Friday at PulpFest

Jul 22, 2016 by

Amazing Stories 47-09PulpFest 2016 enters it second day, following a successful night of dealer set-up, early registration, early-bird shopping, and a full slate of exciting programming. If you missed our first day, there’s still plenty of action to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All visitors will also be able to register for the convention this morning — beginning at 9 PM — and at any time during regular dealers’ room hours. Three-day memberships will be available at the door for $40. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. Paper forms will also be available at the door. Those who have prepaid for their memberships, will also be able to pick up their registration packets at our door. Please visit our registration page for further details.

For those visiting PulpFest for the day, you can also use the Chestnut Street Garage for parking. Rates vary based on time, but at this writing, $14 will get you a day’s parking. Additional parking is available at the Convention Center underground garage. Again, rates are time-based and, at this writing, $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

The dealers’ room will open to all at 10 AM and will remain open until 4:45 PM. Located in Battelle South exhibition hall on the third floor of the Greater Columbus Convention Center, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Western Story 1932-09-03Our afternoon programming will start at 1 PM with our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include our FarmerCon XI presentation which will feature a panel of writers who will discuss their collaborations with Grand Master of Science Fiction Philip José FarmerPulpFest favorite David Saunders starts off our celebration of the 120th anniversary of the first pulp magazine with “The Artists Who Make ARGOSY — 120 Years of Sensational Pulp Art;” our salute to the 90th anniversary of the first science fiction magazine continues when Joseph Coluccio, president of the Pittsburgh Area Fantasy and Science Fiction Club, explores the history of AMAZING STORIES during the pulp era; closing out the evening will be pulp historian Laurie Powers with a look at “LOVE STORY MAGAZINE and the Romance Pulp Phenomenon” and author and pop culture scholar Will Murray examining “WESTERN STORY MAGAZINE and the Evolution of the Pulp Western,” both part of PulpFest‘s remembrance of “A Century of the Specialty Pulp.”

You can find additional details about these and all of our presentations by clicking the 2016 Schedule Button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. All of our programming events will take place in the Union Rooms on the second floor of the Hyatt Regency. Watch for the “panels” banner and you’re there.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there has been a cancellation. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel near the convention. Other sites include www.columbusconventions.com/thearea.phpcourtesy of the Greater Columbus Convention Center, and the Experience Columbus lodging page at http://www.experiencecolumbus.com/stay

PulpFest 2016 will continue on Saturday and Sunday. It concludes at 2 PM on Sunday, July 24. Please join us in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Artist Malcolm Smith‘s cover painting for the September 1947 issue of  AMAZING STORIES illustrated Edmond Hamilton’s “The Star Kings,” one of the author’s finest space operas. Smith’s first cover for AMAZING was the January 1942 number. He also contributed covers and illustrations to FANTASTIC ADVENTURES and Ziff-Davis’s MAMMOTH line of pulp magazines.

Walter M. Baumhofer — best remembered for his classic covers that appeared on DOC SAVAGE MAGAZINE — was one of many great artists whose work — including the September 3, 1932 issue — graced the front covers to Street & Smith’s WESTERN STORY MAGAZINE.)

LOVE STORY MAGAZINE and its Romantic Sisters

Jun 14, 2016 by

Love Story 37-05-29Although the Munsey group published the first specialized pulp magazines — beginning with THE RAILROAD MAN’S MAGAZINE in 1906, followed by THE OCEAN in 1907 — both pulps were a mixture of fact and fiction. It would be up to Street & Smith to originate the specialized pulp fiction magazine in the fall of 1915 when it introduced DETECTIVE STORY MAGAZINE to the reading public.

Originally published twice a month, DETECTIVE STORY became a weekly before the end of its second year of publication. Despite its great success, the new pulp did not immediately inspire many imitators. It would be up to Street & Smith itself to develop the trend: WESTERN STORY MAGAZINE arrived in 1919, followed by LOVE STORY in 1921, SEA STORIES in 1922, and SPORT STORY MAGAZINE in 1923. It was not until 1924 that the single-genre fiction pulp would start to take off as other publishers began to release their own specialty pulps. Many more specialty pulps would follow in the ensuing years, culminating in single-character magazines such as THE SHADOW and DOC SAVAGE MAGAZINE.

When Street & Smith’s LOVE STORY MAGAZINE was launched in 1921, the pulp fiction magazine industry was changed forever. During the Roaring TwentiesLOVE STORY’s circulation would grow until it hit 600,000 in the early 1930s, a record that would never be broken by any other pulp magazine. The romance genre, along with the western, would become the best-selling pulp fiction genres through the Depression and World War II. Almost every pulp publisher, at one point or another, would attempt to break into the “love pulp” field. Sometimes their attempts would be successful, other times their magazines would fade after a few issues. And never would they be able to topple the circulation record set by LOVE STORY MAGAZINE.

In her talk, “LOVE STORY MAGAZINE and the Romance Pulp Phenomenon,” Laurie Powers will discuss the magazine, its famous editor Daisy Bacon, and the romance pulps that followed in its footsteps. Accompanied by many rare photos and artifacts, Laurie will tell how LOVE STORY began, what made it so popular, and how Daisy Bacon influenced its success. In addition, she will discuss LOVE STORY’s competition, including the long-running ALL-STORY LOVE STORIES — a pulp that was managed by LOVE STORY’s original editor and Daisy’s rival, Amita Fairgrieve — and the longest-running pulp fiction magazine, RANCH ROMANCES, a pulp that would spearhead a brand new genre, the romance western. Laurie’s look at LOVE STORY and its romantic “sisters” will take place at 9:40 PM on Friday, July 22 in the Union Rooms on the second floor of the Hyatt Regency.

Laurie Power’s interest in pulp fiction began in 1999 when she discovered that her paternal grandfather, Paul S. Powers, (1905–1971) had been a successful writer of stories that appeared in magazines such as WEIRD TALES, WILD WEST WEEKLY, WESTERN STORY MAGAZINE, REAL DETECTIVE TALES, and many more.  During her research, she discovered her grandfather’s unpublished manuscript, PULP WRITER: TWENTY YEARS IN THE AMERICAN GRUB STREET, which was published by the University of Nebraska in 2007. Since then, Laurie has been very active in the community of pulp magazine historians and collectors. In recent years she has been writing a biography of Daisy Bacon, editor of LOVE STORY MAGAZINE. Laurie also publishes Laurie’s Wild West, an Internet blog site that has become a favorite destination for those interested in the pulps.

Join “Summer’s AMAZING Pulp Con” as we salute a century of the specialty pulp from July 21 through July 24 in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center. You’ll have a LOVEly time. Please remember that the Hyatt Regency Columbus is sold out of rooms for July 21 through July 23. At www.columbusconventions.com/thearea.php, you’ll find a list of area hotels courtesy of the Greater Columbus Convention CenterAlternately, you can search for a room at tripadvisor or a similar website to find a hotel near the convention. Thanks so much to everyone who has reserved a room at our host hotel. By staying at the Hyatt Regency, you’ve helped to ensure the convention’s success.

(Modest Stein began contributing covers to the pulp market in 1910, selling to both the Munsey and Street & Smith chains. By the twenties, he was largely employed by the latter, painting covers for ASTOUNDING SCIENCE FICTION, CLUES, CRIME BUSTERS, DOC SAVAGE, FAR WEST ILLUSTRATED, LOVE STORY MAGAZINE — including the May 29, 1937 issue — ROMANTIC RANGE, THE SHADOW, UNKNOWN, and other Street & Smith titles. Following the publisher’s 1949 exit from the pulp field, Stein worked predominantly as a portrait artist. He died in 1958.)

Happy New Year from PulpFest

Jan 1, 2016 by

Love Story 38-12-31

Ring in the new year by planning to join PulpFest 2016! You’ll be as content as the two lovebirds featured on Modest Stein’s cover to the December 31, 1938 issue of Street & Smith’s LOVE STORY MAGAZINE.

Although the Munsey group published the first specialized pulp magazines — beginning with THE RAILROAD MAN’S MAGAZINE in 1906, followed by THE OCEAN in 1907 — both pulps were a mixture of fact and fiction. It would be up to Street & Smith to originate the specialized pulp-fiction magazine in the fall of 1915 when it introduced DETECTIVE STORY MAGAZINE to the reading public.

Originally published twice a month, DETECTIVE STORY became a weekly before the end of its second year of publication. Despite its great success, the new pulp did not immediately inspire many imitators. It would be up to Street & Smith itself to develop the trend: WESTERN STORY MAGAZINE arrived in 1919, followed by LOVE STORY in 1921, SEA STORIES in 1922, and SPORT STORY MAGAZINE in 1923. It was not until 1924 that the single-genre fiction pulp would start to take off as other publishers began to release their own specialty pulps.

In 2016, PulpFest will be saluting one-hundred years of the specialty pulp with presentations on the development of the pulp western and the romance pulps. Join us at the Hyatt Regency Columbus from  July 21 – 24, 2016 for a look at these fascinating magazines. It should be a very special convention! Stay tuned to www.pulpfest.com to learn more about “Summer’s AMAZING Pulp Con.” We’ll be offering an argosy of special announcements in the weeks to come.

(Modest Stein began contributing covers to the pulp market in 1910, selling to both the Munsey and Street & Smith chains. By the twenties, he was largely employed by the latter, painting covers for ASTOUNDING SCIENCE FICTION, CLUES, CRIME BUSTERS, DOC SAVAGE, FAR WEST ILLUSTRATED, LOVE STORY MAGAZINE, ROMANTIC RANGE, THE SHADOW, UNKNOWN, and other Street & Smith titles. Following the publisher’s 1949 exit from the pulp field, Stein worked predominantly as a portrait artist. He died in 1958.)