Get Your Copy of THE PULPSTER

Aug 28, 2017 by

Copies of THE PULPSTER #26 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

Hardboiled and dangerous, the latest issue of the convention’s award-winning magazine is tied to the themes of PulpFest 2017 — hardboiled dicks, dangerous dames and a few psychos.

Authors and pulp historians Ron Goulart and Bill Pronzini each write about those dangerous dames. Goulart’s piece looks at the few female detectives from the pulps, while Pronzini examines the women authors whose fiction could be found in the rough-edged pages of the detective pulps.

Longtime pulp aficionados Walker Martin and Monte Herridge tackle the hardboiled dicks with two pieces on DETECTIVE FICTION WEEKLY, a pulp that was launched by Frank A. Munsey with its September 1924 number. It ran for 28 years and 929 issues.

As for the psychos angle, how about author Robert Bloch? He’s best known these days for writing the 1959 novel on which Alfred Hitchcock based his classic movie, PSYCHO. But before that, Bloch got his professional writing start in the pulp magazines. His first sale was made to WEIRD TALES, naturally. Professor Garyn Roberts profiles Bloch, and looks at the novel PSYCHO.

Tony Davis, editor emeritus of THE PULPSTER, writes about horror author and poet Mary Elizabeth Counselman, whom he corresponded with during the late 1970s and early ’80s.

In addition to articles about the pulps and their creators, THE PULPSTER will also feature an article by Curt Phillips offering tips on preserving your collection of the aging pulpwood magazines, while Douglas Dra discusses how paperbacks kept the pulps alive during the 1960s and 1970s.

Rounding out the issue, are columns by editor Lampkin, publisher Michael Chomko, and “Final Chapters,” in which editor emeritus Davis remembers those of the pulp community who have recently passed away.

If you’d like to order a copy of THE PULPSTER #26, please write to Mike Chomko — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #5, 6, 22, 23, and 25 are available for $13 each, postage paid. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

To learn more about THE PULPSTER, please visit THE PULPSTER ONLINE at thepulpster.com.

(The cover art for the 2017 PULPSTER was painted by Norman Saunders for the July 1949 number of BLACK MASK. The painting appears courtesy of his son, pulp art historian David Saunders. A limited edition poster of the painting is available in the “gift shop” at the Norman Saunders website, normansaunders.com.)

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Highlights from THE PULPSTER

Jun 28, 2017 by

THE PULPSTER returns with a hardboiled and dangerous 26th issue at PulpFest 2017. As usual, it’s packed with a variety of interesting articles pertaining to the pulp magazines.

The articles are in hand, the advertising is coming in, and assistant editor Peter Chomko and editor William Lampkin are editing the copy, and assembly of the magazine has begun. So now seems like a good time for a tease of what will be jam-packed into the issue.

Number 26 will offer a number of articles that tie into two of the themes of this summer’s pulp convention: dangerous dames and psychos.

Authors and pulp historians Ron Goulart and Bill Pronzini each write about those dangerous dames. Goulart’s piece looks at the few female detectives from the pulps, while Pronzini examines the women authors whose fiction could be found on the pages of the detective pulps.

As for the psychos angle, how about author Robert Bloch? He’s best known these days for writing the 1959 novel that Alfred Hitchcock based his classic movie, PSYCHO, on. But before that, Bloch got his professional writing start in the pulp magazines. His first sale was made to WEIRD TALES, naturally. Professor Garyn Roberts profiles Bloch, and looks at the novel PSYCHO.

Tony Davis, editor emeritus of THE PULPSTER, writes about horror author and poet Mary Elizabeth Counselman, whom he corresponded with during the late 1970s and early ’80s.

In addition to articles about the pulps and their creators, THE PULPSTER will also feature an article by Curt Phillips offering tips on preserving your collection of the aging pulpwood magazines, and articles on DETECTIVE FICTION WEEKLY.

Rounding out the issue, are columns by editor Lampkin, publisher Michael Chomko, and “Final Chapters,” in which editor emeritus Davis remembers those of the pulp community who have recently passed away.

A longstanding tradition cherished by attendees of summer pulp cons, THE PULPSTER #26 will be released at PulpFest 2017. Every member — including supporting members — of PulpFest will receive a complimentary copy of THE PULPSTER. Following the convention, a limited number of copies of the program book will be available for purchase through Mike Chomko, Books. Please write to Mike — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542 to reserve your copy.

You can also order back issues of THE PULPSTER through Mike Chomko, Books. Please write to Mike at mike@pulpfest.com to learn about availability.

For questions about submissions to THE PULPSTER or comments about the issue, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in future issues of THE PULPSTER, back issues, or ordering issue #26 of THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

(The cover art for the 2017 PULPSTER was painted by Norman Saunders for the July 1949 number of BLACK MASK. The painting appears courtesy of his son, pulp art historian David Saunders. A limited edition poster of the painting is available in the “gift shop” at the Norman Saunders website, normansaunders.com.)

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THE PULPSTER wants you!

Jan 30, 2017 by

The Pulpster logoDo you have an idea for an article? THE PULPSTER would like to hear from you.

Bill Lampkin, the editor of THE PULPSTER, is in the planning stages for the 2017 edition of the annual magazine and is looking for articles related to the pulp magazines. He would welcome articles on the themes of this year’s PulpFest — hardboiled dicks, dangerous dames, and a few psychos — or any other pulp-related topic that you’re interested in.

THE PULPSTER has a terrific lineup of articles every year, and you can make it even better by contributing.

If you have an idea for an article, please email Bill at bill@pulpfest.com. Deadline for submitting articles is April 30, 2017.

In addition to articles, THE PULPSTER also accepts advertising for anyone wanting to reach a very dedicated audience of pulp fans. Email publisher Mike Chomko at mike@pulpfest.com for advertising rates and availability. For more details about advertising in THE PULPSTER, please visit THE PULPSTER‘s website.

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THE PULPSTER — Call for submissions

Sep 12, 2016 by

It may seem as if PulpFest 2016 is barely over, but it’s not too early for us to start thinking about PulpFest 2017 and the next issue of THE PULPSTER.

The Pulpster logoEditor Bill Lampkin is looking for a variety of articles on the pulps, and the writers, editors, and illustrators who worked on them. If you have an idea, he’d like to hear about it. You can contact him at bill@pulpfest.com.

Next summer’s issue, #26, will debut at PulpFest 2017, but the magazine must be edited and assembled before the convention. Deadline for submissions is May 1, 2017, but early submissions are encouraged. Our theme for 2017 will be “Hardboiled Dicks, Dangerous Dames, and a Few Psychos,” but any pulp-related article is welcome.

If you’re interested in advertising in THE PULPSTER, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. Mike can provide pricing. For publication sizes and specifications, please refer to the detailed advertising information at THE PULPSTER‘s website.

Looking for a copy of the 2016 issue? Mike Chomko, Books has THE PULPSTER #25 available for $10 each, plus $3 postage within the United States.

Cover of THE PULPSTER, No. 25The issue features a cover article tracing 90 years of AMAZING STORIES written by editors Hugo Gernsback, Howard Browne, Joseph Wrzos, Barry N. Malzberg, Ted White, Elinor Mazor, and Patrick L. Price; a study of Philip José Farmer’s stories published in AMAZING, by Art Sippo; J. Randolph Cox and Walker Martin recall two long-running pulps, DETECTIVE STORY MAGAZINE and WESTERN STORY MAGAZINE respectively; David Earle has an article about African-American fictioneers in the pulps, which is paired with a short story by Michael Bittner that originally appeared in HARLEM STORIES; David Smith offers tips to help you plan ahead to ensure your pulp collection is properly taken care of after you’re gone; and Bill Lampkin looks at two of Street & Smith’s second-string hero pulps, THE WHISPERER and THE SKIPPER. Rounding out the issue are Final Chapters, an annual column noting the passing of those involved with the pulps, written by Tony Davis; and columns by publisher Mike Chomko and editor Bill Lampkin.

In addition to #25, you can also order back issues of THE PULPSTER through Mike Chomko, Books. Copies of THE PULPSTER #5, 6, and 23 are available. Issues 5 and 6 cost $10 each, plus $3 postage within the United States. Number 23 is $7, plus $3 postage within the United States. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from other countries must inquire about shipping charges before ordering. Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions. Quantities of most issues are very limited.

(THE PULPSTER #25 features a cover by Harold W. McCauley originally for AMAZING STORIES, August 1942. Copies are quickly disappearing. Write to Mike Chomko, Books at mike@pulpfest.com to learn how you can order the issue.)

Copies of THE PULPSTER #25 Are Available

Aug 22, 2016 by

Cover of THE PULPSTER, No. 25A limited number of copies of THE PULPSTER #25 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

The centerpiece of this year’s PULPSTER is “90 years of AMAZING STORIES,” a collection of essays on the history and legacy of the first all-science-fiction pulp magazine written by many of its editors, including founder Hugo Gernsback, Howard Browne, Joseph Wrzos (Joe Ross), Barry N. Malzberg, PulpFest 2016 Guest of Honor Ted White, Elinor Mavor, and Patrick L. Price.

Dr. Art Sippo looks at the AMAZING STORIES of Philip José Farmer, who had four tales published in the digest version of the magazine during the 1960s and ’70s. FarmerCon XI takes place alongside PulpFest.

David W. Smith explains how planning ahead can ensure that your pulp collecting efforts won’t be squandered after you’re gone.

J. Randolph Cox, the 2014 Munsey Award winner, celebrates the 100th anniversary of DETECTIVE STORY MAGAZINE; while THE PULPSTER‘s editor, Bill Lampkin, marks 80 years since THE WHISPERER and THE SKIPPER took Street & Smith’s hero pulps in a new direction.

David M. Earle examines HARLEM STORIES, Wallace Thurman, and African-American writers in the pulp magazines. Alongside, Michael Bittner’s short story, “No Greater Love,” from HARLEM STORIES appears in its entirety.

Walker Martin hits the lonesome trail with an article about collecting the long-running pulp WESTERN STORY MAGAZINE.

In the Departments section, rounding out the issue, are columns by Editor William Lampkin, Publisher Michael Chomko, and Final Chapters, in which Tony Davis remembers those of the pulp community who have recently passed away.

If you’d like to order a copy of THE PULPSTER #25, please write to Mike Chomko — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #5, 6, and 22 are available for $13 each, postage paid. Copies of THE PULPSTER #23 are available for $10 each, postage paid. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com. To learn more about THE PULPSTER, please visit THE PULPSTER ONLINE at thepulpster.com.

(The cover art for this year’s PULPSTER was painted by H. W. McCauley for the August 1942 number of AMAZING STORIES. What actually ran on the 1942 AMAZING was a modified version of the painting. PULPSTER editor William Lampkin discusses the alterations to McCauley’s painting in his editorial column in the magazine. Order your copy today!)

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Highlights from THE PULPSTER

Jul 6, 2016 by

Cover of THE PULPSTER, No. 25THE PULPSTER returns with an AMAZING 25th issue at PulpFest 2016. As usual, it’s packed with a variety of interesting articles pertaining to the pulp magazines.

The centerpiece of the issue is “90 years of AMAZING STORIES,” a collection of essays on the history and legacy of the first all-science-fiction pulp magazine written by many of its editors, including founder Hugo Gernsback, Howard Browne, Joseph Wrzos (Joe Ross), Barry N. Malzberg, PulpFest 2016 Guest of Honor Ted White, Elinor Mavor, and Patrick L. Price.

Dr. Art Sippo looks at the AMAZING STORIES of Philip José Farmer, who had four tales published in the digest during the 1960s and ’70s. FarmerCon XI takes place alongside PulpFest.

On a topic every pulp collector should pay attention to but often ignores, David W. Smith explains how planning ahead can ensure that your pulp collecting efforts won’t be squandered after you’re gone.

J. Randolph Cox, the 2014 Munsey Award winner, celebrates the 100th anniversary of DETECTIVE STORY MAGAZINE; while THE PULPSTER‘s editor, Bill Lampkin, marks 80 years since THE WHISPERER and THE SKIPPER took Street & Smith’s hero pulps in a new direction.

David M. Earle examines HARLEM STORIES, Wallace Thurman, and African-American writers in the pulp magazines. Alongside, Michael Bittner’s short story, “No Greater Love,” from HARLEM STORIES appears in its entirety.

Walker Martin hits the lonesome trail with an article about collecting the long-running pulp WESTERN STORY MAGAZINE.

In the Departments section, rounding out the issue, are columns by Editor Lampkin, Publisher Michael Chomko, and Final Chapters, in which Tony Davis remembers those of the pulp community who have recently passed away.

A longstanding tradition cherished by attendees of summer pulp cons, THE PULPSTER #25 will be released at PulpFest 2016. Every member — including supporting members — of PulpFest will receive a complimentary copy of THE PULPSTER. Following the convention, a limited number of copies of the program book will be available for purchase through Mike Chomko, Books. Please write to Mike — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542 to reserve your copy.

You can also order back issues of THE PULPSTER through Mike Chomko, Books. Please write to Mike at mike@pulpfest.com to learn about availability.

For questions about submissions to THE PULPSTER or comments about the issue, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in THE PULPSTER, back issues, or ordering issue #25 of THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

Advertise in THE PULPSTER

Apr 25, 2016 by

The Pulpster 2016Editor and designer William Lampkin is hard at work on the next issue of THE PULPSTER, the award-winning PulpFest program book. He’ll be featuring articles on DETECTIVE STORY and WESTERN STORY MAGAZINE, two of the first pulp magazine to specialize in a certain fiction genre; African-American pulp writers; the 110th anniversary of Munsey’s RAILROAD MAN’S MAGAZINE; August Derleth, the founder of Arkham House; the pulps’ paperback legacy; and much more.

To commemorate PulpFest‘s salute to the ninetieth anniversary of AMAZING STORIES, Bill is putting together a round-robin article featuring Barry Malzberg, Elinor Mavor, Ted White, and Joseph Wrzos, editors emeritus of the first continuing science fiction magazine. He’s also hoping to line up both Kim Mohan and Patrick Price, as well as Steve Davidson, the magazine’s current editor and publisher. He’ll also have a piece on Philip José Farmer’s AMAZING stories. So expect a slam-bang issue from the esteemed editor of our highly popular program book.

In addition to the 90th anniversary of AMAZING, PulpFest 2016 will be celebrating the 150th anniversary of the birth of H. G. Wells; 120 years of THE ARGOSY, the first pulp magazine; 100 years of the genre pulp — magazines specializing in detective, romance, western, and other fiction types; eighty years of The Whisperer and The Skipper, two of the “superheroes” of the pulps; and ten years of Sanctum Books, one of today’s leading publishers of pulp fiction. And don’t forget that science fiction author and editor Ted White will be the convention’s guest of honor! With such a wide range of interests represented at the convention, the PulpFest program book will be a great place to advertise. THE PULPSTER‘s readers are serious about pulps, genre fiction, and pulp-related products. So it’s the ideal market for your advertising — whether it’s pulps, pulp reprints, “new pulp” fiction, t-shirts, science fiction, graphic novels, role-playing games, original art, websites, or anything else.

If you’d like to reserve advertising space in this year’s PULPSTER, you have until May 31 to do so. All advertising is sold on a first-come, first-served basis, with payment expected immediately upon reserving a space. Please realize that the cover spaces sell very quickly. Our rates are reasonable: color back cover – $200; inside front color cover – $140; inside back color cover – $140; inside color full page – $100; inside black-and-white full page – $80; color half-page – $70; black-and-white half-page – $40; black-and-white quarter page – $30. To inquire about space availability, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. You can also ask Mike about print specifications of our program book. Every member of PulpFest will receive a complimentary copy of THE PULPSTER. The magazine has a circulation of 500 copies.

The deadline for submitting your advertisements to THE PULPSTER #25 is June 8, 2016. Please feel free to send material as early as possible to ease production of our magazine. Submission guidelines will be provided upon receipt of your payment. Your space is not reserved until payment is received.

Another way to advertise at PulpFest is to donate material for our giveaway tables. Over the years Chaosium, THE MAGAZINE OF FANTASY AND SCIENCE FICTION, Radio Archives, Stark House Press, and other organizations have donated a variety of materials that were given away free to PulpFest attendees. Your donation will be acknowledged on our website and at the convention. If you’d like to offer something for our giveaway table or something to serve as a door prize, please contact Mike Chomko at mike@pulpfest.com.

Sponsorships are also available for our website at a cost of $100 per year. We currently have five sponsors for www.pulpfest.comAbeBooks.com, Galaxy Press, Essayscribes, College Homework Help, and PureCostumes.comIf you or your organization would like to learn more about sponsorship opportunities at PulpFest, please contact PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com.

Write for THE PULPSTER — PulpFest’s Program Book

Feb 8, 2016 by

The Pulpster 2016Articles for this year’s edition of THE PULPSTER, the program book for PulpFest, are coming together nicely, but it’s not too late for your contribution.

Editor Bill Lampkin is looking for a variety of features on the pulps, and the writers, editors, and illustrators who worked on them. If you have an idea, he’d like to hear about it. You can contact him at bill@pulpfest.com. Deadline for submissions is May 1, 2016, but early submissions are encouraged.

THE PULPSTER‘s readers are serious collectors. It’s the ideal market for your pulp-related advertising — whether it’s pulps, pulp reprints, “new pulp” fiction, t-shirts, websites, or anything else. Reserve your space now by contacting PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. Mike can provide pricing and print specifications.

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A Great Deal on THE PULPSTER

Sep 25, 2015 by

The-Pulpster-24-coverInterested in buying a copy of THE PULPSTER #24, our Lovecraft issue? Highlighted by a round-robin article on H. P. Lovecraft and WEIRD TALES with contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES; W. Paul Ganley, founder of WEIRDBOOK; Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; and pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Rick Lai, Will Murray, and J. Barry Traylor, it’s truly a slam-bang issue from the esteemed editor of our highly popular program book, William Lampkin. With less than forty copies remaining, it’s quickly disappearing.

For a limited time, you can get free shipping on THE PULPSTER #24 if you pair it with an order for a copy of THE PULPSTER #23, released at PulpFest 2014That number focuses on the 75th anniversary of the blossoming of science fiction’s Golden Age, when fantastic fiction “grew up.” Additionally, the magazine also examines the so-called “shudder pulps,” magazines such as Terror Tales and Spicy Mystery Stories.

The Pulpster 23 Final CoverLeading off the issue is “Science Fiction and the Pulps,” the unabridged version of Mike Chomko‘s “History of Magazine Science Fiction,” serialized on the PulpFest home page in 2014. Munsey Award winner Garyn G. Roberts is on board with an article on Futuria Fantasia, the fanzine that Ray Bradbury debuted at the first World Science Fiction ConventionDon Herron, the creator of San Francisco’s Dashiell Hammett Tour, the longest-running literary tour in the USA, takes a look at Fafhrd and the Gray Mouser, Fritz Leiber’s classic characters that made their first appearance in the August 1939 UnknownDwayne Olson contributes several letters written by Donald Wandrei concerning the death of his friend, Hannes Bok, born one-hundred years ago on July 2, 1914. Additionally, Argentine pulp writer Alfredo Julio Grassi is profiled by Christian Lawson.

Weird-menace fiction came into its own in 1934 and The Pulpster looks back to those days with “Pulp Horrors of the Dirty Thirties,” written by Don Hutchison, author of The Great Pulp Heroes and many other works. Archaeologist  Jeffrey Shanks is also on hand with a look at “Zombies from the Pulps,” an overview of the undead writings of H. P. Lovecraft, Robert E. Howard, Manly Wade Wellman, Henry Kuttner, and other great pulpsters.

Filling out the issue is editor Bill Lampkin’s editorial, Tony Davis’ “Final Chapters,” and a tribute to the late Frank M. Robinson, written by John Gunnison of Adventure House.

As long as copies of both issues remain, you can get THE PULPSTER #23 24 for $20 from Mike Chomko, BooksThis offer is good only in the United States. Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions. Quantities of both issues are very limited.

(Ed Cartier painted the cover used on THE PULPSTER #23. It originally appeared on the December 1939 issue of Street & Smith’s UNKNOWN and illustrated L. Sprague de Camp’s classic fantasy novel, “Lest Darkness Fall.” Four of the sixteen illustrated covers for UNKNOWN were painted by Cartier. He also created the cover for the 1948 reprint issue, FROM UNKNOWN WORLDS.)

THE PULPSTER: Open for submissions

Sep 21, 2015 by

PulpFest 2016 is still 10 months away, but it’s not too soon to start thinking about writing an article for THE PULPSTER.

The Pulpster logoEditor Bill Lampkin is looking for a variety of features on the pulps, and the writers, editors, and illustrators who worked on them. If you have an idea, he’d like to hear about it. You can contact him at bill@pulpfest.com.

Next summer’s issue — #25, if you’re keeping count — will debut in July at PulpFest 2016, but the magazine must be edited and assembled before then. Deadline for submissions is May 1, 2016, but early submissions are encouraged.

If you’re interested in advertising in THE PULPSTER, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. Mike can provide pricing and print specifications.

Looking for a copy of the 2015 issue? Mike Chomko, Books has THE PULPSTER #24 available for $13, postage paid. The issue features articles on Major Malcolm Wheeler-Nicholson, adventure writer and the founder of DC Comics; the Thrilling Group of pulps and comic books; Erle Stanley Gardner; DETECTIVE FICTION WEEKLY; and other topics. The highlight of the issue is a round-robin article on H. P. Lovecraft and WEIRD TALES featuring contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES; W. Paul Ganley, founder of WEIRDBOOK; Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; and pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Will Murray, and J. Barry Traylor. It’s truly a slam-bang issue from the esteemed editor of our highly popular program book. With less than forty copies remaining, it’s quickly disappearing.

The-Pulpster-24-coverYou can also order back issues of THE PULPSTER through Mike Chomko, Books. Copies of THE PULPSTER #4, 5, 6, 9, 15, 17, 20, 22, and 23 are also available for $13 each, postage paid. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders for multiple books. A copy of THE PULPSTER Mini-Edition, published in 2005 and featuring a history of the Lamont Award, will be included free of charge with every order of three or more books. These prices are good only in the United States. Buyers from other countries must inquire about shipping charges before ordering. Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions. Quantities of most issues are very limited.

(THE PULPSTER #24 features a round-robin article on H. P. Lovecraft and WEIRD TALES written by a wide range of contributors. Copies are quickly disappearing. Write to Mike Chomko, Books at mike@pulpfest.com to learn how you can order the issue.)