Pulp-Pourri Theatre Presents “Return to the Sabbath”

Jun 10, 2017 by

For the last week or so, PulpFest‘s web posts have been discussing this year’s celebration of the 100th anniversary of the birth of Robert Bloch. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

Bloch discovered the pulp magazines in 1927, courtesy of his Aunt Lil. As he wrote in his autobiography, ONCE AROUND THE BLOCH: “And it was thus that I was introduced to a magazine which changed my life, my very first copy of WEIRD TALES. . . .”

It was through that magazine that Robert Bloch began a correspondence with the author H. P. Lovecraft. At the urging of “The Old Gentleman” — as Lovecraft called himself — Bloch began to write fiction. Before long, the young man was a published author: “But in July, 1934, less than a month after graduating from high school, I received a letter of acceptance for my story. . . . I had suddenly and almost miraculously become a professional writer, a contributor for the very magazine which published the work of my favorite author and present pen pal. . . .”

Robert Bloch’s early fiction was strongly influenced by Lovecraft and his “Cthulhu Mythos.” Bloch even made Lovecraft a central character in “The Shambler from the Stars,” published in the September 1935 WEIRD TALES. He also created two of the often cited texts of the Mythos, Ludwig Prinn’s DE VERMIS MYSTERIIS and Comte d’Erlette’s CULTES DES GOULES.

Following Lovecraft’s death in 1937, Bloch continued writing for WEIRD TALES. He became one of the magazine’s most popular authors, appearing in its pages nearly seventy times. Perhaps his best known tale for “The Unique Magazine” is “Yours Truly, Jack the Ripper,” published in the July 1943 number.

Whereas Lovecraft’s later fiction took on science fictional overtones, Bloch’s WEIRD TALES fiction was, by and large, ground in horror and the supernatural. For instance, from 1936 through 1938, a number of the author’s stories — “Fane of the Black Pharaoh,” “The Eyes of the Mummy,” “Beetles,” and others — were probably inspired by the 1932 Boris Karloff film, THE MUMMY. Others explored such horror motifs as voodoo, wax museums, and black magic. Robert Bloch’s “Return to the Sabbath,” originally published in WEIRD TALES for July 1938, is an example of the latter.

Originally published under Bloch’s Tarleton Fiske pseudonym, “Return to the Sabbath” was published when the author was twenty-one. Narrated in the first person by a Hollywood public relations man, it’s the story of a European actor brought to the United States to star in a satanic horror film. But the actor — who had dabbled in devil worship himself — disappears after he learns that a former colleague has been murdered in Paris by cultists. Bloch’s story was later adapted and filmed for television as “The Sign of Satan.” It aired on THE ALFRED HITCHCOCK HOUR in 1964.

On Friday, July 28, at 11 PM, PulpFest 2017 welcomes the Narada Radio Company and their PULP-POURRI THEATRE to this summer’s convention. The group will be dramatizing Robert Bloch’s “Return to the Sabbath” in the old radio-play format. Based in Corpus Christi, PULP-POURRI THEATRE is an audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

According to Narada’s Pete Lutz:

My life’s dream has been to create “radio” plays and be an actor in them. I was looking at copies of pulp magazine covers and followed a link to scans of pulp stories. I started reading them and immediately began to mentally dramatize them for audio. My wife came up with the name PULP-POURRI THEATRE. I feel this hints at the wide variety of pulp genres available. The possibilities are endless. There are thousands of pulp-fiction stories available. Action becomes dialogue. Narration becomes action. Once the last voice is “in the can”, I start production. Voices get cobbled together first, and then I add music and sound effects. Then I listen to it a half-dozen times to make sure I haven’t overlooked anything.

PULP-POURRI THEATRE embraces the thrilling world of pulp fiction from the last century. We present audio dramas with a few modern touches, such as full sound design. We bring you the most exciting stories from the finest pulp writers. We also throw in an occasional new story from a guest playwright.

The PulpFest 2017 cast of Narada Radio Company’s PULP-POURRI THEATRE will be Austin and Barbi Beach, Ross Bernhardt, Randy Coull, Derek, Keane, and Pete Lutz, and Greg and Rhiannon McAfee. Please join them at PulpFest 2017 from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Robert Bloch’s “Return to the Sabbath” originally ran in the July 1938 issue of WEIRD TALES, featuring front cover art by the great pulp and fantasy artist, Virgil Finlay. The artist got his start during the Great Depression when he sent unsolicited illustrations to his favorite pulp magazine, WEIRD TALES. In addition to “The Unique Magazine,” he also contributed interior illustrations and covers to AMAZING STORIES, ASTOUNDING STORIES, CAPTAIN FUTURE, FAMOUS FANTASTIC MYSTERIES FANTASTIC ADVENTURES, FANTASTIC NOVELS, GALAXY, STRANGE STORIES, SUPER SCIENCE STORIES, THRILLING WONDER STORIES, WORLDS OF TOMORROW, and other pulps and digests. Even today, Finlay remains one of the most highly regarded and collected artists in the fields of science fiction and fantasy.

Pete Lutz, the producer-director for the Narada Radio Company, used the August 1942 cover of SPICY ADVENTURE STORIES as the basis for his PULP-POURRI THEATRE advertisement. The artist is H. J. Ward, who painted many covers for the Spicy line of pulp magazines. For a great overview of this artist’s career, we suggest you track down a copy of David Saunders’ book H. J. WARD, published by The Illustrated Press in 2010.)

One Hundred Years of Robert Bloch

Apr 3, 2017 by

Born one-hundred years ago on April 5, 1917, Robert Bloch is best remembered for his novel PSYCHO,  which became the basis for Alfred Hitchcock’s classic film of the same name. The author of more than 200 stories, nearly thirty novels, and a large number of non-fiction articles, screenplays, and teleplays, Bloch got his start as a writing professional in the pulp magazines that are celebrated each summer at PulpFest.

Born in Chicago, Bloch was a precocious child who developed an early interest in vaudeville and theater, as well as storytelling and reading. According to his autobiography, ONCE AROUND THE BLOCH:

Sometime late in the summer of 1927 the family, accompanied by my father’s sister, entered Chicago’s Northwestern Railroad Station to entrain for a suburban destination. Where we were going eludes memory, and it’s not important. What matters is that we passed the huge magazine stand in the terminal.

Here literally hundreds of periodicals — including the then-popular weekly and monthly “pulp” magazines — were ranked in gaudy array. Row after row of garish covers caught the eye; comparatively respectable offerings like ARGOSY, BLUE BOOK, ALL-STORY, and ADVENTURE competed for attention with scores of titles featuring romance, mystery, detective stories, westerns, and every variety of sports. There were even pulps devoted exclusively to railroad yarns, pirates, and WWI air combat. I stared at them, fascinated by this abundance of riches.

It was then that Aunt Lil, with her usual generosity, offered to buy me a magazine to read during the train journey. Scanning titles and covers, I stood poised in delicious indecision. Here was a mustached member of the French Foreign Legion battling a bearded Arab armed with a wicked-looking scimitar . . . beside it, an Indian chief preparing to discharge a flaming arrow at an ambushed wagon train . . . directly overhead, a helpless maiden struggling in the clutches of a gigantic gorilla whose glaring red eyes indicated his zooreastic intentions. Salivating, I surveyed this feast of literature. For a dime I could devour the exploits of a master detective; fifteen cents whould satisfy my appetite for mutiny on the high seas; twenty cents might gorge me with a huge helping of Secret Service operatives foiling the hellish Huns who presumably had substituted a bomb for the torch held by the Statue of Liberty.

But in the face of these attractions, what more might be offered for an entire quarter?

That price was imprinted on the cover of a magazine featuring a cloaked, bearded, evil-looking man confronting a recumbent, half-naked girl clad in Oriental garb against a background of Egyptian hieroglyphs. The featured story was “The Bride of Osiris,” by one Otis Adelbert Kline.

Snatching the magazine from the rack, I paged through it quickly, noting such promising titles as “Satan’s Fiddle,” “Creeping Shadows,” “The Phantom Photoplay” and “The Man with a Thousand Legs.”

That did it. “This is the one I want,” I said.

And it was thus that I was introduced to a magazine which changed my life, my very first copy of WEIRD TALES. . . .

What my parents thought of my taste remains unclear to me. Although they seemed uninterested in reading my favorite magazine they offered no objections to cover illustrations of damsels in various stages of distress and undress, and continued to supply me with quarters for monthly issues. . . . to me personally WEIRD TALES became a sort of non-theological BOOK OF REVELATION. What it revealed was that fantastic fiction was not necessarily the work of long-deceased authors like Poe, Hawthorne or de Maupassant; its prose and poetry were not entombed in pages from the past. Death was alive and well and living in Chicago.

By far the most horrifying concept, and to me the most convincing, was an account of ghouls feasting in their burrows below the cemeteries and subways of modern Boston. The story, “Pickman’s Model,” was credited to one H. P. Lovecraft, and I made a mental note to remember both the title and the name of the author. . . . By cutting down on my consumption of carbohydrates, borrowing streetcar passes and confining motion picture attendance to nights when tickets were ten or fifteen cents, I managed to keep the necessary quarter in reserve for the next issue of WEIRD TALES. . . . my addiction to the work of H. P. Lovecraft increased. . . . A Lovecraft junkie, I was hungry for more highs. What could I do?

As it has so frequently during a long lifetime, sheer stupidity came to my rescue. I sat down and . . . scrawled out a letter to Mr. Lovecraft care of the magazine. Identifying myself as an ardent fan (and a brash, presumptuous teenage idiot), I inquired if he might inform me as to where I could locate some of his stories presently out of print.

Thus began a friendship between the young Bloch and “The Old Gentleman.”

I had become a regular correspondent . . . a member of what was later styled the Lovecraft Circle — a group of friends and fans, many of whom were themselves writers or aspired to be. . . . Quite early in our correspondence HPL suggested I might be interested in trying my own hand at writing with an eye to publication. . . . And since Lovecraft’s suggestion generously included his willingness to inspect my efforts, what more did I need. . . . I trained my sights on the most obvious and visible target, WEIRD TALES. Instead of bombarding them with contributions, I took careful aim before shooting off a story in their direction. . . . Why a battle-scarred veteran of longtime literary warfare would notice the feeble dud I delivered remains a mystery to this very day. But in July, 1934, less than a month after graduating from high school, I received a letter of acceptance for my story. . . . I had suddenly and almost miraculously become a professional writer, a contributor for the very magazine which published the work of my favorite author and present pen pal. . . .

By the end of 1935, Robert Bloch began to sell on a frequent and regular basis to WEIRD TALES. Between that first 1934 sale and the demise of the publication in 1954, he sold nearly seventy stories to “The Unique Magazine.” Having started his career as a mimic of his Lovecraft, his writing gradually took on more psychological overtones and often a sense of humor. He began to branch out in 1939, selling fiction to AMAZING STORIES, STRANGE STORIES, and UNKNOWN. The forties found him contributing to DETECTIVE TALES, DIME MYSTERY MAGAZINE, FANTASTIC ADVENTURES, MAMMOTH DETECTIVE, NEW DETECTIVE, SUPER SCIENCE STORIES, THRILLING MYSTERY, and others. His best-known story of this period, “Yours Truly – Jack the Ripper” — published in the July 1943 WEIRD TALES — led to an assignment writing scripts for a radio program called STAY TUNED FOR TERROR.

It was also during the 1940s that Robert Bloch became a regular attendee of science fiction conventions. In 1948, he was invited to be the professional guest of honor for the World Science Fiction Convention, held in Toronto, the first truly international event of its kind. In 1954, at the San Francisco Worldcon, he met Samuel Peeples, a longtime pulp fan and Hollywood writer. It was this friendship that led to Bloch venturing to Hollywood, where Peeples helped him land an assignment with the television show LOCK-UP. Bloch was soon writing for other series, including ALFRED HITCHCOCK PRESENTS, THRILLER, TRUE, and WHISPERING SMITH. In later years, he would contribute to THE GIRL FROM U.N.C.L.E., I SPY, NIGHT GALLERY, STAR TREK, TALES FROM THE DARKSIDE, and others. Bloch would also write the screenplays for THE CABINET OF CALIGARI, THE NIGHT WALKER, THE SKULL, THE HOUSE THAT DRIPPED BLOOD, and other films. He died on September 23, 1994 in Los Angeles, California.

PulpFest 2017 will celebrate the 100th anniversary of Robert Bloch’s birth with several special presentations. On Thursday, July 27, author Chet Williamson will read from his novel, Robert Bloch’s PSYCHO: SANITARIUM. Mr. Williamson was the guest of honor at PulpFest 2015. Garyn Roberts — who engaged in an extensive correspondence with Robert Bloch — will discuss the author and his works on Friday, July 28. Professor Roberts — who is working on a Robert Bloch biography — will be sharing rare and landmark material from throughout the author’s life. Garyn was honored with our Munsey Award in 2013.

There will be two other Bloch presentations on Friday evening. First, Michael Croteau, creator of Philip José Farmer’s Official Home Page and one of the founders of both FarmerCon and Meteor House, will do a short presentation on Robert Bloch’s relationship with Grand Master of Science Fiction Philip José Farmer. To close the evening, the Narada Radio Company and PULP-POURRI THEATRE will present a mock radio drama of Bloch’s “Return to the Sabbath,” originally published in the July 1938 WEIRD TALES. PULP-POURRI THEATRE is an all-new audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes.

The convention will take place from Thursday evening, July 27, through Sunday afternoon, July 30, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the “Book a Room for 2017” link on our home page or call 1-800-222-8733. Be sure to mention PulpFest in order to receive the convention rate.

Start making your plans now to celebrate the 100th anniversary of the birth of PSYCHO author Robert Bloch at the “pop culture center of the universe” called PulpFest 2017.

(Released in 1960, Alfred Hitchcock’s PSYCHO is considered to be a masterpiece of suspense. This classic film was based on Robert Bloch’s novel of the same name, originally published in 1959 by Simon and Schuster. Hitchcock’s film was nominated for four academy awards and helped its author to achieve fame and fortune, largely through his work in television and motion pictures.

Robert Bloch — who got his start as a writing professional working for the pulps — first discovered the rough-paper magazines through the August 1927 issue of WEIRD TALES, featuring front cover art by Hugh Rankin. A newspaper illustrator, Rankin began working for WEIRD TALES in 1927, doing the vast majority of the magazine’s interior illustrations during the late twenties and all of its covers, beginning with the July 1927 number. He continued as the pulp’s sole cover artist through the February 1931 issue. Afterward, he began sharing the cover with such artists as C. C. Senf, J. Allen St. John, and Margaret Brundage. Rankin continued to paint covers for WEIRD TALES into 1936.

Bloch’s fourth published story — “The Shambler from the Stars” — was not only dedicated to his writing mentor, H. P. Lovecraft, but also featured “The Old Gentleman” as an important character. Published in the September 1935 issue of WEIRD TALES and featuring cover art by Margaret Brundage, the story concerns a would-be writer who obtains a copy of an occult volume known as DE VERMIS MYSTERIIS. He takes the forbidden volume to a Providence-based mystic who, in his excitement, calls down an invisible, vampiric monster. Bloch’s tale would lead Lovecraft to write “The Haunter of the Dark,” published in the December 1936 WEIRD TALES. It was dedicated to Robert Bloch and featured a character named “Robert Blake.”

Following a write-up in the Milwaukee papers in 1935, the new author was invited to join The Milwaukee Fictioneers. A professional writers’ group, its membership also included pulp writers Fredric Brown, Ralph Milne Farley, Lawrence Keating, Ray Palmer, and Stanley G. Weinbaum. Soon after assuming the editorship of AMAZING STORIES in 1938, Palmer would publish Robert Bloch’s first science fiction story,“Secret of the Observatory.” Bloch would author a substantial number of stories for Palmer’s AMAZING STORIES, FANTASTIC ADVENTURES, and OTHER WORLDS SCIENCE STORIES, including “It’s a Small World,” the cover story for the March 1944 AMAZING, featuring artwork by J. Allen St. John.

Although PSYCHO is certainly Robert Bloch’s most famous novel, his first book-length work, THE SCARF — originally published in 1947 by Dial Press — is considered by many critics to be his best work. According to Cullen Gallagher, “It tells the story of a writer . . . who uses real women as models for his characters. But as soon as he is done writing the story, he is compelled to murder them, and always the same way: with the maroon scarf he has had since childhood.” One of the finest editions of THE SCARF is Avon’s 1952 paperback reprint of the work, featuring a beautiful cover by Charles Binger.)

Margaret Brundage at 115

Dec 7, 2015 by

Weird Tales (June 1933)Few artists are as strongly linked to a single pulp as Margaret Brundage is to WEIRD TALES. Dec. 9, 2015, marks the 115th anniversary of her birth in Chicago.

Margaret Brundage got her start in the pulp magazines with WEIRD TALES‘ sister publication, ORIENTAL STORIES (later MAGIC CARPET), with six covers from Spring 1932 through January 1934. Her first cover for “The Unique Magazine” appeared in September 1932. Her pastels graced the cover again the next month, then again in March 1933. Beginning in June 1933 — and for the next 39 covers — WEIRD TALES featured her luscious artwork exclusively. Her last cover for WEIRD TALES appeared on the January 1945 number, capping a run of 66 covers for the magazine, with Brundage receiving no more than $90 for a cover.

The artist’s cover illustration for Robert E. Howard’s “Black Colossus” (WEIRD TALES, June 1933) generated the most mail for any of the magazine’s covers, she told Robert Weinberg, as detailed in THE ALLURING ART OF MARGARET BRUNDAGE, published by Vanguard Productions in 2013.

Brundage always enjoyed illustrating Howard’s stories. It was WEIRD TALES‘ editor Farnsworth Wright who passed along news of Howard’s suicide to the artist in 1936: “When I learned of Robert Howard’s death, I was very upset . . . . (Wright and I) both just sat around and cried for most of the day. He was always my personal favorite.”

In an interview with R. Alain Everts in 1973, Brundage recalled her most controversial WEIRD TALES cover:

We had one issue (the September 1933 number) that sold out! It was the story of a very vicious female, getting ahold of the heroine and tying her up and beating her. Well, the public apparently thought it was flagellation, and the entire issue sold out. They could have used a couple of thousand extra (copies).

In 1938, WEIRD TALES was bought by Short Stories, Inc., and its editorial headquarters moved from Brundage’ hometown of Chicago to New York City. Wright went east with the magazine, but he was suffering from Parkinson’s Disease, and by 1940 he was dead. Brundage stayed in Chicago, but the difficulty of shipping her fragile chalk illustrations by train to New York and a reduction in WEIRD TALES‘ cover rates to $50 ended her pulp career just five years later.

Margaret Brundage died April 9, 1976, at age 75.

PulpFest seeks to draw attention to the profound effect that the pulps had on American popular culture, reverberating through a wide variety of mediums — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Planned as the summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest honors pulp fiction and pulp art by drawing attention to the many ways the magazines and their creators — people like Margaret Brundage — have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades.

Join PulpFest 2016 to be part of this great celebration of American popular culture. Start making your plans right now to join the 45th convening of “Summer’s Great Pulp Con” in 2016. It will take place July 21–24 at the Hyatt Regency Columbus and the Greater Columbus Convention Center.

(Margaret Brundage’s pastel cover for the June 1933 issue of WEIRD TALES illustrates Robert E. Howard’s tale, “Black Colossus.”)

Saturday at PulpFest 2015

Aug 15, 2015 by

Weird Tales 45-07There’s still time to get in on the action. The dealers’ room at the Hyatt Regency Columbus will be open today from 10 AM until 4:30 PM. Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games will also be for sale.

Single-day memberships to PulpFest will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Members will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form. Please visit our registration page for further details.

The PulpFest dealers’ room will closing at 4:30 PM today. This should allow plenty of time for people to prepare for our Saturday Night Dinner at Buca di Beppo, a get-together arranged by registration and volunteer coordinator Sally Cullers. If you don’t plan to attend, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many fine downtown restaurants by clicking here as well as a map to find them by clicking here.

Whisperer in DarknessOur Saturday afternoon programming will start at 12:30 PM when author Duane Spurlock will read from AIRSHIP HUNTERS and FIGHTING ALASKA. Afterward, Ron Fortier will moderate a New Pulp Fiction Panel on “The Heirs of WEIRD TALES.” It will be followed by a presentation on WEIRD TALES artist Lee Brown Coye and another New Fictioneer reading featuring the weird poetry and prose of Scott Urban. Saturday evening’s events will include the PulpFest 2015 Business Meeting beginning at 7:10 PM, where two lucky members who had booked a stay at the Hyatt Regency will receive full membership refunds. It will be followed by the 2015 Munsey Award Presentation. Our programming for the evening will include Weird Editing at “The Unique Magazine,” The Thrilling Adventures of Rudolph Belarski, and a showing of THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE, part of our Lovecraft at the Movies film series. Tucked in before our movies begin will be our Saturday Night Auction, featuring material consigned by our membership.

Any member of PulpFest 2015 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens on Friday, August 14th. The sooner you submit your consignment to Mike Chomko, the more likely that it will be included in our auction. Mike’s tables will be along the wall, just inside the entrance to the PulpFest dealers’ room. All auction lots must be submitted to Mike prior to 2 PM, Saturday, August 15th. All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction. For additional information, please click on the auction link on our programming schedule or contact Barry Traylor via email at barry@pulpfest.com.

Highlights of this year’s auction include the original typescript for the Phillip José Farmer novel, DAYWORLD, with notes and corrections in the authors’ hand, along with an original 1930’s Shadow mask.  It was either a premium or sold as part of a Halloween costume. The auction will also feature a number of lots from the estate of Earl Kussman who, along with Ed Kessell and Nils Hardin, organized the first Pulpcon, held in Clayton, Missouri over a June weekend in 1972.

Cthulhu DiceFor pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

The PulpFest 2015 gaming track will begin at 10 AM on Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

On Sunday, August 16th, the dealers’ room will be open to all members from 10 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

If you will be needing a hotel room for tonight, please remember that PulpFest is sharing downtown Columbus with Matsuricon. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/ and you’ll find a link to a list of hotels to choose from. Alternately, we suggest that you search for a room at tripadvisor or a similar website as soon as you possibly can. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

(Not long after the appearance of the August Derleth anthology SLEEP NO MORE, the book’s illustrator, Lee Brown Coye, began a long relationship with WEIRD TALES. The first of his ten covers for the magazine appeared on its July 1945 number, featured above. He also produced many interior illustrations for the magazine. His work continued to appear in WEIRD TALES until 1952.

As part of its celebration of the 125th anniversary of H. P. Lovecraft’s birth and his relationship with WEIRD TALES, the leading supernatural fiction magazine of its time, PulpFest 2015 is very pleased to offer a fully authorized showing of THE WHISPERER IN DARKNESS. The one-sheet, pictured above, is copyright 2015 by the H. P. Lovecraft Historical Society.

One of the quick games that will be played at PulpFest is called CTHULHU DICE, from Steve Jackson Games. Players take turns rolling the big, custom-designed, twelve-sided die, embossed with tentacles, Elder Signs, and more. The objective of the game is to drive your opponents insane with the cast of your die. CTHULHU DICE plays in 5 to 10 minutes, and is great fun for two to six players.)

 

Friday at PulpFest 2015

Aug 14, 2015 by

Weird Tales 52-01PulpFest 2015 enters it second day, following a successful night of dealer set-up, early registration, early-bird shopping, and a full slate of exciting programming. If you missed our first day, there’s still plenty of action to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All members will also be able to register for the convention this morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Those who have prepaid for their memberships, will be able to pick up their registration packets at our door. Three-day memberships will be available for $40. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form. Please visit our registration page for further details.

Weird Tales 35-08The dealers’ room will open to all at 10 AM and remain open until 4:30 PM. Our afternoon programming will start at 1 PM with the first of two New Fictioneers readings — by Jason Scott Aiken and John Hegenberger — followed by a presentation on the Pulp Magazines Project. Our evening programming will begin at 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include a discussion of Standard Magazines’ managing editor, Leo Margulies, featuring Philip Sherman, the nephew of the “Little Giant of the Pulps.” Our guest-of-honor, author Chet Williamson, will discuss his career and explain how “the old gentleman” of Providence influenced him in his writing as well as the writing of his peers in the world of modern horror fiction. Our special guest, Jon Arfstrom, the last of the artists who painted covers for the original run of WEIRD TALESwill also talk briefly with pulp art historian David Saunders. We’ll also have our friends from FarmerCon X on hand for a discussion of the weird tales of Philip José Farmer, while a panel of popular culture historians will discuss the development of the Cthulhu or Lovecraft Mythos. Our final panel, Thrilling Heroes of Standard’s Pulps and Comics will feature pulp and comic book scholars Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts. We’ll close the night with a showing of THE CALL OF CTHULHU and COOL AIR, part of our Lovecraft at the Movies film series.

For pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

Call of Cthulhu Banner

The PulpFest 2015 gaming track will begin at 10 AM on Friday and Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest
programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

If you have yet to book your room for this year’s convention, please do so without delay. Remember that PulpFest will be sharing downtown Columbus with Matsuricon this week. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/  and you’ll find a link to a list of hotels to choose from. Alternately, we suggest that you search for a room at tripadvisor or a similar website as soon as you possibly can. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

PulpFest 2015 will continue through Saturday and Sunday. It concludes at 2 PM on Sunday, August 16th.

(Jon Arfstrom began to submit his work to the digest market around 1950. Soon, he was selling to a number of magazines, including Dorothy McIlwraith’s WEIRD TALES. He painted three covers for “The Unique Magazine,” beginning with the January 1952 issue, featured here, and continued contributing to it until its demise in 1954.

Our guest of honor for PulpFest 2015, Chet Williamson, has been collecting pulps ever since he was in college. The first pulp he ever bought was the August 1935 WEIRD TALES – pictured here with front cover art by the incomparable Margaret Brundage.

In 1981, a wargame and role-playing-game publisher known as Chaosium released the first edition of CALL OF CTHULHU, a game developed by Sandy Peterson. It is is now in its seventh edition and is one of the role-playing games that will be featured during PulpFest‘s new gaming track.)

 

PulpFest Primer

Aug 12, 2015 by

2015 FlyerPulpFest 2015 will begin on Thursday, August 13th, at 4 PM, as our dealers begin to erect their displays for “Summer’s Great Pulp Con!” All members will be able to register for the convention from 4 to 8 PM, right outside our dealers’ room. There will be early-bird shopping in the dealers’ room from 6 to 10 PM for loyal attendees who help to defray the convention’s costs by staying three nights at our host hotel. The cost is $30 for those who stay elsewhere. Our full programming slate for the evening will begin at 8 PM with a rapid-fire presentation on Walter Gibson’s use of real-world counterintelligence and espionage secrets in his Shadow novels. There will also be presentations on the detective and western heroes of the “Thrilling Group,” Street & Smith Comics, and sports pulps. Closing out the night will be a showing of OUT OF MIND: THE STORIES OF H. P. LOVECRAFT, one of the most admired films to be inspired by the master of the cosmic terror tale. We will also be featuring “Pickman’s Model,” a short film made for ROD SERLING’S NIGHT GALLERY and based on the Lovecraft work of the same title.

If you have yet to book your room for this year’s convention, please do so without delay. Remember that PulpFest will be sharing downtown Columbus with Matsuricon this week. However, there may still be a few rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/ and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive.

As mentioned above, early registration for the general membership will take place on Thursday, beginning at 4 PM, right outside of the dealers’ room located in the Regency Ballroom on the hotel’s third floor. All members, dealers included, can pick up their registration packets at this time. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. You only need to bring the last page of the form.

For those of you who have not yet registered for PulpFest 2015, Thursday evening will be an ideal time to do so. Four-day memberships will be available for $40. There will be no single-day memberships available for Thursday only. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. Please visit our registration page for further details. Members will also be able to register for the convention on Friday morning, beginning at 9 PM, and at any time during regular dealers’ room hours. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday.

Please note that advance registrations are no longer available. Our Paypal page was shut down around 10 PM on Monday night.

Startling Comics 48-01From 4 PM to 11 PM on Thursday, the dealers’ room will be open for exhibitors to set up their displays. At this point, we urge all of our dealers to take full advantage of our generous load-in and set-up period. While unloading and transporting your goods should be very easy – there’s a back entrance to the hotel for loading and we have been granted exclusive use of a freight elevator – there is bound to be a certain amount of disorientation as folks negotiate their way around the Hyatt. Remember that we’ll also be offering early-bird shopping in the dealers’ room from 6 to 10 PM on Thursday evening, an extra four hours of selling opportunities to people who are ready to buy!

Although the focus of PulpFest is pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games are also allowed. Please remember that PulpFest is not a comic book convention. Sexually explicit material, including Playboy, Penthouse and Oui, is not allowed.

Call of Cthulhu One-SheetFrom 9 to 10 AM on Friday, August 14th, the dealers’ room will be open only to dealers for set-up. It will open to all at 10 AM and remain open until 4:30 PM. Our afternoon programming will start at 1 PM with the first of two New Fictioneers readings — by Jason Scott Aiken and John Hegenberger — followed by a presentation on the Pulp Magazines Project. Our evening programming will begin at 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include a discussion of Standard Magazines’ managing editor, Leo Margulies, featuring Philip Sherman, the nephew of the “Little Giant of the Pulps.” Our guest-of-honor, author Chet Williamson, will discuss his career and explain how “the old gentleman” of Providence influenced him in his writing as well as the writing of his peers in the world of modern horror fiction. Our special guest from the world of art, Jon Arfstrom, the last of the artists who painted covers for the original run of WEIRD TALESwill also talk briefly with pulp art historian David Saunders. We’ll also have our friends from FarmerCon X on hand for a discussion of the weird tales of Philip José Farmer, while a panel of popular culture historians will discuss the development of the Cthulhu or Lovecraft Mythos. Our final panel, Thrilling Heroes of Standard’s Pulps and Comics will feature pulp and comic book scholars Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts. We’ll close the night with a showing of THE CALL OF CTHULHU and COOL AIR, part of our Lovecraft at the Movies film series.

On Saturday, August 15th, the PulpFest dealers’ room will be open from 9 AM to 4:30 PM. This should allow plenty of time for people to prepare for our Saturday Night Dinner at Buca di Beppo, a get-together arranged by registration and volunteer coordinator Sally Cullers. If you don’t plan to attend, there are plenty of other restaurants close to the hotel. You’ll find a guide to the many fine downtown restaurants by clicking here as well as a map to find them by clicking here.

Air War 1944-SummerOur Saturday afternoon programming will start at 12:30 PM when author Duane Spurlock will read from AIRSHIP HUNTERS and FIGHTING ALASKA. Afterward, Ron Fortier will moderate a New Pulp Fiction Panel on “The Heirs of WEIRD TALES.” It will be followed by a presentation on WEIRD TALES artist Lee Brown Coye and another New Fictioneer reading featuring the weird poetry and prose of Scott Urban. Saturday evening’s events will include the PulpFest 2015 Business Meeting beginning at 7:10 PM, where two lucky members who had booked a stay at the Hyatt Regency will receive full membership refunds. It will be followed by the 2015 Munsey Award Presentation. Our programming for the evening will include Weird Editing at “The Unique Magazine,” The Thrilling Adventures of Rudolph Belarski, and a showing of THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE, part of our Lovecraft at the Movies film series. Tucked in before our movies start will be our Saturday Night Auction, featuring material consigned by our membership.

Any member of PulpFest 2015 can submit items to the auction. Your PulpFest badge number will be used as your auction bidder and/or seller number. We will begin taking consignments for the auction when our dealers’ room opens on Friday, August 14th. The sooner you submit your consignment to Mike Chomko, the more likely that it will be included in our auction. Mike’s tables will be along the wall, just inside the entrance to the PulpFest dealers’ room. All auction lots must be submitted to Mike prior to 2 PM, Saturday, August 15th. All lots submitted must have a minimum value of $20. All lots that do not receive a bid of $20 or more will be passed. If you plan to offer an auction lot with a reserve price, your reserve must be $50 or more. No lots with a reserve price of less than $50 will be accepted. PulpFest reserves the right to reject any auction material that is unlikely to meet our minimum bid or reserve price standards as well as our content standards. The convention charges sellers 10% of the selling price for anything sold in the auction. For additional information, please click on the auction link on our programming schedule or contact Barry Traylor via email at barry@pulpfest.com.

For pulp fans who like games, gaming fans who like pulps, or just people who like to have fun, PulpFest 2015 will be introducing a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas such as Doc Smith’s Lensman series, westerns, mysteries and, of course, the pulp heroes. Role-playing games, or RPGs, are especially noted for quick action, cliff-hangers, and adventure.

Arkham Horror

The PulpFest 2015 gaming track will begin at 10 AM on Friday and Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency. The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. If you have questions about our gaming track, please write to PulpFest programming director Mike Chomko at mike@pulpfest.com.

For additional details on all of our afternoon and evening programming events, please visit click the red schedule button on our home page for further details. Each entry is linked to a post that provides further information on that event. Just click on the event’s title.

On Sunday, August 16th, the dealers’ room will be open to all members from 10 AM to 2 PM as our dealers pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday only will be $10, the cost of our annual program book, THE PULPSTER.

Thrilling Sports 36-09We are hoping that this year’s con will be our biggest and best yet. For some time, we’ve been receiving registrations every day, many from people who have never attended PulpFest before. If you’ve been thinking about attending, but have yet to pull the trigger, please book a room without delay. Click here and you’ll find a link to a list of hotels to choose from. There may still be some rooms available at nearby hotels. Alternately, we suggest that you search for a room at tripadvisor and similar websites as soon as you possibly can.

The Hyatt Regency is located at 350 North High Street in downtown Columbus, Ohio. The hotel is south of I-670, just 15-20 minutes from Columbus International Airport. In the heart of the active Arena District, the Hyatt Regency is just a few minutes’ walk from the trendy Short North Arts District. There are shops and restaurants galore right outside the hotel’s entrance. Click here for map & directions.

For those who will be staying at the Hyatt Regency during the convention, parking is free at the Chestnut Street Garage, one block south of the hotel. The garage is connected to the hotel via an enclosed and covered walkway. For those visiting PulpFest for the day, you can also use the Chestnut Street Garage. Rates vary based on time, but $16 will get you a day’s parking with in and out privileges. Additional parking is available at the Convention Center underground garage or the Center’s east lot. Again, rates are time-based and $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

For those attendees who would like to ship their purchases to their homes, PulpFest 2015 has arranged for a local UPS provider to be available at the hotel on Sunday, August 16th. He will be arriving between 11 AM and noon and will stay as long as his services are needed. Further information is available on our FAQ page.

The entire PulpFest 2015 organizing committee – Mike Chomko, Jack and Sally Cullers, Barry Traylor, and Chuck Welch – is looking forward to seeing all of you. Have a safe trip to Columbus for “Summer’s Great Pulp Con.”

(Most of our promotional materials for PulpFest 2015 featured Matt Fox’s cover for the November 1944 issue of WEIRD TALES, one of about a dozen covers he painted for “the unique magazine.”

Alex Schomburg contributed substantially to Ned Pines’ Standard Magazines and Comics, including the January 1948 issue of STARTLING COMICS.

American painter, illustrator, graphic designer, web designer, poster artist and painter of book jackets, comic books, games and pin-ups Lee Moyer has created many Lovecraftian works of art, including the film poster for THE CALL OF CTHULHU, produced by the H. P. Lovecraft Historical Society in 2005.

Rudolph Belarski’s cover to the Summer 1944 issue of AIR WAR is one of many covers that the talented artist painted for Ned Pines’ “Thrilling Group” of pulp magazines.

Besides RPGs, there will be a number of board and card games that will be demonstrated and played at the convention. These games can last from twenty minutes to several hours. One board game that will be featured during PulpFest‘s new gaming track will be Fantasy Flight’s ARKHAM HORROR.

The first issue of THRILLING SPORTS was dated September 1936 and featured “The Hurdling Hurricane,” credited to Arthur William Rickard, as its cover story. The cover art for the issue was by Earle K. Bergey, who, along with Rudolph Belarski, created many cover paintings for Standard’s sports pulps.)

PulpFest 2015 Gaming Event Schedule

Aug 10, 2015 by

Arkham Horror

New at this year’s PulpFest will be a gaming track. Many of the themes found in the world of modern games resonate from the pulps and the stories published in those magazines. There are games based on Conan, the Cthulhu Mythos, space operas, westerns, mysteries and, of course, the pulp heroes. So if you enjoy gaming, PulpFest is a fantastic opportunity to learn more about the roots of some of the great stories that permeate the hobby.

PulpFest will have a room set up with eight tables where a variety of board games, card games, and role-playing games, or RPGs, will be presented. Thanks to longtime pulp and gaming fan Rick Thomas and several Columbus-based gaming groups, PulpFest 2015 is shaping up to be one of the most fun and exciting conventions in years.

For a look at the many games that will be played at this year’s PulpFest, please click here. You’ll find when each game will be played, descriptions of each game, who will be running the games, and much more.

The Columbus chapter of the Ohio Pathfinder Society will run RPGs dealing with weird tales, ancient ruins, and murder mysteries set in a fantasy world based on the Pathfinder RPG. Another Ohio group, Rogue Cthulhu, will be running role-playing adventures based on H. P. Lovecraft’s Cthulhu Mythos and other weird tales set in the 1920s. Besides RPGs, there will be a number of board and card games that will be demonstrated and played at the convention. These games can last from twenty minutes to several hours. They will be set up for people looking to find some new and interesting entertainment at PulpFest 2015.  We’ll be offering Cthulhu Dice, Elder Sign, Arkham Horror, and more.

The PulpFest 2015 gaming track will begin at 10 AM on Friday and Saturday and last until 10 PM or thereabouts.  On Sunday, games will begin at 10 AM and continue until the end of the convention. All games will be set up in the Clark Room, located on the second floor of the Hyatt Regency.

The only requirements to play games at PulpFest 2015 are a PulpFest membership, your imagination, and a desire to have a good time. So if you enjoy pulps and you enjoy games, PulpFest will be the place to be. You can join us at the beautiful Hyatt Regency in Columbus, Ohio, beginning on Thursday evening, August 13th and running through Sunday afternoon, August 16th. Click here to learn how to register for “Summer’s Great Pulp Con,” and now, “Summer’s Great Pulp Gaming Con.” Although advance registrations end at 10 PM on Monday, August 10th, you’ll still be able to register at the door.

Cthulhu is Growing Impatient for Your Arrival!

Aug 7, 2015 by

“Our tangible world is only an atom in a fabric vast and ominous, and that
unknown demesnes press on and permeate the sphere of the known at every point . . .”

Lovecraft

If you’re at PulpFest 2015 on Friday evening, August 14th, you’ll probably be in our programming area, listening to author Chet Williamson, the convention’s guest of honor, explaining how “the old gentleman” of Providence influenced him in his writing. Later, Jon Arfstrom, perhaps the last living artist who contributed covers to the original run of WEIRD TALES, will talk about his career. Closing out the evening will be a pair of panels — a FarmerCon presentation examining “The Weird Tales of Philip José Farmer” and PulpFest‘s main panel of the evening, “The Call of Cthulhu: The Development of Lovecraft’s Mythos.” The evening ends with a showing of THE CALL OF CTHULHUIt will be followed by COOL AIR, a short film made for ROD SERLING’S NIGHT GALLERY and based on the Lovecraft work of the same title. It originally aired in 1971.

On Saturday, our celebration of the 125th anniversary of the birth of H. P. Lovecraft continues at PulpFest 2015. We’ll be turning our attention to WEIRD TALES, the pulp magazine where the bulk of the horror master’s work was originally published.

During our afternoon programming, we welcome a talented group of today’s fictioneers — the scribes and word-slingers who are creating the new pulp fiction — to discuss the writers and stories published by “The Unique Magazine,” the genres it helped to generate, and how WEIRD TALES has influenced contemporary writers. It’s called “The Heirs of WEIRD TALES” and promises to be the most fantastic “new pulp” panel we’ve ever assembled.

Back around the beginning of May, Feral House, a small press with a taste for the outrageous, approached PulpFest with an offer that was very difficult to refuse. Author and collector Mike Hunchback had put together a definitive survey of the later work of illustrator Lee Brown Coye and was interested in presenting a slide show of the artist’s work at this year’s PulpFest. Given that our convention was celebrating the 125th anniversary of the birth of author H. P. Lovecraft, we jumped at the chance to have Mike be part of our 2015 conference. After all, Coye, like Lovecraft, was very strongly associated with “The Unique Magazine, “ WEIRD TALES. Join Mike Hunchback at 2:30 PM for “Pulp Macabre — The Art of Lee Brown Coye” in the PulpFest programming room on the second floor of the Hyatt Regency Columbus.

Our afternoon programming concludes with “Weird Prose and Poetry from Scott H. Urban,” readings of poems and fiction, both old and new. Scott promises to leave the bubbling chaos at home; however, he cannot guarantee that there will not be writhing tentacles and the ensuing loss of sanity.

PulpFest‘s WEIRD TALES programming continues at 7:55 PM with “Weird Editing at ‘The Unique Magazine,’” a panel presentation featuring Lovecraftian and pulp scholars discussing the editorial policies of WEIRD TALES, concentrating particularly on the era of its best-known editor, Farnsworth Wright.

Closing out the evening at 11:30 PM, will be an authorized showing of THE WHISPERER IN DARKNESSa film produced by the H. P. Lovecraft Historical Society. It will be paired with PROFESSOR PEABODY’S LAST LECTUREan episode from ROD SERLING’S NIGHT GALLERY that originally aired in 1971.

And don’t forget PulpFest now has a gaming track. This year, it will be centered around CALL OF CTHULHU and other games inspired by the work of H. P. Lovecraft.

There’s still time to join the celebration! There may even be some rooms available at nearby hotels. Please visit www.pulpfest.com/2015/06/16872/  and you’ll find a link to a list of hotels to choose from. The Hyatt Regency where the convention is taking place is totally booked. So what are you waiting for? Book a room and register now for “Summer’s Great Pulp Con.”

(The quotation that begins our post is from “The Descendant,” written by H. P. Lovecraft. It is a story fragment believed to have been written in 1927. It was first published in 1938 in the journal LEAVES, following Lovecraft’s death.

The photograph above, dated 1915 and taken by an unknown photographer, is from Wikimedia Commons, the free media repository.)

One Week to Go!

Aug 6, 2015 by

2015 Full Page AdPulpFest 2015 will start on Thursday, August 13th. The dealers’ room will be open to registered sellers to set up their displays from 4 to 11 PM. Early registration for all convention attendees will take place outside the dealers’ room from 4 to 8 PM. There will be early-bird shopping available to PulpFest members who will be staying at the Hyatt Regency Columbus or those who elect to purchase an early-bird membership from 6 to 10 PM. Our full slate of programming for Thursday evening will get underway at 8 PM. The new PulpFest gaming track will begin on Friday morning, August 15th, at 10 AM.

If you have yet to book your room for this year’s convention, please do so without delay. There may still be some rooms available at nearby hotels. Please click here and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not wait until you arrive. Please book a room for three nights and register now for “Summer’s Great Pulp Con.”

Below, you’ll find our complete schedule for the entire convention. To learn more about a particular programming event, click on its title link. Due to last minute contingencies that may arise, this schedule is subject to change.

Thursday, August 13

Dealers’ Room

4:00 PM – 11:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Early Registration

6:00 PM – 10:00 PM — Dealers’ Room Opens for Early-Bird Shopping

Programming

8:00 PM — Pulpcraft: A Counterintelligence and Espionage Guide to the Pulp Adventures of The Shadow (Tim King)

8:40 PM — Thrilling Detectives (John Wooley and John Gunnison)

9:20 PM — 75 Years of Street & Smith Comics (Anthony Tollin, Tony Isabella, Will Murray, and Michelle Nolan)

10:10 PM — Saddle Up! A Look at the Western Heroes of the Thrilling Group (Ed Hulse)

10:50 PM — Play Ball: A Look at the Sports Pulps (Michelle Nolan)

11:30 PM — OUT OF MIND and PICKMAN’S MODEL (Lovecraft at the Movies)

Friday, August 14

Dealers’ Room

9:00 AM – 10:00 AM — Early Registration and Dealers’ Room Set-Up

10:00 AM – 4:30 PM — Dealers’ Room Open to All

10:00 AM – 10:00 PM — Gaming Track in the Clark Room, Second Floor

Programming

1:00 PM — New Fictioneers Reading: Swords Against Cthulhu (Jason Scott Aiken)

2:00 PM — New Fictioneers Reading: Hardboiled Horrors (John Hegenberger)

3:00 PM — The Pulp Magazines Project (Nathan Madison and Patrick Belk)

7:00 PM — Welcome to PulpFest 2015 (Convention Chairman Jack Cullers)

7:05 PM — Leo Margulies: The Little Giant of the Pulps (Ed Hulse, Will Murray and Philip M. Sherman)

7:55 PM — Our Guest of Honor (Chet Williamson)

8:45 PM — Our Special Guest (WEIRD TALES Artist Jon Arfstrom)

9:10 PM — FarmerCon X: The Weird Tales of  Philip José Farmer (Jason Aiken, Chuck Loridans, and Frank Schildiner)

9:50 PM — The Call of Cthulhu: The Development of Lovecraft’s Mythos (John Haefele, Don Herron, Tom Krabacher, Rick Lai, and Nathan Madison)

10:40 PM — Thrilling Heroes of Standards Pulps and Comics (Matt Moring, Will Murray, Michelle Nolan, and Garyn Roberts)

11:30 pm — THE CALL OF CTHULHU and COOL AIR (Lovecraft at the Movies)

Saturday, August 15

Dealers’ Room

10:00 AM – 4:30 PM — Dealers’ Room Open to All

10:00 AM – 10:00 PM — Gaming Track in the Clark Room, Second Floor

Programming

12:30 PM — New Fictioneer Reading: Flying Saucers and Fisticuffs (Duane Spurlock)

1:30 PM — The Heirs of WEIRD TALES (Jim Beard, Jeff Fournier, John Hegenberger, Rick Lai, Michael Panush, and Frank Schildiner with Ron Fortier, moderator)

2:30 PM — Pulp Macabre: The Art of Lee Brown Coye (Mike Hunchback)

3:30 PM — New Fictioneers Reading: Weird Poetry and Prose (Scott Urban)

5:00 PM — PulpFest 2015 Group Meal at Buca di Beppo (Volunteer coordinator Sally Cullers)

7:10 PM — PulpFest 2015 Business Meeting (meet the convention organizers)

7:40 PM — 2015 Munsey Award Presentation (presented by Randy Cox)

7:55 PM — Weird Editing at “The Unique Magazine” (Don Herron, Morgan Holmes, Tom Krabacher, Will Murray, and Garyn Roberts)

8:45 pm — The Thrilling Adventures of Rudolph Belarski  (David Saunders)

9:30 pm — Saturday Night at the Auction (John Gunnison and Joseph Saine)

11:30 pm — THE WHISPERER IN DARKNESS and PROFESSOR PEABODY’S LAST LECTURE (Lovecraft at the Movies)

Sunday, August 16

Dealer’s Room

10:00 AM – 2:00 PM — Dealers’ Room Open to All (many dealers will be packing up; buying opportunities may be limited)

10:00 AM – 2:00 PM — Gaming Track in the Clark Room, Second Floor

Please note that this schedule is subject to change.

For questions about our programming, please write to our programming director Mike Chomko at mike@pulpfest.com.

For questions about our dealers’ room, please write to our convention chairperson Jack Cullers at jack@pulpfest.com.

Hardboiled Horrors: New Fiction from John Hegenberger

Jul 31, 2015 by

HegenbergerAlthough he has been a published author since the late seventies, John Hegenberger still qualifies as a “new fictioneer.” He has been attending pulp conventions for years. In fact, back in 1988, John penned a review of Pulpcon 17 for MYSTERY SCENE MAGAZINE, the oldest, largest, and most authoritative guide to the crime fiction genre.

John got his start with a short story entitled “Last Contact.” It was published in the October 1977 issue of GALAXY SCIENCE FICTION. More than a decade later, he followed with a pair of novellas in AMAZING STORIES, a short story in TALES OF THE UNANTICIPATED, and a third novella in an anthology published by Ace Books. John has also published two non-fiction books about collecting movie memorabilia and comic books, both published by Wallace-Homestead, as well as CROSS EXAMINATIONS, a collection of stories featuring Eliot Cross, a private eye based in Columbus, Ohio, that is “. . . fast-moving, atmospheric, and consistently surprising . . .” It’s available for Kindle through Amazon.

Born and raised in the heart of the heartland — Columbus, Ohio — John Hegenberger is the author of the upcoming Stan Wade L.A.P.I. series from Black Opal Books, father of three, tennis enthusiast, collector of silent films and old-time radio, hiker, Francophile, B.A. Comparative Literature, pop culture author, crime-fighter, comedian, ex-lead in the senior class play, ex-Navy, ex-comic book dealer, ex-marketing exec at Exxon, AT&T, and IBM, and happily married for 45 years. He tells us that he “expects to have contracted and completed a couple of additional novels by the time of the show, for a dozen books sold since mid-March.” It sounds like he’s hitting on all cylinders. He’s currently working on a western and the fifth Stan Wade, L.A.P.I. novel.

Join PulpFest 2015 on Friday afternoon at 2 PM for “Hardboiled Horrors,” a New Fictioneers reading featuring John Hegenberger. He’ll be reading “Howard’s Toe,” a short story of Lovecraftian horror, as well as a Stan Wade story, involving Robert Bloch and Alfred Hitchcock during the filming of PSYCHO.

John’s reading will be one of four New Fictioneers readings — stories by today’s fictioneers, the authors writing the new pulp fiction — at PulpFest 2015. If you have yet to book your room for this year’s convention, please do so without delay. Remember that PulpFest will be sharing downtown Columbus with Matsuricon in August. There are still some rooms available at nearby hotels. Please click here and you’ll find a link to a list of hotels to choose from. If you are not from the Columbus area and want to attend PulpFest 2015, we urge you to book your room now and not later. Rooms that are relatively close to PulpFest are disappearing fast during the time frame of our convention. So what are you waiting for? Book a room for three nights and register now for “Summer’s Great Pulp Con.”

(The October 1977 issue of GALAXY SCIENCE FICTION (combined with WORLDS OF IF) featured front cover art by Stephen E. Fabian. Still active today, Fabian became interested in science fiction and science-fiction art in the early fifties while serving in the U. S. Air Force. Admiring the work of artists such as Virgil Finlay, Lawrence Stevens, Edd Cartier, and Hubert Rogers, Fabian began thinking about learning how to draw and paint like his favorite science-fiction illustrators in 1965. Two years later, his drawings and paintings began appearing in print, both in fan publications and professional magazines. In 2006, he won a World Fantasy Award for Life Achievement.)