remains open for a short while longer. For more information, visit the Doc Con Facebook page, or email Jay Ryan at jryands@aol.com.

Premiering at PulpFest 2016

Jul 12, 2016 by

Wild Adventures of King KongAs they do every year, a number of publishers have chosen to roll out new titles at PulpFest 2016. Altus Press, Murania Press, and Stark House Press will be premiering reprints of classics from the past, while Adventures in Bronze, Airship 27, and Meteor House will offer new work inspired by the great fiction of the past. And since PulpFest will be hosting five New Fictioneer readings, expect to meet some of the creators of today’s pulp fiction at the convention. Click the 2016 schedule link on our home page to learn more about the readings.

Although Tarzan, the king of the jungle, won’t be quite ready to meet King Kong — the greatest ape of them all — in time for PulpFest 2016, author Will Murray will have copies of the second edition of WORDSLINGERS, his classic study of the pulp western. On Friday, July 22, please join Will as he discusses “WESTERN STORY MAGAZINE and the Evolution of the Pulp Western” during our evening programming. In addition to WORDSLINGERS, you’ll find copies of the recently released “Wild Adventure of Doc Savage” novel GLARE OF THE GORGON at Will Murray’s Adventures in Bronze tables.

Age of Aces SquadronAge of Aces Books is a publisher of lost pulp fiction treasures with a keen eye for design. At this year’s PulpFest, Chris and David Kalb will be releasing two thrilling collections of stories from the tattered pages of the air war pulps: Donald E. Keyhoe’s CAPTAIN PHILIP STRANGE: STRANGE SPECTRES — their fifth collection to feature the ace pilot and so-called “Brain-Devil” of G-2 Intelligence — and Frederick C. Painton’s SQUADRON OF THE DEAD — a series set during the First World War that is remindful of the classic war film THE DIRTY DOZEN.

MetropolisCVRNew pulp fans will see a number of new and recent books at PulpFest 2016, courtesy of Ron Fortier and Rob Davis of Airship 27 Productions. In addition to their recent anthology of stories — TOWERS OF METROPOLIS — based on the classic science fiction film directed by Fritz Lang — the “new pulp” aces of Airship 27 will have a special PulpFest edition of their forthcoming HOLMES AND HOUDINI, uniting two of their best-selling characters in the same book. There will be only fifteen copies of this special edition — featuring cover art by Rob Davis — produced for the convention. This collector’s edition — written by by award-winning author, I. A. Watson — will only be available at PulpFest 2016. Additionally, please remember to join Ron Fortier on Saturday afternoon, July 23, for our annual “new pulp” panel, “The AMAZING World of New Pulp.” Ron and four of the premier writers of new pulp fiction will be discussing “Writing Hero Pulp.”

Yen Sin 1As he does every year, Mike Chomko will be premiering the latest books from America’s leading pulp reprint house Altus Press. Thanks to an arrangement with Altus publisher Matt Moring, Mike will be offering both hardcover and softcover editions of THE MYSTERIOUS WU FANG #1, DR. YEN SIN #1, SUPER-DETECTIVE JIM ANTHONY, VOLUME 3, KI-GOR, VOLUME 3, THE MOON MAN, VOLUME 2, THE BLACK BAT OMNIBUS, VOLUME 5, and much more. For a complete list of the Altus Press books that Mike will be offering at PulpFest 2016, please visit http://www.altuspress.com/blog/altus-press-books-premiering-at-pulpfest-2016Mike Chomko, Books has been one of the leading purveyors of pulp reprint books and periodicals since the early nineties. Look for his tables just inside the entrance to the PulpFest 2016 dealers’ room and say “hello” to the convention’s marketing and programming director.

Lara DestinyDick and Norma Enos of Fantasy Publishing will have a new adventure of Rick Steele at PulpFest 2016. In DEATH MAKES A SCREEN TEST, the ace trouble buster of the fifties and his crew are called to do a bit of ghost busting on the set of a Hollywood film. “The world needs heroes!  The world needs Rick Steele!” Dick and Norma will also have a new Lara Destiny private eye novel on hand: VACATION HOODOO.

GravesendPlease welcome to PulpFest author Phil Farina. Born in New York City and raised in the Gravesend section of Brooklyn, Mr. Farina is a water treatment professional, working on developing technologies to improve our water supplies. He lives with his wife in Toledo, Ohio and writes books for the love of the story. He will be selling copies of his “coming-of-age” novel, GRAVESEND, at this year’s PulpFest. We are looking forward to hosting this Ohio author for years to come.

Midnight GuardianJim Beard and John Bruening of Flinch Books, publishers of “in-your-face pulp-style adventure fiction,” will be on hand with their noted prose anthologies BIG TOP TALES and SOMETHING STRANGE IS GOING ON: NEW WORLDS OF FLETCHER HANKS. They’ll also have copies of John’s brand new full-length novel, THE MIDNIGHT GUARDIAN: HOUR OF DARKNESS. Jim — who also also provides regular content for Marvel.com, the official Marvel Comics website — will also be offering a wide selection of his own fiction work, including publications from Airship 27, Meteor House, and Pro Se Productions.

The “Flinch Founders” will also be announcing the winner of their very first “Flinchin’ Contest,” live from PulpFest 2016 on Friday, July 22. To learn more about this exciting event, please visit the Flinch Books Facebook page at www.facebook.com/flinchbooks/.

Blood of Ancient OparMeteor House, a publisher of science fiction and fantasy that specializes in works set in the worlds created by Philip José Farmer as well as original science fiction and fantasy novels and novellas, hopes to offer four new books at PulpFest 2016:  Christopher Paul Carey’s BLOOD OF ANCIENT OPAR; Sean Lee Levin’s CROSSOVERS EXPANDED; Philip José Farmer’s and Danny Adams’ DAYWORLD: A HOLE IN WEDNESDAY; and Josh Reynolds’ PHILEAS FOGG AND THE HEART OF OSRA. Croteau and many of his authors will be on hand at the convention for their annual book-signing party. We’ll be announcing further details during the convention. And don’t forget about the FarmerCon XI presentation on Friday, July 22. Join us in the Hyatt Regency’s Union Rooms for “Collaborating with a Grand Master.”

BNT 46-47Ed Hulse and Murania Press will be offering a new issue of the award-winning “Journal of Adventure, Mystery and Melodrama in American Popular Culture” BLOOD ‘N’ THUNDER at this year’s PulpFest. Ed also hopes to have several new titles from the Murania Press book line at the convention: three volumes of crime and mystery yarns written by Johnston McCulley, the creator of Zorro — ALIAS THE THUNDERBOLT, THE RETURN OF BLACK STAR, and THE SPIDER SPINS HIS WEB.

Handful of HellNew Texture, publisher of the Men’s Adventure Library, will be testing the pulp waters with four volumes drawn from the pages of the men’s adventure magazines: CRYPTOZOOLOGY ANTHOLOGY, collecting wild, “true” accounts of savage, fist-to-claw duels between man and Sasquatch, man and fishman, and man and monster; A HANDFUL OF HELL, a collection of “Classic War and Adventure Stories” written by the late Robert F. Dorr; HE-MEN, BAG MEN, AND NYMPHOS, fifteen high-intensity Walter Kaylin classics from pulp fiction purgatory; and WEASELS RIPPED MY FLESH, an anthology of two-fisted action stories from the men’s adventure magazines of the 1950s, ’60s and ’70s. New Texture will be represented by Mike Chomko, Books at PulpFest 2016.

Lion BooksIn the business of reprinting some of the best mysteries and supernatural fiction of the past 100 years, Stark House Press hopes to have several new titles ready for PulpFest 2016. You’ll find ANCIENT EGYPTIAN SUPERNATURAL TALES, a superb new anthology of stories in which ancient Egyptian mysticism, mummies, and other supernatural occurrences play a significant role; Vin Packer’s THE GIRL ON THE BESTSELLER LISTHEROES LUST, THE MAN I KILLED, & HOUSE OF EVIL, three forgotten noir novels from the 1950s from the paperback publisher who first promoted the careers of Jim Thompson and David Goodis — Lion Books; James Hadley Chase’s gangster novels HE WON’T NEED IT NOW & THE DEAD STAY DUMB; Elisabeth Sanxay Holding’s KILL JOY & THE VIRGIN HUNTRESS; SCRATCH A THIEF & HOUSE OF EVIL, two classic crime stories from the early 1960s by John Trinian; and Charlie Stella’s first new novel since 2012, TOMMY RED. Mike Chomko, Books will be representing Stark House at PulpFest.

These are just a few of the great publications that you’ll find in the PulpFest 2016 dealers’ room. So what are you waiting for? Book a room for three nights and register now for “Summer’s AMAZING Pulp Con.” To book a room for this year’s convention, please click our hotel information link on our home page.

(Not only will the publishers exhibiting at PulpFest 2016 be offering great writing, they’ll have some great art to share. The talented Joe DeVito — the artist behind the latest Doc Savage book covers — will be contributing the art to the forthcoming volume in Will Murray’s “The Wild Adventures of King Kong.”

In 2009, Chris Kalb designed the first PulpFest website. Since then, he’s helped us time and again. This year, he’s been nominated for the 2016 Munsey Award. We wish him the best of luck. Along with his brother David, Chris is the publisher of Age of Aces books. He’s also the company’s art director, the person who comes up with all the great covers featured on each of their books, including one of their latest entries, Frederick C. Painton’s SQUADRON OF THE DEAD.

In 1927, German filmmaker Fritz Lang brought to the screen one of the most ground-breaking science fiction films of all time. METROPOLIS is regarded as a classic and one of the first full-length movies in the genre. THE TOWERS OF METROPOLIS — published by Airship 27 — is an anthology of  four dramatic tales which unfold in this amazing world prior to the events of thE film. It features front cover art by the award-winning Michael W. Kaluta.

Jerome George Rozen was born October 16, 1895 in Chicago. In 1931 he painted the four earliest original pulp magazine covers for THE SHADOW, but starting with the January 1932 issue he was suddenly replaced by his brother George, who went on to become The Shadow‘s more renowned cover artist. Jerome branched out into the more lucrative and prestigious fields of advertising and slick magazine illustration. Jerome also painted the cover to the May-June 1936 issue of DR. YEN SIN, the first issue of the short-lived pulp magazine.

Dick Enos’ Lara Destiny novels concern a former New York City police detective who becomes the metropolis’ first transgender private eye. Enos is also the author of the Rick Steele adventures. Steele is the ace trouble buster of the fifties.

Phil Farina’s GRAVESEND is the story of a young man growing up in Brooklyn who has “experiences.” As he grows older these things become more and more important to young Robbie, until one day he and his best friends come across an ancient Ouija board. They begin a journey that can only end in disaster and soon learn that actions have consequences.

The debut novel from Flinch Books publisher and editor John C. Bruening is a high-octane pulp adventure that will be debuting at PulpFest 2016. A longer work than readers are used to in the new pulp world, with world-building off the charts, John has created a city that you’ll really get to know from the ground up. The characters that inhabit it are as fascinating as the city itself — especially the bad guy! The cover art for THE MIDNIGHT GUARDIAN: HOUR OF DARKNESS is by Thomas Gianni.

Christopher Paul Carey’s novel BLOOD OF ANCIENT OPAR is graced with cover art by Bob Eggleton, who also painted a handful of covers for AMAZING STORIES during the TSR years. An extremely versatile artist, he has worked in science fiction, fantasy, horror, and as a landscape artist. Eggleton has won the Hugo Award for Best Artist eight times.

Ed Hulse’s BLOOD ‘N’ THUNDER is “The Journal of Adventure, Mystery and Melodrama in American Popular Culture of the Early 20th Century!” It’s designed to appeal to anybody who is enthusiastic for fanciful storytelling teeming with “lost races, death rays, trap doors, buried treasures, secret formulas, hidden passages, mad scientists, gangster chieftains, Oriental masterminds, hooded villains, distressed damsels and intrepid heroes.”

Wyatt Doyle is a co-founder of New Texture, helping to launch their publishing imprint in 2006. He’s also the designer and co-editor — with Robert Deis — of A HANDFUL OF HELL, a collection by the late Robert F. Dorr. The cover art is drawn from a variety of men’s adventure magazines.

Lion Books began in 1949 as Red Circle Books, part of the Martin Goodman publishing empire that also included such magazines as FOR MEN ONLY, STAG, and MOVIE WORLD, as well as various pulps and the early Marvel Comics. Lion Books only lasted for nine years, but during that time at least a third of their books were noir reprints and originals. Under the editorship of Arnold Hano, Lion published early novels by Jim Thompson, David Goodis, Robert Bloch, Richard Matheson, Day Keene, Shirley Jackson and many other authors who went on to popular or cult success. The three novels in the Stark House collection represent some of the hidden treasures of the Lion Books line, crime novels from the early 1950s — the golden age of the paperback. Unfortunately, Lion didn’t credit its artists, and quite often chopped off their signatures.)

 

 

Ten Years in The Shadow’s Sanctum — Anthony Tollin’s Sanctum Books

Jun 23, 2016 by

Shadow 1One of PulpFest‘s longtime supporters has been Anthony Tollin, the publisher of Sanctum Books. On Saturday, July 23, at 3 PM, PulpFest 2016 will salute the tenth anniversary of Sanctum Books. Our celebration of the occasion will take place in our programming area, located in the Union Rooms on the second floor of the Hyatt Regency Columbus.

Anthony Tollin launched his Sanctum double novel pulp reprints in July 2006. During the past decade, Sanctum Books has reprinted all 182 DOC SAVAGE pulp novels, all 24 of Paul Ernst’s AVENGER novels, the 14 WHISPERER novels from the original pulp series and more than 220 SHADOW novels — all in non-flaking editions with the classic color covers and original interior illustrations, plus comprehensive historical articles and features. Some of these features have included rare radio scripts as well as reprints of Street & Smith comic book stories such as the Iron Munro yarns of Theodore Sturgeon. Additionally, Sanctum Books has reprinted selected NICK CARTER, PHANTOM DETECTIVE, and THE SKIPPER adventures in the double novel format. The publisher has also added THE SPIDER and THE BLACK BAT to its publishing schedule. It goes without saying that Sanctum Books has been one of the leading pulp reprint houses for the last ten years.

Please join Anthony Tollin and his contributing editor Will Murray as they recall Sanctum’s first decade, preview its new anniversary special and annuals, and showcase some of its upcoming projects —  including a hardcover collection of the complete 1940 – 1942 SHADOW newspaper strips.

The only way that you can join this celebration of “Ten Years in The Shadow’s Sanctum” is to attend PulpFest 2016, “Summer’s AMAZING Pulp Con.” Find out “Who knows what evil lurks in the hearts of men?” only at PulpFest. Taking place in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center, it begins on Thursday, July 21 and runs through Sunday, July 24. As of June 21, the Hyatt Regency Columbus has a small number of rooms available for July 21 through July 23. Please see our post “There Are Rooms at the Hyatt!

At www.columbusconventions.com/thearea.php, you’ll find a list of area hotels courtesy of the Greater Columbus Convention Center. Alternately, you can search for a room at tripadvisor or a similar website to find a hotel near the convention. Thanks so much to everyone who has reserved a room at our host hotel. By staying at the Hyatt Regency, you’ve helped to ensure the convention’s success.

As of June 1, 2016, the Hyatt Regency is sold out on Friday, July 22. Please read our post “Friday Night Sell-Out” for alternatives. Thank you.

(Back in 2006, the advertising copy for the first of Sanctum Books’ double novel reprints read: “The Shadow returns in two of his greatest pulp adventures: “Crime, Insured” (acclaimed as Walter Gibson’s greatest thriller) and “The Golden Vulture” (revised by Gibson from Lester Dent’s 1932 tryout novel that won him the Doc Savage contract), featuring writers Walter B. Gibson and Lester Dent (writing as “Maxwell Grant”), and artists George Rozen and Edd Cartier. The first volume of this new series reproduces both original covers by George Rozen, plus all of the original interior illustrations by Edd Cartier. This book also includes new historical background articles by popular culture historians Anthony Tollin and Will Murray (who collaborated posthumously with Dent on Seven new Doc Savage novels previously published by Bantam).”

Over the past ten years, Sanctum’s format has not changed: two or three novels per book, the original covers and interior illustrations, and some sort of historical articles or materials are featured in each volume of the series. The only thing that has changed is the price: the early volumes cost $12.95, while today’s Sanctum reprints can be had for $14.95. They’re a tremendous value at both prices!)

Street & Smith’s Second String Superheroes

Jun 1, 2016 by

The Whisperer 1936-10Will Murray discovered Doc Savage in 1969 when he picked up the Bantam Books edition of DUST OF DEATH. Within a few short years, he began contributing to Doc Savage fanzines, starting with THE DOC SAVAGE READERSoon thereafter, he began placing articles in other fanzines, including ECHOES, THE PULP COLLECTOR, and PULP VAULT, writing about Doc and other pulp characters and the magazines in which they appeared. Today, nearly fifty years later, Will is one of the most respected authorities on the pulp magazine, having authored countless articles and books, including THE DUENDE HISTORY OF THE SHADOW MAGAZINE and WORDSLINGERS: AN EPITAPH FOR THE WESTERN.

In addition to his many non-fiction work on the pulps, Murray was the ghost-writer for about forty of the Destroyer action-adventures novels. He has also written nineteen Doc Savage novels and a fully authorized Tarzan novel, RETURN TO PAL-UL-DON. A second is forthcoming. He also serves as the literary agent for the Lester Dent estate and as the co-editor of Sanctum Books’ highly regarded pulp reprints.

At 9:10 PM on Thursday evening, July 21, Will Murray will begin PulpFest‘s much-admired programming with a discussion of “Street & Smith’s Second String Superheroes — The Whisperer and The Skipper.”

After Street & Smith kicked off the hero-pulp explosion when THE SHADOW MAGAZINE debuted in 1931, pulp publishers scrambled to grab a share of that eager reading audience. More character pulps came into the mix in 1933: Street & Smith’s DOC SAVAGE, NICK CARTER MAGAZINE, and PETE RICE MAGAZINE; Thrilling Publications’ THE PHANTOM DETECTIVE and THE LONE EAGLE; and Popular’s THE SPIDER and G-8 AND HIS BATTLE ACES.

In 1936, Street & Smith decided to introduce a harder edge to their hero pulps. Turning to former newspaperman, Hollywood scripter, and prolific pulp author Laurence Donovan — who had written nine adventures of the Man of Bronze — the publisher brought out THE WHISPERER during the fall of 1936. Hitting the newsstands with an October 1936 number, The Whisperer was police Inspector (later police commissioner) James “Wildcat” Gordon. The stocky, granite-jawed policeman attempted to fight crime within the law during the day, but transformed into The Whisperer to take the law into his own hands when it didn’t go far enough. THE WHISPERER lasted 14 issues, ending with the December 1937 number. All of the novels were written by Donovan under the house name Clifford Goodrich.

Two months after the first appearance of the original THE WHISPERER magazine, THE SKIPPER went on sale with a December 1936 cover date. As The Whisperer is often said to have been inspired by The Shadow, there’s little doubt that Captain John Fury — the Skipper — was a variant of Doc Savage.

The Skipper 1936-12Also written by Laurence Donovan — under the house name Wallace Brooker — Cap Fury wasn’t the giant that Doc was; instead he, like Wildcat Gordon, was stocky, but with “flaming red hair” and “sharp arctic blue” eyes. He had Doc-like skills, which included lip reading, using pressure points to subdue the bad guys, and cat-like agility. He also relied on oversized sea boots to conceal hypodermics, oxygen masks, and other gadgets. His flaming red hair and last name echoed his dealings with the criminal sort. Unlike Doc, who refrained from killing, Cap Fury made good use of automatic pistols and a whip to mete out justice. Vowing to rid the seas of pirates and criminals, he battled a number of fantastic foes who controlled death rays, a meteorite that removed oxygen from the air, voodoo practitioners, plague-bearing rats, and other nefarious foes.

When THE SKIPPER was canceled after 12 issues with the December 1937 number, Cap Fury moved into the back pages of DOC SAVAGE MAGAZINE. The shorter stories were written by Donovan, Harold Davis, and Norman Daniels.

Join Will Murray at PulpFest 2016 to learn much more about The Whisperer and Cap Fury. “Summer’s AMAZING Pulp Con” will salute the 80th anniversaries of the two pulp heroes. PulpFest 2016 will take place from July 21 through July 24 in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center. You’ll have a FANTASTIC time. You can book a room from the PulpFest home page by clicking the link that reads “Book a Room Now.”

(THE WHISPERER was introduced to readers with its October 1936 number, featuring front cover art by the talented John Newton Howitt, a devoted landscape painter whose work was sold at fine art galleries in New York City. With the advent of the Great Depression, the artist turned to the pulps for income. An excellent painter, Howitt found a ready market in the rough-paper periodicals, selling freelance pulp covers to ADVENTURE, DIME DETECTIVE, HORROR STORIES, THE SPIDER, TERROR TALES, THE WHISPERER, WESTERN STORY MAGAZINE, and other pulp magazine titles.

THE SKIPPER, including the first issue dated December 1936, featured cover art by Lawrence Donner Toney, a graduate of the Art Institute of Chicago. During the 1930s and 1940s, Toney painted covers for pulp magazines, such as CLUES, COMPLETE STORIES, WESTERN STORY MAGAZINE, and WILD WEST WEEKLY, all published by Street & Smith.)

Doc Savage: His Apocalyptic Life

May 30, 2016 by

Doc Savage Apocalyptic Life Cover Every year, writers, editors, and publishers choose to roll out new titles at PulpFestAltus PressMurania Press, and Stark House Press have premiered reprints of classics from the past, while Adventures in BronzeAirship 27, and Meteor House have debuted new work inspired by the great fiction of the past. And since PulpFest annually hosts several New Fictioneer readings, you can always expect to meet some of the creators of today’s pulp fiction at the convention.

At PulpFest 2013, Meteor House and Altus Press released a new edition of Philip José Farmer’s biography of the bronze crusader who fought almost 200 separate battles against the forces of evil — DOC SAVAGE: HIS APOCALYPTIC LIFE. This revised edition features a brand new foreword by Farmer and pulp expert Win Scott Eckert, updates to the “List of Doc Savage Stories” including the latest novels, rare material culled from Mr. Farmer’s notes, and tributes by other Farmer and Doc experts, including John Allen Small, Keith Howell, Rick Lai, Art Sippo, Christopher Paul Carey, and current Doc Savage writer Will Murray, as well as other bonus materials not seen in prior editions.

If you were lucky enough to be in attendance at the 2013 PulpFest and purchased a copy of Meteor House’s hardcover edition of the Grand Master’s classic study of the Man of Bronze, you could have had your copy signed by all of the contributors who were in attendance. Unfortunately, one contributor was missing: Keith Howell.

Doc Savage Apocalyptic Life Name PlateThankfully, Keith will be attending PulpFest 2016. So bring your copy of DOC SAVAGE: HIS APOCALYPTIC LIFE to this year’s PulpFest and stop by the Meteor House table to obtain that missing signature. It’s just one more reason why you should not miss PulpFest 2016, “Summer’s AMAZING Pulp Con!” It will take place July 21 through July 24 in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center. Start making your plans to join us at the “pop culture center of the universe” for PulpFest 2016.

(The revised edition of DOC SAVAGE: HIS APOCALYPTIC LIFE, by Philip José Farmer, was published in 2013 as a joint venture by Meteor House and Altus Press. It featured cover art by Doc Savage artist Joe DeVito. The deluxe hardbound edition includes a signature page.)

A Third Clue to Our Guest of Honor

Jan 9, 2016 by

The Whisperer 1936-10On Thursday evening, we drew your attention to the fact that we are planning to announce our convention’s 2016 guest of honor on Monday, January 11th. The news will be released here and on our social media sites such as Facebook and Twitter. We also mentioned that we’re planning to offer a wide array of programming at PulpFest 2016, including a salute to the 80th anniversaries of THE WHISPERER and THE SKIPPER.

In 1931, Street & Smith was promoting their DETECTIVE STORY pulp by dramatizing stories from the magazine over the radio. The program’s narrator called himself “The Shadow.” When this memorable name began to eclipse the title of the magazine being promoted, the publisher decided to launch a new form of pulp magazine, the single-character or “hero” pulp. Within two years, the phenomenal success of  THE SHADOW MAGAZINE had started a rash of hero pulps including THE PHANTOM DETECTIVE, DOC SAVAGE, THE SPIDER, and G-8 AND HIS BATTLE ACES.

Although most of the hero-pulp titles that were introduced during 1933 experienced long runs, two of the magazines — Street & Smith’s own NICK CARTER DETECTIVE MAGAZINE and PETE RICE WESTERN ADVENTURES — were cancelled during the summer of 1936. Their spots in the publisher’s line-up were not long left vacant. THE WHISPERER was introduced to readers with its October 1936 issue, while THE SKIPPER debuted two months later.

THE WHISPERER related the adventures of Police Commissioner Wildcat Gordon, “a new character,” as the magazine’s first number proclaimed, who was “vigorous” and “fascinating.” The new pulp hero was meant to be a more adult version of Walter Gibson’s Shadow character, battling organized crime, racketeers, political corruption, and the like. Disguised in gray and wearing special dental plates that caused him to speak in a spooky whisper, Wildcat carried a pair of silenced automatics and was prone to kill those who ignored the law. The novels of the magazine’s first run were all written by Laurence Donovan, using the house name of Clifford Goodrich.

Hoping to duplicate the success of their globe-trotting super-hero, Doc Savage, Street & Smith released THE SKIPPER. Likewise intended to be a grown-up version of the popular Lester Dent adventure hero, the publisher again turned to Laurence Donovan to create the character and his adventures. The Skipper was Captain John Fury, master of the freighter Whirlwind. Following the death of his brother — killed by ocean-faring evildoers — Cap Fury promises to rid the seas of pirates and criminals. Commanding a tramp steamer that has been outfitted for war, The Skipper battles a number of fantastic foes who control death rays, a meteorite that removes oxygen from the air, voodoo practitioners, plague-bearing rats, and other nefarious evil-doers.

The Skipper 1936-12Here’s another clue to the identity of our PulpFest 2016 guest of honor: as mentioned in our post of  January 8th, the 1930s was the era of the hero pulp, inspired by the phenomenal success of Street & Smith’s THE SHADOW MAGAZINE. During our 2016 guest of honor’s career, he or she has also been associated with super heroes. Drop by our site tomorrow for our final hint. You can leave your guess to our special guest’s identity on our Facebook page. If you haven’t done so already, be sure to “like” us. We’ll provide a free membership to PulpFest 2016 to the first person who guesses the identity of this year’s honored guest. And remember to visit www.pulpfest.com on Monday, January 11th, when we will reveal the identity of the PulpFest 2016 Guest of Honor.

(THE WHISPERER was introduced to readers with its October 1936 number, featuring front cover art by the talented John Newton Howitt, a devoted landscape painter whose work was sold at fine art galleries in New York City. With the advent of the Great Depression, the artist turned to the pulps for income. An excellent painter, Howitt found a ready market in the rough-paper periodicals, selling freelance pulp covers to ADVENTURE, DIME DETECTIVE, HORROR STORIES, THE SPIDER, TERROR TALES, THE WHISPERER, WESTERN STORY MAGAZINE, and other pulp magazine titles.

THE SKIPPER debuted two months after the introduction of THE WHISPERER, its first issue dated December 1936. Lawrence Donner Toney, a graduate of the Art Institute of Chicago, was the cover artist. During the 1930s and 1940s, Toney painted covers for pulp magazines, such as CLUES, COMPLETE STORIES,WESTERN STORY MAGAZINE, and WILD WEST WEEKLY, all published by Street & Smith. Most of his work for pulp magazines was signed only with his initials.

To learn more about these talented artists, be sure to visit David Saunders’ Field Guide to Wild American Pulp Artists where you will find more than 300 biographical profiles of American pulp artists.)

Have a Bronze October at Doc Con XVIII

Sep 28, 2015 by

Doc Con XVIII

This year marks the 40th anniversary of DOC SAVAGE: THE MAN OF BRONZE, producer George Pal’s film adaptation of the Street & Smith pulp hero’s first adventure.

To celebrate, Doc Con XVIII has lined up a very special guest: actor Ron Ely, who starred as the Man of Bronze in the 1975 film. (He also played another pulp character, Tarzan, for two seasons on TV in the 1960s.) Ely will talk about the movie and be available for photos and autographs.

Other guests will include Bob Larkin, who painted more than 50 covers for Bantam’s Doc Savage paperback series; Anthony Tollin, publisher of Sanctum Books, who expects to finish reprinting all of the Doc Savage novels by the end of the year; and sociologist October Surprise, who has studied the readership of DOC SAVAGE MAGAZINE through its letter columns.

Doc Con XVIII will be Friday through Sunday, Oct. 9-11, 2015, at the Comfort Suites, 9824 W. Camelback Rd., Glendale, Ariz. You can find out more about Doc Con on its Facebook page, or by emailing Jay Ryan at JRyanDS@aol.com.