Thursday at PulpFest

Jul 27, 2017 by

PulpFest 2017 will begin this afternoon at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members — dealers included — will be able to register for the convention from 4 to 8 PM, at the entrance to our dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Everyone can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page.

There will be free early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying at our host hotel. The cost is $30 for those who stay elsewhere. Our full evening programming slate will begin shortly after 9 PM with a reading by author Chet Williamson.

PulpFest will also be celebrating the dangerous dames of the pulps with presentations on The Dangerous Dames of Kenneth Robeson — featuring PulpFest Technical Director and Webmaster Chuck Welch — and Compliments of the Domino Lady — a discussion of the long-lived pulp hero by Inkpot Award winner Michelle Nolan. Sandwiched between these two presentations will be a reading from his Domino Lady story — “The Claws of the Cat” — by author Ron Fortier.

Closing out the evening will be an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 11 PM.

You can find additional details about these and all of our presentations by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

When our programming is over, PulpFest members are welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. “What’s your favorite Doc Savage adventure? Did Joan Randall have a thing for Gragg the Robot? Remember when Conan bit off that vulture’s head in ‘A Witch Shall Be Born?’ How the hell do you say Tsathoggua? Who’d win a knock-down-drag-out between Wu Fang and Shiwan Khan? Would either stand a chance against Doctor Fu Manchu? Why does the Phantom Detective wear that top hat? Who the hell is Pinky Jenkins?” These are just a few of the mysteries you might clear up with your pals — old and new — at PulpFest 2017. You sure can’t do that on your iPhone!

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available. 

For those of you who have not yet registered for PulpFest 2017, Thursday evening will be an ideal time to do so. Our full weekend memberships will be available at the door, with early-bird shopping costing an additional $30 for those members not staying at the DoubleTree. Single day memberships — costing $20 for Friday or Saturday — will also be available. A Sunday single day membership will cost $10, the price of THE PULPSTERPlease click our Register for 2017 button for further details.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Access to the dealers’ room for unloading will be through the ballroom back entrance and the nearby banquet dock. Click here for a map showing the loading area of the hotel and here for a map of the DoubleTree’s Grand Ballroom.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

(Although the first costumed pulp heroine appeared in just six stories in rare and obscure mid-1930s pulps, The Domino Lady commanded three covers for those magazines. All three were painted by Norman Saunders, one of the leading artists and illustrators of the pulp era.

The Domino Lady and other “dangerous dames” of the pulps will be profiled during PulpFest’s opening night programming, scheduled to begin at 9:10 PM this evening. We hope to see you in at the DoubleTree for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Thursday, July 27

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 9:00 PM — Dealers’ Room Open for Early-Bird Shopping (free with your stay at the Double-Tree)

Programming

9:10 – 9:40 PM — Robert Bloch’s PSYCHO: SANITARIUM — A Reading by Chet Williamson

9:40 – 10:05 PM — The Dangerous Dames of Kenneth Robeson: Pat Savage, Nellie Gray and Rosabel Newton (Chuck Welch)

10:05 – 10:15 PM— Scarlet Adventuress — The Domino Lady — A Reading by Ron Fortier

10:15 – 10:50 PM — Compliments of the Domino Lady (Michelle Nolan)

10:50 – 11:00 PM — Intermission

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

The Dangerous Dames of Kenneth Robeson

Jun 20, 2017 by

Over the years, PulpFest has sought to honor pulp fiction and pulp art by drawing attention to the many ways they have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades. Indeed, the hardboiled dicks, dangerous dames, and a few psychos of the pulps that we’ll be celebrating in 2017 have had a profound effect on popular culture.

Back in May, we set our sights on the mad scientists, crazed hunchbacks, and foul cultists who decimated American cities on a monthly basis in the rough-paper magazines. We also drew attention to the hundredth anniversary of the birth of Robert Bloch, who got his start in the pulps and wrote the suspense classic, PSYCHO.

June found us exploring DIME DETECTIVE MAGAZINE — one of the pulps where the hard-boiled detective story began to take shape. We also examined Robert Leslie Bellem’s tough-guy detective, Dan Turner; Gordon Young’s “Most Dangerous Man in America,” Don Everhard; and the many characters created by Erle Stanley Gardner.

Today, we’re turning our attention to the dangerous dames of the pulps, the hardboiled ladies who helped to pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski. Collectively, these authors and their characters have helped the hardboiled detective to evolve in new directions.

Female pulp characters such as Cleve Adams’s Violet McDade and Nevada Alvarado, John Russell Fearn’s Golden Amazon, Walter Gibson’s Myra Reldon and Margo Lane, Robert E. Howard’s Bêlit, “Queen of the Black Coast,” C. L. Moore’s Jirel of Joiry, Norvell Page’s Nita Van Sloan, Les Savage’s Senorita Scorpion, Theodore Tinsley’s Carrie Cashin, Gene Francis Webb’s Grace Culver, Lars Anderson’s Domino Lady, and Sheena, Queen of the Jungle, all depicted women in roles often reserved for men. Generally, they performed equal to or better than their male counterparts. These dangerous dames helped to remove women from the drawing rooms of Carolyn Wells and Agatha Christie, the love and western romance pulps, and into the mean streets.

Perhaps the best known female character of the pulps is Lester Dent’s Pat Savage. As Kent Gutschke has written on THE MARTIAN DEATH RAY:

“She is only the Bronze Goddess of pulp’s Golden Age, and distant cousin to Doc Savage, the Bronze Man of Tomorrow. And she is more fun and psychologically complex than the man whose shadow she lives under. Patricia Savage is also an underdog not because she lacks intelligence and skill, but because the men that surrounded her — both heroes and villains — forever underestimate her.

“In fact the only man in Patricia Savage’s life who does not underestimate her is her creator, Lester Dent. As early as 1934’s ‘Death in Silver,’ Dent planned for Pat to run her own detective agency within the pages of DOC SAVAGE, but editors at Street & Smith rejected the idea. While Street & Smith billed Doc as the Man of Tomorrow, Doctor Clark Savage and his editors had quaint, patriarchal notions about a woman’s place in their brave new world. So Pat Savage and Lester Dent settled for a beauty salon. What trouble could she possibly get into running a beauty salon? With Dent writing, quite a bit and when trouble failed to come her way, Pat cultivated a talent for elbowing into Doc’s adventures.”

Introduced in “Brand of the Werewolf” — originally published in the January 1934 issue of DOC SAVAGE MAGAZINE — Pat Savage would appear in 37 adventures of the Man of Bronze. In “I Died Yesterday,” her final pulp appearance (published in the January 1948 number), she is the first-person narrator of the story. As Terence Towles Canote has written on A SHROUD OF THOUGHTS

“She was in many ways the perfect, female counterpart to her cousin. Pat was spectacularly beautiful, yet very much her own woman. She could fight as well as any man, deadly with her six shooter and skilled in boxing, fencing, and jujitsu. She could fly a plane, pick locks, pick pockets, speak Mayan and German (although she was not very good at the latter), knew Morse code, and was a very convincing actress. She also had an undying love of adventure, which she shared with her cousin (even if Doc would never admit it). Over the course of her adventures Pat emerges as a fully realised character, perhaps more fully realised than any female character from the pulps save Nita Van Sloan from THE SPIDER. This could very well be the reason she still has more than her fair share of fans to this day.”

Please join PulpFest 2017 on Friday, July 28, at 10:30 PM as the convention’s technical director, Chuck Welch, examines The Dangerous Dames of Kenneth Robeson. In addition to Pat Savage, Chuck will be discussing Paul Ernst’s Nellie Gray and Rosabel Newton, two strong female characters featured in Street & Smith’s THE AVENGER, a hero pulp introduced in 1939.

As one of the original Internet Fans of Bronze, Chuck Welch started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of these conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director and webmaster. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

(Doc Savage and his assistants travel to British Columbia to visit his uncle, Alex Savage, and cousin, Patricia Savage, in “The Brand of the Werewolf,” originally published in DOC SAVAGE MAGAZINE for January 1934, with cover art by Walter M. Baumhofer. When they reach the cabin of Doc’s relatives, they discover that Alex Savage has been murdered. From the start, Pat is ready for adventure, hoping to find the killers of her father. She would be “ready for adventure” in nearly forty tales of Lester Dent’s Man of Bronze.)

PulpFest 2016 Begins Today

Jul 21, 2016 by

Skipper 37-01PulpFest 2016 will begin this afternoon at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members — dealers included — will be able to register for the convention from 4 to 8 PM, right outside our dealers’ room in Battelle South, located across from the Regency Ballroom’s foyer in the Greater Columbus Convention Center. Everyone can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page.

There will be free early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying three nights at our host hotel. The cost is $30 for those who stay elsewhere. Our full programming slate for the evening will begin shortly after 9 PM with a look at The Skipper and The Whisperer, two pulp superheroes that debuted eighty years back in 1936. Our presenter will be Will Murray, author of “The All-New Wild Adventures of Doc Savage and Tarzan” and a noted expert on the pulps and pulp history.

PulpFest will also be celebrating the 150th anniversary of the birth of science fiction author H. G. Wells with a presentation by Garyn G. Roberts, winner of the 2013 Munsey Award. Professor Roberts has written extensively about the pulps, both professionally and as a fan. His work, THE PRENTICE HALL ANTHOLOGY OF SCIENCE FICTION AND FANTASY, a college level textbook, is notable for the attention paid to the pulp magazines.

You can find additional details about these and all of our presentations by clicking the 2016 Schedule Button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title.

When our programming is over, PulpFest members are welcome to socialize together in the Hyatt Regency’s Big Bar on 2. Buy a round for your table and talk about the magazines we love and collect. “What’s your favorite Doc Savage adventure? How many people died in ‘Death Reign of the Vampire King?’ Did Joan Randall have a thing for Gragg the Robot? Remember when Conan bit off that vulture’s head in ‘A Witch Shall Be Born?’ How the hell do you say Cthulhu? And what about Tsathoggua? Do you pronounce that with a lisp? Why does the Phantom Detective wear a top hat? Who the hell is Pinky Jenkins?” These are just some of the mysteries you might clear up with your pals — old and new — at PulpFest 2016.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there has been a cancellation. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel near the convention. Other sites include www.columbusconventions.com/thearea.phpcourtesy of the Greater Columbus Convention Center, and the Experience Columbus lodging page at http://www.experiencecolumbus.com/stay

For those of you who have not yet registered for PulpFest 2016, Thursday evening will be an ideal time to do so. Four-day memberships will be available for $40. There will be no single-day memberships available for Thursday only. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Please visit our registration page for further details. Members will also be able to register for the convention on Friday morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Since our dealers’ room will be located in the Greater Columbus Convention Center, unloading and loading for those selling at the convention will be at the center’s loading dock.

Amazing ad-1926To reach the convention center’s loading dock, go north on High Street until you come to Warren Street.  Turn right on Warren and follow it to Summit Street. Summit becomes 3rd Street.  Stay on this street and pass the exit to I-670.  As soon as you pass the exit, you will see a sign that reads, “Right lane ends.” At this sign there is a ramp that goes off to the right.  Take this ramp and it curls around to the docks. The convention plans to have people there to help dealers unload.  After unloading, follow the ramp away from the dock and it takes you to the Chestnut Street garage area.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

(The first issue of THE SKIPPER went on sale with a December 1936 cover date. The magazine’s lead character, Captain John Fury — the Skipper — was a variant of Doc Savage. The series was written by Laurence Donovan, under the house name Wallace Brooker. Front cover art — including the second issue, dated January 1937 — was by  Lawrence Donner Toney, During the 1930s and 1940s, Toney painted covers for CLUES, COMPLETE STORIES, WESTERN STORY MAGAZINE, WILD WEST WEEKLY, and other pulps, all published by Street & Smith.

The fiction of Herbert George Wells played a prominent role in the early years of AMAZING STORIES. Along with Ray Cummings, Edgar Allan Poe, and Jules Verne, Wells is mentioned in the advertising copy for the first issue of the new science fiction magazine. The ad ran in the April 1926 issue of RADIO NEWS.

During his three years as editor and publisher of the first science-fiction magazine, Hugo Gernsback turned to Wells’ fictional output for nearly thirty stories, reprinting such classics as “The First Men in the Moon,” “The Time Machine,” and “The War of the Worlds” in his flagship title and its companions.

Both H. G. Wells and The Skipper — along with The Whisperer — will be profiled during PulpFest’s opening night programming, scheduled to begin at 9:10 PM this evening. We hope to see you in Columbus for “Summer’s AMAZING Pulp Con!)

A Third Clue to Our Guest of Honor

Jan 9, 2016 by

The Whisperer 1936-10On Thursday evening, we drew your attention to the fact that we are planning to announce our convention’s 2016 guest of honor on Monday, January 11th. The news will be released here and on our social media sites such as Facebook and Twitter. We also mentioned that we’re planning to offer a wide array of programming at PulpFest 2016, including a salute to the 80th anniversaries of THE WHISPERER and THE SKIPPER.

In 1931, Street & Smith was promoting their DETECTIVE STORY pulp by dramatizing stories from the magazine over the radio. The program’s narrator called himself “The Shadow.” When this memorable name began to eclipse the title of the magazine being promoted, the publisher decided to launch a new form of pulp magazine, the single-character or “hero” pulp. Within two years, the phenomenal success of  THE SHADOW MAGAZINE had started a rash of hero pulps including THE PHANTOM DETECTIVE, DOC SAVAGE, THE SPIDER, and G-8 AND HIS BATTLE ACES.

Although most of the hero-pulp titles that were introduced during 1933 experienced long runs, two of the magazines — Street & Smith’s own NICK CARTER DETECTIVE MAGAZINE and PETE RICE WESTERN ADVENTURES — were cancelled during the summer of 1936. Their spots in the publisher’s line-up were not long left vacant. THE WHISPERER was introduced to readers with its October 1936 issue, while THE SKIPPER debuted two months later.

THE WHISPERER related the adventures of Police Commissioner Wildcat Gordon, “a new character,” as the magazine’s first number proclaimed, who was “vigorous” and “fascinating.” The new pulp hero was meant to be a more adult version of Walter Gibson’s Shadow character, battling organized crime, racketeers, political corruption, and the like. Disguised in gray and wearing special dental plates that caused him to speak in a spooky whisper, Wildcat carried a pair of silenced automatics and was prone to kill those who ignored the law. The novels of the magazine’s first run were all written by Laurence Donovan, using the house name of Clifford Goodrich.

Hoping to duplicate the success of their globe-trotting super-hero, Doc Savage, Street & Smith released THE SKIPPER. Likewise intended to be a grown-up version of the popular Lester Dent adventure hero, the publisher again turned to Laurence Donovan to create the character and his adventures. The Skipper was Captain John Fury, master of the freighter Whirlwind. Following the death of his brother — killed by ocean-faring evildoers — Cap Fury promises to rid the seas of pirates and criminals. Commanding a tramp steamer that has been outfitted for war, The Skipper battles a number of fantastic foes who control death rays, a meteorite that removes oxygen from the air, voodoo practitioners, plague-bearing rats, and other nefarious evil-doers.

The Skipper 1936-12Here’s another clue to the identity of our PulpFest 2016 guest of honor: as mentioned in our post of  January 8th, the 1930s was the era of the hero pulp, inspired by the phenomenal success of Street & Smith’s THE SHADOW MAGAZINE. During our 2016 guest of honor’s career, he or she has also been associated with super heroes. Drop by our site tomorrow for our final hint. You can leave your guess to our special guest’s identity on our Facebook page. If you haven’t done so already, be sure to “like” us. We’ll provide a free membership to PulpFest 2016 to the first person who guesses the identity of this year’s honored guest. And remember to visit www.pulpfest.com on Monday, January 11th, when we will reveal the identity of the PulpFest 2016 Guest of Honor.

(THE WHISPERER was introduced to readers with its October 1936 number, featuring front cover art by the talented John Newton Howitt, a devoted landscape painter whose work was sold at fine art galleries in New York City. With the advent of the Great Depression, the artist turned to the pulps for income. An excellent painter, Howitt found a ready market in the rough-paper periodicals, selling freelance pulp covers to ADVENTURE, DIME DETECTIVE, HORROR STORIES, THE SPIDER, TERROR TALES, THE WHISPERER, WESTERN STORY MAGAZINE, and other pulp magazine titles.

THE SKIPPER debuted two months after the introduction of THE WHISPERER, its first issue dated December 1936. Lawrence Donner Toney, a graduate of the Art Institute of Chicago, was the cover artist. During the 1930s and 1940s, Toney painted covers for pulp magazines, such as CLUES, COMPLETE STORIES,WESTERN STORY MAGAZINE, and WILD WEST WEEKLY, all published by Street & Smith. Most of his work for pulp magazines was signed only with his initials.

To learn more about these talented artists, be sure to visit David Saunders’ Field Guide to Wild American Pulp Artists where you will find more than 300 biographical profiles of American pulp artists.)

The Avenger Turns 75

Jul 22, 2014 by

Avenger 39-09Seventy-five years ago, Astounding Science Fiction published the first science-fiction stories of Robert E. Heinlein, Theodore Sturgeon, and A. E. Van Vogt, as well as Isaac Asimov’s first story for the magazine. The year also witnessed a blossoming of magazine science fiction and fantasy with eight new pulps entering the field. The first World Science Fiction Convention was also held in New York City that year, home to the World’s Fair and its “World of Tomorrow” theme. It was indeed a golden year for fantastic fiction.

1939 was also the year that Street & Smith attempted to duplicate the success of their leading character pulps, The Shadow and Doc Savage. Trying to get all their ducks in order, the company’s business manager Henry Ralston and hero-pulp editor John Nanovic hired journeyman author Paul Ernst to write the lead novels for a new single-character magazine entitled The Avenger.

With the help of Shadow scribe Walter B. Gibson and Lester Dent, the man behind the Doc Savage tales, Ernst was given the task to create what was hoped to be a very profitable magazine. Writing behind the Kenneth Robeson house name, the pseudonym used for the Doc Savage yarns, Ernst put together some excellent stories, particularly in the early going. In the initial entry in the series, “Justice, Inc.,” Ernst’s character, former adventurer Richard Henry Benson, suffers a nervous breakdown following the disappearance of his wife and daughter during an airline flight. Afterward, Benson’s hair is white and his face frozen, but very pliable. This allows him to mold his features into whatever disguise he chooses. He becomes The Avenger and gathers a group of fellow justice-seekers around him.

On Thursday, August 7th, at 9:30 PM, join PulpFest for a salute to “The Avenger’s Diamond Jubilee.” Author and popular culture scholar Rick Lai will offer an illustrated history of the character, exploring The Avenger’s creation and development over time.

Best known for his articles based on the Wold Newton concepts of Philip José Farmer, recently collected by Altus Press as Rick Lai’s Secret Histories: Daring Adventurers, Rick Lai’s Secret Histories: Criminal Masterminds, Chronology of Shadows: A Timeline of The Shadow’s Exploits and The Revised Complete Chronology of Bronze, Rick Lai lives in New York. His short fiction has been collected in Shadows of the Opera (Wild Cat Books, 2011) and two Black Coat Press collections published in 2013–Shadows of the Opera: Retribution in Blood and Sisters of the Shadows: The Cagliostro Curse. He has also appeared regularly in Black Coat’s Tales of the Shadowmen anthologies.

Click on the illustration to learn more about the image.

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