A Thrilling PulpFest!

Jul 23, 2015 by

40-01 Ghost Super-DetectiveJoin PulpFest in a few weeks for a salute to Ned Pines Standard Magazines — the Thrilling Group! Although many pulp collectors find much of the fiction published by Standard to be “less than thrilling,” they often find the cover art to be quite striking.  So why are we celebrating Standard Magazines? Although the pulp line turns 84 this year — hardly a sexy anniversary — many leading figures in the history of Pines Publishing have notable anniversaries in 2015: Major Malcolm Wheeler-Nicholson, THRILLING ADVENTURES writer and creator of the first comic book is 125; Tom Curry, western writer and creator of The Rio Kid, and Leo Margulies, managing editor of the “Thrilling Group,” are 115; Norman Daniels, who created the Black Bat and wrote many hero pulp stories for the group, and Thrilling publisher Ned Pines are 110; and Mort Weisinger, editor of CAPTAIN FUTURE and other Thrilling magazines, as well as DC’s Superman comic books, and Leigh Brackett and Henry Kuttner, both writers for Standard’s science-fiction pulps, are 100 years old. That’s eight reasons to make 2015 the year for Standard Magazines.

So what will we be doing to THRILL you at PulpFest 2015? There’s plenty! We’ve scattered presentations on Standard Magazines and Comics throughout our programming line-up. Click on the titles below to see what we’ll be offering from Thursday evening, August 13th through Saturday evening, August 15th. We hope that you find it . . . THRILLING!

Thursday, August 13

8:40 PM — Thrilling Detectives (John Wooley and John Gunnison)

10:10 PM — Saddle Up! A Look at the Western Heroes of the Thrilling Group (Ed Hulse)

10:50 PM — Play Ball: A Look at the Sports Pulps (Michelle Nolan)

Friday, August 14

7:05 PM — Leo Margulies: The Little Giant of the Pulps (Ed Hulse, Will Murray and Philip M. Sherman)

10:40 PM — Thrilling Heroes of Standard’s Pulps and Comics (Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts)

Saturday, August 15

8:45 pm — The Thrilling Adventures of Rudolph Belarski  (David Saunders)

Thrilling Comics 1939-1So here’s your chance to wish all these giants a “happy birthday” as PulpFest 2015 pays tribute to this leading pulp magazine publisher. The action begins on Thursday evening, August 13th and runs through Sunday, August 16th at the Hyatt Regency in downtown Columbus, Ohio. Click here to learn how to register for “Summer’s Great Pulp Con!” Afterward, book a room for three nights by visiting www.pulpfest.com/2015/06/16872/ and join your friends at the “pop culture center of the universe” for a salute to Ned Pines and the “Thrilling Group!”

(That’s the first issue of THE GHOST, SUPER-DETECTIVE, dated January 1940, and featuring cover artwork by Rafael de Soto, as well as the first issue of THRILLING COMICS, dated February 1940, and featuring cover artwork by Alexander Kostuk. PulpFest 2015 will be paying tribute to the Thrilling Heroes of Standard’s Pulps and Comics on Friday evening, August 14th, at 10:40 PM.)

 

Thrilling Pulp Heroes of the Forties

Jun 20, 2015 by

Shadow33-08-01In the spring of 1931, THE SHADOW MAGAZINE was introduced to readers by Street & Smith Publications and proved an instant hit. Within a few short years, all of the leading pulp magazine publishers hoped to emulate its success by introducing their own hero pulps. The first to the starting gate would be Ned Pines’ Standard Magazines, the pulp chain that will be feted at this year’s PulpFest in Columbus, Ohio.

The first of the so-called hero pulps inspired by Walter Gibson’s “Dark Avenger” was THE PHANTOM DETECTIVE, launched in early 1933. Later that same year, Standard followed with the first air war hero magazine, THE LONE EAGLE. Next came G-MEN, the first pulp magazine to capitalize on growing popularity of J. Edgar Hoover’s FBI agents. Thrilling closed the thirties by introducing the heroic adventures of the Black Bat to readers of BLACK BOOK DETECTIVE MAGAZINE, a pulp that had been around nearly as long as the company’s first hero pulp, D. L. Champion’s THE PHANTOM DETECTIVE.

In 1939, while attending the first World Science Fiction Convention in New York City, Standard Magazines’ editor-in-chief, Leo Margulies, “was so overcome by the sincerity of the fans,” that he and editor Mort Weisinger immediately began to work up an idea for a new kind of fantasy magazine. The result of those discussions was CAPTAIN FUTURE, a hero pulp that premiered at the beginning of 1940.

40-01 Captain FutureOr so the story goes. In actuality, the Thrilling Group’s editorial staff had been batting around ideas for a science-fictional single-character magazine for about a year, even asking long-time Standard author Edmond Hamilton to work something up involving a “Mr. Future, Wizard of Science.” Eventually, this character evolved into Captain Future, a super-scientist with laboratories and a residence on the Moon. In each issue of the pulp, Hamilton’s Captain and his faithful assistants pretty much would save the solar system from desolation at the hands of this villain or that. The novels were fairly juvenile space-opera. CAPTAIN FUTURE ran until the spring of 1944, surviving for seventeen issues with Edmond Hamilton at the helm for all but one. In 1945-46, three additional Captain Future novels ran in STARTLING STORIES, with Hamilton writing two of them and Manly Wade Wellman one. Seven shorter works followed in 1950, all written by Hamilton. Popular Library reprinted thirteen of the Captain’s adventures in paperback in the late sixties. Today, specialty publisher Haffner Press is collecting the entire series into quality hardbound volumes.

40-01 Ghost Super-DetectivePremiering around the same time as the good captain, THE GHOST, SUPER-DETECTIVE was a short-lived hero pulp that ran for just seven issues, even though, during its abbreviated life, it went through two title changes. It became THE GHOST DETECTIVE in the summer of 1940 and THE GREEN GHOST DETECTIVE in the winter of 1941. Whatever the name, this pulp hero was actually George Chance, a professional magician who decided to use his skills of prestidigitation to fight crime. As The Ghost, Green Ghost, or whatever, Chance took on the guise of a ghoul. As the late Robert Sampson wrote: “His face is bloodless white, the eyes sunk deep in blotched hollows. The nostrils gape wide. Yellow teeth fill a distended mouth. In short, he looks like a dead man, a staring corpse. These features appear by night, glowing with dim luminescence, to the confusion of the underworld.” After the pulp was cancelled in 1941, the character returned in a series of a six short stories that ran in THRILLING MYSTERY from 1942 through 1944. The entire series, both novels and short stories, was written by G. T. Fleming-Roberts. It has been reprinted by The Battered Silicon Dispatch Box as part of its LOST TREASURES FROM THE PULPS library. A prolific author, Fleming-Roberts wrote other single-character adventures including Secret Agent “X,” The Black Hood, Dan Fowler, and Captain Zero. He also penned two other magician-detective series—the Diamondstone tales for POPULAR DETECTIVE and the Jeffery Wren yarns for DIME DETECTIVE.

Air War 1940-FallThe adventures of Captain Danger were told in AIR WAR, a companion to SKY FIGHTERS, THE LONE EAGLE, and other Thrilling aviation pulps. The magazine debuted during the fall of 1940 and ran for a total of nineteen issues. Credited to Lieutenant Scott Morgan, a house name, the tales of Allen Danger, a soldier of fortune who dedicated his life to helping the downtrodden, appeared in the first fifteen issues of the Standard pulp magazine. Described as a demon of the skies, his missions took him across the globe, delivering aerial justice against the Axis powers. According to pulp historian Don Hutchison, the series was created by Robert Sidney Bowen. However, at least seven of the stories–including the last yarn in the Spring 1944 issue–are known to be the work of Norman Daniels.

40-10 Masked DetectiveThe last of Standard Magazines’ line of non-western single-character pulps, THE MASKED DETECTIVE, also reached newsstands in the fall of 1940. The title character was the alter ego of crime reporter Rex Parker, a laid-back newshawk who worked for a New York newspaper. When not tracking down news for his paper, he battled crime as The Masked Detective. A student of kick-boxing, the detective “wore a neat black suit, gray shirt, dark bow tie, black hat, and a black mask covering his eyes, forehead, and nose. He wore specially built shoes with square, hard toes. He was also a master of ju-jitsu, a good shot, a trained boxer, a makeup artist, and a ventriloquist.” Author credit went to C. K. M. Scanlon, a house name. Norman Daniels is known to have written at least five of the stories. THE MASKED DETECTIVE ran for twelve issues, lasting into the spring of 1943.

Scattered throughout Standard’s anthology titles are other so-called pulp heroes including The Crimson Mask. Attributed to Frank Johnson, the series was largely written by the prolific Daniels. The Mask was the alter ego of pharmacist Robert Clarke, a man seeking revenge against the criminals who had murdered his father. Aided by a small group of friends, the Crimson Mask battled gangsters, kidnappers, and Nazi spy rings through sixteen stories. The series ran in Thrilling’s DETECTIVE NOVELS MAGAZINE, debuting in the August 1940 issue and running through the April 1944 number. The Mask’s stories usually alternated with Daniels’ own Candid Camera Kid yarns, introduced in the June 1939 issue. The first five Crimson Mask stories have been reprinted by Altus Press.

Exciting Detective 41-FallEXCITING DETECTIVE premiered during the fall of 1940, promising “fast-moving, dynamite-packed, up-to-the-minute novels, novelettes, and stories that carry a high-powered punch!” It ran for a total of fifteen issues, ending with its Summer 1943 number, a victim of wartime paper rationing. Appearing in four of its issues–beginning with the Fall 1941 number–was Miles Murdock, a plastic surgeon also known as The Purple Scar. Attributed to John S. Endicott, the stories are thought to be the work of pulp writer George A. McDonald. A “grim nemesis of evil,” The Purple Scar was a master of disguise who spoke in a “hoarse whispering, rather chilling, tomb-like voice.” He wore a purple mask to imitate his murdered brother’s features, scarred by acid and submerged in water. “Purple becomes black at night, which makes my face invisible instead of betraying it as a pale glow in the darkness.” All four of The Scar’s stories have been reprinted by Altus Press.

Debuting in the May 1941 issue of THRILLING ADVENTURES, Henry Kuttner’s Thunder Jim Wade was a short-lived character who is usually written off as a Doc Savage clone. Published under the house name of Charles Stoddard, Wade was raised in a lost colony of Crete where he developed various mental and physical abilities. A roving troubleshooter operating off of a secret island in the South Pacific, Jim is alerted to problems through agents scattered across the globe. Helped by two assistants–Red Argyle and Dirk Marat–Thunder Jim starred in five adventures published in consecutive issues of the Standard pulp magazine. All have been reprinted in a single volume published by Altus Press, entitled THUNDER JIM WADE: THE COMPLETE SERIES.

Thrilling Mystery 41-11Although the bulk of the Dr. Zeng Tse-Lin stories were co-written by W. T. Ballard and Robert Leslie Bellem and published in POPULAR DETECTIVE, the first story of the series–“Fangs of Doom”–ran in the November 1941 issue of THRILLING MYSTERY. An allegedly Chinese crimefighter who is actually the son of white missionary parents, Zeng was assisted by Lai Hu Chow, a Chinese man who wears an artificial leg in which he can carry weapons and other useful items. The entire series has been reprinted by Altus Press. Dr. Zeng will also be explored during our PulpFest presentation, “Thrilling Detectives,” taking place on Thursday, August 13th, at 8:40 PM.

As part of its celebration of the Thrilling Group, PulpFest 2015 is proud to welcome Altus Press publisher and 2012 Munsey Award winner Matt Moring; 1979 Lamont Award winner and author of “The Wild Adventures of Doc Savage and Tarzan” Will Murray; pop culture expert and 2014 Inkpot Award winner Michelle Nolan; and popular culture Professor Garyn G. Roberts, who was awarded the Munsey in 2013, for a presentation entitled “Thrilling Heroes of Standard’s Pulps and Comics.” Scheduled for Friday evening, August 14th, at 10:40 PM, it will examine the evolution of the Standard hero in both pulp magazines and comic books. Thrilling’s heroes of the detective and western genres will be dissected on Thursday, August 13th.

Our discussion of Standard’s heroes began on Friday, June 19th, to call attention to this “Thrilling Presentation!!!” You can read our previous post about the Thrilling pulp heroes of the thirties by visiting  www.pulpfest.com. On Sunday, we’ll turn our attention to the comic book heroes of Standard, Better, Nedor, and Visual Editions.

(George Rozen’s painting for the August 1, 1933 issue of THE SHADOW MAGAZINE is perhaps one of the artist’s most iconic images of Walter Gibson’s “Dark Avenger.” Born 110 years ago in October 1895, Rozen and his twin brother, Jerome, were both pulp artists. George’s first published assignments were covers and interior pen-and-ink story illustrations for Fawcett magazines. In 1931, he replaced his brother as the cover artist for Street & Smith’s THE SHADOW MAGAZINE. George Rozen became the pulp’s most renowned cover artist, while his brother branched out into the more prestigious fields of advertising and slick magazines.

As time passed, George Rozen continued to work for the pulp industry, selling cover art to all of the major publishers including Popular and the Thrilling Group. For Ned Pines, Rozen painted adventure, detective (such as the first issue of THE MASKED DETECTIVE, dated Fall 1940), western, war, and even science-fiction covers, including the first issue of CAPTAIN FUTURE, dated January 1940. As the pulp market began to contract, his work was increasingly found on paperbacks from Popular Library and Ace.

While training for the priesthood in his native Puerto Rico, Rafael de Soto began taking private art lessons with a local artist. He emigrated to the United States in 1923 and soon found work at an advertising company. He began to draw interior story illustrations for Street & Smith’s western pulp magazines in 1930. Two years later, he started to sell freelance cover paintings to all the major pulp magazine publishers including Clayton, Dell, Fiction House, Popular, Street & Smith, and the Thrilling Group. It was de Soto who created the cover art for the first issue of THE GHOST SUPER-DETECTIVE, dated January 1940. He continued to produce pulp covers up until the demise of the industry during the 1950s. He also sold freelance illustrations to slick magazines, many paperback book covers, and covers and interior story illustrations for men’s adventure magazines. Rafael de Soto retired from freelance illustration in 1964 and began teaching art at the State University of New York, Farmingdale. He taught art for the rest of his life and embarked on a very successful career as a portrait artist.

Although some have attributed the front cover art for the first issue of AIR WAR, dated Fall 1940, to Harold William McCauley, who primarily worked as a staff artist for the Chicago-based Ziff-Davis publishing house, the painting does not resemble the artist’s usual work. It seems hard to imagine that Standard Publications would launch a new title with an untried free-lance cover artist living in Chicago, who they had never worked with before. Unless proven otherwise, the cover artist for this particular issue of AIR WAR is not known.

Ernest Chiriacka provided the cover illustrations for both the Fall 1940 issue of EXCITING DETECTIVE (featuring the premier of The Purple Scar series) and the November 1941 issue of THRILLING MYSTERY (which featured E. Hoffmann Price’s “Fangs of Doom,” the start of the Dr. Zeng series). Chiriacka’s first published story illustrations appeared in 1939 in Street & Smith’s LOVE STORY MAGAZINE. During the 1940s, he began selling freelance pulp covers to a variety of magazines including ADVENTURE, BLACK BOOK DETECTIVE, DETECTIVE FICTION WEEKLY, DIME WESTERN, G-MEN DETECTIVE, THE PHANTOM DETECTIVE, STAR WESTERN, SWEETHEART STORIES, TEXAS RANGERS, and WESTERN ACES. In 1950, he joined the American Artists Agency and began a successful career as a slick magazine illustrator. He also painted many paperback covers up until 1965. Afterward, he retired from commerical illustration to concentrate on painting visionary landscapes of the Old West.)

 

Thrilling Pulp Heroes of the Thirties

Jun 19, 2015 by

Who knows what evil lurks in the hearts of men? The Shadow knows!!!

Phantom Detective 33-02In the spring of 1931, THE SHADOW MAGAZINE was introduced to readers by Street & Smith Publications. Employing the talents of author Walter B. Gibson, the magazine proved an instant hit. Planned as a quarterly, this first “hero” pulp became a monthly following its first two issues. A year later, it became a semi-monthly, appearing twice monthly until early 1943. In 1937, Gibson teamed with scriptwriter Edward Hale Bierstadt to develop a radio program for the Mutual Broadcasting System. It was here that actor Frank Readick, Jr. uttered the famous words quoted above that have since become part of the American idiom.

By 1932, Street & Smith was planning other single-character magazines, hoping to emulate the high-flying SHADOW MAGAZINE. The leading pulp magazine publisher would introduce three titles in 1933, including DOC SAVAGE MAGAZINE. Other publishing houses were also noticing the strong sales. The first to the starting gate would be Ned Pines’ Standard Magazines, the pulp chain that will be feted at this year’s PulpFest in Columbus, Ohio.

The first of the so-called hero pulps inspired by Walter Gibson’s “Dark Avenger” was THE PHANTOM DETECTIVE. Created by D. L. Champion (whose wife was a native of Columbus) and launched by Ned Pines’ Thrilling Group, the Phantom was the alter ego of man-about-town Richard Curtis Van Loan. A veteran of the World War I, this moneyed playboy was bored with life until a family friend recommended he “try his hand at solving a mysterious crime which had stumped the police.” His initial success led Van Loan to dedicate his life and fortune to combating crime, making the Phantom “a name known and admired by the police of every nation.”

The first issue of THE PHANTOM DETECTIVE was dated February 1933; it would be followed that year by other single-character pulps including G-8 AND HIS BATTLE ACES, NICK CARTER, and THE SPIDER. The Summer 1953 issue would be the final number of the Thrilling pulp. It was the longest-lived of the hero pulps, lasting for just over twenty years and a total of 170 issues.

While the Great Depression savaged other fiction genres, the pulp heroes of 1933 surged forward, their magazines flying off America’s newsstands faster than they could be printed. Street & Smith’s DOC SAVAGE and NICK CARTER followed THE PHANTOM DETECTIVE to the racks, while Thrilling introduced an air hero, inspired by the success of its own SKY FIGHTERS, a pulp filled with the adventures of flying aces of the First World War and “especially sought after by boys raised on the courageous exploits of fathers and uncles who had served in the Great War, boys who kept themselves busy building model planes constructed of balsa wood.”

33-09 Lone EagleBorrowing one of the nicknames given to Charles Lindbergh following his nonstop flight from New York to Paris, Standard Magazines released THE LONE EAGLE. Telling the heroic adventures of Air Intelligence Agent John Masters, “the world’s greatest Sky Fighter,” the pulp debuted in the late summer of 1933. “Masters showed a natural affinity for a stuttering machine-gun and as his natural proficiency increased, he built up a dark and terrible reputation about his name. He became the ‘Lone Eagle’ of the skies . . . He showed an indomitable courage and a dynamic driving power, in pushing to a successful conclusion his secret missions. Many men feared him, many hated him—an occasional one loved him.”

Those words, written by F. E. Rechnitzer, appeared in “No Man’s Air,” the lead novel in the first issue of the new hero pulp. A former World War I Allied pilot and prisoner-of-war, Rechnitzer is believed to have written many of the adventures of The Lone Eagle, hidden behind the “Lt. Scott Morgan” house name; Robert Sidney Bowen probably contributed most of the later novels. In all, 75 tales of “the world’s greatest Sky Fighter” would appear through the spring of 1943, when the magazine would fly off into the sunset as THE AMERICAN EAGLE.

35-10 G-MenIn the early thirties, lawman J. Edgar Hoover was trying to build a “super police force” to deal with the crime then rampant in America. To help his cause, Hoover embarked on a spirited publication relations campaign, creating a radio program that dramatized actual cases of the Bureau. He also tried to put together a comic strip, WAR ON CRIME. Although these attempts did not get very far, Hoover had great success in the pulp market. By 1936, there were four magazines dedicated to the heroics of the FBI, including the one that started it all, Better Publications’ G-MEN. The “Ace of the FBI,” Special Agent Dan Fowler, was no “Man of a Thousand Faces.” Straight-laced and completely dedicated to the Bureau, this cross between Dick Tracy and DRAGNET’S Sergeant Joe Friday tormented kidnappers, drug pushers, bank robbers, saboteurs, arsonists, racketeers, and other miscreants for 112 adventures, beginning in the October 1935 G-MEN. Most of the early Fowlers were written by George Fielding Eliot using the house name of C. K. M. Scanlon. Later yarns were credited to the actual authors–Robert Sidney Bowen, Norman Daniels, Laurence Donovan, G. T. Fleming-Roberts, Jean Francis Webb, Manly Wade Wellman, and others. The magazine was discontinued following its Winter 1953 issue.

Black Book Detective 39-07BLACK BOOK DETECTIVE MAGAZINE had actually been around for quite a few years when the story, “Brand of the Black Bat” appeared in its July 1939 number. The pulp, which ran for twenty years, had debuted in the late spring of 1933. During its initial years, it was a detective pulp, Standard’s answer to such stalwarts as BLACK MASK and DIME DETECTIVE. A monthly magazine, it published between three and eight stories in each issue, featuring detective yarns by writers such as Hugh B. Cave, Charles Green, Philip Ketchum, Johnston McCulley, Barry Perowne, Richard Sale, Lawrence Treat, and many others. In the summer of 1939, its make-up changed when BLACK BOOK DETECTIVE became a hero pulp, featuring the adventures of The Black Bat. The creation of the prolific Norman Daniels, the Bat is actually Tony Quinn, a young district attorney, blinded by acid. Eventually, a surgeon secretly operates on Quinn, transplanting the eyes of a slain police sergeant into the scarred attorney. After his bandages are removed, Quinn can see perfectly in the dark. Soon thereafter, the Black Bat is born. According to the late pulp fan, Lester Belcher, “The Black Bat novels were fast-moving, exciting, and held your interest. Quinn was a true American, fighting for justice in the only way he knew how.” Through the final issue of BLACK BOOK DETECTIVE, dated Winter 1953, the Black Bat appeared 62 times. Two more novels were left unpublished following the magazine’s demise. Except for a half-dozen stories published during the early forties, as well as the final published Black Bat novel, all of Quinn’s exploits were written by Norman Daniels.

Scattered throughout Standard’s anthology titles are other so-called pulp heroes. D. L. Champion’s “Mr. Death,” most likely, helped the author land the assignment to pen the early adventures of The Phantom Detective. Published under the house pseudonym of G. Wayman Jones in THRILLING DETECTIVE from February 1932 through October 1932, Mr. Death is man-about-town James Quincy Gilmore. His father is slain by the vicious Murder Club, led by nine unknown individuals. Gilmore swears vengeance on them as Mr. Death and in each part of the story, tracks down and kills each murderer, leaving a calling card reading “Alias Mr. Death.” In the last story, after eliminating Number One, Mr. Death “kills” himself in a plane crash. The entire series has been reprinted by Altus Press.

Perley Poore Sheehan offered six tales of “Kwa of the Jungle” to readers of THRILLING ADVENTURE during the early thirties. Writing as Paul Regard, Sheehan relates the story of Nathaniel Rahan, orphaned after a plane crash kills his parents in a lost African valley. Adopted into a tribe of chimp-like pre-humans known as “The Men That Are Not Yet Men,”  he is called “Kwa, the Golden One” and taught the ways of the jungle by a wise old chimpanzee named Kek. Encountering spider men, minotaurs, and other dangers in six “thrilling” adventures originally published between August 1932 and May 1933, the entire series has been reprinted by Pulpville Press.

Detective Novels 1944-02Standard had been publishing DETECTIVE NOVELS for over a year when it introduced Norman Daniels’ “Candid Camera Kid” to readers of the Thrilling line of pulp magazines. Most likely inspired by the popularity of George Harmon Coxe’s Flashgun Casey, the ace photographer for a Boston newspaper whose adventures appeared in BLACK MASK and a pair of B movies, Daniels’ twenty-three tales of the Kid were published behind the John L. Benton house name. They debuted in the June 1939 issue of DETECTIVE NOVELS and ran through the June 1944 number. Two additional tales appeared in THRILLING DETECTIVE under the G. Wayman Jones byline. There’s a great article about the Kids’ stories written by Monte Herridge and published in the June 2001 issue of Mike Chomko’s long-lamented pulp fanzine PURPLE PROSE.

Another Daniels’ character, “The Eagle,” was described as “the master spy-fighter of them all.” An ace counter-espionage agent, he had a reputation known from Tokyo to Berlin. As the first issue of THRILLING SPY STORIES, dated Fall 1939, proclaimed: “The Eagle, wise in the ways of spies and trained to detect the hundred and one subterfuges to which spies resort, fights the enemy with its own undercover weapons, and handles those weapons with a skill brought to perfection by a tireless body, an agile brain, and a fighting heart imbued with the love of his country and her democratic institutions.” The series ran throughout the entire run of the magazine–four issues–with the last dated Summer 1940. A fifth story, “Gold of the Gestapo,” ran in the December 1940 issue of POPULAR DETECTIVE. The entire series has been reprinted by Altus Press.

As part of its celebration of the Thrilling Group, PulpFest 2015 is proud to welcome Altus Press publisher and 2012 Munsey Award winner Matt Moring; 1979 Lamont Award winner and author of “The Wild Adventures of Doc Savage and Tarzan” Will Murray; pop culture expert and 2014 Inkpot Award winner Michelle Nolan; and popular culture Professor Garyn G. Roberts, who was awarded the Munsey in 2013, for a presentation entitled “Thrilling Heroes of Standard’s Pulps and Comics.” Scheduled for Friday evening, August 14th, at 10:40 PM, it will examine the evolution of the Standard hero in both pulp magazines and comic books. Thrilling’s heroes of the detective and western genres will be dissected on Thursday, August 13th.

For the next few days, we’ll be discussing Standard’s heroes to call attention to this “Thrilling Presentation!!!” Join us by visiting www.pulpfest.com on Saturday, June 20th, for an examination of the Thrilling pulp heroes of the forties. On Sunday, we’ll turn our attention to the comic book heroes of Standard, Better, Nedor, and Visual Editions.

(Following the success of Street and Smith’s single-character pulp, THE SHADOW MAGAZINE, Ned Pines entered the hero pulp market with THE PHANTOM DETECTIVE. Its first issue was dated February 1933 and featured front cover art by Bertram James Glover, an illustrator and landscape artist who began painting pulp magazine covers in 1927.

Borrowing one of the nicknames given to Charles Lindbergh following his nonstop flight from New York to Paris, Standard’s THE LONE EAGLE debuted behind a cover painted by Eugene M. Franzden, an artist whose work regularly appeared as interior story illustrations and covers for many aviation pulp magazines including the September 1933 issue of the Thrilling air-hero pulp.

Emery Clarke created the front cover art for the initial appearances of both Dan Fowler in the October 1935 G-MEN and Norman Daniels’ Black Bat in the July 1939 issue of BLACK BOOK DETECTIVE MAGAZINE. Clarke was a freelance artist who painted covers for ACTION STORIES, DOC SAVAGE, FIGHT STORIES, SHORT STORIES, STAR WESTERN, TEN DETECTIVE ACES, TOP-NOTCH, and other pulps. He also created covers for LIBERTY, THE SATURDAY EVENING POST, and other slick magazines.

Rudolph Belarski’s cover to the February 1944 issue of DETECTIVE NOVELS is one of many covers that the talented artist painted for Ned Pines’ “Thrilling Group” of pulp magazines. Belarski got his start with the pulp industry in 1928 through Dell Publications, doing interiors and covers for adventure pulps about World War I. He later worked for Fiction House and the Munsey line of pulp magazines. By 1935, he was one of Ned Pines’ top artists at Standard Publications. To learn more about this talented artist, read “The Thrilling Adventures of Rudolph Belarski,” posted to our website on Sunday, June 14, 2015.)

 

Norman Daniels–Thrilling’s “Go-to-Guy” is 110!

Jun 3, 2015 by

Black Book Detective 39-07Born in 1905, his real name was Norman Arthur Danberg. As Norman Daniels, he sold his first story in 1931 and launched a prolific writing career. He sold hundreds of stories to a wide range of markets, including pulp magazines, radio, television, comic books, digest magazines, and paperback books. His wife, Dorothy Daniels, was also a writer and the two often collaborated.

Daniels’ first published work was “The Death-House Murder,” a short story that ran in the January 1932 issue of Ace’s DETECTIVE-DRAGNET MAGAZINE. By year’s end, he started hitting his stride, placing stories with Street & Smith’s THE SHADOW DETECTIVE MONTHLY, Harold Hersey’s GANGSTER STORIES, Dell Publishing’s ALL-DETECTIVE MAGAZINE, and other periodicals.

In late 1933, Daniels placed his first story with the Thrilling Group, “Cold Steel.” It ran in the December 1933 issue of THRILLING DETECTIVE. Before long, he was selling regularly to Standard and was asked by the company’s managing editor, Leo Margulies, to write a Phantom Detective novel. The “Thrilling” answer to Street and Smith’s tremendously successful The Shadow, The Phantom was a wealthy playboy who sought adventure and excitement by becoming the scourge of the underworld. The second single character magazine to premier during the 1930s, THE PHANTOM DETECTIVE would run for 170 issues over a period of twenty years. Norman Daniels would write about three dozen of The Phantom’s crime-fighting adventures.

In late 1938, Margulies again approached Daniels about a pulp hero series. This time, the author was asked to create a new series for Thrilling’s BLACK BOOK DETECTIVE. Thus was born Tony Quinn, a district attorney who had been blinded after acid destroyed his eyes. Surgically given the eyes of a police sergeant who had been gunned down by mobsters, Quinn became The Black Bat. Nearly all 62 of The Bat’s adventures were written by Norman Daniels.

In addition to his Phantom and Black Bat novels, Daniels also wrote more than two dozen Dan Fowler G-Man adventures, five Masked Detective stories, plus all fifteen of The Crimson Mask tales and twenty-three Candid Camera Kid for DETECTIVE NOVELS. Additionally, he wrote seven Captain Danger adventures for AIR WAR, at least one Masked Rider western yarn, a Range Riders novel, and a trio of science-fiction adventures for STARTLING STORIES. All were published by Standard Magazines. Daniels also contributed significantly to Ace’s detective line, the Spicy group, and Street-and-Smith’s THE AVENGER, CLUES DETECTIVE STORIES, CRIME BUSTERS, DOC SAVAGE, THE FEDS, and THE SHADOW MAGAZINE. He also penned the short-lived DON WINSLOW OF THE NAVY series for Merwil.

Although Norman Daniels stuck with the pulps into the early fifties, he increasingly turned his attention to the radio and paperback markets. Later, he and his wife began writing scripts for ALFRED HITCHCOCK PRESENTS, THE AVENGERS, BEN CASEY, DR. KILDARE, and other television programs. By the sixties, Norman and Dorothy Daniels were churning out Gothics, historical romances, and TV tie-ins.

One of the more significant contributors to Ned Pines’ Thrilling line of pulps and comic books, Norman Daniels will certainly be feted at this year’s PulpFest. So here’s your chance to wish this prolific giant a “happy 110th birthday” as PulpFest 2015 pays tribute to Standard Magazines. The action begins on Thursday evening, August 13th and runs through Sunday, August 16th at the Hyatt Regency in downtown Columbus, Ohio. Click here to learn how to register for “Summer’s Great Pulp Con” and join your friends at the “pop culture center of the universe” for a salute to Ned Pines, Norman Daniels, and the “Thrilling Group!”

(Norman Daniels’ Black Bat first appeared in the July 1939 issue of BLACK BOOK DETECTIVE MAGAZINE, two months after the introduction of Batman in DETECTIVE COMICS. Although some have speculated about the resemblance between the two characters’ appearances, Daniels Black Bat was created first. Originally called “The Tiger,” Daniels rechristened his character at Leo Margulies’ request, making it resemble the title of its magazine. The cover art used for the first issue of BLACK BOOK DETECTIVE to feature The Black Bat was by Emery Clarke, a freelance artist who painted covers for ACTION STORIES, DOC SAVAGE, FIGHT STORIES, SHORT STORIES, STAR WESTERN, TEN DETECTIVE ACES, TOP-NOTCH, and other pulps. He also created covers for LIBERTY, THE SATURDAY EVENING POST, and other slick magazines.)

 

A Salute to Standard Magazines

Jan 30, 2015 by

Thrilling Detective 1931-11This summer, PulpFest 2015 will salute Ned Pines’ Standard Magazines, also known as Beacon Magazines, Best Books, Better Publications,  Nedor Publishing, and others. It’s most widely known by its nickname, the “Thrilling Group,” bestowed upon it for its use of the word “Thrilling” in many of its titles.

One of the leading publishers of the pulp era, Pines began operations during the Roaring Twenties. In the early years of the Great Depression, he was asked by The American News Company to start a chain of pulp magazines that it would distribute for him. Hiring former literary agent and Frank A. Munsey employee, Leo Margulies, to be his managing editor, Pines launched THRILLING DETECTIVE, THRILLING ADVENTURES, and THRILLING LOVE in late 1931, each selling for a dime. Within two years, the line was expanding, first with THE PHANTOM DETECTIVE, and soon thereafter with THE LONE EAGLE, SKY FIGHTERS, THRILLING RANCH STORIES, and THRILLING WESTERN.

Thrilling Comics 1939-1Between 1931 and 1958, Pines published more than seventy rough-paper magazines. His titles included ARMY-NAVY FLYING STORIES, BLACK BOOK DETECTIVE MAGAZINE, CAPTAIN FUTURE, DETECTIVE NOVELS MAGAZINE, EXCITING LOVE, EXCITING NAVY STORIES, FANTASTIC STORY QUARTERLY, FIVE SPORTS CLASSICS MAGAZINE, THE GHOST SUPER-DETECTIVE, GIANT WESTERN, G-MEN, HOPALONG CASSIDY’S WESTERN MAGAZINE, THE MASKED DETECTIVE, MASKED RIDER WESTERN, POPULAR BASEBALL, POPULAR DETECTIVE, POPULAR FOOTBALL, POPULAR ROMANCES, R.A.F. ACES, RANGE RIDERS, THE RIO KID WESTERN, RODEO ROMANCES, STARTLING STORIES, STRANGE STORIES, TEXAS RANGERS, THRILLING CONFESSIONS, THRILLING FOOTBALL STORIES, THRILLING MYSTERY, THRILLING WONDER STORIES, TOP DETECTIVE ANNUAL, TRIPLE WESTERN, and WEST. In 1939 Pines debuted a couple of comic book lines, publishing AMERICA’S BEST COMICS, THE BLACK TERROR, COO COO COMICS, EXCITING COMICS, THE FIGHTING YANK, HAPPY COMICS, NEW ROMANCES, REAL LIFE COMICS, SUPERMOUSE, THRILLING COMICS, and many other titles through 1956. Paperback books under the Popular Library banner were added to the mix in 1942. They were still being published in 1977 when the company was purchased by CBS.

Action Comics 1938Although many pulp collectors find much of the fiction published by the Thrilling line to be somewhat bland, average, or “run-of-the-mill,” they often find the cover art to be quite striking.  So why are we celebrating Standard Magazines in 2015? The pulp line, after all, turns 84 this year. That’s hardly a sexy anniversary. However, many leading figures in the history of Pines Publishing have notable anniversaries in 2015: Major Malcolm Wheeler-Nicholson, THRILLING ADVENTURES writer and creator of the first comic book is 125; Tom Curry, western writer and creator of The Rio Kid, and Leo Margulies, managing editor of the “Thrilling Group,” are 115; Norman Daniels, who created the Black Bat and wrote many Phantom Detective, Candid Camera Kid, and Masked Detective stories, and Thrilling publisher Ned Pines are 110; and Mort Weisinger, editor of CAPTAIN FUTURE and other Thrilling magazines, as well as editor of the Superman books for DC Comics, and Leigh Brackett and Henry Kuttner, both noted writers for Standard’s line of science-fiction pulps, are 100 years old. That’s eight reasons to make 2015 the year for Standard Magazines.

So here’s your chance to wish all these giants a “happy birthday” as PulpFest 2015 pays tribute to this leading pulp magazine publisher. The action begins on Thursday evening, August 13th and runs through Sunday, August 16th at the Hyatt Regency in downtown Columbus, Ohio. Click here to learn how to register for “Summer’s Great Pulp Con” and join your friends at the “pop culture center of the universe” for a salute to Ned Pines and the “Thrilling Group!”

(To learn more about Ned Pines and Standard Magazines, pick up a copy of THRILLING DETECTIVE HEROES, edited by John Locke & John Wooley, published by Adventure House, one of the leading purveyors of pulps and pulp reprints. It’s available for $20.)

(Pictured above are the first issue of THRILLING DETECTIVE, dated November 1931 and featuring artwork by J. George Janes; the first issue of THRILLING COMICS, dated February 1940 and featuring cover artwork by Alexander Kostuk; and the first issue of DC Comics ACTION COMICS, dated June 1938, and featuring cover artwork by Joe Shuster and the initial appearance of Superman.)