THE PULPSTER: Open for submissions

Sep 21, 2015 by

PulpFest 2016 is still 10 months away, but it’s not too soon to start thinking about writing an article for THE PULPSTER.

The Pulpster logoEditor Bill Lampkin is looking for a variety of features on the pulps, and the writers, editors, and illustrators who worked on them. If you have an idea, he’d like to hear about it. You can contact him at bill@pulpfest.com.

Next summer’s issue — #25, if you’re keeping count — will debut in July at PulpFest 2016, but the magazine must be edited and assembled before then. Deadline for submissions is May 1, 2016, but early submissions are encouraged.

If you’re interested in advertising in THE PULPSTER, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. Mike can provide pricing and print specifications.

Looking for a copy of the 2015 issue? Mike Chomko, Books has THE PULPSTER #24 available for $13, postage paid. The issue features articles on Major Malcolm Wheeler-Nicholson, adventure writer and the founder of DC Comics; the Thrilling Group of pulps and comic books; Erle Stanley Gardner; DETECTIVE FICTION WEEKLY; and other topics. The highlight of the issue is a round-robin article on H. P. Lovecraft and WEIRD TALES featuring contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES; W. Paul Ganley, founder of WEIRDBOOK; Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; and pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Will Murray, and J. Barry Traylor. It’s truly a slam-bang issue from the esteemed editor of our highly popular program book. With less than forty copies remaining, it’s quickly disappearing.

The-Pulpster-24-coverYou can also order back issues of THE PULPSTER through Mike Chomko, Books. Copies of THE PULPSTER #4, 5, 6, 9, 15, 17, 20, 22, and 23 are also available for $13 each, postage paid. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders for multiple books. A copy of THE PULPSTER Mini-Edition, published in 2005 and featuring a history of the Lamont Award, will be included free of charge with every order of three or more books. These prices are good only in the United States. Buyers from other countries must inquire about shipping charges before ordering. Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions. Quantities of most issues are very limited.

(THE PULPSTER #24 features a round-robin article on H. P. Lovecraft and WEIRD TALES written by a wide range of contributors. Copies are quickly disappearing. Write to Mike Chomko, Books at mike@pulpfest.com to learn how you can order the issue.)

The Organizing Committee Grows

Sep 7, 2015 by

Amazing Stories 1943-09On this day when we salute the American worker, PulpFest is pleased to welcome its newest “laborers,” William Lampkin and Garyn G. Roberts, to its organizing committee.

William Lampkin, or Bill, has been reading fiction from the pulp magazines and collecting the magazines since the 1970s. He became involved in pulp fandom in the early 1990s when he discovered other like-minded individuals on the then-new Internet.

In 1996, he founded what later became ThePulp.Net, a website devoted to the pulps. The five-page website, which originated on AOL as .Pulp, has grown over the past two decades to include blogs, articles, histories, bibliographies, and more. He also writes the Yellowed Perils blog.

He attended his first pulp show in Tampa in the late 1990s, Pulpcon 35 in 2006, was actively involved with Doc Con from 2004 to 2011, and is on a two-year string of PulpFest appearances. In 2008, he became designer of THE PULPSTER. Bill assumed the editorship in 2013 when founding editor Tony Davis stepped down after 20 years.

Bill has been designing promotional material and advertising for PulpFest the past few years. His new role on the PulpFest organizing committee will be as director of advertising. He will also continue designing and editing THE PULPSTER. Why mess with a great thing?

Our other new committee member, Garyn Roberts, is an avid pulp collector and fan. He has written extensively about the pulps, both professionally and as a fan.

Garyn has edited or co-edited some of the best collections of stories from the pulp magazines, including A CENT A STORY: THE BEST FROM TEN DETECTIVE ACES, MORE TALES OF THE DEFECTIVE DETECTIVE IN THE PULPS, THE COMPLEAT ADVENTURES OF THE MOON MAN, THE MAGICAL MYSTERIES OF DON DIAVOLO, and THE COMPLEAT GREAT MERLINI SAGA. His anthology, THE PRENTICE HALL ANTHOLOGY OF SCIENCE FICTION AND FANTASY, a college-level textbook, is notable for the attention paid to the pulp magazines.

In 2013, Garyn received the Munsey Award, which recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines.

A long-time college professor, Garyn also taught a class in science fiction at Northwestern Michigan College.

In addition to pulps, he is an expert on the Dick Tracy comic strip, was a friend of creator Chester Gould, and has written DICK TRACY AND AMERICAN CULTURE: MORALITY AND MYTHOLOGY, TEXT AND CONTEXT. Garyn will help with the convention’s programming.

If you’d like to congratulate Bill or Garyn via email, please write to them at bill@pulpfest.com or garyn@pulpfest.com.

(Robert Gibson Jones, a native of Ohio, began to work as a commercial artist for a Chicago advertising agency during the First World War. Nearly thirty years later, his first pulp magazine cover appeared on the January 1943 issue of FANTASTIC ADVENTURES. According to pulp art scholar David Saunders, “He was soon painting many covers for this title as well as for AMAZING STORIES, MAMMOTH ADVENTURE, MAMMOTH DETECTIVE, and MAMMOTH WESTERN, all of which were produced in Chicago by the Ziff-Davis Publishing Company.” During the 1950s, Jones painted painted covers for OTHER WORLDS SCIENCE STORIES and UNIVERSE SCIENCE FICTION. His cover for the September 1943 is a wonderful depiction of the women who took on many non-traditional roles, helping with the war effort during the Second World War.)

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