Reviews and Recordings of PulpFest 2017

Sep 11, 2017 by

The dealers' room at PulpFest 2017

The dealers’ room at PulpFest 2017

PulpFest 2017 wrapped up six weeks ago. If you weren’t able to attend, that’s unfortunate. You missed over three days of pulp presentations, pulp deals, and plenty of pulp talk among true fans. But all is not lost.

You can catch a glimmer of what PulpFest is through the post-convention reports, the photos, and the podcasts that are available online.

PulpFest 2017 Guest of Honor Gloria Stoll Karn

PulpFest 2017 Guest of Honor Gloria Stoll Karn

Read all about it

Check out what these folks had to say about this year’s AMAZING summer pulp convention in their reports:

Tuning in

If you’re not in the dealers’ room during the day, you may be attending one of the New Pulp readings or FarmerCon panel discussions. In the evenings, you may be at one of the pulp panels.

Re-live — or listen to for the first time — a selection of the PulpFest 2017 programming:

After you’ve read the reports and listened to the recordings, go ahead and start planning to attend 2018’s PulpFest to experience it first-hand. It will take place over the last weekend in July, beginning on Thursday evening, July 26 and running through Sunday, July 29.

 

Friday at PulpFest

Jul 28, 2017 by

PulpFest 2017 enters it second day, following a successful dealer set-up, early registration, early-bird shopping, and a full slate of programming. If you missed our first day, there’s still more to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All visitors will also be able to register for the convention this morning — beginning at 9 PM — and at any time during regular dealers’ room hours. A full-weekend advance membership to PulpFest will cost you $35 — if staying at our host hotel — and $40 if staying elsewhere. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. The general public is welcome to attend. There is ample free parking surrounding our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

All members, dealers included, can pick up their registration packets at the entrance to our dealers’ room. To help things move smoothly, please bring along a completed registration form. If you have not yet registered, you can download a copy by clicking herePaper forms will also be available at the door.

The dealers’ room will open to all at 10 AM and will remain open until 4:45 PM. Located in the Grand Ballroom of the DoubleTree, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

If you’re a fan of Philip Josė Farmer, you won’t want to miss the Meteor House book launch party at the DoubleTree. Meet the team behind the MAN OF WAR novella, including author Heidi Ruby Miller, artist Mark Wheatley, and the editors at Meteor House. An assortment of light refreshments and non-alcoholic beverages will be served Friday, July 28, starting at 5 PM. Further details will be available at the PulpFest 2017 registration desk, outside of the convention’s dealers’ room.

Our afternoon programming will start at 1 PM with our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers officially welcomes all our attendees. Friday night’s programming will include our FarmerCon XII presentation on the “Psychos” of Grand Master of Science Fiction Philip José FarmerFarmerCon favorite Win Scott Eckert continues our salute to “the psychos of the pulps” with the first of two readings that he will be performing tonight. Mike Croteau of Meteor House rounds out our FarmerCon programming with Philip José Farmer and Robert Bloch.

PulpFest 2017 further examines pulp fiction’s psychos with 100 Years with the Author of Psycho: Robert Bloch — an illustrated survey of the life and times of Robert Bloch presented by Garyn G. Roberts, Ph.D.

This year’s celebration of hardboiled dicks gets underway at 8:40 PM with a reading from the work of SPICY DETECTIVE STORIES author Robert Leslie Bellem, the creator of Hollywood detective Dan Turner. Next, Anthony Award winner Jeffrey Marks looks at The Many Characters of Erle Stanley GardnerAltus Press publisher Matt Moring will also examine DIME DETECTIVE MAGAZINE, the pulp that truly popularized the hard-as-nails private eye. Closing out the night’s presentations will be pulp historian and fan-favorite author Will Murray. He will be discussing The Dangerous Dames of Maxwell Grant.

Perhaps the most exciting event of the evening will be a WEIRD Audio Play by Robert Bloch, staged by the Narada Radio Company and their PULP-POURRI THEATREReturn to the Sabbath” was originally published in WEIRD TALES under Bloch’s Tarleton Fiske pseudonym. Narrated in the first person by a Hollywood public relations man, it’s the story of a European actor brought to the United States to star in a satanic horror film. Bloch’s story was later adapted and filmed for television as “The Sign of Satan.” It aired on THE ALFRED HITCHCOCK HOUR in 1964. The play will start at 11 PM.

You can find additional details about these and all of our presentations by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

PulpFest members are also welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. If you’re new to the hobby, please join us in our con suite and learn more about pulps and pulp fiction and art.

Friday’s sponsor of the PulpFest hospitality suite is AbeBooks.com, the online marketplace for books. AbeBooks has a strong focus on rare and collectible books as well as ephemera such as maps, posters, prints and photographs. AbeBooks is a company with a passion for books, art and collectibles. PulpFest is extremely pleased to have AbeBooks as a convention sponsor and  Friday’s hospitality suite sponsor.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.

PulpFest 2017 will continue on Saturday and Sunday. It concludes at 2 PM on Sunday, July 30. Please join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Between 1935 and 1952, Robert Bloch published nearly seventy stories in WEIRD TALES, “The Unique Magazine.” “The Cheaters” appeared in the November 1947 issue and featured cover art by Matt Fox. A cartoonist, illustrator, comic book and advertising artist, watercolorist, painter, and graphic artist, with lithographs, woodcuts, and etchings to his credit, Fox painted eleven covers for WEIRD TALES and also contributed interior illustrations to the magazine. He also worked for Marvel Comics during the 1950s.

Philip José Farmer’s THE MAD GOBLIN was originally released in 1970 by Ace Books as part of their double line of paperbacks. The other half the book featured LORD OF THE TREES. Both sides of the book featured covers created by Gray Morrow, a comic book and paperback artist who also illustrated many science-fiction magazines. He was nominated for the Hugo Award for best professional artist in 1966, 1967, and 1968.

The “psychos” of  Robert Bloch, Philip José Farmer, and THE SHADOW MAGAZINE will be profiled during PulpFest’s second night of programming, scheduled to begin at 7 PM this evening. We hope to see you in at the DoubleTree Grand Ballroom for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Friday, July 28

Dealers’ Room

9:00 AM – 10:00 AM — Early Registration and Dealers’ Room Set-Up

10:00 AM – 4:45 PM — Dealers’ Room Open to All

Programming

12:45 – 4:30 PM — New Fictioneers Readings — (author readings by Jim Beard, John Bruening, Peter McGarvey, Heidi Ruby Miller, and Don Shakers)

6:55 – 7:00 PM — Welcome to PulpFest 2017 (Convention Chairman Jack Cullers)

7:00 – 7:20 PM — The Psychos of Philip José Farmer — The Nine (Win Scott Eckert, Frank Schildiner, and Art Sippo)

7:20 – 7:30 PM — The Psychos of Philip José Farmer — Win Scott Eckert Reads from THE MONSTER ON HOLD

7:30 – 7:50 PM — Philip José Farmer and Robert Bloch (Mike Croteau of Meteor House)

7:50 – 8:00 PM — Intermission

8:00 – 8:40 PM — 100 Years with the Author of Psycho: Robert Bloch (Garyn Roberts)

8:40 – 8:50 PM — Pulp-Pourri Theatre Presents Robert Leslie Bellem, a Dan Turner Reading

8:50 – 9:30 PM — Hardboiled and Dangerous: The Many Characters of Erle Stanley Gardner (Jeffrey Marks)

9:30 – 9:40 PM — Intermission

9:40 – 10:20 PM — Hardboiled Dicks: A Look at DIME DETECTIVE MAGAZINE (Matt Moring)

10:20 – 10:30 PM — Philip José Farmer’s Most Dangerous Dame — Win Scott Eckert Reads from THE SCARLET JAGUAR

10:30 – 10:55 PM — The Dangerous Dames of Maxwell Grant: Myra Reldon, Margo Lane, and Carrie Cashin (Will Murray)

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “Return to the Sabbath,” a WEIRD Audio Play by Robert Bloch

PulpFest Primer

Jul 25, 2017 by

PulpFest welcome banner, with AbeBooksPulpFest 2017 will begin on Thursday, July 27, at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members will be able to register for the convention from 4 to 8 PM, right outside our dealers’ room. There will be early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying three nights at our host hotel. The cost is $30 for those who stay elsewhere. Our full programming slate for the evening will begin shortly after 9 PM with a reading by author Chet Williamson. Closing out the evening programming will be an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATRE.

PulpFest 2017 will be celebrating the “hardboiled dicks, dangerous dames, and a few psychos” of the pulps.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.  Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree, you’ve helped to ensure the convention’s success.

Early registration for the general membership will take place on Thursday, beginning at 4 PM, at the entrance to our dealers’ room in the Grand Ballroom of the DoubleTree. All members, dealers included, can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page. Look for the SHOP banner to find our dealers’ room. You’ll also see our large welcome banner, sponsored by AbeBooks.com. With its strong focus on rare and collectible books as well as ephemera such as maps, posters, prints and photographs, AbeBooks is a company with a passion for books, art and collectibles.

For those of you who have not yet registered for PulpFest 2017, Thursday evening will be an ideal time to do so. Full weekend memberships will cost $35 for those staying at the DoubleTree and $40 for those staying elsewhere. There will be no single-day memberships available for Thursday only. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Please visit our registration page for further details. Members will also be able to register for the convention on Friday morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday.

Please note that advance registrations are no longer available. Our Paypal page was shut down around 10 PM on Monday night.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Access to the dealers’ room for unloading will be through the ballroom back entrance and the nearby banquet dock. Click here for a map showing the loading area of the hotel and here for a map of the DoubleTree’s Grand Ballroom.

If you need additional help getting to the hotel and/or the loading area, please call or text Jack Cullers at 937.671.1574. If Jack is not available, please text Chuck Welch at 608.406.4774. You can also call Chuck, but text will probably be faster.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

From 9 to 10 AM on Friday, July 28, the dealers’ room will be open only to dealers for set-up. It will open to all at 10 AM and remain open until 4:45 PM. Our afternoon programming will start at 1 PM with the first of our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include our FarmerCon XII presentations, plus several discussions of Robert Bloch, psychos, and hardboiled dicks. Once again, the Narada Radio Company and their PULP-POURRI THEATRE will close out our programming. They’ll be performing “Return to the Sabbath,” a WEIRD Audio Play based on a story by Robert Bloch.

On Saturday, July 29, the PulpFest dealers’ room will be open from 10 AM to 4:45 PM. Afterward, all convention attendees are welcome to join an informal Saturday Night Dinner. Details will be announced at the convention. If you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many restaurants in the vicinity of the DoubleTree by clicking here.

Our Saturday afternoon programming will start at 12:30 PM with our New Fictioneers readings and a panel on “New Pulp Fiction.” It will be followed by an encore presentation by the Narada Radio Company

Saturday evening’s events will include the PulpFest 2017 business meeting, starting at 7 PM. All members of the convention are urged to attend. The 2017 Munsey Award — presented for service to the pulp community — will also be awarded on Saturday evening.

Other programming on Saturday night will include Our Guest of Honor presentation, featuring one of the few living pulp magazine artists, Gloria Stoll Karn. A Pittsburgh resident, Gloria will be joined by fine artist and pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more. We’ll also have another presentation on the hardboiled dicks of the pulps.

Our evening will conclude with the annual PulpFest Saturday Night Auction. The convention will be offering about 150 lots of material from the collections of Woody Hagadish and Larry Latham. Included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE, as well as the May 1934 issue of DOC SAVAGE, autographed by cover artist Walter Baumhofer.

Any member of PulpFest 2017 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens at 10 AM on Friday and Saturday. The sooner you submit your consignment to our auction coordinator, Barry Traylor, the more likely that it will be included in our auction. We will be accepting material for our auction near the entrance to the PulpFest dealers’ room. Watch for the auction banner. All auction lots must be submitted to Barry prior to 2 PM on Saturday, July 29.

All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction.

For additional details on all of our afternoon and evening programming events, please click the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

On Sunday, July 30, the dealers’ room will be open to all members from 9 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

We are hoping that this year’s con will be our biggest and best yet. We’ve already registered a record number of dealers. We’ve also been receiving registrations every day, many from people who have never attended PulpFest before. If you’ve been thinking about attending, but have yet to pull the trigger, please book a room without delay. You can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Be sure to mention PulpFest in order to receive any special convention deals that may still be available.

The DoubleTree by Hilton Hotel Pittsburgh – Cranberry is located at 910 Sheraton Drive in Mars, Pennsylvania, just outside the city of Pittsburgh. It is easy to find at the intersection of three major roadways: Interstate 79, the Pennsylvania Turnpike, and State Route 19. Please click here for a map of the hotel’s location or click the map along the right side of our home page. There is ample free parking surrounding the hotel.

For those attendees who would like to ship their purchases to their homes, there is a FedEx Office Print & Ship Center about a half-mile away from the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Located at 19095 Perry Highway in Mars, Pennsylvania, it is open from 8 AM to 6 PM on Saturdays and from 11 AM to 6 PM on Sundays.

If you have other questions, please refer to our FAQ page. Hopefully, we’ll have it covered for you there.

The entire PulpFest 2017 organizing committee – Mike Chomko, Jack and Sally Cullers, Bill Lampkin, Barry Traylor, and Chuck Welch – is looking forward to seeing all of you. Have a safe trip to Pittsburgh for “Summer’s AMAZING Pulp Con.”

(Designed by PulpFest’s artistic director, William Lampkin, our PulpFest 2017 welcome banner —  sponsored by AbeBooks.com —  features the work of artist John Newton Howitt. His painting was originally used as the cover for the April 15, 1934 number of Popular Publications’ DIME DETECTIVE MAGAZINE.

Robert Bloch’s “Return to the Sabbath” originally ran in the July 1938 issue of WEIRD TALES, featuring front cover art by the great pulp and fantasy artist, Virgil Finlay. The artist got his start during the Great Depression when he sent unsolicited illustrations to his favorite pulp magazine, WEIRD TALES. In addition to “The Unique Magazine,” he also contributed interior illustrations and covers to many other pulps and digests. Even today, Finlay remains one of the most highly regarded and collected artists in the fields of science fiction and fantasy.

DETECTIVE TALES was the number three title in Popular Publications’ detective pulp group. It was preceded by DIME DETECTIVE MAGAZINE and BLACK MASK, the pulp where the hardboiled detective genre originally took form. Between 1943 and 1945, Gloria Stoll Karn contributed six covers to DETECTIVE TALES, including the July 1945 number.

The cover art for the 2017 PULPSTER was painted by Norman Saunders for the July 1949 number of BLACK MASK. The painting appears courtesy of his son, pulp art historian David Saunders. A limited edition poster of the painting is available in the “gift shop” at the Norman Saunders website, normansaunders.com.)

Philip José Farmer’s Most Dangerous Dame: Patricia Wildman

Jun 22, 2017 by

PulpFest is very pleased to welcome its FarmerCon members back to our joint conference. Since 2011, FarmerCon has offered to help with our programming. They’re mixing things up for 2017, with a panel on “The Psychos of Philip José Farmer — The Nine” and a solo presentation on the friendship of “Philip José Farmer and Robert Bloch.”

Additionally, FarmerCon has asked Win Scott Eckert to perform a couple of short readings: THE MONSTER ON HOLD — a chapter from a planned book that Philip José Farmer offered at the 1983 World Fantasy Convention — and an excerpt from Win’s short novel, THE SCARLET JAGUAR.

During his life, Philip José Farmer maintained that his book DOC SAVAGE: HIS APOCALYPTIC LIFE was a biography of a real person named Doctor James Clarke Wildman. Pat Wildman is the daughter of Doc Wildman, “the world-renowned adventurer and crimefighter of the 1930s and 40s.”

Introduced in the Wold Newton novel, THE EVIL IN PEMBERLEY HOUSE — which Eckert coauthored with Philip José Farmer — Patricia’s adventures continue in THE SCARLET JAGUAR, written solely by Win Scott Eckert.

The winner of the 2014 New Pulp Award for best novella, Eckert’s story tells of a young girl whose father has been kidnapped by the Scarlet Jaguar. Pat, following in her father’s footsteps of righting wrongs and assisting those in need, agrees to help the girl. Now, it’s a race against time, deep in the wilds of the Central American jungle, as Pat Wildman and her crew search for the girl’s father, and confront the Scarlet Jaguar’s weird power to eliminate his enemies from afar.

“But who—or what—is the Scarlet Jaguar? A power-mad dictator determined to reclaim power? A revolutionary movement bent on taking over the country, and the rest of Central America? Or a front for something even more sinister . . . ?”

Win Scott Eckert is the editor of and contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE. He has coedited three Green Hornet anthologies for Moonstone Books. His short tales of Zorro, The Avenger, The Phantom, The Lone Ranger, The Scarlet Pimpernel, Hareton Ironcastle, Captain Midnight, The Green Ghost, Sexton Blake, The Domino Lady, Doc Ardan, and Sherlock Holmes can be found in several character-themed anthologies available from various publishers. Eckert’s critically acclaimed, encyclopedic CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD 1 & 2, was released by Black Coat Press in 2010.

A Honey West/T.H.E Cat crossover, A GIRL AND HER CAT, the first new Honey West novel in over forty years, came out in 2014. Forthcoming works include: the third Pat Wildman adventure; a new novel of one of the preeminent pulp heroes of the ’40s, The Avenger; and the unfinished fourth novel in Farmer’s “Secrets of the Nine” series. You can find Win Scott Eckert online at winscotteckert.com and @woldnewton on Twitter.

Join Win Scott Eckert of FarmerCon on Friday, July 28, at 10:20 PM for a short reading from THE SCARLET JAGUAR. To learn more about Philip José Farmer, please visit The Official Philip José Farmer Web Page. It’s the Brobdingnagian collection of all things Farmerian! And please join us at PulpFest 2017/FarmerCon XII from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(Win Scott Eckert’s THE SCARLET JAGUAR was released in 2016 by Meteor House, featuring cover art by Mark Sparacio. A resident of Boca Raton, Florida, Mark is a Professor of Fine Arts at Digital Media Arts College. He has also worked as a comic book illustrator for Marvel, DC, and other companies.)

The Psychos of Philip José Farmer — The Monster on Hold

May 26, 2017 by

PulpFest is very pleased to welcome its FarmerCon members back to our joint conference. Since 2011, FarmerCon has offered to help with our programming. They’re mixing things up for 2017, with a panel on “The Psychos of Philip José Farmer — The Nine” and a solo presentation on the friendship of “Philip José Farmer and Robert Bloch.”

Additionally, FarmerCon has asked Win Scott Eckert to perform a couple of short readings. We’ll be profiling “Philip José Farmer’s Most Dangerous Dame: Patricia Wildman,” in late June. Today we’ll close out our posts on “. . . a few psychos” with a look at Farmer’s and Eckert’s THE MONSTER ON HOLD. The fourth volume in “The Secrets of the Nine” series, the forthcoming novel is based on a chapter, notes and text found in Farmer’s “Magic Filing Cabinet,” and a high-level outline written by the late author and published in the program book of the 1983 World Fantasy Convention.

Started in the volume A FEAST UNKNOWN and continued in LORD OF THE TREES and THE MAD GOBLIN, “The Secrets of the Nine” recounts the ongoing battle of the ape-man, Lord Grandrith, and the man of bronze, Doc Caliban, against the Nine, a secret cabal of immortals bent on amassing power and manipulating the course of world events.

Alternately called THE UNSPEAKABLE THRESHOLD and DOWN TO EARTH’S CENTRE, THE MONSTER ON HOLD evokes the sense of mystery and horror that the bronze-hued superman, Doc Caliban, feels when faced with a descent deep into a subterranean complex to confront an unfathomable evil. Philip José Farmer utilized all three titles, at various times, while working on his fourth Nine book. However, THE MONSTER ON HOLD was the latest title, and the one under which he announced the book in 1983. Thus, it is only fitting that this Doc Caliban adventure will finally appear under the title best known to Farmer’s legions of fans.

Win Scott Eckert is the coauthor with Philip José Farmer of the Wold Newton novel, THE EVIL IN PEMBERLEY HOUSE. It concerns Patricia Wildman, the daughter of pulp hero Doc Wildman, the bronze champion of justice. Her adventures continue in Eckert’s sequel, THE SCARLET JAGUAR, which won the 2014 New Pulp Award winner for best novella.

Eckert is the editor of and contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE. He has coedited three Green Hornet anthologies for Moonstone Books. His short tales of Zorro, The Avenger, The Phantom, The Lone Ranger, The Scarlet Pimpernel, Hareton Ironcastle, Captain Midnight, The Green Ghost, Sexton Blake, The Domino Lady, Doc Ardan, and Sherlock Holmes can be found in several character-themed anthologies available from various publishers. Eckert’s critically acclaimed, encyclopedic CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD 1 & 2, was released by Black Coat Press in 2010.

A Honey West/T.H.E Cat crossover, A GIRL AND HER CAT, the first new Honey West novel in over forty years, came out in 2014. Forthcoming works include: the third Pat Wildman adventure; a new novel of one of the preeminent pulp heroes of the ’40s, The Avenger; and the unfinished fourth novel in Farmer’s Secrets of the Nine series. You can find Win Scott Eckert online at winscotteckert.com and @woldnewton on Twitter.

Join Win Scott Eckert of FarmerCon on Friday, July 28, at 7:20 PM for a short reading from THE MONSTER ON HOLD. He’ll be delving into the chapter that Philip José Farmer offered at the 1983 World Fantasy Convention. Perhaps he might also be persuaded to read from the lesser-known DOWN TO EARTH’S CENTRE fragment . . . if the Nine will allow it!”

(Philip José Farmer’s THE MAD GOBLIN was originally released in 1970 by Ace Books as part of their double line of paperbacks. The other half the book featured LORD OF THE TREES. Both sides of the book featured covers created by Gray Morrow, a comic book and paperback artist who also illustrated many science-fiction magazines. He was nominated for the Hugo Award for best professional artist in 1966, 1967, and 1968.)

Philip José Farmer and Robert Bloch

May 17, 2017 by

Back in early April, we noted the 100th anniversary of the birth of Robert Bloch, best remembered for his novel PSYCHO. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest. At this year’s convention, we’ll be celebrating “100 Years of Robert Bloch” with a number of presentations.

One of our Bloch presentations will feature FarmerCon founder Michael Croteau, creator of Philip José Farmer’s Official Home Page and the publisher at Meteor House. Mike will be discussing Robert Bloch’s relationship with Grand Master of Science Fiction Philip José Farmer. In addition to being accomplished writers, both men were frequent guests and attendees at various science fiction and fantasy conventions. It was at the 1952 World Science Fiction Convention in Chicago that they struck up their long-lasting friendship.

Bloch — who was well known for his tongue-in-cheek sense of humor — often served as the toastmaster at convention banquets. At the 31st World Science Fiction Convention, held in 1973 in Toronto, Ontario, Bloch quipped:

“Then of course we have Philip José Farmer, one of the greatest innovators in our field, who stripped away much of the prudery and phoney taboos. More than twenty years ago Philip José Farmer dared to do what no one had ever done before. He wrote ‘The Lovers,’ a story in which a man had sexual relations with an insect. You might call it science fiction’s first case of buggery.” Greeted by groans from his audience, Bloch continued, “You hear that, Phil? That’s how the public is. Last year they give you a Hugo; this year they boo your name.”

Using photographs and other materials from the Farmer estate, Michael will regale PulpFest evening programming attendees with tales of the friendship between these two writers of science fiction and fantasy. Please join us on Friday, July 28, at 7:30 PM for “Philip José Farmer and Robert Bloch,” featuring FarmerCon‘s Michael Croteau. It’s all part of PulpFest 2017 and FarmerCon XII at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To register for both conventions, please click the Register for 2017 button just below the PulpFest home page banner. To book a room at the DoubleTree by Hilton — our host hotel — click one of the Book a Room buttons likewise located on the PulpFest home page.

Start planning now to attend PulpFest 2017 and FarmerCon XII and join hundreds of pulp fiction and Philip José Farmer fans at the pop-culture center of the universe. You’ll have a maddening time, especially if you’re planning to stay at the DoubleTree! We look forward to seeing you from July 27 – 30.

(Not only did Farmer and Bloch cross paths at science fiction conventions, they sometimes met up in the pages of books and magazines. Although he rarely submitted a truly “weird tale,” Farmer’s “The Freshman,” originally published in the May 1979 issue of THE MAGAZINE OF FANTASY & SCIENCE FICTION, owes a substantial debt to H. P. Lovecraft, who mentored Robert Bloch as a writer. In that same issue is Bloch’s short story, “Freak Show.” It concerns a traveling side show that appears unexpectedly at the Goober City Fairgrounds. David Hardy contributed the issue’s cover. An artist and illustrator from the United Kingdom, his work has appeared in ANALOG, IF, GALAXY SCIENCE FICTION, SCIENCE FICTION MONTHLY, VISION OF TOMORROW, and many issues of THE MAGAZINE OF FANTASY & SCIENCE FICTION.)

The Psychos of Philip José Farmer — The Nine

May 15, 2017 by

Since 2011, PulpFest has hosted FarmerCon, a convention that began in Peoria, Illinois, the hometown of Philip José Farmer. Originally a gathering of Farmer fans figuratively, and literally, in Farmer’s back yard, FarmerCon offered presentations, dinners, and even picnics at the author’s house.  After the passing of Phil and Bette Farmer in 2009, it was decided to take FarmerCon on the road to broaden its horizons. By holding the convention alongside events such as PulpFest, Farmer fans get a variety of programming and a room full of pulp and book dealers to enjoy. As always, PulpFest is very pleased to welcome its FarmerCon members to our joint conference.

We’re equally pleased that year after year, FarmerCon has asked to help with our programming. On Friday, July 28 at 7 PM, please join PulpFest as we turn our programming stage over to our FarmerCon XII members and “The Psychos of Philip José Farmer — The Nine.” Win Scott Eckert, who edited the anthology MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE and collaborated with Phil on THE EVIL IN PEMBERLEY HOUSE, the novel that introduced adventuress Patricia Wildman, will moderate the panel. Joining him will be Frank Schildiner — author of THE QUEST OF FRANKENSTEIN, THE TRIUMPH OF FRANKENSTEIN, and other works — and Dr. Art Sippo, author of SUN KOH: HEIR OF ATLANTIS and host of the ArtsReviews podcast.

As this year’s PulpFest will be focusing on the “hardboiled dicks, dangerous dames, and a few psychos” of the pulps, our FarmerCon friends have decided to turn their attention toward Philip José Farmer’s novels of the Nine: A FEAST UNKNOWN, LORD OF THE TREES, and THE MAD GOBLIN. Win Scott Eckert is currently working on the fourth book in the series — a Doc Caliban novel entitled THE MONSTER ON HOLD — which is based on a chapter and high-level outline written by Farmer and published in the program book of the 1983 World Fantasy Convention. The series recounts the ongoing battle of the ape-man, Lord Grandrith, and the man of bronze, Doc Caliban, against the Nine, a secret cabal of immortals bent on amassing power and manipulating the course of world events.

With both Art Sippo and Win Scott Eckert having contributed introductions or afterwords to the Titan Books editions of Philip José Farmer’s books, expect a thought provoking and in-depth look at the Nine and the two men who seek to defeat them. It’s all part of PulpFest 2017 and FarmerCon XII at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To register for both conventions, please click the Register for 2017 button just below the PulpFest home page banner. To book a room at the DoubleTree by Hilton — our host hotel — click one of the Book a Room buttons likewise located on the PulpFest home page.

Start planning now to attend PulpFest 2017 and FarmerCon XII and join hundreds of pulp fiction and Philip José Farmer fans at the pop-culture center of the universe. You’ll have a maddening time, especially if you’re planning to stay at the DoubleTree! We look forward to seeing you from July 27 – 30.

(Philip José Farmer’s LORD OF THE TREES was originally released in 1970 by Ace Books as part of their double line of paperbacks. The other half the book featured THE MAD GOBLIN. Both sides of the book featured covers created by Gray Morrow, a comic book and paperback artist who also illustrated many science-fiction magazines. He was nominated for the Hugo Award for best professional artist in 1966, 1967, and 1968.)

One Hundred Years of Robert Bloch

Apr 3, 2017 by

Born one-hundred years ago on April 5, 1917, Robert Bloch is best remembered for his novel PSYCHO,  which became the basis for Alfred Hitchcock’s classic film of the same name. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

Born in Chicago, Bloch was a precocious child who developed an early interest in vaudeville and theater, as well as storytelling and reading. According to his autobiography, ONCE AROUND THE BLOCH:

Sometime late in the summer of 1927 the family, accompanied by my father’s sister, entered Chicago’s Northwestern Railroad Station to entrain for a suburban destination. Where we were going eludes memory, and it’s not important. What matters is that we passed the huge magazine stand in the terminal.

Here literally hundreds of periodicals — including the then-popular weekly and monthly “pulp” magazines — were ranked in gaudy array. Row after row of garish covers caught the eye; comparatively respectable offerings like ARGOSY, BLUE BOOK, ALL-STORY, and ADVENTURE competed for attention with scores of titles featuring romance, mystery, detective stories, westerns, and every variety of sports. There were even pulps devoted exclusively to railroad yarns, pirates, and WWI air combat. I stared at them, fascinated by this abundance of riches.

It was then that Aunt Lil, with her usual generosity, offered to buy me a magazine to read during the train journey. Scanning titles and covers, I stood poised in delicious indecision. Here was a mustached member of the French Foreign Legion battling a bearded Arab armed with a wicked-looking scimitar . . . beside it, an Indian chief preparing to discharge a flaming arrow at an ambushed wagon train . . . directly overhead, a helpless maiden struggling in the clutches of a gigantic gorilla whose glaring red eyes indicated his zooreastic intentions. Salivating, I surveyed this feast of literature. For a dime I could devour the exploits of a master detective; fifteen cents whould satisfy my appetite for mutiny on the high seas; twenty cents might gorge me with a huge helping of Secret Service operatives foiling the hellish Huns who presumably had substituted a bomb for the torch held by the Statue of Liberty.

But in the face of these attractions, what more might be offered for an entire quarter?

That price was imprinted on the cover of a magazine featuring a cloaked, bearded, evil-looking man confronting a recumbent, half-naked girl clad in Oriental garb against a background of Egyptian hieroglyphs. The featured story was “The Bride of Osiris,” by one Otis Adelbert Kline.

Snatching the magazine from the rack, I paged through it quickly, noting such promising titles as “Satan’s Fiddle,” “Creeping Shadows,” “The Phantom Photoplay” and “The Man with a Thousand Legs.”

That did it. “This is the one I want,” I said.

And it was thus that I was introduced to a magazine which changed my life, my very first copy of WEIRD TALES. . . .

What my parents thought of my taste remains unclear to me. Although they seemed uninterested in reading my favorite magazine they offered no objections to cover illustrations of damsels in various stages of distress and undress, and continued to supply me with quarters for monthly issues. . . . to me personally WEIRD TALES became a sort of non-theological BOOK OF REVELATION. What it revealed was that fantastic fiction was not necessarily the work of long-deceased authors like Poe, Hawthorne or de Maupassant; its prose and poetry were not entombed in pages from the past. Death was alive and well and living in Chicago.

By far the most horrifying concept, and to me the most convincing, was an account of ghouls feasting in their burrows below the cemeteries and subways of modern Boston. The story, “Pickman’s Model,” was credited to one H. P. Lovecraft, and I made a mental note to remember both the title and the name of the author. . . . By cutting down on my consumption of carbohydrates, borrowing streetcar passes and confining motion picture attendance to nights when tickets were ten or fifteen cents, I managed to keep the necessary quarter in reserve for the next issue of WEIRD TALES. . . . my addiction to the work of H. P. Lovecraft increased. . . . A Lovecraft junkie, I was hungry for more highs. What could I do?

As it has so frequently during a long lifetime, sheer stupidity came to my rescue. I sat down and . . . scrawled out a letter to Mr. Lovecraft care of the magazine. Identifying myself as an ardent fan (and a brash, presumptuous teenage idiot), I inquired if he might inform me as to where I could locate some of his stories presently out of print.

Thus began a friendship between the young Bloch and “The Old Gentleman.”

I had become a regular correspondent . . . a member of what was later styled the Lovecraft Circle — a group of friends and fans, many of whom were themselves writers or aspired to be. . . . Quite early in our correspondence HPL suggested I might be interested in trying my own hand at writing with an eye to publication. . . . And since Lovecraft’s suggestion generously included his willingness to inspect my efforts, what more did I need. . . . I trained my sights on the most obvious and visible target, WEIRD TALES. Instead of bombarding them with contributions, I took careful aim before shooting off a story in their direction. . . . Why a battle-scarred veteran of longtime literary warfare would notice the feeble dud I delivered remains a mystery to this very day. But in July, 1934, less than a month after graduating from high school, I received a letter of acceptance for my story. . . . I had suddenly and almost miraculously become a professional writer, a contributor for the very magazine which published the work of my favorite author and present pen pal. . . .

By the end of 1935, Robert Bloch began to sell on a frequent and regular basis to WEIRD TALES. Between that first 1934 sale and the demise of the publication in 1954, he sold nearly seventy stories to “The Unique Magazine.” Having started his career as a mimic of his Lovecraft, his writing gradually took on more psychological overtones and often a sense of humor. He began to branch out in 1939, selling fiction to AMAZING STORIES, STRANGE STORIES, and UNKNOWN. The forties found him contributing to DETECTIVE TALES, DIME MYSTERY MAGAZINE, FANTASTIC ADVENTURES, MAMMOTH DETECTIVE, NEW DETECTIVE, SUPER SCIENCE STORIES, THRILLING MYSTERY, and others. His best-known story of this period, “Yours Truly – Jack the Ripper” — published in the July 1943 WEIRD TALES — led to an assignment writing scripts for a radio program called STAY TUNED FOR TERROR.

It was also during the 1940s that Robert Bloch became a regular attendee of science fiction conventions. In 1948, he was invited to be the professional guest of honor for the World Science Fiction Convention, held in Toronto, the first truly international event of its kind. In 1954, at the San Francisco Worldcon, he met Samuel Peeples, a longtime pulp fan and Hollywood writer. It was this friendship that led to Bloch venturing to Hollywood, where Peeples helped him land an assignment with the television show LOCK-UP. Bloch was soon writing for other series, including ALFRED HITCHCOCK PRESENTS, THRILLER, TRUE, and WHISPERING SMITH. In later years, he would contribute to THE GIRL FROM U.N.C.L.E., I SPY, NIGHT GALLERY, STAR TREK, TALES FROM THE DARKSIDE, and others. Bloch would also write the screenplays for THE CABINET OF CALIGARI, THE NIGHT WALKER, THE SKULL, THE HOUSE THAT DRIPPED BLOOD, and other films. He died on September 23, 1994 in Los Angeles, California.

PulpFest 2017 will celebrate the 100th anniversary of Robert Bloch’s birth with several special presentations. On Thursday, July 27, author Chet Williamson will read from his novel, Robert Bloch’s PSYCHO: SANITARIUM. Mr. Williamson was the guest of honor at PulpFest 2015. Garyn Roberts — who engaged in an extensive correspondence with Robert Bloch — will discuss the author and his works on Friday, July 28. Professor Roberts — who is working on a Robert Bloch biography — will be sharing rare and landmark material from throughout the author’s life. Garyn was honored with our Munsey Award in 2013.

There will be two other Bloch presentations on Friday evening. First, Michael Croteau, creator of Philip José Farmer’s Official Home Page and one of the founders of both FarmerCon and Meteor House, will do a short presentation on Robert Bloch’s relationship with Grand Master of Science Fiction Philip José Farmer. To close the evening, the Narada Radio Company and PULP-POURRI THEATRE will present a mock radio drama of Bloch’s “Return to the Sabbath,” originally published in the July 1938 WEIRD TALES. PULP-POURRI THEATRE is an all-new audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

The convention will take place from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Released in 1960, Alfred Hitchcock’s PSYCHO is considered to be a masterpiece of suspense. This classic film was based on Robert Bloch’s novel of the same name, originally published in 1959 by Simon and Schuster. Hitchcock’s film was nominated for four academy awards and helped its author to achieve fame and fortune, largely through his work in television and motion pictures.

Robert Bloch — who got his start as a writing professional working for the pulps — first discovered the rough-paper magazines through the August 1927 issue of WEIRD TALES, featuring front cover art by Hugh Rankin. A newspaper illustrator, Rankin began working for WEIRD TALES in 1927, doing the vast majority of the magazine’s interior illustrations during the late twenties and all of its covers, beginning with the July 1927 number. He continued as the pulp’s sole cover artist through the February 1931 issue. Afterward, he began sharing the cover with such artists as C. C. Senf, J. Allen St. John, and Margaret Brundage. Rankin continued to paint covers for WEIRD TALES into 1936.

Bloch’s fourth published story — “The Shambler from the Stars” — was not only dedicated to his writing mentor, H. P. Lovecraft, but also featured “The Old Gentleman” as an important character. Published in the September 1935 issue of WEIRD TALES and featuring cover art by Margaret Brundage, the story concerns a would-be writer who obtains a copy of an occult volume known as DE VERMIS MYSTERIIS. He takes the forbidden volume to a Providence-based mystic who, in his excitement, calls down an invisible, vampiric monster. Bloch’s tale would lead Lovecraft to write “The Haunter of the Dark,” published in the December 1936 WEIRD TALES. It was dedicated to Robert Bloch and featured a character named “Robert Blake.”

Following a write-up in the Milwaukee papers in 1935, the new author was invited to join The Milwaukee Fictioneers. A professional writers’ group, its membership also included pulp writers Fredric Brown, Ralph Milne Farley, Lawrence Keating, Ray Palmer, and Stanley G. Weinbaum. Soon after assuming the editorship of AMAZING STORIES in 1938, Palmer would publish Robert Bloch’s first science fiction story,“Secret of the Observatory.” Bloch would author a substantial number of stories for Palmer’s AMAZING STORIES, FANTASTIC ADVENTURES, and OTHER WORLDS SCIENCE STORIES, including “It’s a Small World,” the cover story for the March 1944 AMAZING, featuring artwork by J. Allen St. John.

Although PSYCHO is certainly Robert Bloch’s most famous novel, his first book-length work, THE SCARF — originally published in 1947 by Dial Press — is considered by many critics to be his best work. According to Cullen Gallagher, “It tells the story of a writer . . . who uses real women as models for his characters. But as soon as he is done writing the story, he is compelled to murder them, and always the same way: with the maroon scarf he has had since childhood.” One of the finest editions of THE SCARF is Avon’s 1952 paperback reprint of the work, featuring a beautiful cover by Charles Binger.)

Recordings from PulpFest 2016

Aug 29, 2016 by

We would much rather you get the full experience of PulpFest by attending each year. But if you can’t attend, you can virtually sample some of PulpFest 2016‘s highlights.

Audio recordings from much of the programming at “Summer’s AMAZING Pulp Con” are now available online.

The dealers' room at PulpFest 2016

The dealers’ room at PulpFest 2016

For the past few years, I have posted at ThePulp.Net audio recordings from many of the panels and presentations from PulpFest. This year’s recordings total around seven-and-a-half hours of pulp discussions. There is a special coverage page for PulpFest 2016 with links to individual pages with photographs and embedded audio recordings from nine events.

PulpFest 2016 Guest of Honor Ted White discusses AMAZING STORIES and his life in science fiction.

PulpFest 2016 Guest of Honor Ted White discusses AMAZING STORIES and his life in science fiction.

The recordings include presentations on AMAZING STORIES, THE ARGOSY and the magazine’s artists, H. G. Wells, Street & Smith’s second-string heroes, LOVE STORY MAGAZINE and the romance pulps, and WESTERN STORY MAGAZINE and the pulp western, a celebration of the 10th anniversary of Sanctum Books, and PulpFest Guest of Honor Ted White’s talk.

In addition to listening to ThePulp.Net’s recordings on the web, pulp fans can also download them as part of the Pulp Event Podcast free from either iTunes or Google Play Music.

I also have several reports from PulpFest 2016 that I published on my Yellowed Perils blog during and after the convention.

Over at Pulp Crazy, Jason Aiken has posted recordings of Ted White, FarmerCon XI author readings, a panel discussion including Paul Spiteri, Christopher Paul Carey, Win Scott Eckert, and Danny Adams on collaborating with Philip José Farmer, and a New Pulp panel featuring Ron Fortier of Airship 27, and writers Eckert, Jeff Fournier, Barbara Dorran, and Andy Fix.

Dealer Gene Carpenter talks with Will Emmons at PulpFest 2016.

Dealer Gene Carpenter talks with Will Emmons at PulpFest 2016.

While his other PulpFest posts at Pulp Crazy are recordings, Jason also has a written report on the convention, with photos.

As part of the Art’s Reviews podcast, Art Sippo is also posting recordings from PulpFest 2016. So far Art has already posted a presentation by New Pulp author John Hegensberger, FarmerCon XI author readings, and an interview with New Pulp author Dick Enos. Art says he will be posting 11 recordings in total, so keep an eye on his Art’s Reviews podcast for updates in the coming weeks.

If you’re looking for more reports from PulpFest, head over to my PulpFest 2016 Reports entry at Yellowed Perils for a complete and up-to-date listing.

Friday at PulpFest

Jul 22, 2016 by

Amazing Stories 47-09PulpFest 2016 enters it second day, following a successful night of dealer set-up, early registration, early-bird shopping, and a full slate of exciting programming. If you missed our first day, there’s still plenty of action to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All visitors will also be able to register for the convention this morning — beginning at 9 PM — and at any time during regular dealers’ room hours. Three-day memberships will be available at the door for $40. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. Paper forms will also be available at the door. Those who have prepaid for their memberships, will also be able to pick up their registration packets at our door. Please visit our registration page for further details.

For those visiting PulpFest for the day, you can also use the Chestnut Street Garage for parking. Rates vary based on time, but at this writing, $14 will get you a day’s parking. Additional parking is available at the Convention Center underground garage. Again, rates are time-based and, at this writing, $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

The dealers’ room will open to all at 10 AM and will remain open until 4:45 PM. Located in Battelle South exhibition hall on the third floor of the Greater Columbus Convention Center, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Western Story 1932-09-03Our afternoon programming will start at 1 PM with our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include our FarmerCon XI presentation which will feature a panel of writers who will discuss their collaborations with Grand Master of Science Fiction Philip José FarmerPulpFest favorite David Saunders starts off our celebration of the 120th anniversary of the first pulp magazine with “The Artists Who Make ARGOSY — 120 Years of Sensational Pulp Art;” our salute to the 90th anniversary of the first science fiction magazine continues when Joseph Coluccio, president of the Pittsburgh Area Fantasy and Science Fiction Club, explores the history of AMAZING STORIES during the pulp era; closing out the evening will be pulp historian Laurie Powers with a look at “LOVE STORY MAGAZINE and the Romance Pulp Phenomenon” and author and pop culture scholar Will Murray examining “WESTERN STORY MAGAZINE and the Evolution of the Pulp Western,” both part of PulpFest‘s remembrance of “A Century of the Specialty Pulp.”

You can find additional details about these and all of our presentations by clicking the 2016 Schedule Button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. All of our programming events will take place in the Union Rooms on the second floor of the Hyatt Regency. Watch for the “panels” banner and you’re there.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there has been a cancellation. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel near the convention. Other sites include www.columbusconventions.com/thearea.phpcourtesy of the Greater Columbus Convention Center, and the Experience Columbus lodging page at http://www.experiencecolumbus.com/stay

PulpFest 2016 will continue on Saturday and Sunday. It concludes at 2 PM on Sunday, July 24. Please join us in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Artist Malcolm Smith‘s cover painting for the September 1947 issue of  AMAZING STORIES illustrated Edmond Hamilton’s “The Star Kings,” one of the author’s finest space operas. Smith’s first cover for AMAZING was the January 1942 number. He also contributed covers and illustrations to FANTASTIC ADVENTURES and Ziff-Davis’s MAMMOTH line of pulp magazines.

Walter M. Baumhofer — best remembered for his classic covers that appeared on DOC SAVAGE MAGAZINE — was one of many great artists whose work — including the September 3, 1932 issue — graced the front covers to Street & Smith’s WESTERN STORY MAGAZINE.)