Pulp-Pourri Theatre Presents “Return to the Sabbath”

Jun 10, 2017 by

For the last week or so, PulpFest‘s web posts have been discussing this year’s celebration of the 100th anniversary of the birth of Robert Bloch. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

Bloch discovered the pulp magazines in 1927, courtesy of his Aunt Lil. As he wrote in his autobiography, ONCE AROUND THE BLOCH: “And it was thus that I was introduced to a magazine which changed my life, my very first copy of WEIRD TALES. . . .”

It was through that magazine that Robert Bloch began a correspondence with the author H. P. Lovecraft. At the urging of “The Old Gentleman” — as Lovecraft called himself — Bloch began to write fiction. Before long, the young man was a published author: “But in July, 1934, less than a month after graduating from high school, I received a letter of acceptance for my story. . . . I had suddenly and almost miraculously become a professional writer, a contributor for the very magazine which published the work of my favorite author and present pen pal. . . .”

Robert Bloch’s early fiction was strongly influenced by Lovecraft and his “Cthulhu Mythos.” Bloch even made Lovecraft a central character in “The Shambler from the Stars,” published in the September 1935 WEIRD TALES. He also created two of the often cited texts of the Mythos, Ludwig Prinn’s DE VERMIS MYSTERIIS and Comte d’Erlette’s CULTES DES GOULES.

Following Lovecraft’s death in 1937, Bloch continued writing for WEIRD TALES. He became one of the magazine’s most popular authors, appearing in its pages nearly seventy times. Perhaps his best known tale for “The Unique Magazine” is “Yours Truly, Jack the Ripper,” published in the July 1943 number.

Whereas Lovecraft’s later fiction took on science fictional overtones, Bloch’s WEIRD TALES fiction was, by and large, ground in horror and the supernatural. For instance, from 1936 through 1938, a number of the author’s stories — “Fane of the Black Pharaoh,” “The Eyes of the Mummy,” “Beetles,” and others — were probably inspired by the 1932 Boris Karloff film, THE MUMMY. Others explored such horror motifs as voodoo, wax museums, and black magic. Robert Bloch’s “Return to the Sabbath,” originally published in WEIRD TALES for July 1938, is an example of the latter.

Originally published under Bloch’s Tarleton Fiske pseudonym, “Return to the Sabbath” was published when the author was twenty-one. Narrated in the first person by a Hollywood public relations man, it’s the story of a European actor brought to the United States to star in a satanic horror film. But the actor — who had dabbled in devil worship himself — disappears after he learns that a former colleague has been murdered in Paris by cultists. Bloch’s story was later adapted and filmed for television as “The Sign of Satan.” It aired on THE ALFRED HITCHCOCK HOUR in 1964.

On Friday, July 28, at 11 PM, PulpFest 2017 welcomes the Narada Radio Company and their PULP-POURRI THEATRE to this summer’s convention. The group will be dramatizing Robert Bloch’s “Return to the Sabbath” in the old radio-play format. Based in Corpus Christi, PULP-POURRI THEATRE is an audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

According to Narada’s Pete Lutz:

My life’s dream has been to create “radio” plays and be an actor in them. I was looking at copies of pulp magazine covers and followed a link to scans of pulp stories. I started reading them and immediately began to mentally dramatize them for audio. My wife came up with the name PULP-POURRI THEATRE. I feel this hints at the wide variety of pulp genres available. The possibilities are endless. There are thousands of pulp-fiction stories available. Action becomes dialogue. Narration becomes action. Once the last voice is “in the can”, I start production. Voices get cobbled together first, and then I add music and sound effects. Then I listen to it a half-dozen times to make sure I haven’t overlooked anything.

PULP-POURRI THEATRE embraces the thrilling world of pulp fiction from the last century. We present audio dramas with a few modern touches, such as full sound design. We bring you the most exciting stories from the finest pulp writers. We also throw in an occasional new story from a guest playwright.

The PulpFest 2017 cast of Narada Radio Company’s PULP-POURRI THEATRE will be Austin and Barbi Beach, Ross Bernhardt, Randy Coull, Derek, Keane, and Pete Lutz, and Greg and Rhiannon McAfee. Please join them at PulpFest 2017 from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Robert Bloch’s “Return to the Sabbath” originally ran in the July 1938 issue of WEIRD TALES, featuring front cover art by the great pulp and fantasy artist, Virgil Finlay. The artist got his start during the Great Depression when he sent unsolicited illustrations to his favorite pulp magazine, WEIRD TALES. In addition to “The Unique Magazine,” he also contributed interior illustrations and covers to AMAZING STORIES, ASTOUNDING STORIES, CAPTAIN FUTURE, FAMOUS FANTASTIC MYSTERIES FANTASTIC ADVENTURES, FANTASTIC NOVELS, GALAXY, STRANGE STORIES, SUPER SCIENCE STORIES, THRILLING WONDER STORIES, WORLDS OF TOMORROW, and other pulps and digests. Even today, Finlay remains one of the most highly regarded and collected artists in the fields of science fiction and fantasy.

Pete Lutz, the producer-director for the Narada Radio Company, used the August 1942 cover of SPICY ADVENTURE STORIES as the basis for his PULP-POURRI THEATRE advertisement. The artist is H. J. Ward, who painted many covers for the Spicy line of pulp magazines. For a great overview of this artist’s career, we suggest you track down a copy of David Saunders’ book H. J. WARD, published by The Illustrated Press in 2010.)

Robert Bloch — Renaissance Man of the Fantastic

May 22, 2017 by

This year marks the hundredth anniversary of the birth of Robert Bloch. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

During a long and productive career, Robert Bloch received a Hugo Award, the World Fantasy Life Achievement Award, the World Science Fiction Convention Special Lifetime Career Award, the Bram Stoker Award, and the World Horror Convention Grand Master Award. He also served as the president of the Mystery Writers of America in 1970 – 71. He was also the first Guest of Honor at a World Science Fiction Convention outside the United States, and the Guest of Honor at the first Bouchercon and the first World Fantasy Convention. Along with Hugh B. Cave, Robert Bloch was the Guest of Honor at Pulpcon 12.

When asked what he considered to be the highlights of his career, Robert Bloch replied: “My first sales — of a short story, of a novel . . . the sale of PSYCHO to films and its subsequent success. But the most satisfying and memorable moments have come with the conventions where I was invited to appear as guest of honor, the winning of various awards . . . the continuing interest of fans . . .”

Following Bloch’s death in 1994, the late Frank Robinson wrote: “He was a journeyman writer and entertainer, and had more experience in various writing forms — from political speeches to advertising to short stories, novels, articles, teleplays, and film scripts — than probably any other genre writer. But all of his stories, all of his movies, and all of his teleplays didn’t account for the feelings of affection that both fans and writers felt for him. . . . Robert Bloch was a man without malice. Almost everyone who met him sensed that, and almost everybody who met him loved him for it. It was impossible not to.”

Beginning at 8 PM on Friday, July 28, PulpFest 2017 will pay tribute to Robert Bloch. Join Professor Garyn G. Roberts for “100 Years with the Author of PSYCHO,” an illustrated survey of the life and times of Robert Bloch. This presentation will showcase many landmark events in the life of this writers’ writer, and will provide some little known details about this master of the pulpwoods and other popular media. Though he never met the author in person, Professor Roberts maintained a prolific, ongoing correspondence with Bloch until writer’s passing in 1994.

In Garyn’s words: “The story of our relationship via the mail means a great deal to me.  Though we never met in person, Mr. Bloch and I kept up a voracious correspondence to the point that I think I can call him a ‘friend.’ Particularly in the last months of his life, Mr. Bloch approached me and said that he wanted to send me some unique materials that I could incorporate into a book about him. I was tremendously honored that he chose me for this privilege, based on my previous publications of biographic history. He sent photos from Hollywood, unpublished writings, answers to interview questions and more, including an introduction for the book. He had also cleared all the rights for reprinting these for me. I am convinced that no twentieth century writer was more loved than Robert Bloch. Though under-appreciated in his time, many of us love him to this day. More than a very talented writer, Robert Bloch was a good man and a dear friend.”

Garyn G. Roberts, Ph.D., is a college and university professor. He holds multiple literary and teaching awards. Roberts was born in northern Wisconsin, 100 miles north of Plainfield, where serial killer Ed Gein’s atrocities occurred. When Gein’s activities were discovered in late 1957, Roberts’ father was hunting. To this day, Roberts’ mother recounts how frightened she was at home alone in the Wisconsin woods — a 23-year- old newlywed — when the news from Plainfield broke. Robert Bloch’s classic novel, PSYCHO, was inspired by the Ed Geins murders.

PulpFest 2017 will take place from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Two of Robert Bloch’s major pulp markets were WEIRD TALES and the Ziff-Davis magazines, including AMAZING STORIES and FANTASTIC ADVENTURES.

Between 1935 and 1952, Bloch published nearly seventy stories in “The Unique Magazine,” including “The Cheaters” in the November 1947 issue. It featured cover art by Matt Fox. A cartoonist, illustrator, comic book and advertising artist, watercolorist, painter, and graphic artist, with lithographs, woodcuts, and etchings to his credit, Fox painted eleven covers for WEIRD TALES and also contributed interior illustrations to the magazine. He also worked for Marvel Comics during the 1950s.

After Robert Bloch published “The Man Who Collected Poe” in the October 1951 issue of FAMOUS FANTASTIC MYSTERIES, he was asked to complete Poe’s unfinished story, “The Lighthouse.” Published in the January 1953 issue of FANTASTIC — with cover art by Robert Frankenberg — Bloch was extremely proud that very few people could tell where Poe left off and he began.)

Robert Bloch’s PSYCHO: SANITARIUM

May 19, 2017 by

To the fans of pulp and genre fiction, Robert Bloch is known as the author of the classic, “Your’s Truly, Jack the Ripper,” the Lefty Feep stories for FANTASTIC ADVENTURES, his Lovecraft-inspired tales such as “The Shambler from the Stars” and “The Shadow from the Steeple,” and “That Hell-Bound Train,” a short story for which he received a Hugo Award in 1959. Mr. Bloch also served as a Pulpcon guest of honor in 1983.

To the world at large, Robert Bloch is best known as the author of PSYCHO, the novel that became the basis for Alfred Hitchcock’s classic film of the same name. And so, to help celebrate the 100th anniversary of the birth of Mr. Bloch, PulpFest has asked author Chet Williamson to read from his novel, PSYCHO: SANITARIUM.

“The original PSYCHO novel by Robert Bloch was published in 1959 and became an instant hit, leading to the smash movie only a year later. It brought Norman Bates’s terrifying story into the public consciousness, where it still remains (proved by the success of the TV series BATES MOTEL). It took Bloch twenty-three years to write another PSYCHO novel, revealing that Norman had been in a mental institution the entire time. In that sequel, Norman quickly escapes the sanitarium and goes on a killing spree in Hollywood.

But what happened in that asylum during those two decades? Until now no one has known.

Chet Williamson’s parents took him to see the film of Robert Bloch’s PSYCHO when he was twelve, and he has been a reader and disciple of Bloch ever since. His stories have appeared in THE NEW YORKER, PLAYBOY, and many other magazines and anthologies. A collection of his stories received the International Horror Guild Award. He has twice been a final nominee for the World Fantasy Award and the Mystery Writers of America’s Edgar Award, and six times for the Horror Writers of America’s Stoker Award. A professional writer and actor, he has narrated more than thirty audiobooks.”

On Thursday, July 27, at 9:10 PM, Chet Williamson will read from his novel, PSYCHO: SANITARIUM at PulpFest 2017. It’s part of our salute to the life and work of Robert Bloch.

Join us July 27 – 30 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To register for PulpFest 2017, please click the Register for 2017 button just below the PulpFest home page banner. To book a room at the DoubleTree by Hilton — our host hotel — click one of the Book a Room buttons likewise located on the PulpFest home page.

Start planning now to attend PulpFest 2017 and join hundreds of pulp and genre fiction fans and art lovers at the pop-culture center of the universe. You’ll have a maddening time, especially if you’re planning to stay at the DoubleTree! We look forward to seeing you.

(The quotes used in this post come from the dust jacket to PSYCHO: SANITARIUM, published in 2016 by Thomas Dunne Books, an imprint of St. Martin’s Press. The jack was designed by Ervin Serrano.)

Philip José Farmer and Robert Bloch

May 17, 2017 by

Back in early April, we noted the 100th anniversary of the birth of Robert Bloch, best remembered for his novel PSYCHO. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest. At this year’s convention, we’ll be celebrating “100 Years of Robert Bloch” with a number of presentations.

One of our Bloch presentations will feature FarmerCon founder Michael Croteau, creator of Philip José Farmer’s Official Home Page and the publisher at Meteor House. Mike will be discussing Robert Bloch’s relationship with Grand Master of Science Fiction Philip José Farmer. In addition to being accomplished writers, both men were frequent guests and attendees at various science fiction and fantasy conventions. It was at the 1952 World Science Fiction Convention in Chicago that they struck up their long-lasting friendship.

Bloch — who was well known for his tongue-in-cheek sense of humor — often served as the toastmaster at convention banquets. At the 31st World Science Fiction Convention, held in 1973 in Toronto, Ontario, Bloch quipped:

“Then of course we have Philip José Farmer, one of the greatest innovators in our field, who stripped away much of the prudery and phoney taboos. More than twenty years ago Philip José Farmer dared to do what no one had ever done before. He wrote ‘The Lovers,’ a story in which a man had sexual relations with an insect. You might call it science fiction’s first case of buggery.” Greeted by groans from his audience, Bloch continued, “You hear that, Phil? That’s how the public is. Last year they give you a Hugo; this year they boo your name.”

Using photographs and other materials from the Farmer estate, Michael will regale PulpFest evening programming attendees with tales of the friendship between these two writers of science fiction and fantasy. Please join us on Friday, July 28, at 7:30 PM for “Philip José Farmer and Robert Bloch,” featuring FarmerCon‘s Michael Croteau. It’s all part of PulpFest 2017 and FarmerCon XII at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To register for both conventions, please click the Register for 2017 button just below the PulpFest home page banner. To book a room at the DoubleTree by Hilton — our host hotel — click one of the Book a Room buttons likewise located on the PulpFest home page.

Start planning now to attend PulpFest 2017 and FarmerCon XII and join hundreds of pulp fiction and Philip José Farmer fans at the pop-culture center of the universe. You’ll have a maddening time, especially if you’re planning to stay at the DoubleTree! We look forward to seeing you from July 27 – 30.

(Not only did Farmer and Bloch cross paths at science fiction conventions, they sometimes met up in the pages of books and magazines. Although he rarely submitted a truly “weird tale,” Farmer’s “The Freshman,” originally published in the May 1979 issue of THE MAGAZINE OF FANTASY & SCIENCE FICTION, owes a substantial debt to H. P. Lovecraft, who mentored Robert Bloch as a writer. In that same issue is Bloch’s short story, “Freak Show.” It concerns a traveling side show that appears unexpectedly at the Goober City Fairgrounds. David Hardy contributed the issue’s cover. An artist and illustrator from the United Kingdom, his work has appeared in ANALOG, IF, GALAXY SCIENCE FICTION, SCIENCE FICTION MONTHLY, VISION OF TOMORROW, and many issues of THE MAGAZINE OF FANTASY & SCIENCE FICTION.)

One Hundred Years of Robert Bloch

Apr 3, 2017 by

Born one-hundred years ago on April 5, 1917, Robert Bloch is best remembered for his novel PSYCHO,  which became the basis for Alfred Hitchcock’s classic film of the same name. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

Born in Chicago, Bloch was a precocious child who developed an early interest in vaudeville and theater, as well as storytelling and reading. According to his autobiography, ONCE AROUND THE BLOCH:

Sometime late in the summer of 1927 the family, accompanied by my father’s sister, entered Chicago’s Northwestern Railroad Station to entrain for a suburban destination. Where we were going eludes memory, and it’s not important. What matters is that we passed the huge magazine stand in the terminal.

Here literally hundreds of periodicals — including the then-popular weekly and monthly “pulp” magazines — were ranked in gaudy array. Row after row of garish covers caught the eye; comparatively respectable offerings like ARGOSY, BLUE BOOK, ALL-STORY, and ADVENTURE competed for attention with scores of titles featuring romance, mystery, detective stories, westerns, and every variety of sports. There were even pulps devoted exclusively to railroad yarns, pirates, and WWI air combat. I stared at them, fascinated by this abundance of riches.

It was then that Aunt Lil, with her usual generosity, offered to buy me a magazine to read during the train journey. Scanning titles and covers, I stood poised in delicious indecision. Here was a mustached member of the French Foreign Legion battling a bearded Arab armed with a wicked-looking scimitar . . . beside it, an Indian chief preparing to discharge a flaming arrow at an ambushed wagon train . . . directly overhead, a helpless maiden struggling in the clutches of a gigantic gorilla whose glaring red eyes indicated his zooreastic intentions. Salivating, I surveyed this feast of literature. For a dime I could devour the exploits of a master detective; fifteen cents whould satisfy my appetite for mutiny on the high seas; twenty cents might gorge me with a huge helping of Secret Service operatives foiling the hellish Huns who presumably had substituted a bomb for the torch held by the Statue of Liberty.

But in the face of these attractions, what more might be offered for an entire quarter?

That price was imprinted on the cover of a magazine featuring a cloaked, bearded, evil-looking man confronting a recumbent, half-naked girl clad in Oriental garb against a background of Egyptian hieroglyphs. The featured story was “The Bride of Osiris,” by one Otis Adelbert Kline.

Snatching the magazine from the rack, I paged through it quickly, noting such promising titles as “Satan’s Fiddle,” “Creeping Shadows,” “The Phantom Photoplay” and “The Man with a Thousand Legs.”

That did it. “This is the one I want,” I said.

And it was thus that I was introduced to a magazine which changed my life, my very first copy of WEIRD TALES. . . .

What my parents thought of my taste remains unclear to me. Although they seemed uninterested in reading my favorite magazine they offered no objections to cover illustrations of damsels in various stages of distress and undress, and continued to supply me with quarters for monthly issues. . . . to me personally WEIRD TALES became a sort of non-theological BOOK OF REVELATION. What it revealed was that fantastic fiction was not necessarily the work of long-deceased authors like Poe, Hawthorne or de Maupassant; its prose and poetry were not entombed in pages from the past. Death was alive and well and living in Chicago.

By far the most horrifying concept, and to me the most convincing, was an account of ghouls feasting in their burrows below the cemeteries and subways of modern Boston. The story, “Pickman’s Model,” was credited to one H. P. Lovecraft, and I made a mental note to remember both the title and the name of the author. . . . By cutting down on my consumption of carbohydrates, borrowing streetcar passes and confining motion picture attendance to nights when tickets were ten or fifteen cents, I managed to keep the necessary quarter in reserve for the next issue of WEIRD TALES. . . . my addiction to the work of H. P. Lovecraft increased. . . . A Lovecraft junkie, I was hungry for more highs. What could I do?

As it has so frequently during a long lifetime, sheer stupidity came to my rescue. I sat down and . . . scrawled out a letter to Mr. Lovecraft care of the magazine. Identifying myself as an ardent fan (and a brash, presumptuous teenage idiot), I inquired if he might inform me as to where I could locate some of his stories presently out of print.

Thus began a friendship between the young Bloch and “The Old Gentleman.”

I had become a regular correspondent . . . a member of what was later styled the Lovecraft Circle — a group of friends and fans, many of whom were themselves writers or aspired to be. . . . Quite early in our correspondence HPL suggested I might be interested in trying my own hand at writing with an eye to publication. . . . And since Lovecraft’s suggestion generously included his willingness to inspect my efforts, what more did I need. . . . I trained my sights on the most obvious and visible target, WEIRD TALES. Instead of bombarding them with contributions, I took careful aim before shooting off a story in their direction. . . . Why a battle-scarred veteran of longtime literary warfare would notice the feeble dud I delivered remains a mystery to this very day. But in July, 1934, less than a month after graduating from high school, I received a letter of acceptance for my story. . . . I had suddenly and almost miraculously become a professional writer, a contributor for the very magazine which published the work of my favorite author and present pen pal. . . .

By the end of 1935, Robert Bloch began to sell on a frequent and regular basis to WEIRD TALES. Between that first 1934 sale and the demise of the publication in 1954, he sold nearly seventy stories to “The Unique Magazine.” Having started his career as a mimic of his Lovecraft, his writing gradually took on more psychological overtones and often a sense of humor. He began to branch out in 1939, selling fiction to AMAZING STORIES, STRANGE STORIES, and UNKNOWN. The forties found him contributing to DETECTIVE TALES, DIME MYSTERY MAGAZINE, FANTASTIC ADVENTURES, MAMMOTH DETECTIVE, NEW DETECTIVE, SUPER SCIENCE STORIES, THRILLING MYSTERY, and others. His best-known story of this period, “Yours Truly – Jack the Ripper” — published in the July 1943 WEIRD TALES — led to an assignment writing scripts for a radio program called STAY TUNED FOR TERROR.

It was also during the 1940s that Robert Bloch became a regular attendee of science fiction conventions. In 1948, he was invited to be the professional guest of honor for the World Science Fiction Convention, held in Toronto, the first truly international event of its kind. In 1954, at the San Francisco Worldcon, he met Samuel Peeples, a longtime pulp fan and Hollywood writer. It was this friendship that led to Bloch venturing to Hollywood, where Peeples helped him land an assignment with the television show LOCK-UP. Bloch was soon writing for other series, including ALFRED HITCHCOCK PRESENTS, THRILLER, TRUE, and WHISPERING SMITH. In later years, he would contribute to THE GIRL FROM U.N.C.L.E., I SPY, NIGHT GALLERY, STAR TREK, TALES FROM THE DARKSIDE, and others. Bloch would also write the screenplays for THE CABINET OF CALIGARI, THE NIGHT WALKER, THE SKULL, THE HOUSE THAT DRIPPED BLOOD, and other films. He died on September 23, 1994 in Los Angeles, California.

PulpFest 2017 will celebrate the 100th anniversary of Robert Bloch’s birth with several special presentations. On Thursday, July 27, author Chet Williamson will read from his novel, Robert Bloch’s PSYCHO: SANITARIUM. Mr. Williamson was the guest of honor at PulpFest 2015. Garyn Roberts — who engaged in an extensive correspondence with Robert Bloch — will discuss the author and his works on Friday, July 28. Professor Roberts — who is working on a Robert Bloch biography — will be sharing rare and landmark material from throughout the author’s life. Garyn was honored with our Munsey Award in 2013.

There will be two other Bloch presentations on Friday evening. First, Michael Croteau, creator of Philip José Farmer’s Official Home Page and one of the founders of both FarmerCon and Meteor House, will do a short presentation on Robert Bloch’s relationship with Grand Master of Science Fiction Philip José Farmer. To close the evening, the Narada Radio Company and PULP-POURRI THEATRE will present a mock radio drama of Bloch’s “Return to the Sabbath,” originally published in the July 1938 WEIRD TALES. PULP-POURRI THEATRE is an all-new audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

The convention will take place from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Released in 1960, Alfred Hitchcock’s PSYCHO is considered to be a masterpiece of suspense. This classic film was based on Robert Bloch’s novel of the same name, originally published in 1959 by Simon and Schuster. Hitchcock’s film was nominated for four academy awards and helped its author to achieve fame and fortune, largely through his work in television and motion pictures.

Robert Bloch — who got his start as a writing professional working for the pulps — first discovered the rough-paper magazines through the August 1927 issue of WEIRD TALES, featuring front cover art by Hugh Rankin. A newspaper illustrator, Rankin began working for WEIRD TALES in 1927, doing the vast majority of the magazine’s interior illustrations during the late twenties and all of its covers, beginning with the July 1927 number. He continued as the pulp’s sole cover artist through the February 1931 issue. Afterward, he began sharing the cover with such artists as C. C. Senf, J. Allen St. John, and Margaret Brundage. Rankin continued to paint covers for WEIRD TALES into 1936.

Bloch’s fourth published story — “The Shambler from the Stars” — was not only dedicated to his writing mentor, H. P. Lovecraft, but also featured “The Old Gentleman” as an important character. Published in the September 1935 issue of WEIRD TALES and featuring cover art by Margaret Brundage, the story concerns a would-be writer who obtains a copy of an occult volume known as DE VERMIS MYSTERIIS. He takes the forbidden volume to a Providence-based mystic who, in his excitement, calls down an invisible, vampiric monster. Bloch’s tale would lead Lovecraft to write “The Haunter of the Dark,” published in the December 1936 WEIRD TALES. It was dedicated to Robert Bloch and featured a character named “Robert Blake.”

Following a write-up in the Milwaukee papers in 1935, the new author was invited to join The Milwaukee Fictioneers. A professional writers’ group, its membership also included pulp writers Fredric Brown, Ralph Milne Farley, Lawrence Keating, Ray Palmer, and Stanley G. Weinbaum. Soon after assuming the editorship of AMAZING STORIES in 1938, Palmer would publish Robert Bloch’s first science fiction story,“Secret of the Observatory.” Bloch would author a substantial number of stories for Palmer’s AMAZING STORIES, FANTASTIC ADVENTURES, and OTHER WORLDS SCIENCE STORIES, including “It’s a Small World,” the cover story for the March 1944 AMAZING, featuring artwork by J. Allen St. John.

Although PSYCHO is certainly Robert Bloch’s most famous novel, his first book-length work, THE SCARF — originally published in 1947 by Dial Press — is considered by many critics to be his best work. According to Cullen Gallagher, “It tells the story of a writer . . . who uses real women as models for his characters. But as soon as he is done writing the story, he is compelled to murder them, and always the same way: with the maroon scarf he has had since childhood.” One of the finest editions of THE SCARF is Avon’s 1952 paperback reprint of the work, featuring a beautiful cover by Charles Binger.)