Thursday at PulpFest

Jul 27, 2017 by

PulpFest 2017 will begin this afternoon at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members — dealers included — will be able to register for the convention from 4 to 8 PM, at the entrance to our dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Everyone can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page.

There will be free early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying at our host hotel. The cost is $30 for those who stay elsewhere. Our full evening programming slate will begin shortly after 9 PM with a reading by author Chet Williamson.

PulpFest will also be celebrating the dangerous dames of the pulps with presentations on The Dangerous Dames of Kenneth Robeson — featuring PulpFest Technical Director and Webmaster Chuck Welch — and Compliments of the Domino Lady — a discussion of the long-lived pulp hero by Inkpot Award winner Michelle Nolan. Sandwiched between these two presentations will be a reading from his Domino Lady story — “The Claws of the Cat” — by author Ron Fortier.

Closing out the evening will be an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATREThe Adventures of Mr. Fye” introduces a new hero inspired by classic pulp fiction and the single character hero pulps. The play will begin at 11 PM.

You can find additional details about these and all of our presentations by clicking the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

When our programming is over, PulpFest members are welcome to socialize together in our hospitality suite at the DoubleTree. You’ll be able to enjoy drinks and snacks with your comrades in pulpdom and talk about the things that you love and collect. “What’s your favorite Doc Savage adventure? Did Joan Randall have a thing for Gragg the Robot? Remember when Conan bit off that vulture’s head in ‘A Witch Shall Be Born?’ How the hell do you say Tsathoggua? Who’d win a knock-down-drag-out between Wu Fang and Shiwan Khan? Would either stand a chance against Doctor Fu Manchu? Why does the Phantom Detective wear that top hat? Who the hell is Pinky Jenkins?” These are just a few of the mysteries you might clear up with your pals — old and new — at PulpFest 2017. You sure can’t do that on your iPhone!

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available. 

For those of you who have not yet registered for PulpFest 2017, Thursday evening will be an ideal time to do so. Our full weekend memberships will be available at the door, with early-bird shopping costing an additional $30 for those members not staying at the DoubleTree. Single day memberships — costing $20 for Friday or Saturday — will also be available. A Sunday single day membership will cost $10, the price of THE PULPSTERPlease click our Register for 2017 button for further details.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Access to the dealers’ room for unloading will be through the ballroom back entrance and the nearby banquet dock. Click here for a map showing the loading area of the hotel and here for a map of the DoubleTree’s Grand Ballroom.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

(Although the first costumed pulp heroine appeared in just six stories in rare and obscure mid-1930s pulps, The Domino Lady commanded three covers for those magazines. All three were painted by Norman Saunders, one of the leading artists and illustrators of the pulp era.

The Domino Lady and other “dangerous dames” of the pulps will be profiled during PulpFest’s opening night programming, scheduled to begin at 9:10 PM this evening. We hope to see you in at the DoubleTree for “Summer’s AMAZING Pulp Con! You’ll find today’s schedule immediately below.)

Thursday, July 27

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 9:00 PM — Dealers’ Room Open for Early-Bird Shopping (free with your stay at the Double-Tree)

Programming

9:10 – 9:40 PM — Robert Bloch’s PSYCHO: SANITARIUM — A Reading by Chet Williamson

9:40 – 10:05 PM — The Dangerous Dames of Kenneth Robeson: Pat Savage, Nellie Gray and Rosabel Newton (Chuck Welch)

10:05 – 10:15 PM— Scarlet Adventuress — The Domino Lady — A Reading by Ron Fortier

10:15 – 10:50 PM — Compliments of the Domino Lady (Michelle Nolan)

10:50 – 11:00 PM — Intermission

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

PulpFest Primer

Jul 25, 2017 by

PulpFest welcome banner, with AbeBooksPulpFest 2017 will begin on Thursday, July 27, at 4 PM, as our dealers begin to erect their displays for “Summer’s AMAZING Pulp Con!” All members will be able to register for the convention from 4 to 8 PM, right outside our dealers’ room. There will be early-bird shopping in the dealers’ room from 6 to 9 PM for loyal attendees who help to defray the convention’s costs by staying three nights at our host hotel. The cost is $30 for those who stay elsewhere. Our full programming slate for the evening will begin shortly after 9 PM with a reading by author Chet Williamson. Closing out the evening programming will be an audio drama, staged by the Narada Radio Company and their PULP-POURRI THEATRE.

PulpFest 2017 will be celebrating the “hardboiled dicks, dangerous dames, and a few psychos” of the pulps.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.  Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree, you’ve helped to ensure the convention’s success.

Early registration for the general membership will take place on Thursday, beginning at 4 PM, at the entrance to our dealers’ room in the Grand Ballroom of the DoubleTree. All members, dealers included, can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or the link found on our registration page. Look for the SHOP banner to find our dealers’ room. You’ll also see our large welcome banner, sponsored by AbeBooks.com. With its strong focus on rare and collectible books as well as ephemera such as maps, posters, prints and photographs, AbeBooks is a company with a passion for books, art and collectibles.

For those of you who have not yet registered for PulpFest 2017, Thursday evening will be an ideal time to do so. Full weekend memberships will cost $35 for those staying at the DoubleTree and $40 for those staying elsewhere. There will be no single-day memberships available for Thursday only. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Please visit our registration page for further details. Members will also be able to register for the convention on Friday morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday.

Please note that advance registrations are no longer available. Our Paypal page was shut down around 10 PM on Monday night.

From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. Access to the dealers’ room for unloading will be through the ballroom back entrance and the nearby banquet dock. Click here for a map showing the loading area of the hotel and here for a map of the DoubleTree’s Grand Ballroom.

If you need additional help getting to the hotel and/or the loading area, please call or text Jack Cullers at 937.671.1574. If Jack is not available, please text Chuck Welch at 608.406.4774. You can also call Chuck, but text will probably be faster.

Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 9 PM on Thursday evening, an extra three hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed.

From 9 to 10 AM on Friday, July 28, the dealers’ room will be open only to dealers for set-up. It will open to all at 10 AM and remain open until 4:45 PM. Our afternoon programming will start at 1 PM with the first of our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include our FarmerCon XII presentations, plus several discussions of Robert Bloch, psychos, and hardboiled dicks. Once again, the Narada Radio Company and their PULP-POURRI THEATRE will close out our programming. They’ll be performing “Return to the Sabbath,” a WEIRD Audio Play based on a story by Robert Bloch.

On Saturday, July 29, the PulpFest dealers’ room will be open from 10 AM to 4:45 PM. Afterward, all convention attendees are welcome to join an informal Saturday Night Dinner. Details will be announced at the convention. If you don’t plan to attend PulpFest‘s group meal, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many restaurants in the vicinity of the DoubleTree by clicking here.

Our Saturday afternoon programming will start at 12:30 PM with our New Fictioneers readings and a panel on “New Pulp Fiction.” It will be followed by an encore presentation by the Narada Radio Company

Saturday evening’s events will include the PulpFest 2017 business meeting, starting at 7 PM. All members of the convention are urged to attend. The 2017 Munsey Award — presented for service to the pulp community — will also be awarded on Saturday evening.

Other programming on Saturday night will include Our Guest of Honor presentation, featuring one of the few living pulp magazine artists, Gloria Stoll Karn. A Pittsburgh resident, Gloria will be joined by fine artist and pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more. We’ll also have another presentation on the hardboiled dicks of the pulps.

Our evening will conclude with the annual PulpFest Saturday Night Auction. The convention will be offering about 150 lots of material from the collections of Woody Hagadish and Larry Latham. Included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE, as well as the May 1934 issue of DOC SAVAGE, autographed by cover artist Walter Baumhofer.

Any member of PulpFest 2017 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens at 10 AM on Friday and Saturday. The sooner you submit your consignment to our auction coordinator, Barry Traylor, the more likely that it will be included in our auction. We will be accepting material for our auction near the entrance to the PulpFest dealers’ room. Watch for the auction banner. All auction lots must be submitted to Barry prior to 2 PM on Saturday, July 29.

All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction.

For additional details on all of our afternoon and evening programming events, please click the Programming for 2017 button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area.

On Sunday, July 30, the dealers’ room will be open to all members from 9 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

We are hoping that this year’s con will be our biggest and best yet. We’ve already registered a record number of dealers. We’ve also been receiving registrations every day, many from people who have never attended PulpFest before. If you’ve been thinking about attending, but have yet to pull the trigger, please book a room without delay. You can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Be sure to mention PulpFest in order to receive any special convention deals that may still be available.

The DoubleTree by Hilton Hotel Pittsburgh – Cranberry is located at 910 Sheraton Drive in Mars, Pennsylvania, just outside the city of Pittsburgh. It is easy to find at the intersection of three major roadways: Interstate 79, the Pennsylvania Turnpike, and State Route 19. Please click here for a map of the hotel’s location or click the map along the right side of our home page. There is ample free parking surrounding the hotel.

For those attendees who would like to ship their purchases to their homes, there is a FedEx Office Print & Ship Center about a half-mile away from the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Located at 19095 Perry Highway in Mars, Pennsylvania, it is open from 8 AM to 6 PM on Saturdays and from 11 AM to 6 PM on Sundays.

If you have other questions, please refer to our FAQ page. Hopefully, we’ll have it covered for you there.

The entire PulpFest 2017 organizing committee – Mike Chomko, Jack and Sally Cullers, Bill Lampkin, Barry Traylor, and Chuck Welch – is looking forward to seeing all of you. Have a safe trip to Pittsburgh for “Summer’s AMAZING Pulp Con.”

(Designed by PulpFest’s artistic director, William Lampkin, our PulpFest 2017 welcome banner —  sponsored by AbeBooks.com —  features the work of artist John Newton Howitt. His painting was originally used as the cover for the April 15, 1934 number of Popular Publications’ DIME DETECTIVE MAGAZINE.

Robert Bloch’s “Return to the Sabbath” originally ran in the July 1938 issue of WEIRD TALES, featuring front cover art by the great pulp and fantasy artist, Virgil Finlay. The artist got his start during the Great Depression when he sent unsolicited illustrations to his favorite pulp magazine, WEIRD TALES. In addition to “The Unique Magazine,” he also contributed interior illustrations and covers to many other pulps and digests. Even today, Finlay remains one of the most highly regarded and collected artists in the fields of science fiction and fantasy.

DETECTIVE TALES was the number three title in Popular Publications’ detective pulp group. It was preceded by DIME DETECTIVE MAGAZINE and BLACK MASK, the pulp where the hardboiled detective genre originally took form. Between 1943 and 1945, Gloria Stoll Karn contributed six covers to DETECTIVE TALES, including the July 1945 number.

The cover art for the 2017 PULPSTER was painted by Norman Saunders for the July 1949 number of BLACK MASK. The painting appears courtesy of his son, pulp art historian David Saunders. A limited edition poster of the painting is available in the “gift shop” at the Norman Saunders website, normansaunders.com.)

One Week to Go!

Jul 20, 2017 by

PulpFest 2017 will begin on Thursday, July 27. The dealers’ room will be open to registered sellers to set up their displays from 4 to 11 PM. Early registration for all convention attendees will take place from 4 to 8 PM outside the dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.” There will be early-bird shopping from 6 to 9 PM for PulpFest members who will be staying at the DoubleTree or for those who elect to purchase an early-bird membership. Our full slate of programming for Thursday evening will get underway at 9:10 PM.

If you have not yet booked a room for your stay, please call 1-800-222-8733 to reach the DoubleTree. Be sure to mention PulpFest in order to receive any convention special deals that may still be available. Conveniently located at the intersection of three major roadways, the DoubleTree boasts a world-class restaurant in an open air setting. There are many other restaurants nearby — some within walking distance — suitable for a variety of tastes. The more adventurous can discover plenty of dining, shopping, and nightlife just a short drive away in downtown Pittsburgh. The DoubleTree also offers a 24-hour fitness center, indoor and outdoor swimming pools, and a sauna. You’ll find a map to the hotel and the surrounding area on the PulpFest home page.

Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, you’ve helped to ensure the convention’s success.

Below, you’ll find our complete schedule for the entire convention. To learn more about a particular programming event, click on its title link. We look forward to seeing you in a week.

Thursday, July 27

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 9:00 PM — Dealers’ Room Open for Early-Bird Shopping (free with your stay at the Double-Tree)

Programming

9:10 – 9:40 PM — Robert Bloch’s PSYCHO: SANITARIUM — A Reading by Chet Williamson

9:40 – 10:10 PM— The Dangerous Dames of Maxwell Grant: Myra Reldon, Margo Lane, and Carrie Cashin (Anthony Tollin)

10:10 – 10:20 PM— Scarlet Adventuress — The Domino Lady — A Reading by Ron Fortier

10:20 – 10:50 PM — Compliments of the Domino Lady (Michelle Nolan)

10:50 – 11:00 PM — Intermission

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

Friday, July 28

Dealers’ Room

9:00 AM – 10:00 AM — Early Registration and Dealers’ Room Set-Up

10:00 AM – 4:45 PM — Dealers’ Room Open to All

Programming

12:45 – 4:30 PM — New Fictioneers Readings — (author readings by Jim Beard, John Bruening, Peter McGarvey, Heidi Ruby Miller, and Don Shakers)

6:55 – 7:00 PM — Welcome to PulpFest 2017 (Convention Chairman Jack Cullers)

7:00 – 7:20 PM — The Psychos of Philip José Farmer — The Nine (Win Scott Eckert, Frank Schildiner, and Art Sippo)

7:20 – 7:30 PM — The Psychos of Philip José Farmer — Win Scott Eckert Reads from THE MONSTER ON HOLD

7:30 – 7:50 PM — Philip José Farmer and Robert Bloch (Mike Croteau of Meteor House)

7:50 – 8:00 PM — Intermission

8:00 – 8:40 PM — 100 Years with the Author of Psycho: Robert Bloch (Garyn Roberts)

8:40 – 8:50 PM — Pulp-Pourri Theatre Presents Robert Leslie Bellem, a Dan Turner Reading

8:50 – 9:30 PM — Hardboiled and Dangerous: The Many Characters of Erle Stanley Gardner (Jeffrey Marks)

9:30 – 9:40 PM — Intermission

9:40 – 10:20 PM — Hardboiled Dicks: A Look at DIME DETECTIVE MAGAZINE (Matt Moring)

10:20 – 10:30 PM — Philip José Farmer’s Most Dangerous Dame — Win Scott Eckert Reads from THE SCARLET JAGUAR

10:30 – 10:55 PM — The Dangerous Dames of Kenneth Robeson: Pat Savage, Nellie Gray and Rosabel Newton (Chuck Welch)

11:00 – 11:30 PM — Pulp-Pourri Theatre Presents “Return to the Sabbath,” a WEIRD Audio Play by Robert Bloch

Saturday, July 29

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

3:00 – 4:30 PM — Auction Viewing at the DoubleTree

Programming

12:30 – 2:00 PM — New Fictioneers Readings — (author readings by Win Scott Eckert and Frank Schildiner)

2:15 – 3:15 PM — Six Writers of New Pulp (moderator Ron Fortier and authors Fred Adams, Jr., John Bruening, Wayne Carey, Michael Maynard, and Charles Millhouse)

3:30 – 4:00 PM —  Pulp-Pourri Theatre Presents “The Return of Mr. Fye”

5:00 – 6:50 PM — PulpFest 2017 Group Meal at Ember & Vine in the DoubleTree (Volunteer Coordinator Sally Cullers)

7:00 – 7:20 PM — PulpFest 2017 Business Meeting (meet the convention organizers)

7:20 – 7:30 PM — 2017 Munsey Award Presentation (presented by Laurie Powers)

7:30 – 8:10 PM — Guest of Honor Gloria Stoll Karn with David Saunders

8:10 – 8:20 PM — The Wild Adventures of Pat Savage by Will Murray — A Reading by Pulp-Pourri Theatre

8:20 – 8:50 PM — Hard-Boiled at 100: The Don Everhard Stories of Gordon Young (Tom Krabacher & Walker Martin)

8:50 – 9:10 PM —  Intermission (Auction Viewing)

9:15 – 12:15 AM — Saturday Night at the Auction (John Gunnison and Joseph Saines, Auctioneers)

Sunday, July 30

Dealer’s Room

9:00 AM – 2:00 PM — Dealers’ Room Open to All (many dealers will be packing up; buying opportunities may be limited)

All PulpFest members are welcome to attend our afternoon and evening programming right next to our dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

For questions about our programming, please write to our programming director Mike Chomko at mike@pulpfest.com.

For questions about our New Fictioneers Readings, please write to our afternoon programming director Chuck Welch at chuck@pulpfest.com.

For questions about our dealers’ room, please write to our convention chairperson Jack Cullers at jack@pulpfest.com.

(The PulpFest 2017 post card — designed by advertising director Bill Lampkin — features John Newton Howitt’s cover art for the April 15, 1934 issue of DIME DETECTIVE MAGAZINE, published by Popular Publications.)

 

Look Out for the PulpFest Banners!

Jul 18, 2017 by

PulpFest auction banner

 

 

 

 

 

 

 

 

 

 

 


PulpFest 2017 will be marking its different rooms with the banners pictured above. The SHOP banner will be outside our dealers’ room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. You’ll also be able to register at this location. Our AUCTION banner will be located at Barry Traylor’s table. This is where members — including dealers — can bring materials that they’d like to place in our Saturday Night Auction. The PANELS banner will be outside our programming area at the DoubleTree. The CON SUITE banner will be standing in — you guessed it — the PulpFest con suite. Find the banners and you’re there.

(All of our banners were designed by our talented advertising director Bill Lampkin.)

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Six Writers of New Pulp

Jun 26, 2017 by

One of PulpFest‘s hallmarks has been its willingness to seek out and try new ideas. This was amply demonstrated by its decision in 2009 to present readings by “The New Fictioneers,” contemporary authors whose fiction is inspired by a love of the pulps. Since then, several other conventions have added a “New Pulp” track to their programming schedules.

PulpFest‘s dedication to new ideas and “New Pulp” continues with its annual panel moderated by Ron Fortier, a professional writer for over forty-five years. In 2007, Ron teamed up with illustrator Rob Davis and founded Airship 27 Productions. Together, they’ve built a home for new adventures featuring many of the pulp characters long remembered by our community. Ron’s own creation, the undead avenger known as Brother Bones — recently optioned as a motion picture — would certainly have been at home with Paul Ernst’s Doctor Satan in the pages of WEIRD TALES and Norvell Page’s The Spider. Ron has also penned the adventures of pulp heroes Captain Hazzard and the Domino Lady, as well as pop culture icons The Green Hornet, Popeye, and The Phantom.

On Saturday, July 28, Ron will be joined by five practitioners of contemporary pulp fiction for PulpFest‘s 2017 new pulp panel. The six authors will be discussing their writing experiences and why — of all the genres out there — they gravitated to pulp fiction.

Fred Adams, Jr. is a western Pennsylvania native who has enjoyed a lifelong love affair with horror, fantasy, and science fiction literature and films.  He holds a Ph.D. in American Literature from Duquesne University and recently retired from teaching in the English Department of Penn State University. He has published over fifty short stories in amateur and professional magazines, as well as hundreds of news features as a staff writer and sportswriter for newspapers. For Airship 27, Fred has written HITWOLF, SIX-GUN TERROR, and most recently, DEAD MAN’S MELODY.

John C. Bruening has been writing professionally for more than thirty years, first as a newspaper reporter and magazine editor and later as a marketing copywriter. As far back as he can remember, he has been a fan of comics, pulps, adventure fiction, vintage movies and serials, old-time radio, and any other form of heroic storytelling. His 2016 debut novel, THE MIDNIGHT GUARDIAN: HOUR OF DARKNESS, has been called “a Republic serial set to prose” and “the creative construct of a first-rate storyteller.” His most recent published work is “The Warrior and the Stone,” a short story appearing in RESTLESS: AN ANTHOLOGY OF MUMMY HORROR, a 2017 release from Flinch Books, where he is a publishing partner with Jim Beard. John is currently working on the next adventure of The Midnight Guardian. He lives near Cleveland, Ohio.

A life-long fan of science fiction and pulp fiction, Wayne Carey grew up reading Edgar Rice Burroughs, H. G. Wells, Isaac Asimov, H. Rider Haggard and all the grand masters. His reading guided him toward a career in science with degrees in biology and education and provided the desire to write from an early age. A love of classic and noir films also influences his writing. He is the author of THE NANON FACTOR, a young adult contemporary science fiction thriller that blends a murder mystery with cutting edge technology. His work has also appeared in a variety of anthologies such as LEGENDS OF NEW PULP FICTION. He and his wife live in the wilds of Central Pennsylvania with their three children, who provide a great deal of inspiration to the author.

Born to a father who was both a writer and a pulp enthusiast, Michael Maynard has been a fan of pulp all his life. Some of his favorites include the works of Dashiell Hammett, Sax Rohmer, John Buchan, and H. G. Wells. His favorite medium, however, is the cinema. Some of Michael’s favorite movies include such classics as THE MALTESE FALCON, DOUBLE INDEMNITY, and CASABLANCA. Michael’s first work of fiction was published in 2016: a short story that he wrote with his father. It was featured in the Airship 27 anthology, THE TOWERS OF METROPOLISHe intends to continue writing for the foreseeable future.

Charles Milhouse has been independently publishing since 1999, but really didn’t get into pulp until 2010. That was when he started to work on Captain Hawklin. He has written four books in the series and is currently outlining a fifth volume. He has published fourteen books, including the recently concluded, five-volume TALON’S EPIC. Charles is influenced by writers such as William F. Nolan and Frank Herbert. He is a professional chef, but writing is his passion. To learn more about Charles’ writing, please visit the Stormgate Press website.

Our new pulp panel will take place at 2:15 PM on Saturday, July 28 in the PulpFest programming room at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Watch for the PulpFest PANELS banner outside the entrance to our programming room. PulpFest 2017 —  the destination for fans and collectors of vintage popular fiction, art and related materials — will begin on Thursday, July 27, and run through Sunday, July 30.

You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast! Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree by Hilton, you’ve helped to ensure the convention’s success.

(In case you’re wondering about the term “fictioneer,” most dictionaries place its origin during the early twenties. However, it was relatively commonplace in magazines between 1910 and 1920 and has been spotted in works dating back to the mid-nineteenth century. H. Bedford-Jones used it in a series of articles called “The Graduate Fictioneer,” originally published by AUTHOR & JOURNALIST in the early thirties. In 1932, a group of Wisconsin writers got together and called themselves “The Milwaukee Fictioneers.” At various times, Robert Bloch, Fredric Brown, August Derleth, Ralph Milne Farley, Lawrence Keating, Ray Palmer and Stanley Weinbaum were members of this group. In the late 30s, Popular Publications started Fictioneers, Inc., a pulp line that paid its authors half the going market rate of a penny a word. E. Hoffmann Price, soldier-of-fortune, and prolific pulp author, used the term in his memoirs from the pulp years, BOOK OF THE DEAD — FRIENDS OF YESTERYEAR: FICTIONEERS & OTHERS, published by Arkham House in 2001. Pulp historian and anthologist John Locke likewise used it in his non-fiction anthology PULP FICTIONEERS: ADVENTURES IN THE STORYTELLING BUSINESS, published by Adventure House in 2004.

In 1927, German filmmaker Fritz Lang brought to the screen one of the most ground-breaking science fiction films of all time. METROPOLIS is regarded as a classic and one of the first full-length movies in the genre. THE TOWERS OF METROPOLIS — published by Airship 27 — is an anthology of  four dramatic tales which unfold in this amazing world prior to the events of the film. It features front cover art by the award-winning Michael W. Kaluta.)

Philip José Farmer’s Most Dangerous Dame: Patricia Wildman

Jun 22, 2017 by

PulpFest is very pleased to welcome its FarmerCon members back to our joint conference. Since 2011, FarmerCon has offered to help with our programming. They’re mixing things up for 2017, with a panel on “The Psychos of Philip José Farmer — The Nine” and a solo presentation on the friendship of “Philip José Farmer and Robert Bloch.”

Additionally, FarmerCon has asked Win Scott Eckert to perform a couple of short readings: THE MONSTER ON HOLD — a chapter from a planned book that Philip José Farmer offered at the 1983 World Fantasy Convention — and an excerpt from Win’s short novel, THE SCARLET JAGUAR.

During his life, Philip José Farmer maintained that his book DOC SAVAGE: HIS APOCALYPTIC LIFE was a biography of a real person named Doctor James Clarke Wildman. Pat Wildman is the daughter of Doc Wildman, “the world-renowned adventurer and crimefighter of the 1930s and 40s.”

Introduced in the Wold Newton novel, THE EVIL IN PEMBERLEY HOUSE — which Eckert coauthored with Philip José Farmer — Patricia’s adventures continue in THE SCARLET JAGUAR, written solely by Win Scott Eckert.

The winner of the 2014 New Pulp Award for best novella, Eckert’s story tells of a young girl whose father has been kidnapped by the Scarlet Jaguar. Pat, following in her father’s footsteps of righting wrongs and assisting those in need, agrees to help the girl. Now, it’s a race against time, deep in the wilds of the Central American jungle, as Pat Wildman and her crew search for the girl’s father, and confront the Scarlet Jaguar’s weird power to eliminate his enemies from afar.

“But who—or what—is the Scarlet Jaguar? A power-mad dictator determined to reclaim power? A revolutionary movement bent on taking over the country, and the rest of Central America? Or a front for something even more sinister . . . ?”

Win Scott Eckert is the editor of and contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE. He has coedited three Green Hornet anthologies for Moonstone Books. His short tales of Zorro, The Avenger, The Phantom, The Lone Ranger, The Scarlet Pimpernel, Hareton Ironcastle, Captain Midnight, The Green Ghost, Sexton Blake, The Domino Lady, Doc Ardan, and Sherlock Holmes can be found in several character-themed anthologies available from various publishers. Eckert’s critically acclaimed, encyclopedic CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD 1 & 2, was released by Black Coat Press in 2010.

A Honey West/T.H.E Cat crossover, A GIRL AND HER CAT, the first new Honey West novel in over forty years, came out in 2014. Forthcoming works include: the third Pat Wildman adventure; a new novel of one of the preeminent pulp heroes of the ’40s, The Avenger; and the unfinished fourth novel in Farmer’s “Secrets of the Nine” series. You can find Win Scott Eckert online at winscotteckert.com and @woldnewton on Twitter.

Join Win Scott Eckert of FarmerCon on Friday, July 28, at 10:20 PM for a short reading from THE SCARLET JAGUAR. To learn more about Philip José Farmer, please visit The Official Philip José Farmer Web Page. It’s the Brobdingnagian collection of all things Farmerian! And please join us at PulpFest 2017/FarmerCon XII from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City.”

You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(Win Scott Eckert’s THE SCARLET JAGUAR was released in 2016 by Meteor House, featuring cover art by Mark Sparacio. A resident of Boca Raton, Florida, Mark is a Professor of Fine Arts at Digital Media Arts College. He has also worked as a comic book illustrator for Marvel, DC, and other companies.)

The Dangerous Dames of Kenneth Robeson

Jun 20, 2017 by

Over the years, PulpFest has sought to honor pulp fiction and pulp art by drawing attention to the many ways they have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades. Indeed, the hardboiled dicks, dangerous dames, and a few psychos of the pulps that we’ll be celebrating in 2017 have had a profound effect on popular culture.

Back in May, we set our sights on the mad scientists, crazed hunchbacks, and foul cultists who decimated American cities on a monthly basis in the rough-paper magazines. We also drew attention to the hundredth anniversary of the birth of Robert Bloch, who got his start in the pulps and wrote the suspense classic, PSYCHO.

June found us exploring DIME DETECTIVE MAGAZINE — one of the pulps where the hard-boiled detective story began to take shape. We also examined Robert Leslie Bellem’s tough-guy detective, Dan Turner; Gordon Young’s “Most Dangerous Man in America,” Don Everhard; and the many characters created by Erle Stanley Gardner.

Today, we’re turning our attention to the dangerous dames of the pulps, the hardboiled ladies who helped to pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski. Collectively, these authors and their characters have helped the hardboiled detective to evolve in new directions.

Female pulp characters such as Cleve Adams’s Violet McDade and Nevada Alvarado, John Russell Fearn’s Golden Amazon, Walter Gibson’s Myra Reldon and Margo Lane, Robert E. Howard’s Bêlit, “Queen of the Black Coast,” C. L. Moore’s Jirel of Joiry, Norvell Page’s Nita Van Sloan, Les Savage’s Senorita Scorpion, Theodore Tinsley’s Carrie Cashin, Gene Francis Webb’s Grace Culver, Lars Anderson’s Domino Lady, and Sheena, Queen of the Jungle, all depicted women in roles often reserved for men. Generally, they performed equal to or better than their male counterparts. These dangerous dames helped to remove women from the drawing rooms of Carolyn Wells and Agatha Christie, the love and western romance pulps, and into the mean streets.

Perhaps the best known female character of the pulps is Lester Dent’s Pat Savage. As Kent Gutschke has written on THE MARTIAN DEATH RAY:

“She is only the Bronze Goddess of pulp’s Golden Age, and distant cousin to Doc Savage, the Bronze Man of Tomorrow. And she is more fun and psychologically complex than the man whose shadow she lives under. Patricia Savage is also an underdog not because she lacks intelligence and skill, but because the men that surrounded her — both heroes and villains — forever underestimate her.

“In fact the only man in Patricia Savage’s life who does not underestimate her is her creator, Lester Dent. As early as 1934’s ‘Death in Silver,’ Dent planned for Pat to run her own detective agency within the pages of DOC SAVAGE, but editors at Street & Smith rejected the idea. While Street & Smith billed Doc as the Man of Tomorrow, Doctor Clark Savage and his editors had quaint, patriarchal notions about a woman’s place in their brave new world. So Pat Savage and Lester Dent settled for a beauty salon. What trouble could she possibly get into running a beauty salon? With Dent writing, quite a bit and when trouble failed to come her way, Pat cultivated a talent for elbowing into Doc’s adventures.”

Introduced in “Brand of the Werewolf” — originally published in the January 1934 issue of DOC SAVAGE MAGAZINE — Pat Savage would appear in 37 adventures of the Man of Bronze. In “I Died Yesterday,” her final pulp appearance (published in the January 1948 number), she is the first-person narrator of the story. As Terence Towles Canote has written on A SHROUD OF THOUGHTS

“She was in many ways the perfect, female counterpart to her cousin. Pat was spectacularly beautiful, yet very much her own woman. She could fight as well as any man, deadly with her six shooter and skilled in boxing, fencing, and jujitsu. She could fly a plane, pick locks, pick pockets, speak Mayan and German (although she was not very good at the latter), knew Morse code, and was a very convincing actress. She also had an undying love of adventure, which she shared with her cousin (even if Doc would never admit it). Over the course of her adventures Pat emerges as a fully realised character, perhaps more fully realised than any female character from the pulps save Nita Van Sloan from THE SPIDER. This could very well be the reason she still has more than her fair share of fans to this day.”

Please join PulpFest 2017 on Friday, July 28, at 10:30 PM as the convention’s technical director, Chuck Welch, examines The Dangerous Dames of Kenneth Robeson. In addition to Pat Savage, Chuck will be discussing Paul Ernst’s Nellie Gray and Rosabel Newton, two strong female characters featured in Street & Smith’s THE AVENGER, a hero pulp introduced in 1939.

As one of the original Internet Fans of Bronze, Chuck Welch started attending the summer pulp convention in the late 1990s. After meeting his future wife at one of these conventions, Chuck took some time off to start a family. At the behest of Bill Mann, he returned to attend PulpFest. As was his wont, Chuck immediately started volunteering and making suggestions to the organizing committee. Having enough of his puppy-dog eyes, he was asked to join the team. Chuck is the convention’s technology director and webmaster. When the Internet began to take off, Chuck began Flearun, a Doc Savage group now at Facebook. He is also the creator of the Hidalgo Trading Company — perhaps the closest anyone has come to presenting an online Doc fanzine — and the current editor of the Doc Savage fan magazine THE BRONZE GAZETTE.

(Doc Savage and his assistants travel to British Columbia to visit his uncle, Alex Savage, and cousin, Patricia Savage, in “The Brand of the Werewolf,” originally published in DOC SAVAGE MAGAZINE for January 1934, with cover art by Walter M. Baumhofer. When they reach the cabin of Doc’s relatives, they discover that Alex Savage has been murdered. From the start, Pat is ready for adventure, hoping to find the killers of her father. She would be “ready for adventure” in nearly forty tales of Lester Dent’s Man of Bronze.)

The Domino Lady — Scarlet Adventuress

Jun 19, 2017 by

This year, PulpFest is trying an experiment. We’ll be offering readings between our presentations as our technical staff gets ready. One of these readings will take place on Friday, July 28, at 8:40 PM. Please join PulpFest 2017 as we welcome author, editor, and publisher Ron Fortier as he reads from “The Claws of the Cat,” a short story featuring one of the world’s first female masked crime fighters — The Domino Lady.

Following the murder of her father — an honest and tireless district attorney — debutante Ellen Patrick decides to fight evil in society. Wearing a small, dark mask and a tight and revealing evening gown, she becomes The Domino Lady. Armed with an automatic pistol and a knockout drug, she robs her victims, donating the bulk of the loot to charity and leaving her calling card: “The Domino Lady’s Compliments.”

Ron’s story originally appeared in DOMINO LADY: SEX AS A WEAPON, published in 2009 by Moonstone Books. Edited by Lori Gentile, the anthology featured nine new stories by some of the best writers of new pulp fiction.

Ron Fortier has been a professional writer for over four decades. In 2007, Ron teamed up with illustrator Rob Davis to found Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Airship’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. Ron’s own prose creation, Brother Bones, was recently optioned as a motion picture by Franklin-Husser Entertainment, an independent film production company based in Seattle.

(Published in several different editions by Moonstone Books, DOMINO LADY: SEX AS A WEAPON, features cover art by Jeff Butler, an American illustrator and comic book artist. With Mike Baron, Butler created The Badger for Capital Comics. Later, he worked for TSR, the publisher of DUNGEONS AND DRAGONS. He left the firm to help Ron Fortier bring The Green Hornet back to comics. Butler has also worked in the video game industry.)

Compliments of The Domino Lady

Jun 16, 2017 by

In the violence-riddled cities of the pulp era, the police were either unable or unwilling to deal with the criminal element. It was left to strong-willed and often well-to-do citizens to take matters into their own hands. Over time, these characters became known as the pulp heroes. The Shadow, Doc Savage, The Spider, The Green Lama, The Avenger, The Black Bat, and others. Helping these heroic vigilantes were their hand-picked agents, including a number of female assistants.

The Shadow had his Myra Reldon and Margo LaneNita Van Sloan worked next to The Spider; although disgruntled, Doc Savage accepted the assistance of his cousin Pat, while The Avenger was capably helped by Nellie Grey and Rosabel Newton. And then there’s The Domino Lady . . . .

The only female pulp hero to be featured in her own series, The Domino Lady appeared in six stories credited to Lars Anderson. Published in 1936, five of her tales ran in SAUCY ROMANTIC ADVENTURES. The character’s final tale appeared in MYSTERY ADVENTURE MAGAZINE.

The Domino Lady is really debutante Ellen Patrick. Following the murder of her father — an honest and tireless district attorney — Ellen decides to fight evil in society. Wearing a small, dark mask and a tight and revealing evening gown, she becomes The Domino Lady. Armed with an automatic pistol and a knockout drug, she robs her victims, donating the bulk of the loot to charity and leaving her calling card.

In his introduction to Vanguard Publications’ DOMINO LADY: THE COMPLETE COLLECTION, Bernard Drew writes:

“You’re in for a treat as you read these half-dozen Domino Lady escapades, for that’s the best way to describe them. Escapades. They involve no investigation, no probing, no crime solving. Ellen has already zeroed in on the bad guy by story’s start. The main plot element, in fact, is the shapely heroine wrangling her way into a social situation, making light conversation, swiping something or other of value from someone who deserves to lose it and dropping a calling card which reads ‘The Domino Lady’s Compliments.'”

Over the last few decades, new adventures of The Domino Lady have been published by various small and independent presses. Moonstone Books has released a number of books and comics featuring the character. Airship 27 has issued a pair of anthologies collecting new Domino Lady stories. Perhaps the strangest versions are the erotic comic book tales written and drawn by the late Ron Wilber.

At 11:35 PM on Thursday, July 27, please join Michelle Nolan in the PulpFest 2017 programming room for “Compliments of The Domino Lady,” a brief discussion of what The Domino Lady means in pulp history and how the character paved the way for dozens of costumed heroines in the comics of the Golden Age and beyond. It’s all part of the convention’s celebration of the dangerous dames of the pulps, the hardboiled ladies who helped to pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski. Collectively, these authors and their characters have helped detective fiction to evolve in new directions.

A mainstream journalist for more than fifty years, Michelle Nolan has also covered the history of genre fiction in pulps, comics, books and films in more than 1,000 magazine, newspaper and book articles. She is the author of the definitive “LOVE ON THE RACKS: A HISTORY OF AMERICAN ROMANCE COMICS and BALL TALES: A STUDY IN AMERICAN SPORTS FICTION. In 2014, Michelle received an Inkpot Award from Comic-Con International: San Diego.

(Although the first costumed pulp heroine appeared in just six stories in rare and obscure mid-1930s pulps, The Domino Lady commanded three covers for those magazines. All three were painted by Norman Saunders, one of the leading artists and illustrators of the pulp era. During a career that spanned five decades, Saunders completed over 2500 commercial art assignments, including more than one thousand covers featured on 85 different pulp titles.

In addition to his work for the pulp industry, Norman Saunders illustrated for national advertisers, slick magazines, paperbacks, men’s adventure magazines, calendars, comic books, trading cards, and more. He died in 1989 at the age of 82.)

Hardboiled and Dangerous: The Characters of Erle Stanley Gardner

Jun 15, 2017 by

When the magazine BLACK MASK is discussed, author Dashiell Hammett generally comes into play. But the creator of Sam Spade and The Continental Op was far from the most prolific contributor to the greatest of the hard-boiled detective magazines. That honor would go to Erle Stanley Gardner, best known for creating Perry Mason. Gardner would appear in THE BLACK MASK over one hundred times.

A practicing lawyer interested in a better income, Erle Stanley Gardner forced “himself to churn out four thousand words a night. It took two years, but he made his first sale to the pulps. It wouldn’t be the last.” During his fifty-year writing career, Gardner would publish close to twenty million words of fiction and create “no less than 49 unique detectives and adventurers who made two or more appearances in book or magazine form . . .”

According to Bill Pronzini’s introduction to THE DANGER ZONE AND OTHER STORIES published by Crippen & Landru in 2004 — Gardner published 128 novels between 1933 and 1970. Eighty-two of these feature Perry Mason, while Bertha Cool and Donald Lam appear in 29 book-length adventures. Crusading district attorney Doug Selby appears in nine novels, while the remaining eight feature other characters.

“All of Gardner’s other series characters . . . were created for the magazine markets, both pulp-paper and slick-paper, and appear only in novelettes and short stories. Several hundred of these yarns saw print from the 1920s into the 1950s, the preponderance in a ten-year-span from 1926 to 1936 when Gardner lived up to his billing as “King of the Woodpulps” by producing and selling an average of one million words of fiction annually. ARGOSY, BLACK MASK, and DETECTIVE FICTION WEEKLY were his favorite pulp markets, printing nearly 200 stories among them. Series tales and one-shots also ran regularly in DIME DETECTIVE, CLUES, STREET & SMITH’S DETECTIVE STORY, TOP-NOTCH, BLACK ACES, ALL DETECTIVE, SHORT STORIES, and a host of others . . . .

“Foremost among his amazing array of short-fiction creations are Ed Jenkins, the Phantom Crook, an outlaw and ‘famous lone wolf’ who lives by his wits and solves crimes unjustly pinned on him by the police, many of which have San Francisco Chinatown settings; and Lester Leith, debonair man-about-town, whose ‘chain lightning mind’ allows him to both outfox criminals and outmaneuver his butler, Scuttle, an undercover police spy. Jenkins appears in 72 novelettes published in BLACK MASK between 1925 and 1943 . . . Leith can be found in 65 novelettes in DETECTIVE FICTION WEEKLY from 1929 to 1943 . . .”

Other oft-published series characters created by Erle Stanley Gardner include Bob Zane of the “Whispering Sands” tales; Sidney Zoom, master of disguises; Señor Lobo, Mexican soldier of fortune; the Patent Leather Kid; Paul Pry, who steals from crooks; Bob Larkin, an adventurer armed with a billiard cue; attorney Ken Corning; gunslinger Black Barr; and Speed Dash, the Human Fly.

At 8:50 PM on Friday, July 28, PulpFest 2017 welcomes Jeffrey Marks for a discussion of Gardner’s four types of pulp characters: the western miner, the non-Perry lawyers, the traditional pulp loners, and the author’s happy-go-lucky criminals. Marks is a long-time mystery fan and freelance writer. His works include WHO WAS THAT LADY, a biography of mystery writer Craig Rice; ATOMIC RENAISSANCE: WOMEN MYSTERY WRITERS OF THE 1940S/1950S; and PULP ICONS: ERLE STANLEY GARDNER AND HIS PULP MAGAZINE CHARACTERS. His latest work is a biography of mystery author and critic Anthony Boucher entitled ANTHONY BOUCHER. It has been nominated for an Agatha and fittingly, won an Anthony Award.

Jeffrey’s work has won a number of awards including the Barnes and Noble Prize. It has also been nominated for an Edgar Award, three Agathas, two Macavity Awards, and three Anthony Awards. Today, he writes from his home in Cincinnati, which he shares with his partner and two dogs.

Please join us from July 27 through July 30 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for PulpFest 2017 as we celebrate the hardboiled dicks, dangerous dames, and a few psychos of the pulps. You can join PulpFest by clicking the Register for 2017 button on our home page. And don’t forget to book a room at the DoubleTree. They’re going fast!

(First introduced to BLACK MASK readers with the story, “The Shrieking Skeleton,” published in the December 15, 1923 number under the pseudonym Charles Green, Erle Stanley Gardner quickly established himself as a readers’ favorite. Soon thereafter, he introduced his first series character, Bob Larkin. But it was with the January 1925 number that Gardner truly hit paydirt, introducing Ed Jenkins in “Beyond the Law.” By the end of 1926, Jenkins was garnering the cover spot of the magazine, including the March 1933 issue featuring artwork by J. W. Schlaikjer. Erle Stanley Gardner’s Phantom Crook would appear in 72 novelettes published in BLACK MASK between 1925 and 1943.)