Thursday at PulpFest

Jul 27, 2017 by

PulpFest 2017 will begin this afternoon at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members — dealers included — will be able to register for the convention from 4 to 8 PM, at the entrance to our dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Everyone can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page.

There will be free early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying at our host hotel. The cost is $30 for those who stay elsewhere. Our full evening programming slate will begin shortly after 9 PM with a reading by author Chet Williamson.

PulpFest will also be celebrating the dangerous dames of the pulps with presentations on The Dangerous Dames of Kenneth Robeson — featuring PulpFest Technical Director and Webmaster Chuck Welch — and Compliments of the Domino Lady — a discussion of the long-lived pulp hero by Inkpot Award winner Michelle Nolan. Sandwiched between these two presentations will be a reading from his Domino Lady story — “The Claws of the Cat” — by author Ron Fortier.

Closing out the evening will be an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 11 PM.

You can find additional details about these and all of our presentations by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

When our programming is over, PulpFest members are welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. “What’s your favorite Doc Savage adventure? Did Joan Randall have a thing for Gragg the Robot? Remember when Conan bit off that vulture’s head in ‘A Witch Shall Be Born?’ How the hell do you say Tsathoggua? Who’d win a knock-down-drag-out between Wu Fang and Shiwan Khan? Would either stand a chance against Doctor Fu Manchu? Why does the Phantom Detective wear that top hat? Who the hell is Pinky Jenkins?” These are just a few of the mysteries you might clear up with your pals — old and new — at PulpFest 2017. You sure can’t do that on your iPhone!

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available. 

For those of you who have not yet registered for PulpFest 2017, Thursday evening will be an ideal time to do so. Our full weekend memberships will be available at the door, with early-bird shopping costing an additional $30 for those members not staying at the DoubleTree. Single day memberships — costing $20 for Friday or Saturday — will also be available. A Sunday single day membership will cost $10, the price of THE PULPSTERPlease click our Register for 2017 button for further details.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Access to the dealers’ room for unloading will be through the ballroom back entrance and the nearby banquet dock. Click here for a map showing the loading area of the hotel and here for a map of the DoubleTree’s Grand Ballroom.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

(Although the first costumed pulp heroine appeared in just six stories in rare and obscure mid-1930s pulps, The Domino Lady commanded three covers for those magazines. All three were painted by Norman Saunders, one of the leading artists and illustrators of the pulp era.

The Domino Lady and other “dangerous dames” of the pulps will be profiled during PulpFest’s opening night programming, scheduled to begin at 9:10 PM this evening. We hope to see you in at the DoubleTree for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Thursday, July 27

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 9:00 PM — Dealers’ Room Open for Early-Bird Shopping (free with your stay at the Double-Tree)

Programming

9:10 – 9:40 PM — Robert Bloch’s PSYCHO: SANITARIUM — A Reading by Chet Williamson

9:40 – 10:05 PM — The Dangerous Dames of Kenneth Robeson: Pat Savage, Nellie Gray and Rosabel Newton (Chuck Welch)

10:05 – 10:15 PM— Scarlet Adventuress — The Domino Lady — A Reading by Ron Fortier

10:15 – 10:50 PM — Compliments of the Domino Lady (Michelle Nolan)

10:50 – 11:00 PM — Intermission

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

The Domino Lady — Scarlet Adventuress

Jun 19, 2017 by

This year, PulpFest is trying an experiment. We’ll be offering readings between our presentations as our technical staff gets ready. One of these readings will take place on Friday, July 28, at 8:40 PM. Please join PulpFest 2017 as we welcome author, editor, and publisher Ron Fortier as he reads from “The Claws of the Cat,” a short story featuring one of the world’s first female masked crime fighters — The Domino Lady.

Following the murder of her father — an honest and tireless district attorney — debutante Ellen Patrick decides to fight evil in society. Wearing a small, dark mask and a tight and revealing evening gown, she becomes The Domino Lady. Armed with an automatic pistol and a knockout drug, she robs her victims, donating the bulk of the loot to charity and leaving her calling card: “The Domino Lady’s Compliments.”

Ron’s story originally appeared in DOMINO LADY: SEX AS A WEAPON, published in 2009 by Moonstone Books. Edited by Lori Gentile, the anthology featured nine new stories by some of the best writers of new pulp fiction.

Ron Fortier has been a professional writer for over four decades. In 2007, Ron teamed up with illustrator Rob Davis to found Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Airship’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. Ron’s own prose creation, Brother Bones, was recently optioned as a motion picture by Franklin-Husser Entertainment, an independent film production company based in Seattle.

(Published in several different editions by Moonstone Books, DOMINO LADY: SEX AS A WEAPON, features cover art by Jeff Butler, an American illustrator and comic book artist. With Mike Baron, Butler created The Badger for Capital Comics. Later, he worked for TSR, the publisher of DUNGEONS AND DRAGONS. He left the firm to help Ron Fortier bring The Green Hornet back to comics. Butler has also worked in the video game industry.)

Compliments of The Domino Lady

Jun 16, 2017 by

In the violence-riddled cities of the pulp era, the police were either unable or unwilling to deal with the criminal element. It was left to strong-willed and often well-to-do citizens to take matters into their own hands. Over time, these characters became known as the pulp heroes. The Shadow, Doc Savage, The Spider, The Green Lama, The Avenger, The Black Bat, and others. Helping these heroic vigilantes were their hand-picked agents, including a number of female assistants.

The Shadow had his Myra Reldon and Margo LaneNita Van Sloan worked next to The Spider; although disgruntled, Doc Savage accepted the assistance of his cousin Pat, while The Avenger was capably helped by Nellie Grey and Rosabel Newton. And then there’s The Domino Lady . . . .

The only female pulp hero to be featured in her own series, The Domino Lady appeared in six stories credited to Lars Anderson. Published in 1936, five of her tales ran in SAUCY ROMANTIC ADVENTURES. The character’s final tale appeared in MYSTERY ADVENTURE MAGAZINE.

The Domino Lady is really debutante Ellen Patrick. Following the murder of her father — an honest and tireless district attorney — Ellen decides to fight evil in society. Wearing a small, dark mask and a tight and revealing evening gown, she becomes The Domino Lady. Armed with an automatic pistol and a knockout drug, she robs her victims, donating the bulk of the loot to charity and leaving her calling card.

In his introduction to Vanguard Publications’ DOMINO LADY: THE COMPLETE COLLECTION, Bernard Drew writes:

“You’re in for a treat as you read these half-dozen Domino Lady escapades, for that’s the best way to describe them. Escapades. They involve no investigation, no probing, no crime solving. Ellen has already zeroed in on the bad guy by story’s start. The main plot element, in fact, is the shapely heroine wrangling her way into a social situation, making light conversation, swiping something or other of value from someone who deserves to lose it and dropping a calling card which reads ‘The Domino Lady’s Compliments.'”

Over the last few decades, new adventures of The Domino Lady have been published by various small and independent presses. Moonstone Books has released a number of books and comics featuring the character. Airship 27 has issued a pair of anthologies collecting new Domino Lady stories. Perhaps the strangest versions are the erotic comic book tales written and drawn by the late Ron Wilber.

At 11:35 PM on Thursday, July 27, please join Michelle Nolan in the PulpFest 2017 programming room for “Compliments of The Domino Lady,” a brief discussion of what The Domino Lady means in pulp history and how the character paved the way for dozens of costumed heroines in the comics of the Golden Age and beyond. It’s all part of the convention’s celebration of the dangerous dames of the pulps, the hardboiled ladies who helped to pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski. Collectively, these authors and their characters have helped detective fiction to evolve in new directions.

A mainstream journalist for more than fifty years, Michelle Nolan has also covered the history of genre fiction in pulps, comics, books and films in more than 1,000 magazine, newspaper and book articles. She is the author of the definitive “LOVE ON THE RACKS: A HISTORY OF AMERICAN ROMANCE COMICS and BALL TALES: A STUDY IN AMERICAN SPORTS FICTION. In 2014, Michelle received an Inkpot Award from Comic-Con International: San Diego.

(Although the first costumed pulp heroine appeared in just six stories in rare and obscure mid-1930s pulps, The Domino Lady commanded three covers for those magazines. All three were painted by Norman Saunders, one of the leading artists and illustrators of the pulp era. During a career that spanned five decades, Saunders completed over 2500 commercial art assignments, including more than one thousand covers featured on 85 different pulp titles.

In addition to his work for the pulp industry, Norman Saunders illustrated for national advertisers, slick magazines, paperbacks, men’s adventure magazines, calendars, comic books, trading cards, and more. He died in 1989 at the age of 82.)