A Century Ago in a Galaxy Called California

Dec 14, 2015 by

Pardon the play on words in the title, but it was hard to resist with the seventh STAR WARS movie, THE FORCE AWAKENS, premiering in theaters across the world at the end of this week. But why write about STAR WARS on a website devoted to PulpFest, Summer’s AMAZING Pulp Con?

Two words: Leigh Brackett. Four more words: THE EMPIRE STRIKES BACK. Considered by many to be the best of the STAR WARS films, the original treatment for the fifth episode of George Lucas’ series was written by Leigh Brackett. Shortly after delivering her untitled screenplay to Twentieth Century Fox, the so-called “Queen of the Space Opera” passed away. THE EMPIRE STRIKES BACK went on to become one of the highest grossing films of all time, and in 1981, received a Hugo Award for best dramatic presentation.

Born one-hundred years ago on December 7, 1915, Leigh Brackett was the wife of author Edmond Hamilton. Together, they were two of the many writers who helped to popularize the so-called “space operas” of the pulp magazines. Ed started first as the leading contributor of science fiction to WEIRD TALES during the 1920s. With stories about alien invasions, space police, and evolution gone wild, the author became known as “world-wrecker” Hamilton. In later years, he was asked by Standard Magazines’ Leo Margulies to work up something involving a “Mr. Future, Wizard of Science.” Eventually, the character evolved into Captain Future, a super-scientist headquartered on the Moon. In each issue of the pulp, Hamilton’s hero and his faithful assistants — known as the Futuremen — would save the solar system and, in later issues, the universe. When Mort Weisinger began working for DC Comics in 1941, he turned to Standard’s leading writers of science fiction — including Hamilton — to write the adventures of Superman and other comic book heroes.

Leigh Brackett came later to the pulps, selling her first story to ASTOUNDING SCIENCE FICTION in late 1939. The bulk of her science fiction appeared in Fiction House’s PLANET STORIES and Standard’s THRILLING WONDER STORIES and STARTLING STORIES. A native of southern California, she began collaborating on screenplays during the middle forties. Supposedly, Hollywood film director Howard Hawks was so impressed by her crime novel NO GOOD FROM A CORPSE that he had his secretary call in “this guy Brackett” to help William Faulkner write the script for THE BIG SLEEP. Released in 1946 and starring Humphrey Bogart and Lauren Bacall, it is considered a classic of film noir. During the fifties and sixties, Brackett, Hawks, and actor John Wayne collaborated on several motion pictures, included RIO BRAVO, HATARI, EL DORADO, and RIO LOBO. Leigh Brackett died in 1978.

In 1972, Brackett and Hamilton served as the guests of honor at the first Pulpcon, the forerunner to PulpFest. Years later in 2009, the town of Kinsman, Ohio — where Brackett and Hamilton lived after they had married — began celebrating this famed couple of pulp history. The celebration evolved into KinCon, a convention exploring the worlds of Edmond Hamilton and Leigh Brackett. Although the event is currently on hiatus, KinCon continues to celebrate these two exceptional pulp fictioneers through its website on Facebook.

Like KinCon, PulpFest seeks to draw attention to the profound effect that the pulps had on American popular culture, reverberating through a wide variety of media — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Planned as the summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest honors pulp fiction and pulp art by drawing attention to the many ways the magazines and their creators — people like Leigh Brackett and Edmond Hamilton — have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades.

Join PulpFest 2016 to be part of this great celebration of American popular culture. Start making your plans right now to join the 45th convening of “Summer’s AMAZING Pulp Con” in 2016. It will take place July 21st through July 24th at the Hyatt Regency Columbus and the Greater Columbus Convention Center in the beautiful downtown of Columbus, Ohio.

(After studying art by correspondence, Allen Anderson worked as a staff artist for Fawcett Publications in Minneapolis from 1929 to 1939. He moved to New York City in 1940 and began painting covers for pulp magazines published by Ace Magazines, Fiction House, Harry Donenfeld, and Martin Goodman. He also painted comic book covers for Ziff-Davis from 1949 to 1953. From 1947 through 1953, he contributed about thirty front cover paintings to PLANET STORIES — including the Winter 1948 issue — a Fiction House pulp magazine best remembered for the many entertaining space operas that appeared in its rough paper pages. In later years, Anderson opened a small advertising agency and worked as a sign painter. )

Saturday at PulpFest 2015

Aug 15, 2015 by

Weird Tales 45-07There’s still time to get in on the action. The dealers’ room at the Hyatt Regency Columbus will be open today from 10 AM until 4:30 PM. Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games will also be for sale.

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form. Please visit our registration page for further details.

The PulpFest dealers’ room will closing at 4:30 PM today. This should allow plenty of time for people to prepare for our Saturday Night Dinner at Buca di Beppo, a get-together arranged by registration and volunteer coordinator Sally Cullers. If you don’t plan to attend, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many fine downtown restaurants by clicking here as well as a map to find them by clicking here.

Whisperer in DarknessOur Saturday afternoon programming will start at 12:30 PM when author Duane Spurlock will read from AIRSHIP HUNTERS and FIGHTING ALASKA. Afterward, Ron Fortier will moderate a New Pulp Fiction Panel on “The Heirs of WEIRD TALES.” It will be followed by a presentation on WEIRD TALES artist Lee Brown Coye and another New Fictioneer reading featuring the weird poetry and prose of Scott Urban. Saturday evening’s events will include the PulpFest 2015 Business Meeting beginning at 7:10 PM, where two lucky members who had booked a stay at the Hyatt Regency will receive full membership refunds. It will be followed by the 2015 Munsey Award Presentation. Our programming for the evening will include Weird Editing at “The Unique Magazine,” The Thrilling Adventures of Rudolph Belarski, and a showing of THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE, part of our Lovecraft at the Movies film series. Tucked in before our movies begin will be our Saturday Night Auction, featuring material consigned by our membership.

Any member of PulpFest 2015 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens on Friday, August 14th. The sooner you submit your consignment to Mike Chomko, the more likely that it will be included in our auction. Mike’s tables will be along the wall, just inside the entrance to the PulpFest dealers’ room. All auction lots must be submitted to Mike prior to 2 PM, Saturday, August 15th. All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction. For additional information, please click on the auction link on our programming schedule or contact Barry Traylor via email at barry@pulpfest.com.

Highlights of this year’s auction include the original typescript for the Phillip José Farmer novel, DAYWORLD, with notes and corrections in the authors’ hand, along with an original 1930’s Shadow mask.  It was either a premium or sold as part of a Halloween costume. The auction will also feature a number of lots from the estate of Earl Kussman who, along with Ed Kessell and Nils Hardin, organized the first Pulpcon, held in Clayton, Missouri over a June weekend in 1972.

Cthulhu DiceFor pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

The PulpFest 2015 gaming track will begin at 10 AM on Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

On Sunday, August 16th, the dealers’ room will be open to all members from 10 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

If you will be needing a hotel room for tonight, please remember that PulpFest is sharing downtown Columbus with Matsuricon. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/ and you’ll find a link to a list of hotels to choose from. Alternately, we suggest that you search for a room at tripadvisor or a similar website as soon as you possibly can. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

(Not long after the appearance of the August Derleth anthology SLEEP NO MORE, the book’s illustrator, Lee Brown Coye, began a long relationship with WEIRD TALES. The first of his ten covers for the magazine appeared on its July 1945 number, featured above. He also produced many interior illustrations for the magazine. His work continued to appear in WEIRD TALES until 1952.

As part of its celebration of the 125th anniversary of H. P. Lovecraft’s birth and his relationship with WEIRD TALES, the leading supernatural fiction magazine of its time, PulpFest 2015 is very pleased to offer a fully authorized showing of THE WHISPERER IN DARKNESS. The one-sheet, pictured above, is copyright 2015 by the H. P. Lovecraft Historical Society.

One of the quick games that will be played at PulpFest is called CTHULHU DICE, from Steve Jackson Games. Players take turns rolling the big, custom-designed, twelve-sided die, embossed with tentacles, Elder Signs, and more. The objective of the game is to drive your opponents insane with the cast of your die. CTHULHU DICE plays in 5 to 10 minutes, and is great fun for two to six players.)

 

Friday at PulpFest 2015

Aug 14, 2015 by

Weird Tales 52-01PulpFest 2015 enters it second day, following a successful night of dealer set-up, early registration, early-bird shopping, and a full slate of exciting programming. If you missed our first day, there’s still plenty of action to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All members will also be able to register for the convention this morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Those who have prepaid for their memberships, will be able to pick up their registration packets at our door. Three-day memberships will be available for $40. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form. Please visit our registration page for further details.

Weird Tales 35-08The dealers’ room will open to all at 10 AM and remain open until 4:30 PM. Our afternoon programming will start at 1 PM with the first of two New Fictioneers readings — by Jason Scott Aiken and John Hegenberger — followed by a presentation on the Pulp Magazines Project. Our evening programming will begin at 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include a discussion of Standard Magazines’ managing editor, Leo Margulies, featuring Philip Sherman, the nephew of the “Little Giant of the Pulps.” Our guest-of-honor, author Chet Williamson, will discuss his career and explain how “the old gentleman” of Providence influenced him in his writing as well as the writing of his peers in the world of modern horror fiction. Our special guest, Jon Arfstrom, the last of the artists who painted covers for the original run of WEIRD TALESwill also talk briefly with pulp art historian David Saunders. We’ll also have our friends from FarmerCon X on hand for a discussion of the weird tales of Philip José Farmer, while a panel of popular culture historians will discuss the development of the Cthulhu or Lovecraft Mythos. Our final panel, Thrilling Heroes of Standard’s Pulps and Comics will feature pulp and comic book scholars Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts. We’ll close the night with a showing of THE CALL OF CTHULHU and COOL AIR, part of our Lovecraft at the Movies film series.

For pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

Call of Cthulhu Banner

The PulpFest 2015 gaming track will begin at 10 AM on Friday and Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest
programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

If you have yet to book your room for this year’s convention, please do so without delay. Remember that PulpFest will be sharing downtown Columbus with Matsuricon this week. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/  and you’ll find a link to a list of hotels to choose from. Alternately, we suggest that you search for a room at tripadvisor or a similar website as soon as you possibly can. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

PulpFest 2015 will continue through Saturday and Sunday. It concludes at 2 PM on Sunday, August 16th.

(Jon Arfstrom began to submit his work to the digest market around 1950. Soon, he was selling to a number of magazines, including Dorothy McIlwraith’s WEIRD TALES. He painted three covers for “The Unique Magazine,” beginning with the January 1952 issue, featured here, and continued contributing to it until its demise in 1954.

Our guest of honor for PulpFest 2015, Chet Williamson, has been collecting pulps ever since he was in college. The first pulp he ever bought was the August 1935 WEIRD TALES – pictured here with front cover art by the incomparable Margaret Brundage.

In 1981, a wargame and role-playing-game publisher known as Chaosium released the first edition of CALL OF CTHULHU, a game developed by Sandy Peterson. It is is now in its seventh edition and is one of the role-playing games that will be featured during PulpFest‘s new gaming track.)

 

PulpFest Primer

Aug 12, 2015 by

2015 FlyerPulpFest 2015 will begin on Thursday, August 13th, at 4 PM, as our dealers begin to erect their displays for “Summer’s Great Pulp Con!” All members will be able to register for the convention from 4 to 8 PM, right outside our dealers’ room. There will be early-bird shopping in the dealers’ room from 6 to 10 PM for loyal attendees who help to defray the convention’s costs by staying three nights at our host hotel. The cost is $30 for those who stay elsewhere. Our full programming slate for the evening will begin at 8 PM with a rapid-fire presentation on Walter Gibson’s use of real-world counterintelligence and espionage secrets in his Shadow novels. There will also be presentations on the detective and western heroes of the “Thrilling Group,” Street & Smith Comics, and sports pulps. Closing out the night will be a showing of OUT OF MIND: THE STORIES OF H. P. LOVECRAFT, one of the most admired films to be inspired by the master of the cosmic terror tale. We will also be featuring “Pickman’s Model,” a short film made for ROD SERLING’S NIGHT GALLERY and based on the Lovecraft work of the same title.

If you have yet to book your room for this year’s convention, please do so without delay. Remember that PulpFest will be sharing downtown Columbus with Matsuricon this week. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/ and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

As mentioned above, early registration for the general membership will take place on Thursday, beginning at 4 PM, right outside of the dealers’ room located in the Regency Ballroom on the hotel’s third floor. All members, dealers included, can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form.

For those of you who have not yet registered for PulpFest 2015, Thursday evening will be an ideal time to do so. Four-day memberships will be available for $40. There will be no single-day memberships available for Thursday only. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Please visit our registration page for further details. Members will also be able to register for the convention on Friday morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday.

Please note that advance registrations are no longer available. Our Paypal page was shut down around 10 PM on Monday night.

Startling Comics 48-01From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. While unloading and transporting your goods should be very easy – there’s a back entrance to the hotel for loading and we have been granted exclusive use of a freight elevator – there is bound to be a certain amount of disorientation as folks negotiate their way around the Hyatt. Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 10 PM on Thursday evening, an extra four hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed. Please remember that PulpFest is not a comic book convention. Sexually explicit material, including Playboy, Penthouse and Oui, is not allowed.

Call of Cthulhu One-SheetFrom 9 to 10 AM on Friday, August 14th, the dealers’ room will be open only to dealers for set-up. It will open to all at 10 AM and remain open until 4:30 PM. Our afternoon programming will start at 1 PM with the first of two New Fictioneers readings — by Jason Scott Aiken and John Hegenberger — followed by a presentation on the Pulp Magazines Project. Our evening programming will begin at 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include a discussion of Standard Magazines’ managing editor, Leo Margulies, featuring Philip Sherman, the nephew of the “Little Giant of the Pulps.” Our guest-of-honor, author Chet Williamson, will discuss his career and explain how “the old gentleman” of Providence influenced him in his writing as well as the writing of his peers in the world of modern horror fiction. Our special guest from the world of art, Jon Arfstrom, the last of the artists who painted covers for the original run of WEIRD TALESwill also talk briefly with pulp art historian David Saunders. We’ll also have our friends from FarmerCon X on hand for a discussion of the weird tales of Philip José Farmer, while a panel of popular culture historians will discuss the development of the Cthulhu or Lovecraft Mythos. Our final panel, Thrilling Heroes of Standard’s Pulps and Comics will feature pulp and comic book scholars Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts. We’ll close the night with a showing of THE CALL OF CTHULHU and COOL AIR, part of our Lovecraft at the Movies film series.

On Saturday, August 15th, the PulpFest dealers’ room will be open from 9 AM to 4:30 PM. This should allow plenty of time for people to prepare for our Saturday Night Dinner at Buca di Beppo, a get-together arranged by registration and volunteer coordinator Sally Cullers. If you don’t plan to attend, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many fine downtown restaurants by clicking here as well as a map to find them by clicking here.

Air War 1944-SummerOur Saturday afternoon programming will start at 12:30 PM when author Duane Spurlock will read from AIRSHIP HUNTERS and FIGHTING ALASKA. Afterward, Ron Fortier will moderate a New Pulp Fiction Panel on “The Heirs of WEIRD TALES.” It will be followed by a presentation on WEIRD TALES artist Lee Brown Coye and another New Fictioneer reading featuring the weird poetry and prose of Scott Urban. Saturday evening’s events will include the PulpFest 2015 Business Meeting beginning at 7:10 PM, where two lucky members who had booked a stay at the Hyatt Regency will receive full membership refunds. It will be followed by the 2015 Munsey Award Presentation. Our programming for the evening will include Weird Editing at “The Unique Magazine,” The Thrilling Adventures of Rudolph Belarski, and a showing of THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE, part of our Lovecraft at the Movies film series. Tucked in before our movies start will be our Saturday Night Auction, featuring material consigned by our membership.

Any member of PulpFest 2015 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens on Friday, August 14th. The sooner you submit your consignment to Mike Chomko, the more likely that it will be included in our auction. Mike’s tables will be along the wall, just inside the entrance to the PulpFest dealers’ room. All auction lots must be submitted to Mike prior to 2 PM, Saturday, August 15th. All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction. For additional information, please click on the auction link on our programming schedule or contact Barry Traylor via email at barry@pulpfest.com.

For pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

Arkham Horror

The PulpFest 2015 gaming track will begin at 10 AM on Friday and Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

On Sunday, August 16th, the dealers’ room will be open to all members from 10 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

Thrilling Sports 36-09We are hoping that this year’s con will be our biggest and best yet. For some time, we’ve been receiving registrations every day, many from people who have never attended PulpFest before. If you’ve been thinking about attending, but have yet to pull the trigger, please book a room without delay. Click here and you’ll find a link to a list of hotels to choose from. There may still be some rooms available at nearby hotels. Alternately, we suggest that you search for a room at tripadvisor and similar websites as soon as you possibly can.

The Hyatt Regency is located at 350 North High Street in downtown Columbus, Ohio. The hotel is south of I-670, just 15-20 minutes from Columbus International Airport. In the heart of the active Arena District, the Hyatt Regency is just a few minutes’ walk from the trendy Short North Arts District. There are shops and restaurants galore right outside the hotel’s entrance. Click here for map & directions.

For those who will be staying at the Hyatt Regency during the convention, parking is free at the Chestnut Street Garage, one block south of the hotel. The garage is connected to the hotel via an enclosed and covered walkway. For those visiting PulpFest for the day, you can also use the Chestnut Street Garage. Rates vary based on time, but $16 will get you a day’s parking with in and out privileges. Additional parking is available at the Convention Center underground garage or the Center’s east lot. Again, rates are time-based and $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

For those attendees who would like to ship their purchases to their homes, PulpFest 2015 has arranged for a local UPS provider to be available at the hotel on Sunday, August 16th. He will be arriving between 11 AM and noon and will stay as long as his services are needed. Further information is available on our FAQ page.

The entire PulpFest 2015 organizing committee – Mike Chomko, Jack and Sally Cullers, Barry Traylor, and Chuck Welch – is looking forward to seeing all of you. Have a safe trip to Columbus for “Summer’s Great Pulp Con.”

(Most of our promotional materials for PulpFest 2015 featured Matt Fox’s cover for the November 1944 issue of WEIRD TALES, one of about a dozen covers he painted for “the unique magazine.”

Alex Schomburg contributed substantially to Ned Pines’ Standard Magazines and Comics, including the January 1948 issue of STARTLING COMICS.

American painter, illustrator, graphic designer, web designer, poster artist and painter of book jackets, comic books, games and pin-ups Lee Moyer has created many Lovecraftian works of art, including the film poster for THE CALL OF CTHULHU, produced by the H. P. Lovecraft Historical Society in 2005.

Rudolph Belarski’s cover to the Summer 1944 issue of AIR WAR is one of many covers that the talented artist painted for Ned Pines’ “Thrilling Group” of pulp magazines.

Besides RPGs, there will be a number of board and card games that will be demonstrated and played at the convention. These games can last from twenty minutes to several hours. One board game that will be featured during PulpFest‘s new gaming track will be Fantasy Flight’s ARKHAM HORROR.

The first issue of THRILLING SPORTS was dated September 1936 and featured “The Hurdling Hurricane,” credited to Arthur William Rickard, as its cover story. The cover art for the issue was by Earle K. Bergey, who, along with Rudolph Belarski, created many cover paintings for Standard’s sports pulps.)

One Week to Go!

Aug 6, 2015 by

2015 Full Page AdPulpFest 2015 will start on Thursday, August 13th. The dealers’ room will be open to registered sellers to set up their displays from 4 to 11 PM. Early registration for all convention attendees will take place outside the dealers’ room from 4 to 8 PM. There will be early-bird shopping available to PulpFest members who will be staying at the Hyatt Regency Columbus or those who elect to purchase an early-bird membership from 6 to 10 PM. Our full slate of programming for Thursday evening will get underway at 8 PM. The new PulpFest gaming track will begin on Friday morning, August 15th, at 10 AM.

If you have yet to book your room for this year’s convention, please do so without delay. There may still be some rooms available at nearby hotels. Please click here and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive. Please book a room for three nights and register now for “Summer’s Great Pulp Con.”

Below, you’ll find our complete schedule for the entire convention. To learn more about a particular programming event, click on its title link. Due to last minute contingencies that may arise, this schedule is subject to change.

Thursday, August 13

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 10:00 PM — Dealers’ Room Opens for Early-Bird Shopping

Programming

8:00 PM — Pulpcraft: A Counterintelligence and Espionage Guide to the Pulp Adventures of The Shadow (Tim King)

8:40 PM — Thrilling Detectives (John Wooley and John Gunnison)

9:20 PM — 75 Years of Street & Smith Comics (Anthony Tollin, Tony Isabella, Will Murray, and Michelle Nolan)

10:10 PM — Saddle Up! A Look at the Western Heroes of the Thrilling Group (Ed Hulse)

10:50 PM — Play Ball: A Look at the Sports Pulps (Michelle Nolan)

11:30 PM — OUT OF MIND and PICKMAN’S MODEL (Lovecraft at the Movies)

Friday, August 14

Dealers’ Room

9:00 AM – 10:00 AM — Early Registration and Dealers’ Room Set-Up

10:00 AM – 4:30 PM — Dealers’ Room Open to All

10:00 AM – 10:00 PM — Gaming Track in the Clark Room, Second Floor

Programming

1:00 PM — New Fictioneers Reading: Swords Against Cthulhu (Jason Scott Aiken)

2:00 PM — New Fictioneers Reading: Hardboiled Horrors (John Hegenberger)

3:00 PM — The Pulp Magazines Project (Nathan Madison and Patrick Belk)

7:00 PM — Welcome to PulpFest 2015 (Convention Chairman Jack Cullers)

7:05 PM — Leo Margulies: The Little Giant of the Pulps (Ed Hulse, Will Murray and Philip M. Sherman)

7:55 PM — Our Guest of Honor (Chet Williamson)

8:45 PM — Our Special Guest (WEIRD TALES Artist Jon Arfstrom)

9:10 PM — FarmerCon X: The Weird Tales of  Philip José Farmer (Jason Aiken, Chuck Loridans, and Frank Schildiner)

9:50 PM — The Call of Cthulhu: The Development of Lovecraft’s Mythos (John Haefele, Don Herron, Tom Krabacher, Rick Lai, and Nathan Madison)

10:40 PM — Thrilling Heroes of Standards Pulps and Comics (Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts)

11:30 pm — THE CALL OF CTHULHU and COOL AIR (Lovecraft at the Movies)

Saturday, August 15

Dealers’ Room

10:00 AM – 4:30 PM — Dealers’ Room Open to All

10:00 AM – 10:00 PM — Gaming Track in the Clark Room, Second Floor

Programming

12:30 PM — New Fictioneer Reading: Flying Saucers and Fisticuffs (Duane Spurlock)

1:30 PM — The Heirs of WEIRD TALES (Jim Beard, Jeff Fournier, John Hegenberger, Rick Lai, Michael Panush, and Frank Schildiner with Ron Fortier, moderator)

2:30 PM — Pulp Macabre: The Art of Lee Brown Coye (Mike Hunchback)

3:30 PM — New Fictioneers Reading: Weird Poetry and Prose (Scott Urban)

5:00 PM — PulpFest 2015 Group Meal at Buca di Beppo (Volunteer coordinator Sally Cullers)

7:10 PM — PulpFest 2015 Business Meeting (meet the convention organizers)

7:40 PM — 2015 Munsey Award Presentation (presented by Randy Cox)

7:55 PM — Weird Editing at “The Unique Magazine” (Don Herron, Morgan Holmes, Tom Krabacher, Will Murray, and Garyn Roberts)

8:45 pm — The Thrilling Adventures of Rudolph Belarski  (David Saunders)

9:30 pm — Saturday Night at the Auction (John Gunnison and Joseph Saine)

11:30 pm — THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE (Lovecraft at the Movies)

Sunday, August 16

Dealer’s Room

10:00 AM – 2:00 PM — Dealers’ Room Open to All (many dealers will be packing up; buying opportunities may be limited)

10:00 AM – 2:00 PM — Gaming Track in the Clark Room, Second Floor

Please note that this schedule is subject to change.

For questions about our programming, please write to our programming director Mike Chomko at mike@pulpfest.com.

For questions about our dealers’ room, please write to our convention chairperson Jack Cullers at jack@pulpfest.com.

A Thrilling PulpFest!

Jul 23, 2015 by

40-01 Ghost Super-DetectiveJoin PulpFest in a few weeks for a salute to Ned Pines Standard Magazines — the Thrilling Group! Although many pulp collectors find much of the fiction published by Standard to be “less than thrilling,” they often find the cover art to be quite striking.  So why are we celebrating Standard Magazines? Although the pulp line turns 84 this year — hardly a sexy anniversary — many leading figures in the history of Pines Publishing have notable anniversaries in 2015: Major Malcolm Wheeler-Nicholson, THRILLING ADVENTURES writer and creator of the first comic book is 125; Tom Curry, western writer and creator of The Rio Kid, and Leo Margulies, managing editor of the “Thrilling Group,” are 115; Norman Daniels, who created the Black Bat and wrote many hero pulp stories for the group, and Thrilling publisher Ned Pines are 110; and Mort Weisinger, editor of CAPTAIN FUTURE and other Thrilling magazines, as well as DC’s Superman comic books, and Leigh Brackett and Henry Kuttner, both writers for Standard’s science-fiction pulps, are 100 years old. That’s eight reasons to make 2015 the year for Standard Magazines.

So what will we be doing to THRILL you at PulpFest 2015? There’s plenty! We’ve scattered presentations on Standard Magazines and Comics throughout our programming line-up. Click on the titles below to see what we’ll be offering from Thursday evening, August 13th through Saturday evening, August 15th. We hope that you find it . . . THRILLING!

Thursday, August 13

8:40 PM — Thrilling Detectives (John Wooley and John Gunnison)

10:10 PM — Saddle Up! A Look at the Western Heroes of the Thrilling Group (Ed Hulse)

10:50 PM — Play Ball: A Look at the Sports Pulps (Michelle Nolan)

Friday, August 14

7:05 PM — Leo Margulies: The Little Giant of the Pulps (Ed Hulse, Will Murray and Philip M. Sherman)

10:40 PM — Thrilling Heroes of Standard’s Pulps and Comics (Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts)

Saturday, August 15

8:45 pm — The Thrilling Adventures of Rudolph Belarski  (David Saunders)

Thrilling Comics 1939-1So here’s your chance to wish all these giants a “happy birthday” as PulpFest 2015 pays tribute to this leading pulp magazine publisher. The action begins on Thursday evening, August 13th and runs through Sunday, August 16th at the Hyatt Regency in downtown Columbus, Ohio. Click here to learn how to register for “Summer’s Great Pulp Con!” Afterward, book a room for three nights by visiting www.pulpfest.com/2015/06/16872/ and join your friends at the “pop culture center of the universe” for a salute to Ned Pines and the “Thrilling Group!”

(That’s the first issue of THE GHOST, SUPER-DETECTIVE, dated January 1940, and featuring cover artwork by Rafael de Soto, as well as the first issue of THRILLING COMICS, dated February 1940, and featuring cover artwork by Alexander Kostuk. PulpFest 2015 will be paying tribute to the Thrilling Heroes of Standard’s Pulps and Comics on Friday evening, August 14th, at 10:40 PM.)

 

Free to Our Members: THE PULPSTER #24

Jul 16, 2015 by

The-Pulpster-24-coverEditor and designer Bill Lampkin and his assistant-editor Peter Chomko are hard at work on the next issue of THE PULPSTER, the award-winning PulpFest program book. He’ll be featuring articles on Major Malcolm Wheeler-Nicholson, the author who founded DC Comics; the Thrilling Group of pulps and comics; DETECTIVE FICTION WEEKLY; Erle Stanley Gardner, and other topics. The highlight of the issue will be a round-robin article on H. P. Lovecraft and WEIRD TALES. It will feature contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES W. Paul Ganley, founder of WEIRDBOOKand Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Rick Lai, Will Murray, and J. Barry Traylor. So expect a slam-bang issue from the esteemed editor of our highly popular program book.

A longstanding tradition cherished by attendees of summer pulp cons, THE PULPSTER #24 will be released at PulpFest 2015. Every member – including supporting members – of PulpFest will receive a complimentary copy of THE PULPSTER. Following the convention, a limited number of copies of the program book will be available for purchase through Mike Chomko, Books. Please write to Mike – who also serves as the marketing and programming director for PulpFest – at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 to reserve your copy. Given its roster of authors, the issue will probably disappear before you know it.

You can also order back issues of THE PULPSTER through Mike Chomko, Books. Copies of THE PULPSTER #5, 6, 17, 20, 22, and 23 are available for $13 each, postage paid. Copies of THE PULPSTER #9 are available for $18, postage paid. Copies of THE PULPSTER #4, 15, and 21 are available for $23 each, postage paid. Copies of THE PULPSTER Mini-Edition, published in 2005 and featuring a history of the Lamont Award, are available for $8, postage paid. All other issues of THE PULPSTER are out of print. Reduced postage is available on orders of multiple books. Please note that quantities of most issues are limited as reflected by the various prices. These prices are good only in the United States. Buyers outside the United States, please inquire about rates as postage costs are quite substantial. Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in THE PULPSTER, back issues, or ordering issue #24 of THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

For information on how to register for PulpFest 2015, please click the red “register” button on our home page. To book a room for this year’s convention, please visit www.pulpfest.com/2015/06/16872/.

Thrilling Pulp Heroes of the Forties

Jun 20, 2015 by

Shadow33-08-01In the spring of 1931, THE SHADOW MAGAZINE was introduced to readers by Street & Smith Publications and proved an instant hit. Within a few short years, all of the leading pulp magazine publishers hoped to emulate its success by introducing their own hero pulps. The first to the starting gate would be Ned Pines’ Standard Magazines, the pulp chain that will be feted at this year’s PulpFest in Columbus, Ohio.

The first of the so-called hero pulps inspired by Walter Gibson’s “Dark Avenger” was THE PHANTOM DETECTIVE, launched in early 1933. Later that same year, Standard followed with the first air war hero magazine, THE LONE EAGLE. Next came G-MEN, the first pulp magazine to capitalize on growing popularity of J. Edgar Hoover’s FBI agents. Thrilling closed the thirties by introducing the heroic adventures of the Black Bat to readers of BLACK BOOK DETECTIVE MAGAZINE, a pulp that had been around nearly as long as the company’s first hero pulp, D. L. Champion’s THE PHANTOM DETECTIVE.

In 1939, while attending the first World Science Fiction Convention in New York City, Standard Magazines’ editor-in-chief, Leo Margulies, “was so overcome by the sincerity of the fans,” that he and editor Mort Weisinger immediately began to work up an idea for a new kind of fantasy magazine. The result of those discussions was CAPTAIN FUTURE, a hero pulp that premiered at the beginning of 1940.

40-01 Captain FutureOr so the story goes. In actuality, the Thrilling Group’s editorial staff had been batting around ideas for a science-fictional single-character magazine for about a year, even asking long-time Standard author Edmond Hamilton to work something up involving a “Mr. Future, Wizard of Science.” Eventually, this character evolved into Captain Future, a super-scientist with laboratories and a residence on the Moon. In each issue of the pulp, Hamilton’s Captain and his faithful assistants pretty much would save the solar system from desolation at the hands of this villain or that. The novels were fairly juvenile space-opera. CAPTAIN FUTURE ran until the spring of 1944, surviving for seventeen issues with Edmond Hamilton at the helm for all but one. In 1945-46, three additional Captain Future novels ran in STARTLING STORIES, with Hamilton writing two of them and Manly Wade Wellman one. Seven shorter works followed in 1950, all written by Hamilton. Popular Library reprinted thirteen of the Captain’s adventures in paperback in the late sixties. Today, specialty publisher Haffner Press is collecting the entire series into quality hardbound volumes.

40-01 Ghost Super-DetectivePremiering around the same time as the good captain, THE GHOST, SUPER-DETECTIVE was a short-lived hero pulp that ran for just seven issues, even though, during its abbreviated life, it went through two title changes. It became THE GHOST DETECTIVE in the summer of 1940 and THE GREEN GHOST DETECTIVE in the winter of 1941. Whatever the name, this pulp hero was actually George Chance, a professional magician who decided to use his skills of prestidigitation to fight crime. As The Ghost, Green Ghost, or whatever, Chance took on the guise of a ghoul. As the late Robert Sampson wrote: “His face is bloodless white, the eyes sunk deep in blotched hollows. The nostrils gape wide. Yellow teeth fill a distended mouth. In short, he looks like a dead man, a staring corpse. These features appear by night, glowing with dim luminescence, to the confusion of the underworld.” After the pulp was cancelled in 1941, the character returned in a series of a six short stories that ran in THRILLING MYSTERY from 1942 through 1944. The entire series, both novels and short stories, was written by G. T. Fleming-Roberts. It has been reprinted by The Battered Silicon Dispatch Box as part of its LOST TREASURES FROM THE PULPS library. A prolific author, Fleming-Roberts wrote other single-character adventures including Secret Agent “X,” The Black Hood, Dan Fowler, and Captain Zero. He also penned two other magician-detective series—the Diamondstone tales for POPULAR DETECTIVE and the Jeffery Wren yarns for DIME DETECTIVE.

Air War 1940-FallThe adventures of Captain Danger were told in AIR WAR, a companion to SKY FIGHTERS, THE LONE EAGLE, and other Thrilling aviation pulps. The magazine debuted during the fall of 1940 and ran for a total of nineteen issues. Credited to Lieutenant Scott Morgan, a house name, the tales of Allen Danger, a soldier of fortune who dedicated his life to helping the downtrodden, appeared in the first fifteen issues of the Standard pulp magazine. Described as a demon of the skies, his missions took him across the globe, delivering aerial justice against the Axis powers. According to pulp historian Don Hutchison, the series was created by Robert Sidney Bowen. However, at least seven of the stories–including the last yarn in the Spring 1944 issue–are known to be the work of Norman Daniels.

40-10 Masked DetectiveThe last of Standard Magazines’ line of non-western single-character pulps, THE MASKED DETECTIVE, also reached newsstands in the fall of 1940. The title character was the alter ego of crime reporter Rex Parker, a laid-back newshawk who worked for a New York newspaper. When not tracking down news for his paper, he battled crime as The Masked Detective. A student of kick-boxing, the detective “wore a neat black suit, gray shirt, dark bow tie, black hat, and a black mask covering his eyes, forehead, and nose. He wore specially built shoes with square, hard toes. He was also a master of ju-jitsu, a good shot, a trained boxer, a makeup artist, and a ventriloquist.” Author credit went to C. K. M. Scanlon, a house name. Norman Daniels is known to have written at least five of the stories. THE MASKED DETECTIVE ran for twelve issues, lasting into the spring of 1943.

Scattered throughout Standard’s anthology titles are other so-called pulp heroes including The Crimson Mask. Attributed to Frank Johnson, the series was largely written by the prolific Daniels. The Mask was the alter ego of pharmacist Robert Clarke, a man seeking revenge against the criminals who had murdered his father. Aided by a small group of friends, the Crimson Mask battled gangsters, kidnappers, and Nazi spy rings through sixteen stories. The series ran in Thrilling’s DETECTIVE NOVELS MAGAZINE, debuting in the August 1940 issue and running through the April 1944 number. The Mask’s stories usually alternated with Daniels’ own Candid Camera Kid yarns, introduced in the June 1939 issue. The first five Crimson Mask stories have been reprinted by Altus Press.

Exciting Detective 41-FallEXCITING DETECTIVE premiered during the fall of 1940, promising “fast-moving, dynamite-packed, up-to-the-minute novels, novelettes, and stories that carry a high-powered punch!” It ran for a total of fifteen issues, ending with its Summer 1943 number, a victim of wartime paper rationing. Appearing in four of its issues–beginning with the Fall 1941 number–was Miles Murdock, a plastic surgeon also known as The Purple Scar. Attributed to John S. Endicott, the stories are thought to be the work of pulp writer George A. McDonald. A “grim nemesis of evil,” The Purple Scar was a master of disguise who spoke in a “hoarse whispering, rather chilling, tomb-like voice.” He wore a purple mask to imitate his murdered brother’s features, scarred by acid and submerged in water. “Purple becomes black at night, which makes my face invisible instead of betraying it as a pale glow in the darkness.” All four of The Scar’s stories have been reprinted by Altus Press.

Debuting in the May 1941 issue of THRILLING ADVENTURES, Henry Kuttner’s Thunder Jim Wade was a short-lived character who is usually written off as a Doc Savage clone. Published under the house name of Charles Stoddard, Wade was raised in a lost colony of Crete where he developed various mental and physical abilities. A roving troubleshooter operating off of a secret island in the South Pacific, Jim is alerted to problems through agents scattered across the globe. Helped by two assistants–Red Argyle and Dirk Marat–Thunder Jim starred in five adventures published in consecutive issues of the Standard pulp magazine. All have been reprinted in a single volume published by Altus Press, entitled THUNDER JIM WADE: THE COMPLETE SERIES.

Thrilling Mystery 41-11Although the bulk of the Dr. Zeng Tse-Lin stories were co-written by W. T. Ballard and Robert Leslie Bellem and published in POPULAR DETECTIVE, the first story of the series–“Fangs of Doom”–ran in the November 1941 issue of THRILLING MYSTERY. An allegedly Chinese crimefighter who is actually the son of white missionary parents, Zeng was assisted by Lai Hu Chow, a Chinese man who wears an artificial leg in which he can carry weapons and other useful items. The entire series has been reprinted by Altus Press. Dr. Zeng will also be explored during our PulpFest presentation, “Thrilling Detectives,” taking place on Thursday, August 13th, at 8:40 PM.

As part of its celebration of the Thrilling Group, PulpFest 2015 is proud to welcome Altus Press publisher and 2012 Munsey Award winner Matt Moring; 1979 Lamont Award winner and author of “The Wild Adventures of Doc Savage and Tarzan” Will Murray; pop culture expert and 2014 Inkpot Award winner Michelle Nolan; and popular culture Professor Garyn G. Roberts, who was awarded the Munsey in 2013, for a presentation entitled “Thrilling Heroes of Standard’s Pulps and Comics.” Scheduled for Friday evening, August 14th, at 10:40 PM, it will examine the evolution of the Standard hero in both pulp magazines and comic books. Thrilling’s heroes of the detective and western genres will be dissected on Thursday, August 13th.

Our discussion of Standard’s heroes began on Friday, June 19th, to call attention to this “Thrilling Presentation!!!” You can read our previous post about the Thrilling pulp heroes of the thirties by visiting  www.pulpfest.com. On Sunday, we’ll turn our attention to the comic book heroes of Standard, Better, Nedor, and Visual Editions.

(George Rozen’s painting for the August 1, 1933 issue of THE SHADOW MAGAZINE is perhaps one of the artist’s most iconic images of Walter Gibson’s “Dark Avenger.” Born 110 years ago in October 1895, Rozen and his twin brother, Jerome, were both pulp artists. George’s first published assignments were covers and interior pen-and-ink story illustrations for Fawcett magazines. In 1931, he replaced his brother as the cover artist for Street & Smith’s THE SHADOW MAGAZINE. George Rozen became the pulp’s most renowned cover artist, while his brother branched out into the more prestigious fields of advertising and slick magazines.

As time passed, George Rozen continued to work for the pulp industry, selling cover art to all of the major publishers including Popular and the Thrilling Group. For Ned Pines, Rozen painted adventure, detective (such as the first issue of THE MASKED DETECTIVE, dated Fall 1940), western, war, and even science-fiction covers, including the first issue of CAPTAIN FUTURE, dated January 1940. As the pulp market began to contract, his work was increasingly found on paperbacks from Popular Library and Ace.

While training for the priesthood in his native Puerto Rico, Rafael de Soto began taking private art lessons with a local artist. He emigrated to the United States in 1923 and soon found work at an advertising company. He began to draw interior story illustrations for Street & Smith’s western pulp magazines in 1930. Two years later, he started to sell freelance cover paintings to all the major pulp magazine publishers including Clayton, Dell, Fiction House, Popular, Street & Smith, and the Thrilling Group. It was de Soto who created the cover art for the first issue of THE GHOST SUPER-DETECTIVE, dated January 1940. He continued to produce pulp covers up until the demise of the industry during the 1950s. He also sold freelance illustrations to slick magazines, many paperback book covers, and covers and interior story illustrations for men’s adventure magazines. Rafael de Soto retired from freelance illustration in 1964 and began teaching art at the State University of New York, Farmingdale. He taught art for the rest of his life and embarked on a very successful career as a portrait artist.

Although some have attributed the front cover art for the first issue of AIR WAR, dated Fall 1940, to Harold William McCauley, who primarily worked as a staff artist for the Chicago-based Ziff-Davis publishing house, the painting does not resemble the artist’s usual work. It seems hard to imagine that Standard Publications would launch a new title with an untried free-lance cover artist living in Chicago, who they had never worked with before. Unless proven otherwise, the cover artist for this particular issue of AIR WAR is not known.

Ernest Chiriacka provided the cover illustrations for both the Fall 1940 issue of EXCITING DETECTIVE (featuring the premier of The Purple Scar series) and the November 1941 issue of THRILLING MYSTERY (which featured E. Hoffmann Price’s “Fangs of Doom,” the start of the Dr. Zeng series). Chiriacka’s first published story illustrations appeared in 1939 in Street & Smith’s LOVE STORY MAGAZINE. During the 1940s, he began selling freelance pulp covers to a variety of magazines including ADVENTURE, BLACK BOOK DETECTIVE, DETECTIVE FICTION WEEKLY, DIME WESTERN, G-MEN DETECTIVE, THE PHANTOM DETECTIVE, STAR WESTERN, SWEETHEART STORIES, TEXAS RANGERS, and WESTERN ACES. In 1950, he joined the American Artists Agency and began a successful career as a slick magazine illustrator. He also painted many paperback covers up until 1965. Afterward, he retired from commerical illustration to concentrate on painting visionary landscapes of the Old West.)

 

Thrilling Pulp Heroes of the Thirties

Jun 19, 2015 by

Who knows what evil lurks in the hearts of men? The Shadow knows!!!

Phantom Detective 33-02In the spring of 1931, THE SHADOW MAGAZINE was introduced to readers by Street & Smith Publications. Employing the talents of author Walter B. Gibson, the magazine proved an instant hit. Planned as a quarterly, this first “hero” pulp became a monthly following its first two issues. A year later, it became a semi-monthly, appearing twice monthly until early 1943. In 1937, Gibson teamed with scriptwriter Edward Hale Bierstadt to develop a radio program for the Mutual Broadcasting System. It was here that actor Frank Readick, Jr. uttered the famous words quoted above that have since become part of the American idiom.

By 1932, Street & Smith was planning other single-character magazines, hoping to emulate the high-flying SHADOW MAGAZINE. The leading pulp magazine publisher would introduce three titles in 1933, including DOC SAVAGE MAGAZINE. Other publishing houses were also noticing the strong sales. The first to the starting gate would be Ned Pines’ Standard Magazines, the pulp chain that will be feted at this year’s PulpFest in Columbus, Ohio.

The first of the so-called hero pulps inspired by Walter Gibson’s “Dark Avenger” was THE PHANTOM DETECTIVE. Created by D. L. Champion (whose wife was a native of Columbus) and launched by Ned Pines’ Thrilling Group, the Phantom was the alter ego of man-about-town Richard Curtis Van Loan. A veteran of the World War I, this moneyed playboy was bored with life until a family friend recommended he “try his hand at solving a mysterious crime which had stumped the police.” His initial success led Van Loan to dedicate his life and fortune to combating crime, making the Phantom “a name known and admired by the police of every nation.”

The first issue of THE PHANTOM DETECTIVE was dated February 1933; it would be followed that year by other single-character pulps including G-8 AND HIS BATTLE ACES, NICK CARTER, and THE SPIDER. The Summer 1953 issue would be the final number of the Thrilling pulp. It was the longest-lived of the hero pulps, lasting for just over twenty years and a total of 170 issues.

While the Great Depression savaged other fiction genres, the pulp heroes of 1933 surged forward, their magazines flying off America’s newsstands faster than they could be printed. Street & Smith’s DOC SAVAGE and NICK CARTER followed THE PHANTOM DETECTIVE to the racks, while Thrilling introduced an air hero, inspired by the success of its own SKY FIGHTERS, a pulp filled with the adventures of flying aces of the First World War and “especially sought after by boys raised on the courageous exploits of fathers and uncles who had served in the Great War, boys who kept themselves busy building model planes constructed of balsa wood.”

33-09 Lone EagleBorrowing one of the nicknames given to Charles Lindbergh following his nonstop flight from New York to Paris, Standard Magazines released THE LONE EAGLE. Telling the heroic adventures of Air Intelligence Agent John Masters, “the world’s greatest Sky Fighter,” the pulp debuted in the late summer of 1933. “Masters showed a natural affinity for a stuttering machine-gun and as his natural proficiency increased, he built up a dark and terrible reputation about his name. He became the ‘Lone Eagle’ of the skies . . . He showed an indomitable courage and a dynamic driving power, in pushing to a successful conclusion his secret missions. Many men feared him, many hated him—an occasional one loved him.”

Those words, written by F. E. Rechnitzer, appeared in “No Man’s Air,” the lead novel in the first issue of the new hero pulp. A former World War I Allied pilot and prisoner-of-war, Rechnitzer is believed to have written many of the adventures of The Lone Eagle, hidden behind the “Lt. Scott Morgan” house name; Robert Sidney Bowen probably contributed most of the later novels. In all, 75 tales of “the world’s greatest Sky Fighter” would appear through the spring of 1943, when the magazine would fly off into the sunset as THE AMERICAN EAGLE.

35-10 G-MenIn the early thirties, lawman J. Edgar Hoover was trying to build a “super police force” to deal with the crime then rampant in America. To help his cause, Hoover embarked on a spirited publication relations campaign, creating a radio program that dramatized actual cases of the Bureau. He also tried to put together a comic strip, WAR ON CRIME. Although these attempts did not get very far, Hoover had great success in the pulp market. By 1936, there were four magazines dedicated to the heroics of the FBI, including the one that started it all, Better Publications’ G-MEN. The “Ace of the FBI,” Special Agent Dan Fowler, was no “Man of a Thousand Faces.” Straight-laced and completely dedicated to the Bureau, this cross between Dick Tracy and DRAGNET’S Sergeant Joe Friday tormented kidnappers, drug pushers, bank robbers, saboteurs, arsonists, racketeers, and other miscreants for 112 adventures, beginning in the October 1935 G-MEN. Most of the early Fowlers were written by George Fielding Eliot using the house name of C. K. M. Scanlon. Later yarns were credited to the actual authors–Robert Sidney Bowen, Norman Daniels, Laurence Donovan, G. T. Fleming-Roberts, Jean Francis Webb, Manly Wade Wellman, and others. The magazine was discontinued following its Winter 1953 issue.

Black Book Detective 39-07BLACK BOOK DETECTIVE MAGAZINE had actually been around for quite a few years when the story, “Brand of the Black Bat” appeared in its July 1939 number. The pulp, which ran for twenty years, had debuted in the late spring of 1933. During its initial years, it was a detective pulp, Standard’s answer to such stalwarts as BLACK MASK and DIME DETECTIVE. A monthly magazine, it published between three and eight stories in each issue, featuring detective yarns by writers such as Hugh B. Cave, Charles Green, Philip Ketchum, Johnston McCulley, Barry Perowne, Richard Sale, Lawrence Treat, and many others. In the summer of 1939, its make-up changed when BLACK BOOK DETECTIVE became a hero pulp, featuring the adventures of The Black Bat. The creation of the prolific Norman Daniels, the Bat is actually Tony Quinn, a young district attorney, blinded by acid. Eventually, a surgeon secretly operates on Quinn, transplanting the eyes of a slain police sergeant into the scarred attorney. After his bandages are removed, Quinn can see perfectly in the dark. Soon thereafter, the Black Bat is born. According to the late pulp fan, Lester Belcher, “The Black Bat novels were fast-moving, exciting, and held your interest. Quinn was a true American, fighting for justice in the only way he knew how.” Through the final issue of BLACK BOOK DETECTIVE, dated Winter 1953, the Black Bat appeared 62 times. Two more novels were left unpublished following the magazine’s demise. Except for a half-dozen stories published during the early forties, as well as the final published Black Bat novel, all of Quinn’s exploits were written by Norman Daniels.

Scattered throughout Standard’s anthology titles are other so-called pulp heroes. D. L. Champion’s “Mr. Death,” most likely, helped the author land the assignment to pen the early adventures of The Phantom Detective. Published under the house pseudonym of G. Wayman Jones in THRILLING DETECTIVE from February 1932 through October 1932, Mr. Death is man-about-town James Quincy Gilmore. His father is slain by the vicious Murder Club, led by nine unknown individuals. Gilmore swears vengeance on them as Mr. Death and in each part of the story, tracks down and kills each murderer, leaving a calling card reading “Alias Mr. Death.” In the last story, after eliminating Number One, Mr. Death “kills” himself in a plane crash. The entire series has been reprinted by Altus Press.

Perley Poore Sheehan offered six tales of “Kwa of the Jungle” to readers of THRILLING ADVENTURE during the early thirties. Writing as Paul Regard, Sheehan relates the story of Nathaniel Rahan, orphaned after a plane crash kills his parents in a lost African valley. Adopted into a tribe of chimp-like pre-humans known as “The Men That Are Not Yet Men,”  he is called “Kwa, the Golden One” and taught the ways of the jungle by a wise old chimpanzee named Kek. Encountering spider men, minotaurs, and other dangers in six “thrilling” adventures originally published between August 1932 and May 1933, the entire series has been reprinted by Pulpville Press.

Detective Novels 1944-02Standard had been publishing DETECTIVE NOVELS for over a year when it introduced Norman Daniels’ “Candid Camera Kid” to readers of the Thrilling line of pulp magazines. Most likely inspired by the popularity of George Harmon Coxe’s Flashgun Casey, the ace photographer for a Boston newspaper whose adventures appeared in BLACK MASK and a pair of B movies, Daniels’ twenty-three tales of the Kid were published behind the John L. Benton house name. They debuted in the June 1939 issue of DETECTIVE NOVELS and ran through the June 1944 number. Two additional tales appeared in THRILLING DETECTIVE under the G. Wayman Jones byline. There’s a great article about the Kids’ stories written by Monte Herridge and published in the June 2001 issue of Mike Chomko’s long-lamented pulp fanzine PURPLE PROSE.

Another Daniels’ character, “The Eagle,” was described as “the master spy-fighter of them all.” An ace counter-espionage agent, he had a reputation known from Tokyo to Berlin. As the first issue of THRILLING SPY STORIES, dated Fall 1939, proclaimed: “The Eagle, wise in the ways of spies and trained to detect the hundred and one subterfuges to which spies resort, fights the enemy with its own undercover weapons, and handles those weapons with a skill brought to perfection by a tireless body, an agile brain, and a fighting heart imbued with the love of his country and her democratic institutions.” The series ran throughout the entire run of the magazine–four issues–with the last dated Summer 1940. A fifth story, “Gold of the Gestapo,” ran in the December 1940 issue of POPULAR DETECTIVE. The entire series has been reprinted by Altus Press.

As part of its celebration of the Thrilling Group, PulpFest 2015 is proud to welcome Altus Press publisher and 2012 Munsey Award winner Matt Moring; 1979 Lamont Award winner and author of “The Wild Adventures of Doc Savage and Tarzan” Will Murray; pop culture expert and 2014 Inkpot Award winner Michelle Nolan; and popular culture Professor Garyn G. Roberts, who was awarded the Munsey in 2013, for a presentation entitled “Thrilling Heroes of Standard’s Pulps and Comics.” Scheduled for Friday evening, August 14th, at 10:40 PM, it will examine the evolution of the Standard hero in both pulp magazines and comic books. Thrilling’s heroes of the detective and western genres will be dissected on Thursday, August 13th.

For the next few days, we’ll be discussing Standard’s heroes to call attention to this “Thrilling Presentation!!!” Join us by visiting www.pulpfest.com on Saturday, June 20th, for an examination of the Thrilling pulp heroes of the forties. On Sunday, we’ll turn our attention to the comic book heroes of Standard, Better, Nedor, and Visual Editions.

(Following the success of Street and Smith’s single-character pulp, THE SHADOW MAGAZINE, Ned Pines entered the hero pulp market with THE PHANTOM DETECTIVE. Its first issue was dated February 1933 and featured front cover art by Bertram James Glover, an illustrator and landscape artist who began painting pulp magazine covers in 1927.

Borrowing one of the nicknames given to Charles Lindbergh following his nonstop flight from New York to Paris, Standard’s THE LONE EAGLE debuted behind a cover painted by Eugene M. Franzden, an artist whose work regularly appeared as interior story illustrations and covers for many aviation pulp magazines including the September 1933 issue of the Thrilling air-hero pulp.

Emery Clarke created the front cover art for the initial appearances of both Dan Fowler in the October 1935 G-MEN and Norman Daniels’ Black Bat in the July 1939 issue of BLACK BOOK DETECTIVE MAGAZINE. Clarke was a freelance artist who painted covers for ACTION STORIES, DOC SAVAGE, FIGHT STORIES, SHORT STORIES, STAR WESTERN, TEN DETECTIVE ACES, TOP-NOTCH, and other pulps. He also created covers for LIBERTY, THE SATURDAY EVENING POST, and other slick magazines.

Rudolph Belarski’s cover to the February 1944 issue of DETECTIVE NOVELS is one of many covers that the talented artist painted for Ned Pines’ “Thrilling Group” of pulp magazines. Belarski got his start with the pulp industry in 1928 through Dell Publications, doing interiors and covers for adventure pulps about World War I. He later worked for Fiction House and the Munsey line of pulp magazines. By 1935, he was one of Ned Pines’ top artists at Standard Publications. To learn more about this talented artist, read “The Thrilling Adventures of Rudolph Belarski,” posted to our website on Sunday, June 14, 2015.)

 

The Thrilling Adventures of Rudolph Belarski

Jun 14, 2015 by

Air War 1944-SummerRudolph Belarski grew up in the hardscrabble world of coal mines in Luzerne County, Pennsylvania. He finished the sixth grade and then entered the work force with his classmates at the Pittston Mines, where he labored for ten years, while he subscribed to a correspondence art school to follow his dream to become a celebrated illustrator.

In 1922 he moved to New York City to study at the Pratt Institute in Brooklyn, where his classmates included Walter Baumhofer, Frederick Blakeslee, and John Fleming Gould. In 1928, he entered the pulp industry through Dell Publications, doing interiors and covers for adventure pulps about World War I, such as WAR ACES, WAR BIRDS, WAR NOVELS, and WAR STORIES. In later years, he worked for Fiction House and the Munsey chain of pulp magazines, painting covers for ACES, AIR STORIES, ALL-AMERICAN FICTION, ARGOSY, DETECTIVE FICTION WEEKLY, DOUBLE DETECTIVE, RED STAR ADVENTURES, SILVER BUCK WESTERN, WINGS, and other rough-paper titles.

By 1935 Rudolph  Belarski was one of Ned Pines’ top artists at Standard Publications, where he painted covers for AIR WAR, THE AMERICAN EAGLE, ARMY NAVY FLYING STORIES, BLACK BOOK DETECTIVE, CAPTAIN FUTURE, DETECTIVE NOVEL MAGAZINE, EXCITING FOOTBALL, EXCITING SPORTS, GIANT DETECTIVE, G-MEN DETECTIVE, THE LONE EAGLE, MYSTERY BOOK MAGAZINE, THE PHANTOM DETECTIVE, POPULAR DETECTIVE, POPULAR WESTERN, RAF ACES, SKY FIGHTERS, STARTLING STORIES, THRILLING ADVENTURES, THRILLING DETECTIVE, THRILLING MYSTERY, THRILLING WONDER STORIES, WEST, and other pulps from the Thrilling Group.

Following the Second World War, Rudolph Belarski became one of Ned Pines’ top paperback cover artists at Popular Library as well as a leading illustrator for the men’s adventure magazines. He finished his career as a teacher at the world’s foremost correspondence art school, the Famous Artists School of Westport, Connecticut. On Saturday, August 15th, at 8:45 PM, please join pulp art historian David Saunders for an exploration of the life and work of pulp artist Rudolph Belarski at PulpFest 2015.

Born in 1954, David Saunders is a New York artist. His work has been collected worldwide in museums, including the Museum of Modern Art, The Metropolitan Museum of Art, The Brooklyn Museum of Art, and the Hirschhorn Museum of Art in Washington, DC. He has taught art at such colleges as, Yale, Oberlin, and the Kansas City Art Institute, as well as art schools in France, Korea, Mexico and Japan.

David’s father was the legendary illustrator, Norman Saunders. His mother, Ellene Politis Saunders, worked at Fawcett Publications as Chief Executive Editor for WOMAN’S DAY. In 1972, David became his father’s business secretary, which started a long project to catalog his father’s 7,000 published illustrations. He spent the next seventeen years gathering published examples of his father’s work from used bookshops and submitting each new entry to his father’s inspection. What began as a sentimental hobby for a father and son grew into an impressive archive of 20th century American illustration. After his father’s death in 1989, he completed the archive on his own. He interviewed his father’s surviving associates to record their oral histories. These transcripts helped to broaden his viewpoint of the popular culture publishing industry and also documented vital information about the lives of other artists. Some of this material has been published as biographical profiles in ILLUSTRATION MAGAZINE and several coffee-table art books on pulp artists.

David is, quite probably, the foremost scholar of American pulp illustrators. His free public website, Field Guide to Wild American Pulp Artists, has over three-hundred biographical profiles of these creators of popular culture. David continues to research, document, and promote a greater appreciation of pulp artists. To find out more, please visit davidsaunders.biz, normansaunders.com, and theillustratedpress.com.

(Rudolph Belarski’s cover to the Summer 1944 issue of AIR WAR is one of many covers that the talented artist painted for Ned Pines’ “Thrilling Group” of pulp magazines. To learn more about the artist, be sure to visit David Saunders’ Field Guide to Wild American Pulp Artists where you will find more than 300 biographical profiles of American pulp artists. For a wider sampling of the artist’s work, pick up a copy of John Gunnison’s BELARSKI: PULP ART MASTER, available through Adventure House.)Belarski