Going, Going, Gone! Auctions at PulpFest

Oct 24, 2016 by

planet-stories-54-smThe PulpFest 2017 auction is already lining up to be a great one. We’ll be offering more pulps and related materials from the collection of the late Woody Hagadish. A longtime collector and reader of books and pulps, Woody a Pulpcon attendee in the past. Primarily interested in western pulps — particularly WILD WEST WEEKLY — Woody was a reading enthusiast and enjoyed his collection. PulpFest will be offering more material from Woody’s collection at our 2017 auction.

We’ll have a variety of both pulps and digests from such diverse genres as sports, air war, science fiction, westerns, and the detective field. Also included will be several premiums offered to readers of Street & Smith’s DOC SAVAGE and THE SHADOW MAGAZINE. Finally, there will be a number of Gnome Press, Shasta, and Avalon first edition hardcovers offered. The estate is hoping to find good homes for all of these collectibles, getting them to the people who would best appreciate them, as Woody Hagadish had done during his lifetime.

This year’s auction will also feature a number of pulp magazines from the collection of the late Larry Latham. Larry enjoyed a varied career in animation, film, TV, theater and teaching. He was one of the founding members of the Oklahoma Alliance of Fandom, one of the earliest comics clubs in the nation. With a degree in motion picture production, Larry worked at Hanna-Barbera Studios in the storyboard department and graduated to directing and producing at Universal, Walt Disney, Scholastic, and the Berlin Film Company. He won an Emmy for TAILSPIN in 1991. Larry was also admired by the pulp community for his covers and illustrations for ECHOES, THE PULP COLLECTOR, PULP VAULT, and other fanzines. He also created the popular webcomic LOVECRAFT IS MISSING in 2009, which attracted many followers.

PulpFest will be offering a variety of pulps from Larry Latham’s collection, such as copies of THE ARGOSY and THE ALL-STORY, the first three issues of FAMOUS FANTASTIC MYSTERIES, a selection of THE WIDE WORLD, and a number of hero pulps, including the May 1934 issue of DOC SAVAGE, autographed to Latham by cover artist Walter Baumhofer.

One of our members has also mentioned that he may be offering a complete set of the second volume of AMRA — no. 1 to no. 71 — published by George Scithers from 1959 to 1982. AMRA was printed by offset lithography, with high-quality artwork, including by Roy G. Krenkel, Gray Morrow, and Jim Cawthorn. The written content was impressive too, the contributors including L. Sprague de Camp above all others, Poul Anderson, Leigh Brackett, John Boardman, Jerry Pournelle, Fritz Leiber, and Marion Zimmer Bradley.

Are you thinking about selling off part or all of your pulp collection? Has a relative left a pulp collection that you’re unsure what to do with? Do you have a collectible book or magazine that you’d like to sell? Consider using PulpFest‘s annual auction to reach an enthusiastic group of collectors.

PulpFest has the buyers you seek. You’ll find collectors of pulp magazines and related materials, vintage paperbacks, digests, men’s adventure and true crime magazines, original art, first edition hardcovers, series books, reference books, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and Golden and Silver Age comic books, as well as newspaper adventure strips. That means your collection or that of a loved one will go to those who will treasure and appreciate it most. We like to see collections stay within the pulp community.

While we don’t enjoy thinking about our eventual passing, it’s a good idea to plan ahead. PulpFest will be glad to help. Please write to auction director, J. Barry Traylor, at barry@pulpfest.comwith your questions. You can also reach him by mail at 1767 Crooked Oak Drive, Lancaster, PA 17601. Although the convention welcomes the selling of collections through our auction, smaller accumulations are also welcome. If you’d like to submit something to our auction, please contact Barry in the months ahead.

Start making your plans now to attend PulpFest 2017 to get in on the action at Summer’s Hardboiled Pulp Con!

(The legendary Frank Kelly Freas‘ painting of an interplanetary slave auction was featured on the front cover of the Summer 1954 issue of PLANET STORIES. While attending the Art Institute of Pittsburgh, Freas began to contribute freelance artwork to the pulp magazines. He sold his first cover paintings to WEIRD TALES. They were published in the early 1950s. Following his graduation from art school in 1951, he began selling covers to pulps such as ASTOUNDING SCIENCE FICTION, PLANET STORIES, SCIENCE FICTION QUARTERLY, and SUPER SCIENCE STORIES. His illustrations also appeared in ANALOG and ELLERY QUEEN’S MYSTERY MAGAZINE. In 1957, he sold his first cover illustration for MAD MAGAZINE and went on to paint many other covers for the publication. Freas’s artwork was also favored by the paperback book industry. His covers appeared on books published by Ace, Avon, Ballantine, DAW, Signet, and other publishers. He was the first artist to win ten Hugo Awards and was nominated for the Hugo twenty times.)

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Happy Labor Day from PulpFest 2017

Sep 5, 2016 by

Dime Detective 41-11On this day when we honor America’s laborers, PulpFest is pleased to announce that the organizing committee is working to find a new venue for our 2017 convention. Due to the business decision of the Hyatt Regency to concentrate on larger groups than the 400+ pulp fans who have been attending the Columbus-based PulpFest since 2009, the summertime pulp con will have a new home come next year. It’s a tough job, but your organizing committee — particularly convention chairman Jack Cullers and volunteer coordinator Sally Cullers — are up for the task. No wonder we’ve decided to call our 2017 confab, “Summer’s Hardboiled Pulp Con!”

Our programming theme for 2017 will be “Hardboiled Dicks, Dangerous Dames, and a Few Psychos.” Mike Chomko, the convention’s marketing and programming director, is already lining up a fine slate of pulp culture scholars. We’ll have presentations on DIME DETECTIVE, the villains of THE SHADOW MAGAZINE, “The Dangerous Dames of Kenneth Robeson,” Hollywood detective Dan Turner, Señorita Scorpion and the Domino LadyPhilip José Farmer, and much more.

PulpFest 2017 will also be honoring the 100th anniversary of the birth of Robert Bloch, author of PSYCHO, and offering live theater on Thursday evening and Saturday afternoon. The convention is pleased to announce that the Narada Radio Company will be bringing their Pulp-Pourri Theatre to next summer’s PulpFest. Based in Corpus Christi, Pulp-Pourri Theatre is an all-new audio drama anthology series that has its origins in vintage pulp fiction, but presents its stories in the modern way. Pete Lutz is the company’s producer-director. You can sample their work online or via iTunes. The group will also be performing several readings at the convention.

PulpFest auction coordinator J. Barry Traylor is already lining up some exciting material for next year’s Saturday Night Auction. Once again, we’ll be offering pulps from the collection of Woody Hagadish. A longtime collector and reader of books and pulps, Woody often attended the old Pulpcon and bought a wide array of magazines. Primarily interested in western pulps — particularly WILD WEST WEEKLY — Woody was a reading enthusiast and enjoyed his collection. We’ll be offering magazines from such diverse genres as sports fiction, air stories, westerns, science fiction, and the detective field. The estate is hoping to find good homes for all of these collectibles, getting them to the people who would best appreciate them, as Woody Hagadish had done during his lifetime.

Advertising director and PULPSTER editor William Lampkin is putting together some knock-out concepts for our 2017 marketing campaign as well as planning our award-winning program book. If you’re new to PulpFest and are not familiar with the magazine that Bill puts together each year, a few copies remain of our 2016 PULPSTER. Centered around “90 years of AMAZING STORIES,” a collection of essays on the history and legacy of the first all-science-fiction pulp magazine written by many of its editors, including founder Hugo Gernsback, Howard Browne, Joseph Wrzos (Joe Ross), Barry N. Malzberg, PulpFest 2016 Guest of Honor Ted White, Elinor Mavor, and Patrick L. Price, you can learn more about THE PULPSTER #25 and how to acquire a copy by visiting http://www.pulpfest.com/2016/08/copies-pulpster-25-available/.

Of course we couldn’t market PulpFest 2017 without technical and social media director Chuck Welch keeping all of the nuts and bolts of our various websites in line. As always, Chuck is tinkering in the background to make sure you won’t meet up with any glitches when you try to register for next summer’s convention. Of course, our registration page won’t be ready until we have a time and place for next year’s convention. So please stay tuned by visiting www.pulpfest.com at least once a week. We’ll be offering a new post every Monday morning around 9 AM, eastern time. Alternately, you can read our posts via our facebook site or catch our tweets by following us via our Twitter page.

(While training for the priesthood in his native Puerto Rico, Rafael DeSoto began taking private art lessons with a local artist. He emigrated to the United States in 1923 and soon found work at an advertising company. He began to draw interior story illustrations for Street & Smith’s western pulp magazines in 1930. Two years later, he started to sell freelance cover paintings to all the major pulp magazine publishers including Clayton, Dell, Fiction House, Popular, Street & Smith, and the Thrilling Group. It was DeSoto who created the cover art for the November 1941 issue of Popular Publications’ DIME DETECTIVE MAGAZINE.

DeSoto continued to produce pulp covers up until the demise of the industry during the 1950s. He also sold freelance illustrations to slick magazines, many paperback book covers, and covers and interior story illustrations for men’s adventure magazines. The artist retired from freelance illustration in 1964 and began teaching at the State University of New York, Farmingdale. He taught art for the rest of his life and embarked on a very successful career as a portrait artist.)

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