Reports and Recordings from PulpFest 2018

Sep 17, 2018 by

“Summer’s Great Pulp Con” returned to Pittsburgh, Pa., for July 26-29, 2018. If you weren’t able to make it — or even if you did — check out these reports and recordings from PulpFest.

Read all about it

  • Lewis Forro writing as “The Supreme Leader” on his blog, The Leader’s Chronicles, provides a photographic report from PulpFest 2018. Expect a bit of tongue-in-cheek elements here.
  • Mike Glyer posts the Munsey Award announcement at his blog, File 770.
  • Ed Hulse, editor at Murania Press, had so much fun at this year’s convention that he had to break his report into part one and part two. His posts include photos by Curt Phillips.
  • Walker Martin reports on his visit to PulpFest, as well as offering his take on the future of the summer’s pulp convention. His is always a lively report, with plenty of conversation in the comments section.
  • Sai Shankar provides a photogaphic report from the convention, including interesting finds in the dealers’ room and the auctions.
  • David Lee Smith posted his PulpFest report on the Pulp Magazines group at Groups.io. (You will have to register and join the group to read the report.)

Also, J. Randolph Cox, editor emeritus of DIME NOVEL ROUND-UP, will have a PulpFest report in the next issue of the zine.

For your listening pleasure

Chris Ryan conducted a series of interviews at this year’s PulpFest for the podcast “Tell the Damn Story”:

This year’s PulpFest may be over, but there’s plenty of time to start planning to attend 2019’s gathering. The convention will be back at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pittsburgh, from Thursday, August 15, through Sunday, August 18. See you then!

(Robert Gould — the son of pulp artist John Fleming Gould — was one of the many presenters who spoke at PulpFest 2018. “Summer’s Great Pulp Con” is highly regarded for its programming. Please join us in August 2019 for “Children of the Pulps and Other Stories.” We’ll be exploring the many ways pulp fiction and pulp art have influenced writers, artists, film directors, software developers, game designers, and other creators over the decades.)

Our Guest of Honor — Joe Lansdale

Jun 15, 2018 by

Beginning on Thursday evening, July 26, and running through Sunday, July 29, PulpFest 2018 and its partner, FarmerCon 100will honor both the 100th anniversary of the end of World War I AND the century mark of Philip José Farmer. We’ll be celebrating at the beautiful DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just outside Pennsylvania’s Steel City. But on top of all that, the convention will also be hosting champion Mojo Storyteller Joe R. Lansdale as its Guest of Honor!

The author of over forty novels and numerous short stories, Joe Lansdale’s work has appeared in national anthologies, magazines, and collections, as well as numerous foreign publications. He has also written for comics, television, film, newspapers, and Internet sites. His work has been collected in more than two dozen short-story collections, and he has edited or co-edited over a dozen anthologies. He has received the Edgar Award, ten Bram Stoker Awards, the Horror Writers Association Lifetime Achievement Award, the British Fantasy Award, the Inkpot Award for Contributions to Science Fiction and Fantasy, and many other awards. His novella BUBBA HO-TEP was adapted to film by Don Coscarelli, starring Bruce Campbell and Ossie Davis. His story “Incident On and Off a Mountain Road” was adapted to film for Showtime’s MASTERS OF HORROR, and he adapted his short story “Christmas with the Dead” to film himself. The film adaptation of his novel COLD IN JULY was nominated for the Grand Jury Prize at the Sundance Film Festival, and the Sundance Channel has adapted his Hap & Leonard novels for television. He is Writer In Residence at Stephen F. Austin State University.

Join PulpFest 2018 on Saturday, July 28, at 7:35 PM for a talk with Joe R. Lansdale. Joining the celebrated author on the PulpFest stage will be former journalist Tony Davis, a reader and collector of the work of our honored guest since the 1980s. Tony has been a pulp fan for even longer, starting with science fiction bedsheets as a teenager. The Ballantine and Ace Burroughs paperbacks, Bantam Doc Savages, and Lancer Conans of the 1960s led him to WEIRD TALES and other pulps.

At the Pulpcons of the early 1990s, I had the pleasure of meeting many wonderful people. One of those was the late, great Bob Weinberg. I was a big WEIRD TALES reader and collector and, boy, did Bob have a lot to relate to me about “The Unique Magazine.” It was on Bob’s recommendation that I started to buy dark fantasy books from specialized publishers like Dark Harvest and Mark V. Ziesing. And there was Joe R. Lansdale.

I started with a British edition of DEAD IN THE WEST, then BY BIZARRE HANDS, with the tipped-in plate and autograph (a Weinberg speciality). I was hooked. Soon I was reading Lansdale in TWILIGHT ZONE MAGAZINE and MIDNIGHT GRAFFITI. Then the books, often short story anthologies, were hitting the shelves of local book stores. Along came the Hap and Leonard series in paperback. By then, the East Texas scribe’s works were required reading for me.

Mike Chomko was always asking for recommendations for guests of honor for PulpFest. I’d wander by his dealer’s table every year and mention a few names, one of them being Joe R. Lansdale. And Mike would grin and say ‘Thanks Tony. We’ll see.’ Following PulpFest 2017, Mike emailed me and asked: ‘Would you be interested in doing our Saturday night interview? Our guest of honor is Joe Lansdale.’ My wife asked me what all the excitement was about after I’d emailed Mike back. ‘Joe Lansdale. I’ll be interviewing Joe Lansdale!’ Her response: ‘That’s nice, dear.’ So, here I am, a 65-year-old fan boy from Ontario, rummaging through all my JRL books and magazines to prepare for one Saturday night in July.”

Tony Davis has been attending pulp conventions since 1990. His first — Pulpcon 19 — led him to start THE PULPSTERthe longtime program book of Pulpcon, and now, PulpFest. Join Tony at this year’s PulpFest, taking place from Thursday, July 26, through Sunday, July 29 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. In addition to our guest of honor, we’ll be hosting a rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley. There will also be author readings, a great programming line-up, two auctions featuring unique collectibles, and a dealers’ room filled with pulps, digests, and men’s adventure magazines, collectible paintings and illustrations, rare first editions, vintage paperbacks and comic books, unique films and more. All this, plus you can get ten dollars off the daily admission to Confluence. It’s taking place the same weekend as summer’s AMAZING pulp con! All you have to do is show your PulpFest badge at the door to Pittsburgh’s long-running science fiction, fantasy and horror conference.

You can join both PulpFest and FarmerCon by clicking the Register for 2018 button on the PulpFest home page. And don’t forget to book a room at the DoubleTree while you’re visiting the PulpFest site. They’re going fast!

(Tony Davis’s first Lansdale collectible was the British edition of DEAD IN THE WEST. A short novel featuring the Reverend Jebediah Mercer, it concerns the town of Mud Creek, Texas. It’s about to be attacked by a zombie horde, called up by an Indian medicine man, unjustly lynched by the town’s inhabitants. Originally serialized in four parts by ELDRITCH TALES #10 – 13, DEAD IN THE WEST was published by Kinnell in the United Kingdom in 1990, featuring jacket art by James Stewart.)

What’s This PulpFest All About?

Apr 27, 2018 by

So what’s this PulpFest that has so many people talking? With almost 3,000 likes on Facebook and nearly 900 followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

PulpFest is named for pulp magazines — fiction periodicals named after the cheap pulp paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. A decade later, pulps began to pick up steam with titles like BLUE BOOK and ADVENTURE. They exploded in 1912 when THE ALL-STORY printed a little yarn by Edgar Rice Burroughs called “Tarzan of the Apes.” Soon thereafter, genre titles began to flourish, among them DETECTIVE STORY, WESTERN STORY, and LOVE STORY. In the twenties, publishing legends such as BLACK MASK, WEIRD TALES and AMAZING STORIES debuted. The following decade saw the advent of the so-called “hero pulps,” with magazines such as THE SHADOW, DOC SAVAGE, and THE SPIDER attracting new readers to the rough paper format. Weird-menace magazines premiered around the same time, scaring the wits out of readers in titles like DIME MYSTERY MAGAZINE, SPICY MYSTERY STORIES, and TERROR TALES. The late thirties saw an explosion of science fiction pulps — led by John W. Campbell’s ASTOUNDING STORIES — with other magazines, such as FANTASTIC ADVENTURES and PLANET STORIES, thrilling readers of all ages.

By the early fifties, the pulps had essentially disappeared. While some continued in the smaller digest format, most were killed by competition from paperback books, comics, radio, television, and movies. But the fiction and artwork that appeared in the rough-paper consumables of the early twentieth century kept them living in the hearts and minds of scattered individuals.

Haunting back-issue magazine shops, flea markets, science fiction conventions, and other venues, these hearty enthusiasts gradually assembled astounding collections of genre fiction, all published in the rough and ragged magazines known as pulps. Eventually, these collectors organized a convention dedicated to the premise that the pulps had a profound effect on American popular culture. The pulps reverberated through a wide variety of mediums — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Today, we call this convention, PulpFest.

The summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor the pulps by drawing attention to the many ways these throwaway magazines have inspired writers, artists, film directors, software developers, and other creators over the decades.

Why not come see what it’s all about? PulpFest 2018 will honor the 100th anniversary of the armistice that ended the First World War. The convention will focus on the so-called “war pulps” of the early twentieth century and the depiction of war in popular culture. We’ll also salute the centennial of the birth of Grand Master of Science Fiction Philip José FarmerJoin PulpFest 2018 and FarmerCon 100 for panels and presentations on the celebrated author of TARZAN ALIVE: A DEFINITIVE BIOGRAPHY OF LORD GREYSTOKEDOC SAVAGE: HIS APOCALYPTIC LIFE, the Riverworld and World of Tiers series, and many other works.

The convention’s guest of honor will be award-winning author Joe LansdaleThe author of over forty novels and many short stories, Lansdale has also written for comics, television, film, Internet sites, and more. His novella “Bubba Ho-Tep” was adapted to film by Don Coscarelli, starring Bruce Campbell and Ossie Davis. The film adaptation of his novel COLD IN JULY was nominated for the Grand Jury Prize at the Sundance Film Festival, while the Sundance Channel has adapted his Hap & Leonard novels to television. Joe will be talking with Tony Davis on Saturday evening, July 28 and be available at select times during the convention.

We’ll have all this plus a dealers’ room featuring tens of thousands of pulp magazines, vintage paperbacks, digests, genre fiction, men’s adventure and true crime magazines, original art, first edition hardcovers, series books, reference books, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and Golden and Silver Age comic books, as well as newspaper adventure strips.

The convention will take place from Thursday evening, July 26, through Sunday afternoon, July 29, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click one of the links on the PulpFest home page that reads “Book a Room.” Alternately, you can call 1-800-222-8733 to book a room by telephone. When calling, be sure to mention PulpFest to get the special convention rate.

Start planning now to join PulpFest 2018 at the “pop culture center of the universe.” You can do so by clicking one of the Register buttons on our home page. For a look at our planned schedule, please visit our home page and click the Programming button just below our banner.

(Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee painted the front cover art for the magazine. Burroughs’ Tarzan is perhaps the most famous character to emerge from the pulps. Others include Zorro, Kull and Conan, Dr. Kildare, The Shadow, Buck Rogers, Sam Spade, and Cthulhu.

In addition to BUBBA HO-TEP, COLD IN JULY, and HAP AND LEONARD, our guest of honor’s story, “Incident On and Off a Mountain Road,” was adapted to film for Showtime’s MASTERS OF HORROR. Lansdale himself also adapted his short story “Christmas with the Dead” to film.)

Starting Next Week — 3 PulpFest Posts Each Week

Apr 2, 2018 by

Since the beginning of September 2017, we’ve had an announcement about PulpFest once a week. Starting next Monday, we’ll be releasing a post every Monday, Wednesday, and Friday. We’ll be maintaining that pace until early July. Then we’ll have one post every weekday. Even the PulpFest promotion department needs a day off now and then.

During the next month, we’ll discuss such topics as our hospitality suite, the birthday of pulp artist Eugene Frandzen, related conventions, and our programming plans. PulpFest 2018 will be honoring the 100th anniversary of the armistice that ended the First World War. The convention will be focusing on the so-called “war pulps” of the early twentieth century and the depiction of war in popular culture. We’ll also be saluting the centennial of the birth of Grand Master of Science Fiction Philip José FarmerJoin PulpFest 2018 and FarmerCon 100 for panels and presentations on the celebrated author of TARZAN ALIVE: A DEFINITIVE BIOGRAPHY OF LORD GREYSTOKEDOC SAVAGE: HIS APOCALYPTIC LIFE, the Riverworld and World of Tiers series, and many other works.

Our Guest of Honor will be award-winning author Joe Lansdale. The author of over forty novels and many short stories, Lansdale has also written for comics, television, film, Internet sites, and more. His novella “Bubba Ho-Tep” was adapted to film by Don Coscarelli, starring Bruce Campbell and Ossie Davis. The film adaptation of his novel COLD IN JULY was nominated for the Grand Jury Prize at the Sundance Film Festival, and the Sundance Channel has adapted his Hap & Leonard novels for television. Joe will be talking with Tony Davis on Saturday evening, July 28. The author will also be available at select times during the convention.

So what are you waiting for? Register now for PulpFest 2018! There’s no other way for you to be part of “Summer’s Great Pulp Con.” While you’re at it, you can reserve a room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry by clicking one of the links on the PulpFest home page that reads “Book a Room.” You can also call 1-800-222-8733 to book a room by telephone. However, be sure to mention PulpFest to get the special convention rate. By staying at the DoubleTree, you’ll help to ensure the convention’s success. Given its popularity, we urge every member to book a hotel room for PulpFest 2018 as soon as possible.

(Designed by PulpFest’s advertising director, William Lampkin, our PulpFest 2018 post card features the work of freelance artist Mel Hunter. His painting was originally used as the cover to the May 1960 number of THE MAGAZINE OF FANTASY AND SCIENCE FICTION. Philip José Farmer’s “Open to Me, My Sister” was featured on the issue’s cover. PulpFest 2018 has used Hunter’s cover art to promote our convention at book stores, comic shops, and other conventions and fairs.)

Joe Lansdale is Coming to PulpFest

Oct 9, 2017 by

Champion Mojo Storyteller Joe R. Lansdale will be the Guest of Honor at PulpFest 2018. The author of over forty novels and numerous short stories, his work has appeared in national anthologies, magazines, and collections, as well as numerous foreign publications. He has also written for comics, television, film, newspapers, and Internet sites. His work has been collected in more than two dozen short-story collections, and he has edited or co-edited over a dozen anthologies. He has received the Edgar Award, ten Bram Stoker Awards, the Horror Writers Association Lifetime Achievement Award, the British Fantasy Award, the Inkpot Award for Contributions to Science Fiction and Fantasy, and many other awards. His novella BUBBA HO-TEP was adapted to film by Don Coscarelli, starring Bruce Campbell and Ossie Davis. His story “Incident On and Off a Mountain Road” was adapted to film for Showtime’s MASTERS OF HORROR, and he adapted his short story “Christmas with the Dead” to film himself. The film adaptation of his novel COLD IN JULY was nominated for the Grand Jury Prize at the Sundance Film Festival, and the Sundance Channel has adapted his Hap & Leonard novels for television. He is Writer In Residence at Stephen F. Austin State University.

According to Eric Benson, writing in February 2016 issue of TEXAS MONTHLY, Joe Lansdale got his start as a writer through the encouragement of his wife, Karen:

“My wife said, ‘Just take three months off and write — it’s what you want to do, just do it,’” Lansdale says. For the next ninety days, he wrote from morning until night, producing a story a day. Many were short: 3 to 4 pages. Others were shockingly long for a day’s work: 25 pages or more. At the end of the three months, Lansdale had nearly 1,000 pages of text. “They were some of the worst stories ever written; I was just flushing out all the crap,” he says. “But I learned to type real good.”

In 1976 he made his fiction debut, landing a detective story, “The Full Count,” with MIKE SHAYNE MYSTERY MAGAZINE. “More followed, mostly in MIKE SHAYNE, although it was hardly a living and it wasn’t his endgame.” Four years later, he sold his first two novels — TEXAS NIGHT RIDERS and ACT OF LOVE. Soon thereafter, he quit his day job to write full-time.

“Few writers can authentically claim to be their own distinct genre,” writes Lisa Morton in the October 2017 issue of NIGHTMARE MAGAZINE. “But there’s no question that Joe R. Lansdale is a category unto himself. He’s written award-winning horror, mystery, suspense, westerns, graphic novels and comics, media tie-ins, screenplays, and mainstream literature, yet each new work fits recognizably into the East Texas-slang-filled, fast-paced, fluid storytelling style that defines the Joe R. Lansdale genre.”

“I always felt that Ray Bradbury was kind of a role model for me, because he said, ‘Leap off the cliff and build your wings on the way down,’” Lansdale says. “That’s kind of what I’ve done my entire career. I’ve been told time after time, by editors and other writers, ‘Don’t do that, it’ll ruin your career,’ or ‘What are you doing? Stop writing that Batman novel. You’re getting recognition, this is the dumbest thing.’ But I like Batman. Sometimes I want to write the Batman novel.”

In 2018, PulpFest will celebrate the centennial of the birth of Grand Master of Science Fiction Philip José Farmer. Like Lansdale, Farmer was a genre all his own. In his introduction to THE BEST OF PHILIP JOSÉ FARMER, Joe Lansdale writes:

“No one, absolutely no one, is braver than Philip José Farmer. He’s willing to crawl out on most any limb. Like Tarzan, a name he was called as a child, he is willing to go where no one has gone before. At least as a writer. He’ll crawl out on that limb, be it rickety and weak and disease ridden, and he’ll not only crawl out there, he’ll stand up and grin at you.

Sometimes the limb breaks, but because of Farmer’s willingness to try anything, take any kind of chance, the results are often brilliant. Farmer is one of those handful of writers whose work, when it works, and on those rare occasions even when it doesn’t, that strikes sparks off the mind and sends you reeling into worlds and thoughts you might never have thought to explore.”

Farmer and Lansdale — two writers — both genres all their own.

Please join PulpFest 2018 from July 26 – 29 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. We’ll be celebrating the century mark of Philip José Farmer, plus the 100th anniversary of the armistice that ended World War I. Of course, we’ll also be welcoming author Joe Lansdale. He will be talking with Tony Davis — editor emeritus of THE PULPSTER, winner of the 1999 Lamont Award, and a reader and collector of Joe Lansdale’s work since the mid-1980s — on Saturday evening, July 28, in the PulpFest programming room. Joe will also be available at select times during the convention.

(Joe Lansdale’s DEAD ON THE BONES — published by Subterranean Press in 2016 and featuring jacket art by Timothy Truman — is the author’s salute to the pulps and to pulp fiction. “I had no idea the pulps, by that point, were gone. I had no idea that they had existed, or even what a deceased pulp magazine looked like, but their leftover juice was in my blood, like unnamed parasites. . . . Now and again, however, I prefer to go back and dig into that pulp well in my head and come out with a story that might actually have appeared in those old, long defunct magazines. This book is an example of that.”

In addition to his writing, Joe is the founder of the martial arts system Shen Chuan: Martial Science and its affiliate, Shen Chuan Family System. He is a member of both the United States and International Martial Arts Halls of Fame. He lives in Nacogdoches, Texas with his wife, dog, and two cats.)

Reviews and Recordings of PulpFest 2017

Sep 11, 2017 by

The dealers' room at PulpFest 2017

The dealers’ room at PulpFest 2017

PulpFest 2017 wrapped up six weeks ago. If you weren’t able to attend, that’s unfortunate. You missed over three days of pulp presentations, pulp deals, and plenty of pulp talk among true fans. But all is not lost.

You can catch a glimmer of what PulpFest is through the post-convention reports, the photos, and the podcasts that are available online.

PulpFest 2017 Guest of Honor Gloria Stoll Karn

PulpFest 2017 Guest of Honor Gloria Stoll Karn

Read all about it

Check out what these folks had to say about this year’s AMAZING summer pulp convention in their reports:

Tuning in

If you’re not in the dealers’ room during the day, you may be attending one of the New Pulp readings or FarmerCon panel discussions. In the evenings, you may be at one of the pulp panels.

Re-live — or listen to for the first time — a selection of the PulpFest 2017 programming:

After you’ve read the reports and listened to the recordings, go ahead and start planning to attend 2018’s PulpFest to experience it first-hand. It will take place over the last weekend in July, beginning on Thursday evening, July 26 and running through Sunday, July 29.

 

Saturday at PulpFest

Jul 29, 2017 by

There’s still time to get in on the action. The PulpFest dealers’ room will be open today from 10 AM until 4:45 PM. Located in the Grand Ballroom of the DoubleTree, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. The general public is welcome to attend. There is ample free parking surrounding our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. If you have not yet registered, you can download a copy by clicking herePaper forms will also be available at the door. Please visit our registration page for further details.

Our Saturday afternoon programming will start at 12:30 PM with our New Fictioneers readings. Afterward, author and editor Ron Fortier will be joined by five authors to discuss their writing and today’s “New Pulp Fiction.” It will be followed by an encore presentation of an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 3:30 PM.

The PulpFest dealers’ room will be closing today at 4:45 PM. This should allow plenty of time for people to prepare for our Saturday Night Dinner. Currently, we’re planning to dine informally at ember & vine, located right in the DoubleTree. However, if you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many restaurants in the vicinity of the DoubleTree by clicking here.

Saturday evening’s events will include the PulpFest 2017 business meeting, starting at 7 PM. It will be followed by the 2017 Munsey Award presentation. Laurie Powers, the winner of our 2016 Munsey, will reveal the name of this year’s recipient. Laurie was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The Munsey is a fine art print created by Dan Zimmer of a David Saunders painting. It is presented annually to a person who has worked for the betterment of the pulp community.

Our programming for Saturday evening will include Our Guest of Honor presentation, featuring one of the few living pulp magazine artists, Gloria Stoll Karn. A Pittsburgh resident, Gloria will be joined by fine artist and pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

Another dangerous dame of the pulps — Pat Savage — gets her night to shine when members of the Narada Radio Company read from Will Murray’s SIX SCARLET SCORPIONS, the first book in the author’s THE ALL-NEW WILD ADVENTURES OF PAT SAVAGE series.

The convention’s celebration of the hardboiled dicks of the pulps continues with a look at The Don Everhard Stories of Gordon Young, featuring Professor Tom Krabacher of California State University. A member of the Pulp Era Amateur Press Association, Tom has often presented at PulpFest. He’ll be joined by Walker Martin, one of the foremost collectors of pulp magazines in the country. Walker is one of the few people who have owned and read complete runs of both BLACK MASK and DIME DETECTIVE MAGAZINE.

Our evening will conclude with the annual PulpFest Saturday Night Auction. The convention will be offering about 100 lots of material from the collection of Woody Hagadish. We’ll have a variety of both pulps and digests from such diverse genres as air war, science fiction, western, and the detective fields. Also included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE. Finally, there will be a number of Gnome Press, Shasta, and Avalon first edition hardcovers offered. The estate is hoping to find good homes for all of these collectibles, getting them to the people who would best appreciate them, as Woody Hagadish had done during his lifetime.

This year’s auction will also feature a number of pulp magazines from the collection of the late Larry Latham. Larry enjoyed a varied career in animation, film, TV, theater and teaching. PulpFest will be offering a variety of pulps from Larry Latham’s collection, such as copies of THE ARGOSY and THE ALL-STORY, the first three issues of FAMOUS FANTASTIC MYSTERIES, a selection of THE WIDE WORLD, and a number of hero pulps, including the May 1934 issue of DOC SAVAGE, autographed to Latham by cover artist Walter Baumhofer.

One of our members has also mentioned that he may be offering a complete set of the second volume of AMRA — no. 1 to no. 71 — published by George Scithers from 1959 to 1982. AMRA featured high-quality artwork by Roy G. Krenkel, Gray Morrow, and other articles. The magazine’s writers included L. Sprague de Camp, Poul Anderson, Leigh Brackett, Fritz Leiber, Marion Zimmer Bradley, and many others.

Click on the “PulpFest Auction” link along the right side of our home page for highlights featured in this year’s auction.

Rounding out the auction will be material consigned by our membership. Any member of PulpFest 2017 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. To learn more about selling material through our Saturday night auction, please click here.

You can find additional details about these and all of our events by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

PulpFest members are also welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. If you’re new to the hobby, please join us in our con suite and learn more about pulps and pulp fiction and art.

Saturday’s sponsor of the PulpFest hospitality suite is Meteor House, a publisher of science fiction and fantasy. Their main specialty is authorized limited edition novels and novellas, set in the worlds of Grand Master of Science Fiction Philip José FarmerPulpFest is extremely pleased to have Meteor House as our Saturday evening hospitality suite sponsor.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.

PulpFest 2017 will continue tomorrow. Our dealers’ room will be open to all members from 9 AM to 2 PM as our exhibitors pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday, July 30, will be $10, the cost of our annual program book, THE PULPSTER.

Please join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Like Robert Bloch, John D. MacDonald — who was born 0n July 24, 1916 — got his start in the pulp magazines. From about 1946 through 1951, he placed dozens of stories each year with various pulp magazines. His output included adventure, detective, fantasy, science fiction, sports fiction, and western stories. When his story “Dead to the World” garnered the cover spot for the February 1947 issue of Popular’s DIME DETECTIVE — featuring cover art by Robert Stanley — MacDonald had become a reliable producer for the pulp market. Not long after, MacDonald began selling increasingly to the original paperback market. His first Travis McGee novel — THE DEEP BLUE GOOD-BY –was published by Fawcett in 1964.

Granted, the PulpFest auctions are a bit more tame than this depiction by Milton Luros for the DIME DETECTIVE from February 1939. Nevertheless our auctions are quite exciting. Plan to attend PulpFest 2017 and find out for yourself why it’s called “Summer’s AMAZING Pulp Con!”

Pulp Fiction’s “hardboiled dicks” will come to the fore during PulpFest’s final night of programming, scheduled to begin at 7 PM this evening. We hope to see you in at the DoubleTree Grand Ballroom for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Saturday, July 29

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

3:00 – 4:30 PM — Auction Viewing at the DoubleTree

Programming

12:30 – 2:00 PM — New Fictioneers Readings — (author readings by Win Scott Eckert and Frank Schildiner)

2:15 – 3:15 PM — Six Writers of New Pulp (moderator Ron Fortier and authors Fred Adams, Jr., John Bruening, Wayne Carey, Michael Maynard, and Charles Millhouse)

3:30 – 4:00 PM —  Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

5:00 – 6:50 PM — PulpFest 2017 Group Meal at Ember & Vine in the DoubleTree (Volunteer Coordinator Sally Cullers)

7:00 – 7:20 PM — PulpFest 2017 Business Meeting (meet the convention organizers)

7:20 – 7:30 PM — 2017 Munsey Award Presentation (presented by Laurie Powers)

7:30 – 8:10 PM — Guest of Honor Gloria Stoll Karn with David Saunders

8:10 – 8:20 PM — The Wild Adventures of Pat Savage by Will Murray — A Reading by Pulp-Pourri Theatre

8:20 – 8:50 PM — Hard-Boiled at 100: The Don Everhard Stories of Gordon Young (Tom Krabacher & Walker Martin)

8:50 – 9:10 PM —  Intermission (Auction Viewing)

9:15 – 12:15 AM — Saturday Night at the Auction (John Gunnison and Joseph Saines, Auctioneers)

Artist Gloria Stoll Karn to be PulpFest GOH

Feb 27, 2017 by

With 2017 being the year that PulpFest celebrates the hardboiled dicks, dangerous dames, and psychos of the pulps, we’re very pleased to welcome as our Guest of Honor, pulp artist Gloria Stoll Karn. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame?

It was Rafael DeSoto who inspired Gloria to become a commercial artist and introduced her to Popular Publications. A graduate of New York’s High School of Music and Art, Gloria Stoll began her career doing black and white interior illustrations for Popular. This evolved into painting covers for the publisher’s line of women’s pulps, particularly RANGELAND ROMANCES. She also did covers for Popular’s ALL-STORY LOVE, LOVE BOOKLOVE NOVELS, LOVE SHORT STORIES, NEW LOVE, ROMANCE, ROMANCE WESTERN, and Standard Publications’ THRILLING LOVE.

Beginning in late 1943, Stoll also began painting covers for Popular’s mystery and detective pulps. Her work was featured on BLACK MASK, DETECTIVE TALES, DIME MYSTERY MAGAZINE, and NEW DETECTIVE. In addition, she did interior illustrations for ARGOSY magazine. The artist continued working in the pulp field until 1949.

In Ms. Stoll Karn’s own words: “Pulp artists were required to come up with ideas for the magazine covers which reflected the general flavor of the stories within. Moving on to painting covers for mystery and detective magazines involved a radical conceptual switch. It was a surprise when I came up with gruesome ideas and concluded that, within the human psyche, there is a shadow side of which we are often unaware. I am grateful that my work struck a balance which uncovered the dark side within, along with the light side depicting the joys of romance.”

Gloria’s pulp artist career ended abruptly when she married Fred Karn in 1948. The couple moved to Pittsburgh, Pennsylvania where they raised three children. In the 1950s, Stoll Karn began teaching art classes. Her work has been exhibited at the Carnegie Museum of Art, the Brooklyn Museum’s National Print Annual, and the Pittsburgh Watercolor Society’s International Exhibition. Her work is in the permanent collections of Yale University, the Carnegie Museum of Art, Westinghouse Corporation, the Speed Art Museum, the Brooklyn Museum of Art, and the Pittsburgh Department of Education. She is listed in WHO’S WHO IN AMERICAN ART. Her current work is in abstraction and draws upon her life experience.

PulpFest is very pleased to welcome as its 2017 Guest of Honor, one of the few surviving contributors to the pulp magazine industry, Gloria Stoll Karn. Pulp art historian David Saunders — winner of our 2016 Lamont Award — will be joining Ms. Stoll Karn to discuss her freelance career in the pulps and much more on Saturday evening, July 29, from 7:30 to 8:10 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

We look forward to seeing you at the “pop culture center of the universe” from July 27 through July 30 at the beautiful DoubleTree by Hilton in Mars, Pennsylvania. Please join Gloria Stoll Karn — that “dangerous dame of pulp art” — and PulpFest for our celebration of the hardboiled dicks, dangerous dames, and psychos of the pulps. You can register for the convention by clicking one of the registration buttons on our home page. To make place a reservation with the DoubleTree, please click one of our “book a room” buttons.

Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, you’ve helped to ensure the convention’s success.

(DETECTIVE TALES was the number three title in Popular Publications’ detective pulp group. The publisher’s number one title was DIME DETECTIVE MAGAZINE, which saved Popular from going under during the challenging years of The Great Depression. After that came BLACK MASK, the pulp where the hardboiled detective genre originally took form. Popular had purchased the magazine from Pro-Distributers Publishing in 1940. DETECTIVE TALES ran for eighteen years, mainly on a monthly basis, producing a total of 202 issues. Most of the issues offered twelve stories for ten cents. In 1953, Popular merged it with NEW DETECTIVE to form FIFTEEN DETECTIVE STORIES. Between 1943 and 1945, Gloria Stoll Karn contributed six covers to DETECTIVE TALES, including the July 1945 number.

Although it is best remembered for its action-oriented pulps — magazines such as DIME WESTERN, ARGOSY, G-8 AND HIS BATTLE ACES, and THE SPIDER — Popular also boasted a strong women’s line-up. Although it never approached the popularity of Street & Smith’s LOVE STORY MAGAZINE or Warner Publications’ RANCH ROMANCES, the Popular line featured a number of successful titles. RANGELAND ROMANCES — which debuted with its June 1935 number — was one of its leading pulps for the women’s market. It lasted into 1955 — when it was absorbed by DIME WESTERN MAGAZINE — and ran for over 200 issues. Between 1943 and 1949, Gloria Stoll Karn contributed forty-two covers to RANGELAND ROMANCES, including the July 1944 number.)

 

Recordings from PulpFest 2016

Aug 29, 2016 by

We would much rather you get the full experience of PulpFest by attending each year. But if you can’t attend, you can virtually sample some of PulpFest 2016‘s highlights.

Audio recordings from much of the programming at “Summer’s AMAZING Pulp Con” are now available online.

The dealers' room at PulpFest 2016

The dealers’ room at PulpFest 2016

For the past few years, I have posted at ThePulp.Net audio recordings from many of the panels and presentations from PulpFest. This year’s recordings total around seven-and-a-half hours of pulp discussions. There is a special coverage page for PulpFest 2016 with links to individual pages with photographs and embedded audio recordings from nine events.

PulpFest 2016 Guest of Honor Ted White discusses AMAZING STORIES and his life in science fiction.

PulpFest 2016 Guest of Honor Ted White discusses AMAZING STORIES and his life in science fiction.

The recordings include presentations on AMAZING STORIES, THE ARGOSY and the magazine’s artists, H. G. Wells, Street & Smith’s second-string heroes, LOVE STORY MAGAZINE and the romance pulps, and WESTERN STORY MAGAZINE and the pulp western, a celebration of the 10th anniversary of Sanctum Books, and PulpFest Guest of Honor Ted White’s talk.

In addition to listening to ThePulp.Net’s recordings on the web, pulp fans can also download them as part of the Pulp Event Podcast free from either iTunes or Google Play Music.

I also have several reports from PulpFest 2016 that I published on my Yellowed Perils blog during and after the convention.

Over at Pulp Crazy, Jason Aiken has posted recordings of Ted White, FarmerCon XI author readings, a panel discussion including Paul Spiteri, Christopher Paul Carey, Win Scott Eckert, and Danny Adams on collaborating with Philip José Farmer, and a New Pulp panel featuring Ron Fortier of Airship 27, and writers Eckert, Jeff Fournier, Barbara Dorran, and Andy Fix.

Dealer Gene Carpenter talks with Will Emmons at PulpFest 2016.

Dealer Gene Carpenter talks with Will Emmons at PulpFest 2016.

While his other PulpFest posts at Pulp Crazy are recordings, Jason also has a written report on the convention, with photos.

As part of the Art’s Reviews podcast, Art Sippo is also posting recordings from PulpFest 2016. So far Art has already posted a presentation by New Pulp author John Hegensberger, FarmerCon XI author readings, and an interview with New Pulp author Dick Enos. Art says he will be posting 11 recordings in total, so keep an eye on his Art’s Reviews podcast for updates in the coming weeks.

If you’re looking for more reports from PulpFest, head over to my PulpFest 2016 Reports entry at Yellowed Perils for a complete and up-to-date listing.

Saturday at PulpFest

Jul 23, 2016 by

Argosy 20-06-12There’s still time to get in on the action. The PulpFest dealers’ room will be open today from 10 AM until 4:45 PM. Located in Battelle South exhibition hall on the third floor of the Greater Columbus Convention Center, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. Paper forms will also be available at the door. Those who have prepaid for their memberships, will also be able to pick up their registration packets at our door. Please visit our registration page for further details.

For those visiting PulpFest for the day, you can also use the Chestnut Street Garage for parking. Rates vary based on time, but at this writing, $14 will get you a day’s parking. Additional parking is available at the Convention Center underground garage. Again, rates are time-based and, at this writing, $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

Our Saturday afternoon programming will start at 1 PM with our New Fictioneers readings. Afterward, Ron Fortier will moderate a New Pulp Fiction Panel on “Writing Hero Pulp.” It will be followed by a presentation on Anthony Tollin’s Sanctum Books featuring Mr. Tollin and Doc Savage author Will Murray.

Amazing Stories 70-05For pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2016 will be organizing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

The PulpFest 2016 gaming track will begin at 10 AM on Saturday and last until 10 PM or thereabouts. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2016 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be.

Come out to PulpFest 2016 where you can explore our substantial dealers’ room and find exciting pulp fiction and books to read. Then stop by our game room where you can save Earth from aliens, explore new planets circling far-flung stars, or seek out ancient artifacts and knowledge.  You’ll learn how to play a variety of new games and “boldly go where no man has gone before.”

The PulpFest dealers’ room will closing be at 4:45 PM today. This should allow plenty of time for people to prepare for our Saturday Night Dinner at Dick’s Last Resort, a get-together arranged by registration and volunteer coordinator Sally Cullers. Dick’s is located at 343 North Front Street, just a few minutes’ walk from the Hyatt Regency Columbus in the Arena District. If you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many fine downtown restaurants by clicking here.

Saturday evening’s events will include the PulpFest 2016 Business Meeting. Two lucky PulpFest members who prepay for their membership, book a room for three nights at our host hotel, and choose to attend our business meeting will receive free memberships to PulpFest 2017. You must provide proof of your stay at the Hyatt Regency Columbus and be present at the drawing to receive your prize. It will be followed by the 2016 Munsey Award Presentation.

Our programming for Saturday evening will include Our Guest of Honor presentation, featuring science fiction author and pulp fan Ted White. The editor emeritus of AMAZING STORIES, Mr. White will speak about his career, AMAZING STORIES, science fiction fandom, the pulps, and much, much more from 7:30 to 8:15 in the Union Rooms on the second floor of the Hyatt Regency. Pulp collector and scholar Doug Ellis — the co-founder of the Windy City Pulp and Paper Convention — will also be on hand with a presentation on 120 Years of THE ARGOSY — The World’s First Pulp Magazine. All PulpFest members are very much welcome to attend.

Our evening will conclude with the annual PulpFest Saturday Night Auction. Featuring material consigned by our membership, any member of PulpFest 2016 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction.We will begin taking consignments for the auction when our dealers’ room opens at 10 AM. Barry will be accepting material for our auction near the entrance to the PulpFest dealers’ room. The sooner you submit your consignment to our auction coordinator, Barry Traylor, the more likely that it will be included in our auction. All auction lots must be submitted to Barry prior to 2 PM on Saturday, July 23. For additional information, please click on the auction link on our programming schedule.

Spicy Adventure Stories (July 1935)Click on the “Our Auction” link under our homepage banner for highlights of this year’s auction. We’ll have a half-dozen early Arkham House books, including a very collectible copy of H. P. Lovecraft’s THE OUTSIDER AND OTHERS. We’ll also have over two hundred pulps from the collection of the late Woody Hagadish.

You can find additional details about these and all of our presentations by clicking the 2016 Schedule Button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there has been a cancellation. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel near the convention. Other sites include www.columbusconventions.com/thearea.phpcourtesy of the Greater Columbus Convention Center, and the Experience Columbus lodging page at http://www.experiencecolumbus.com/stay.

PulpFest 2016 will continue tomorrow. Our dealers’ room will be open to all members from 10 AM to 2 PM as our exhibitors pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday, July 24, will be $10, the cost of our annual program book, THE PULPSTER.

Please join us in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Although Harold Lamb’s “The Caravan of the Dead” was the cover feature to the June 12, 1920 ARGOSY — featuring front cover art by Fred W. Small — the real highlight of the issue was Murray Leinster’s novelette “The Mad Planet.” Often anthologized, Leinster’s story was called “One of the greatest Munsey scientific romances” by science fiction historian Sam Moskowitz. Pulp scholar Doug Ellis will be discussing such highlights in his presentation on ARGOSY on Saturday, July 23.

Our guest of honor, Ted White, served as the editor of AMAZING STORIES and FANTASTIC from October 1968 until October 1978, upgrading the quality of both magazine’s fiction while showcasing a variety of talented illustrators. One such artist was John Pederson, Jr., whose front cover for the May 1970 AMAZING STORIES was the first original cover painting for White’s magazine. Pederson would paint a half dozen covers for AMAZING and its companion. He also contributed covers to GALAXY, IF, THE MAGAZINE OF FANTASY & SCIENCE FICTION, and WORLDS OF TOMORROW.

Granted, the PulpFest auctions are a bit more tame than the sale of a slave girl, painted by the incomparable H. J. Ward’s as the cover for the July 1935 issue of SPICY ADVENTURE STORIES. Nevertheless our auctions are quite exciting. Plan to attend PulpFest 2016 and find out for yourself why it’s called “Summer’s AMAZING Pulp Con!”)