What’s This PulpFest All About?

Mar 27, 2017 by

So what’s this PulpFest that has so many people talking? With almost 3,000 likes on Facebook and more than 700 followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

All-Story 12-10PulpFest is named for pulp magazines — fiction periodicals named after the cheap paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. A decade later, pulps began to pick up steam with titles like BLUE BOOK and ADVENTURE, then exploded in 1912 when THE ALL-STORY printed a little yarn by Edgar Rice Burroughs called “Tarzan of the Apes.” Soon thereafter, genre titles began to flourish, among them DETECTIVE STORY, WESTERN STORY, and LOVE STORY. In the twenties, publishing legends such as BLACK MASK, WEIRD TALES and AMAZING STORIES debuted. The following decade saw the advent of the so-called “hero pulps” with magazines such as THE SHADOW, DOC SAVAGE, and THE SPIDER attracting new readers to the rough-paper format. Weird-menace magazines premiered around the same time with DIME MYSTERY MAGAZINE, SPICY MYSTERY STORIES, and TERROR TALES scaring the wits out of readers. The late thirties saw an explosion of science fiction pulps — led by John W. Campbell’s ASTOUNDING STORIES — with other titles such as FANTASTIC ADVENTURES and PLANET STORIES thrilling readers of all ages.

By the early fifties, the pulps were gone, killed by competition from paperback books, comic books, radio, television, and movies. But the fiction and artwork that appeared in the rough-paper consumables of the early twentieth century kept them alive in the hearts and minds of countless individuals. Haunting back-issue magazine shops, flea markets, science fiction conventions, and other venues, these hearty souls gradually assembled astounding collections of genre fiction, all published in the rough and ragged magazines known as pulps. Eventually, these collectors organized a convention dedicated to the premise that the pulps had a profound effect on American popular culture that reverberated through a wide variety of mediums — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Today, we call this convention, PulpFest.

The summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor the pulps by drawing attention to the many ways these throwaway articles have inspired writers, artists, film directors, software developers, and other creators over the decades.

Why not come see what it’s all about? PulpFest 2017 will be paying tribute to the hardboiled dicks, dangerous dames, and a few psychos of the pulps. We’ll be exploring DIME DETECTIVE MAGAZINE — where the hard-boiled detective story developed into an important fiction genre — and Robert Leslie Bellem’s tough-guy detective, Dan Turner; Pat Savage, The Domino Lady, and other dangerous dames of the pulps, the hardboiled ladies who helped pave the way for such modern day gumshoes as Sue Grafton‘s Kinsey Millhone, Marcia Muller‘s Sharon McCone, and Sara Paretsky‘s V. I. Warshawski; and some of the mad scientists, crazed hunchbacks, and foul cultists who decimated American cities on a monthly basis in rough-paper magazines like THE SHADOW. We’ll also be saluting the hundredth anniversary of the birth of Robert Bloch, the author of PSYCHO — later adapted to film by Alfred Hitchcock. Bloch got his start as a writing professional in the pulps.

The convention’s guest of honor will be Pittsburgh artist Gloria Stoll Karn. In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers. How’s that for a dangerous dame? One of the few surviving contributors to the pulp magazine industry, Ms. Stoll Karn will be joined by pulp art historian David Saunders — winner of our 2016 Lamont Award — to discuss her freelance career in the pulps and much more on Saturday evening, July 29.

We’ll have all this plus a dealers’ room featuring tens of thousands of pulp magazines, vintage paperbacks, digests, men’s adventure and true crime magazines, original art, first edition hardcovers, series books, reference books, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and Golden and Silver Age comic books, as well as newspaper adventure strips. For a look at our planned schedule, please visit our home page and click the Programming for 2017 button just below our banner.

The convention will take place from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to join in our exploration of “Hardboiled Dicks, Dangerous Dames, and a Few Psychos” at the “pop culture center of the universe” called PulpFest 2017.

(Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee — who illustrated many of the Munsey magazines as well as the pulp, SHORT STORIES — painted the front cover art for the magazine. Burroughs’ Tarzan is perhaps the most famous character to emerge from the pulps.

Over thirty years after the publication of “Tarzan of the Apes,” a young Gloria Stoll Karn contributed the cover art for the November 1943 issue of Popular Publications’ DIME MYSTERY MAGAZINE. The artist would paint more than 100 covers for the pulps of the 1940s.)

Head to Chicago for the 2016 Dum-Dum

Jul 5, 2016 by

Worlds of ERBAs we’ve been reminding you for pretty much all of the last year, “Summer’s AMAZING Pulp Con” will take place from Thursday, July 21, through Sunday, July 24 in the Hyatt Regency and the Greater Columbus Convention Center in beautiful downtown Columbus, Ohio.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there are rooms still available. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel. Other sites include www.columbusconventions.com/thearea.phpcourtesy of the Greater Columbus Convention Center, and the Experience Columbus lodging page at http://www.experiencecolumbus.com/stay Thanks so much to everyone who has reserved a room at our host hotel. By staying at the Hyatt Regency, you’ve helped to ensure the convention’s success.

PulpFest 2016 will be here before you know it and then . . . like all good things . . . it will be over. What to do then? All is not lost . . .

The Chicago Muckers chapter of the Burroughs Bibliophiles is planning to celebrate its tenth anniversary by hosting the 2016 Dum-Dum, the annual gathering of Edgar Rice Burroughs enthusiasts. It will be held in the Quality Inn in Morris, Illinois from Thursday through Saturday, August 4 to 6, with a farewell breakfast Sunday, August 7. The convention’s guests of honor will be Mike Resnick, Hugo-Award winning science fiction author, former ERB fandom writer, and co-editor of WORLDS OF EDGAR RICE BURROUGHS; and Robert Garcia, his co-editor and the book’s graphic designer.

Also appearing at the convention will be artist Doug Klauba and pulp expert Doug Ellis, co-chairman of the Windy City Pulp and Paper Convention. Hopefully, Chicago’s Dum-Dum will help get you through the next thirteen months, until the arrival of PulpFest 2017 in August of next year.

(WORLDS OF EDGAR RICE BURROUGHS — featuring cover art by Dave Seeley — is an anthology of eleven stories by modern authors set in the fantastic worlds created by the early twentieth century master of the adventure story. Published by Baen Books in 2013, it features stories from every one of Burrough’s series, including some of his later and lesser known ones.)

Please Pass the Orange Juice

Apr 4, 2016 by

So what’s this PulpFest that has so many people talking? With almost 3,000 likes on Facebook and more than 500 followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

All-Story 12-10PulpFest is named for pulp magazines, fiction periodicals named after the cheap paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. A decade later, pulps began to pick up steam with titles like BLUE BOOK and ADVENTURE, then exploded in 1912 when THE ALL-STORY printed a little yarn by Edgar Rice Burroughs called “Tarzan of the Apes.” Soon thereafter, genre titles began to flourish, among them DETECTIVE STORY, WESTERN STORY, and LOVE STORY. In the twenties, publishing legends such as BLACK MASK, WEIRD TALES and AMAZING STORIES debuted. The following decade saw the advent of the so-called “hero pulps” with magazines such as THE SHADOW, DOC SAVAGE, and THE SPIDER attracting new readers to the rough-paper format. Weird-menace magazines premiered around the same time with DIME MYSTERY MAGAZINE, SPICY MYSTERY STORIES, and TERROR TALES scaring the wits out of readers. The late thirties saw an explosion of science fiction pulps — led by John W. Campbell’s ASTOUNDING STORIES — with other titles such as FANTASTIC ADVENTURES and PLANET STORIES thrilling readers of all ages.

By the early fifties, the pulps were gone, killed by competition from paperback books, comic books, radio, television, and movies. But the fiction and artwork that appeared in the rough-paper consumables of the early twentieth century kept them alive in the hearts and minds of countless individuals. Haunting back-issue magazine shops, flea markets, science fiction conventions, and other venues, these hearty souls gradually assembled astounding collections of genre fiction, all published in the rough and ragged magazines known as pulps. Eventually, these collectors organized a convention dedicated to the premise that the pulps had a profound effect on American popular culture that reverberated through a wide variety of mediums — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Today, we call this convention, PulpFest.

The summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor the pulps by drawing attention to the many ways these throwaway articles have inspired writers, artists, film directors, software developers, and other creators over the decades.

The Skipper 1936-12Why not come see what it’s all about? PulpFest 2016 will be paying tribute to the history of the pulps by saluting the 150th anniversary of the birth of H. G. Wells; the 120th anniversary of the debut of the first pulp magazine, THE ARGOSY; the 100th anniversary of the genre pulps such as DETECTIVE STORY and LOVE STORY; the ninetieth anniversary of the creation of the first science fiction magazine, AMAZING STORIES; the 80th anniversaries of the premieres of two exciting hero pulpsTHE SKIPPER and THE WHISPERER; and the tenth anniversary of Sanctum Books, well known for their reprints of THE SHADOW, DOC SAVAGETHE SPIDER, and other hero pulps. Our Guest of Honor will be author, editor, and pulp fan Ted White, the man who ushered in the Golden Age of AMAZING STORIES and FANTASTIC during the 1970s and wrote the Captain America novel THE GREAT GOLD STEAL and many other books. We’ll have all this plus a dealers’ room featuring tens of thousands of pulp magazines, vintage paperbacks, digests, men’s adventure and true crime magazines, original art, first edition hardcovers, series books, reference books, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and Golden and Silver Age comic books, as well as newspaper adventure strips. For a look at our planned schedule, please visit http://www.pulpfest.com/2016/01/coming-soon-to-columbus-pulpfest-2016/.

The convention will take place from Thursday evening, July 21st, through Sunday afternoon, July 24th, in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center. Start making your plans to join us at the “pop culture center of the universe” for PulpFest 2016.

(Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee — who illustrated many of the Munsey magazines as well as the pulp, SHORT STORIES — painted the front cover art for the magazine. THE SKIPPER, including the first issue dated December 1936, featured cover art by Lawrence Donner Toney, a graduate of the Art Institute of Chicago.)

ARGOSY at PulpFest — An Abundance of Riches

Jan 25, 2016 by

Blackwood's Magazine 1818-10 to 1819-03Although magazines have been around since the seventeenth century — the first regular periodical was ERBAULICHE MONATHS UNTERREDUNGEN, a literary and philosophy magazine, launched in Germany in 1663 — it was only with the arrival of increased literacy and lower costs in the early nineteenth century that magazines of mass appeal began to be produced.

As Europe and North America became increasingly industrialized, magazines began to reach a much wider, sometimes national, audience. BLACKWOOD’S MAGAZINE, NOUVEAU MAGAZINE DES ENFANTSHARPER’S NEW MONTHLY MAGAZINE, ATLANTIC MONTHLY, SCRIBNER’S MONTHLYand others emerged, publishing the fiction of Charles Dickens, Fitz-James O’Brien, Walter Scott, Mark Twain, Jules Verne, and others. The dime novels, penny-dreadfuls, and story papers were also introduced during these years, offering tales of derring-do to a growing juvenile audience. It was in such periodicals that the “American Jules Verne,” Luis Senarens, developed the Frank Reade, Jr. series of adventure yarns.

The last quarter of the nineteenth century has become known as “The Age of the Storytellers.” Beginning around 1880, when Robert Louis Stevenson started to publish his first works of fiction, the world would witness the birth of the popular fiction magazine as well as the pulp magazine. Stevenson’s “Treasure Island,” first serialized in 1881 – 82, helped provide the spark for other authors to try their hand at similar fiction. Works such as H. Rider Haggard’s King Solomon’s Mines (1885), “She” (1886), and “Allan Quatermain” (1887), as well as Arthur Conan Doyle’s “A Study in Scarlet” (1887), demonstrated the need for an inexpensive, popular fiction magazine to be published on a regular basis. Shortly after Christmas in 1890, the first of these — THE STRAND MAGAZINE — was launched in Great Britain by George Newnes. Filled with illustrations, the periodical really took off during the summer of 1891 with the start of Conan Doyle’s “The Adventures of Sherlock Holmes,” featuring one of the most successful continuing character series of all time.

With the success of THE STRAND MAGAZINE came a host of imitators, among them PEARSON’S MAGAZINE, another popular British fiction magazine. It debuted in late 1895 and soon became one of the leading publishers of magazine science fiction, featuring the future war stories of George Griffith and the scientific romances of Herbert George Wells. “The War of the Worlds” and “The Invisible Man,” both originally published in PEARSON’S in 1897, are still enjoyed today, over a century after their initial appearances. Educated in the sciences as well as a literary genius, Wells’ mastery of both science and fiction was readily apparent. His later science fiction, including “The First Men in the Moon” (1900-1901) and “The Country of the Blind “1904), would run in THE STRAND.

War of the Worlds

The British popular fiction magazines were modeled after the illustrated periodicals of America. However, unlike their British counterparts, the leading American magazines of the late nineteenth century – HARPER’S, CENTURY MAGAZINE, and  SCRIBNER’S – were beyond the financial and intellectual reach of the average U. S. citizen. It was left to Frank A. Munsey – a man about whom it has been suggested, “contributed to the journalism of his day the talent of a meat packer, the morals of a money changer and the manner of an undertaker” – to deliver the first American periodical specifically intended for the common man. In his own words, Munsey decided to create “a magazine of the people and for the people, with pictures and art and good cheer and human interest throughout.”

Frank Munsey was born in Maine where he became interested in publishing. With minimal funds, he traveled to New York City and founded THE GOLDEN ARGOSY, a children’s weekly, in late 1882. Working largely on credit, he struggled for years, building his circulation through advertising and sheer determination. Deciding that the future lay in the adult market, he founded MUNSEY’S WEEKLY in 1889, soon converting it to MUNSEY’S MAGAZINE. In 1893, convinced that a magazine could only be successful if the price was right, he slashed the price of MUNSEY’S to a dime and marketed it directly to newsdealers, essentially cutting out the middle man.

Argosy 1896-12As the circulation of MUNSEY’S climbed to hundreds of thousands of copies, the publisher converted THE ARGOSY to an adult magazine, similarly priced and modeled after it’s brethren. Envisioning a new kind of magazine, Frank Munsey wrote, “We want stories . . . . not dialect sketches, not washed out studies of effete human nature, not weak tales of sickly sentimentality, no ‘pretty’ writing . . . . We do want fiction in which there is a story, a force, a tale that means something – in short a story. Good writing is as common as clam shells, while good stories are as rare as statesmanship.”

In October 1896, THE ARGOSY became the first all-fiction magazine. Two months later in a cost-cutting move, it began to be printed on the wood-pulp paper Munsey used for his daily newspaper and the rough-paper fiction magazine, or pulp, was born. Within a short while, its circulation had doubled to about 80,000 copies per issue. By 1907, the year the periodical celebrated its 25th anniversary, its circulation had reached a half million copies, earning its publisher about $300,000 per year.

As its readership grew, THE ARGOSY was bound to attract some imitators. Street & Smith, the longtime publisher of dime novels and story papers, was first to meet the call, debuting THE POPULAR MAGAZINE with its November 1903 issue. As the circulation of the new magazine grew, it became apparent to Frank Munsey that there was room on the newsstand for more than one pulp. At the end of 1904, the publisher debuted THE ALL-STORY MAGAZINE.

More than any other periodical prior to the introduction of the specialized science-fiction and fantasy pulps, THE ALL-STORY became the major repository for the “different” tale or the pseudo-scientific yarn. It was soon joined by other Munsey magazines – THE SCRAP BOOK and THE RAILROAD MAN’S MAGAZINE (both 1906), THE OCEAN/LIVE WIRE (1907), and THE CAVALIER (1908). All of these, THE CAVALIER in particular, published fantastic fiction. However, it was all but a prelude to the serial novel that would begin in the February 1912 issue of THE ALL-STORY — “Under the Moons of Mars” – credited to Norman Bean.

All-Story 12-10Bean’s novel — the first published fiction of Edgar Rice Burroughs — would introduce John Carter of Mars to readers. It would soon be followed by the author’s “Tarzan of the Apes,” published in its entirety in the October 1912 issue of THE ALL-STORY. These two novels, along with the pseudo-scientific works of H. G. Wells and his American disciple, George Allan England, would serve as templates for much of the science fiction written over the next twenty-five years, generating a type of fiction best known as “the scientific romance.” The Munsey chain in particular worked to develop this school of fiction, creating a stable of writers – Ray Cummings, J. U. Geisy, Victor Rousseau, Francis Stevens, Charles B. Stilson, and the best of all, Abraham Merritt – able to contribute such stories.

Although the fiction of Burroughs and Wells and those “inspired” by their work would remain popular for some time to come, its share of the pulp market would diminish as new magazines began to arrive on the scene. Beginning with ADVENTURE MAGAZINE, introduced by the Ridgway Company in 1910, these specialized pulps lessened the attraction of the general fiction magazines for those who enjoyed a certain type of story – mystery, romance, western, or straight adventure. In not too many years, the fantasy and science-fiction fan would likewise be served.

The word “argosy” is defined as a large merchant ship, especially one with a rich cargo. With the terrific programming we’re lining up for PulpFest 2016, you’re promised “an abundance of riches” We’ll be saluting a wide range of anniversaries at this summer’s pulp con: the tenth anniversary of Sanctum Books; the eightieth anniversary of THE WHISPERER and THE SKIPPER; the ninetieth anniversary of AMAZING STORIES, the first science-fiction pulp; the hundredth anniversary of the specialty pulp; the 120th anniversary of THE ARGOSY, the original pulp magazine; and the 150th anniversary of the birth of H. G. Wells!

Check out our post of January 4, 2016 — “Coming Soon to Columbus — PulpFest 2016” — for a look at our planned. We’ll be featuring a pair of presentations on THE ARGOSY. “120 Years of THE ARGOSY — The World’s First Pulp Magazine,” will be offered by Doug Ellis, one of the world’s leading collectors and authorities on the magazine and a founder of the fabulous Windy City Pulp and Paper ConventionArt and pulp historian David Saunders will be discussing “The Artists of THE ARGOSY —  120 Years of Sensational Pulp Artists.” Both presentations are planned for Saturday evening, July 23rd, immediately preceding our exciting auction.

“Summer’s AMAZING Pulp Con” will take place from July 21st through July 24th in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center. Start making your plans to join us at the “pop culture center of the universe” for PulpFest 2016.

(BLACKWOOD’S EDINBURGH MAGAZINE — which first appeared in April 1817 — was one of the first magazines to reach a national audience. It’s introduction helped pave the way for the popular fiction periodicals of the late nineteenth century. Pictured here is volume 4 of the magazine, dated October 1818 – March 1819. The image on the cover is an engraving of the 16th century Scottish historian George Buchanan. BLACKWOOD’S continued publication until 1980.

PEARSON’S MAGAZINE was one of the popular British fiction magazines that emerged during the late 1800s. Its first issue was dated January 1896. The magazine’s publisher, C. Arthur Pearson, was “fascinated with stories of the future and what science might bring. Hence, it comes as no surprise that H. G. Wells’ “War of the Worlds” was originally serialized in eight parts in PEARSON’S, running from April the December in 1897. It was illustrated by Warwick Goble. PEARSON’S ran for over 500 issues. Its last issue was date November 1939.

The December 1896 issue of THE ARGOSY, published by Frank A. Munsey, was the world’s first pulp fiction magazine. It would continue for nearly eighty years, ending as a “men’s adventure magazine.” It’s final issue was dated November 1978.

One of the most popular authors to appear in the Munsey magazines was undoubtedly Edgar Rice Burroughs. His adventure romance, “Tarzan of the Apes,” was published in its entirety in the October 1912 issue of THE ALL-STORY. The issue featured front cover art by Clinton Pettee who drew interior story illustrations for MUNSEY’S MAGAZINE and painted covers for such pulp magazines as THE ARGOSY,THE ALL-STORYTHE CAVALIER, and SHORT STORIES.)

 

Premiering at PulpFest 2015

Aug 3, 2015 by

MurrayAs they do every year, a number of publishers have chosen to roll out new titles at PulpFest 2015. Altus PressMurania Press, and Stark House Press will be premiering reprints of classics from the past, while Adventures in BronzeAirship 27, and Meteor House will debut new work inspired by the great fiction of the past. And since PulpFest will be hosting four New Fictioneer readings, expect to meet some of the creators of today’s pulp fiction at the convention. Check out our schedule page for the times of our readings.

Tarzan. Doc Savage. The Shadow. All three of these iconic characters will be at PulpFest, courtesy of Adventures in Bronze and author Will Murray. You’ll be able to get signed copies in both hardcover and softcover of the fully authorized editions of RETURN TO PAL-UL-DON and DOC SAVAGE: THE SINISTER SHADOW. They’ll be available at PulpFest 2015 where their author, pop culture historian Will Murray, will be appearing on four different panel presentations.

GunnisonAlthough it originally appeared in 2007, THRILLING DETECTIVE HEROES certainly deserves a mention here. Edited by John Locke and John Wooley, it was published by Adventure House, one of the leading publishers of pulp reprints and reference works in the country. On Thursday, August 13th, at 8:40 PM, John Wooley and Adventure House publisher John Gunnison will pay a visit to some of the continuing characters that were featured in the Thrilling line of detective pulps. Join them for a discussion of “Thrilling Detectives” during our Thursday evening presentations in PulpFest‘s second-floor programming area at the Hyatt Regency. Their discussion will center around many of the characters featured in THRILLING DETECTIVE HEROES, a book that also includes the most complete history of the Thrilling Group of pulp magazines ever to be published. You’ll be able to pick up a copy at the Adventure House tables during the convention and have one of its editors and its publisher sign it for you. That won’t happen on ebay!

Airship 27New pulp fans will see a number of books for the very first time at PulpFest 2015, courtesy of Ron Fortier and Rob Davis of Airship 27 Productions. Frederick C. Davis’ occult detective, Ravenwood, the Stepson of Mystery, will appear in his first, full-length novel. Author Micah Harris links the classic pulp hero with one of the most notorious crimes in Hollywood history in RETURN OF THE DUGPA. Also debuting is the second volume of SIX-GUN TERRORS in which the Wild West meet WEIRD TALES. Fred Adams, Jr. weaves a weird western novel concerning warriors able to transform themselves into beasts!

AltusAs he does every year, Mike Chomko will be premiering the latest books from America’s leading pulp reprint house Altus Press. Thanks to an arrangement with Altus publisher Matt Moring, Mike will be offering both hardcover and softcover editions of THE COMPLETE ADVENTURES OF THE MOON MAN, VOLUME ONE; THE MASKED RIDER ARCHIVES, VOLUME TWO; THE BLACK BAT OMNIBUS, VOLUME THREE; and five books written by H. Bedford-Jones, including THE DEVIL’S BOSUN, GHOST HILLS, and WILL O’ THE WISP. Mike will also have the first ten volumes of the recently released ARGOSY LIBRARY, including Lester Dent’s GENIUS JONES, Victor Rousseau’s DRAFT OF ETERNITY, Otis Adelbert Kline’s THE SWORDSMAN OF MARS and W. Wirt’s WHEN TIGERS ARE HUNTING. Mike Chomko, Books has been one of the leading purveyors of pulp reprint books and periodicals since the early nineties. Look for his tables just inside the entrance to the PulpFest 2015 dealers’ room and say hi to the convention’s marketing and programming director.

Bold VentureWe’re very happy to have Rich Harvey and Audrey Parente of Bold Venture Press as one of this year’s fifty exhibitors. Since 1992, Bold Venture has been publishing quality reprints of classic pulp fiction. At this year’s convention, Rich and Audrey will be premiering John Wooley’s and Robert Leslie Bellem’s HOMICIDE HIGHBALL: THE LOST DAN TURNER MOVIE SCRIPT, Richard Lupoff’s DREAMER’S DOZEN, PULP JAZZ: THE CHARLES BOECKMAN STORY, the latest issue of PULP ADVENTURES featuring stories by Bellem, Lupoff, Stewart Sterling, and others, and Audrey’s own PULP NOIR: A CLUTTERED ROMANCE, in which two avowed hoarders of paper memorabilia try to make room in their lives for each other. It’s a funhouse mirror image of the world of collecting pulps and comics. Bold Venture Press brings you vintage pulp fiction and exciting new stories. Learn for yourself at PulpFest 2015.

EnosDick and Norma Enos of Fantasy Publishing will have a new adventure of Rick Steele at PulpFest 2015. Watch for DEATH ON THIN ICE, the latest yarn featuring the ace trouble buster from the fifties. A former test pilot with a trio of “ace” assistants, Rick will go anywhere in search of adventure. It’s part one of THE MONSTER OF CHINATOWN and you’ll see it at PulpFest.

Derleth MythosJohn D. Haefele, who will be part of our panel on the development of Lovecraft’s Cthulhu Mythos, will be offering copies of his landmark study, A LOOK BEHIND THE DERLETH MYTHOS: ORIGINS OF THE CTHULHU MYTHOS. Published by The Cimmerian Press, Haefele’s book answers numerous questions about the Lovecraft/Derleth controversy with fresh evidence and thunderous revelations, covering in unprecedented detail everything from the notorious “Black Magic Quote” to Derleth’s infamous “posthumous collaborations” with Lovecraft. Signed copies will be available at Mike Chomko, Books.

MaynardOn Saturday, August 15th, co-authors William Patrick Maynard and Alexandra Martukovich will be on hand to sign copies of FURTHER ENCOUNTERS OF SHERLOCK HOLMES, released by Titan Books in 2014. Their story, “The Adventure of the Coin of the Realm,” was one of twelve stories selected by George Mann for this new collection of Sherlock Holmes stories from a variety of exciting voices in modern horror and steampunk. Visit Bill’s tables in the PulpFest dealers’ room to meet the authors.

Meteor HouseMeteor House, a publisher of science fiction and fantasy that specializes in works set in the worlds created by Philip José Farmer and and original science fiction and fantasy novels and novellas, hopes to offer four new books at PulpFest 2015. Jim Beard’s and Duane Spurlock’s AIRSHIP HUNTERS delves into the mystery of 19th-century UFOs as the skies are haunted by mysterious airships and unfathomable secrets. Can two agents of a newly formed secret government agency discover the truth behind the greatest mystery of them all? HADON, KING OF OPAR, written by Christopher Paul Carey, picks up fourteen years after the novel THE SONG OF KWASIN, co-authored by Farmer and Carey. FLIGHT TO OPAR features nearly 4,000 words cut from Farmer’s original manuscript when it was originally published in 1976. Lastly, EXILES OF KHO is a new hardcover edition of the out-of-print prequel to Philip José Farmer’s beloved Khokarsa adventure series.

Murania Press PreviewEd Hulse and Murania Press will be offering a new issue of the award-winning “Journal of Adventure, Mystery and Melodrama in American Popular Culture” BLOOD ‘N’ THUNDER at this year’s PulpFest. The Summer 2015 issue takes a detailed look at the classic Munsey and Popular Publications pulp FAMOUS FANTASTIC MYSTERIES. Also appearing will be a Wold Newton article on “The Secret Son of Bran Mak Morn,” a piece entitled “32 from ’32: A Banner Year for Fantastic Cinema,” the story behind the all-but-forgotten radio dramatization of KING KONG, and much more.

Ed will also have several new titles from the MURANIA PRESS book line at the convention — William Corcoran’s THE PURPLE EYE,  a 60,000-word novel that could very well have served as the template for Popular’s hero pulps, and three volumes of crime and mystery yarns written by Johnston McCulley, the creator of Zorro — ALIAS THE THUNDERBOLT, THE RETURN OF BLACK STAR, and THE SPIDER SPINS HIS WEB.

Stark HouseIn the business of reprinting some of the best mysteries and supernatural fiction of the past 100 years, Stark House Press hopes to have several new titles ready for PulpFest 2015. Douglas Sanderson wrote a series of white hot thrillers in the 1950s which were published under his two pseudonyms, Martin Brett and Malcolm Douglas. But he also published a good many novels under his own name, and Stark House is proud to reprint two of them: NIGHT OF THE HORNS & CRY WOLFRAM. Peter Rabe was a psychology professor turned hardboiled crime writer back when Gold Medal ruled the original paperback racks of the fifties and sixties. The second volume of Rabe’s fictional study of the use and abuse of power features the final three stories of the Daniel Port gangster series. Other titles that Stark House hope to have ready for PulpFest include Robert W. Chambers’ THE KING IN YELLOW & THE MYSTERY OF CHOICE,  two collections of decadent horror fiction that will feature an introduction by noted critic, Stefan Dziemianowicz; Bruno Fischer’s THE BLEEDING SCISSORS & THE EVIL DAYS, two hard-boiled classics from one of Cap Shaws’ BLACK MASK  boys; and Ed Gorman’s GRAVE’S RETREAT & NIGHT OF SHADOWS, two classic western mysteries. Mike Chomko, Books will be representing Stark House at the convention.

These are just a few of the great publications that you’ll find in the PulpFest 2015 dealers’ room. So what are you waiting for? Book a room for three nights and register now for “Summer’s Great Pulp Con.” To book a room for this year’s convention, please visit www.pulpfest.com/2015/06/16872/.

PulpFest? What’s PulpFest?

Jan 21, 2015 by

So what’s this PulpFest thing that has so many people talking? With over two-thousand likes on Facebook and hundreds of followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

AllStory-12-10PulpFest is named for pulp magazines, periodic fiction collections named after the cheap paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. A decade later, pulps began to pick up steam with titles like BLUE BOOK and ADVENTURE, then exploded in 1912 when ALL-STORY printed a little yarn by Edgar Rice Burroughs called “Tarzan of the Apes.” Soon thereafter, genre titles began to flourish, among them DETECTIVE STORY, WESTERN STORY, and LOVE STORY. In the twenties, publishing legends such as BLACK MASK, WEIRD TALES and AMAZING STORIES took hold. The following decade saw the advent of the so-called “hero pulps” with magazines such as THE SHADOW, DOC SAVAGE, and THE SPIDER attracting new readers to the rough-paper format.

By the early fifties, the pulps were gone, killed by competition from paperback books, comic books, radio, and television. But the fiction and artwork that appeared in these everyday consumables of the early twentieth century kept them alive in the hearts and minds of countless individuals. Haunting back-issue magazine shops, flea markets, science-fiction conventions, and other venues, these hearty souls gradually assembled astounding collections of genre fiction, all published in the rough and ragged magazines known as pulps. Eventually, these collectors organized a convention dedicated to the premise that the pulps had a profound effect on American popular culture that reverberated through a wide variety of mediums—comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Today, we call this convention, PulpFest.

The summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor the pulps by drawing attention to the many ways these throwaway articles have inspired writers, artists, film directors, software developers, and other creators over the decades.

Why not come see what it’s all about? PulpFest 2015 will take place at the beautiful Hyatt Regency hotel in downtown Columbus, Ohio beginning on Thursday, August 13th. It will continue through Sunday afternoon, August 16th. Start planning now to attend PulpFest 2015 and join hundreds of pulp fiction fans at the pop-culture center of the universe! You can book a room by clicking here.

Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee painted the front cover art for the magazine.

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The Munsey Magazines

Apr 15, 2014 by

All Story 1905-01Shortly after The Argosy had been converted to the first all-fiction magazine in 1896, and not long thereafter the first pulp magazine, its circulation had doubled to about 80,000 copies per issue. By 1907, the year the periodical celebrated its 25th anniversary, its circulation had reached a half million copies, earning its publisher about $300,000 per year.

From its beginning, The Argosy made a home for fantastic fiction, reprinting “Citizen 504,” a dystopian short story written by Charles H. Palmer, in the December 1896 issue. Other reprints, from a variety of sources would follow. As the century turned, original fiction of a fantastic nature began to appear in The Argosy, including works by Jared L. Fuller, Park Winthrop, and longtime dime novelist William Wallace Cook. Edgar Franklin Stearns also began to contribute his humorous fantasies concerning off-beat contraptions to the magazine.

As its readership grew, The Argosy was bound to attract some imitators. Street & Smith, the longtime publisher of dime novels and story papers, was first to meet the call, debuting The Popular Magazine with its November 1903 issue. As the circulation of the new magazine grew, it became apparent to Frank Munsey that there was room on the newsstand for more than one pulp. At the end of 1904, the publisher debuted The All-Story Magazine.

allstory_tarzanMore than any other periodical prior to the introduction of the specialized science-fiction and fantasy pulps, The All-Story became the major repository for the “different” tale or the pseudo-scientific yarn. It was soon joined by other Munsey magazines–The Scrap Book and The Railroad Man’s Magazine (both 1906), The Ocean/The Live Wire (1907), and The Cavalier (1908). All of these, The Cavalier in particular, published fantastic fiction. However, it was all but a prelude to the serial novel that would begin in the February 1912 issue of The All-Story– “Under the Moons of Mars”–credited to Norman Bean.

Bean’s novel—the first published fiction of Edgar Rice Burroughs—would introduce John Carter of Mars to readers. It would soon be followed by the author’s “Tarzan of the Apes,” published in its entirety in the October 1912 issue of The All-Story. These two novels, along with the pseudo-scientific works of H. G. Wells and his American disciple, George Allan England, would serve as templates for much of the science fiction written over the next twenty-five years, generating a type of fiction best known as “the scientific romance.” The Munsey chain in particular worked to develop this school of fiction, creating a stable of writers–Ray Cummings, J. U. Geisy, Victor Rousseau, Francis Stevens, Charles B. Stilson, and the best of all, Abraham Merritt–able to contribute such stories.

Adventure 1910-11Although the fiction of Burroughs and Wells and those “inspired” by their work would remain popular for some time to come, its share of the pulp market would diminish as new magazines began to arrive on the scene. Beginning with Adventure Magazine, introduced by the Ridgway Company in 1910, these specialized pulps lessened the attraction of the general fiction magazines for those who enjoyed a certain type of story–mystery, romance, western, or straight adventure. In not too many years, the fantasy and science-fiction fan would likewise be served.

To learn more about the images used in this post, click on the illustrations. Click here for references consulted for this article.