The Countess of PulpFest

Oct 21, 2019 by

If you were lucky enough to attend Martin Grams’s Mid-Atlantic Nostalgia Convention in September, you may have picked up a copy of our PulpFest 2020 postcard. On that card, we announced that a “very special guest” would be appearing at our 2020 convention.

We’re pleased to announce that our PulpFest 2020 guest of honor will be men’s adventure magazine supermodel, Eva Lynd. A frequent collaborator with Doc Savage model Steve Holland, our guest was born Eva Inga Margareta von Fielitz to Countess and Count Asti von Fielitz in 1937. She took the name Eva Lynd to further her acting career after emigrating to the United States in 1950.

In 1956, Eva began modeling for many of the top glamour girl photographers of the era — Peter Basch, Wil Blanche, Herb Flatow, Leo Fuchs, Emil Herman, Morris Kaplan, Charles Kell, Lester Krauss, Earl Leaf, Ed Lettau, Jerry Yulesman and others. Alluring photos of her appeared in dozens of men’s pinup magazines, bachelor magazines and men’s adventure magazines. She also modeled for cover and interior photos published by “true crime” and detective magazines.

Eva was additionally — and still is — an actress. During the 1950s and 60s, she appeared in episodes of THE GARRY MOORE SHOW, PETER GUNN, THE STEVE ALLEN SHOW, THE TEXAN, and THE THIN MAN. In later years, she appeared in HOGAN’S HEROES and CAGNEY & LACEY, as well as the cult movies, THE HYPNOTIC EYE and THAT LADY FROM PEKING. She has also been featured in various print ads and television commercials. Her latest was a commercial for Campbell’s Soup with her real life husband, actor Warren Munson. However, Eva’s most remembered television role was as the “The Girl in the Tube” — the gorgeous babe who emerges seductively from a tube of Brylcreem in the classic and award-winning commercial.

If you’re a fan of vintage men’s adventure magazines, you may know that Eva Lynd was also a favorite model of artists Norm Eastman and Al Rossi, two of the top illustration artists who worked for the MAM market.

Eastman used the model for dozens of the notorious “sweat magazine” cover paintings he created for the MAMs published by the Reese and Emtee companies. Most frequently in the artist’s paintings, Eva is one of the scantily-clad, distressed damsels being tormented by sadistic Nazis, evil Japanese, communists, bikers, or aboriginals. In some, she is a brave, gun-toting freedom fighter.

Rossi used Eva to model for both men’s adventure magazine interior illustrations and for paperback covers. The most famous paperback with a cover painting by Al Rossi is the 1953 Ace Double paperback edition of William Burroughs’ early novel JUNKIE, published under the pseudonym William Lee. The artist also did the cover painting for NARCOTIC AGENT, the novel on the flip side of this highly-valuable Ace double.

Both artists often had Eva pose with the famed male artist’s model Steve Holland, whose face and image appeared in hundreds of paperback and magazine cover paintings, as well as interior illustrations. Holland is best known as the model that artist James Bama used for Doc Savage on the covers of the Bantam paperback series.

Please join us at PulpFest 2020 on Saturday, August 8, for “An Evening with Eva Lynd.” The men’s adventure magazine supermodel will be joined on the PulpFest stage by Bob Deis and Wyatt Doyle — publishers of the MEN’S ADVENTURE LIBRARY book series. They’ll be discussing the process of modeling for cover illustrations and interior illustrations for the men’s adventure magazines and other publications. This should be of great interest to pop culture enthusiasts as the process would have been similar to the experiences of the models who posed for the pulp fiction magazines. They’ll also be discussing Eva’s working relationships with artists Norm Eastman and Al Rossi, as well as fellow model Steve Holland.

(At PulpFest 2019, Bob Deis and Wyatt Doyle debuted an advance edition of EVA: MEN’S ADVENTURE SUPERMODEL, specifically produced for the convention. A pictorial autobiography of Eva Lynd, the book features a cover painting by Norm Eastman. It was originally created for the December 1968 issue of NEW MAN. The painting is reproduced here, courtesy of The Rich Oberg Collection. NEW MAN was published by Reese Publishing from 1963 through 1965 and Emtee Publications from 1965 through 1972.

Many thanks to Bob Deis. His article, “(Re)Discovering Eva Lynd,” at the IDOL FEATURES website, was an invaluable resource for this post.)

Book a Room at the DoubleTree

Oct 14, 2019 by

Are you planning to attend PulpFest in 2020? You can book your room directly through our website. Book early and don’t miss the chance to stay at the beautiful DoubleTree by Hilton Hotel Pittsburgh – Cranberry. Just click the link that reads “Book a Room” below the PulpFest banner. You’ll be redirected to a secure site where you can place your reservation.

You can also make a reservation by calling 1-800-222-8733. Be sure to mention PulpFest to receive the special convention rate of $129 plus tax per night. Included in the room rate are two complimentary breakfasts per room during your stay. Also included is free Wi-Fi in each sleeping room. Ample free parking surrounds the hotel. You must book your room by July 22, 2020 in order to get the special convention rate.

By staying at our host hotel, you help defray the convention’s expenses. It also helps our hotel’s bottom line. To thank you for making PulpFest look good, you’ll receive free early-bird shopping on Thursday evening in the PulpFest dealers’ room. That’s a savings of $35 by staying at the DoubleTree!

Conveniently located at the intersection of three major roadways, the DoubleTree boasts a fine restaurant in an open air setting. There are many other restaurants nearby — some within walking distance — suitable for a variety of tastes. The more adventurous can discover plenty of dining, shopping, and nightlife just a short drive away in downtown Pittsburgh. The DoubleTree also offers a 24-hour fitness center, indoor and outdoor swimming pools, and a sauna.

We’re very happy the DoubleTree Cranberry will be hosting the summertime destination for pop culture fans and collectors. PulpFest seeks to honor pulp fiction and pulp art by drawing attention to the many ways they have inspired popular writers, artists, film directors, software developers, game designers, and other creators over the decades. Per our members, the DoubleTree is a terrific venue for our convention.

PulpFest 2020 will begin on Thursday evening, August 6, and run through Sunday, August 9. We hope to see you at the DoubleTree.

(Please join us at PulpFest 2020 as we explore “Bradbury, BLACK MASK, and Brundage” and the many ways they have influenced writers, artists, film directors, software developers, game designers, and other pop culture creators over the decades.)

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Coming Soon! Pulp AdventureCon and Classicon!

Oct 7, 2019 by

Pulp AdventureCon returns to New Jersey on November 2. What’s there? Rare pulp magazines, vintage paperbacks, golden age comic books, movie memorabilia, and more! It’s in Bordentown, just off exit 7 of the New Jersey Turnpike. Check it out on the Bold Venture Press website.

Pulp AdventureCon is a pop culture paradise. If you like cloaked crimefighters, tough gunslingers, damsels in distress, hardboiled detectives, space pirates, or weird monsters, you’ll love Pulp AdventureCon! What more do you want?

How about Classicon? It’s one of the oldest pulp and paperback shows in the country. Two times each year, Classicon takes place in Lansing, Michigan. A one-day show, you’ll find calendar, pin-up, and illustration artwork, plus thousands of rare pulp magazines, paperbacks, vintage comic books, and other collectibles for sale or trade. Although a date has not yet been set for this fall’s Classicon, you can learn more about the convention by visiting curiousbooks.com/classicon.html.

Events like Pulp AdventureCon and Classicon may keep you satisfied until the next summer’s PulpFest. To keep informed about our 2020 convention,  please bookmark pulpfest.com or like our Facebook page. Over on Twitter, you’ll find tweets with our updates. You’ll also find selected posts on various newsgroups, including Pulpmags. And don’t forget about our Instagram page where we continue to explore “The Children of the Pulps.”

PulpFest 2020 will take place from August 6 – 9, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

(The Pulp AdventureCon advertisement — based on Allen Anderson’s cover art for the July 1952 issue of PLANET STORIES — was designed by Rich Harvey of Bold Venture Press. Check them out!)

THE MAGAZINE OF FANTASY & SCIENCE FICTION at 70

Sep 30, 2019 by

For more years than we can count, the publishers of THE MAGAZINE OF FANTASY & SCIENCE FICTION  have been donating copies of their back issues to the members of PulpFest and its predecessor, Pulpcon.

In the fall of 1949, THE MAGAZINE OF FANTASY first appeared on newsstands. A digest magazine that began as a quarterly, it added the words, “. . . AND SCIENCE FICTION” to its title with the Winter-Spring 1950 issue.

First edited by Anthony Boucher and J. Francis McComas and published by Lawrence Spivak, its founders sought to move away from pulp concepts. They asked writers for science fiction and fantasy that met “the literary standards of the slick magazines that had shaped U. S. short-story writing between the wars.” Publishing works such as Richard Matheson’s “Born of Man and Woman,” the “People” series by Zenna Henderson, Walter Miller’s stories that served as the basis for the award-winning novel, A CANTICLE FOR LEIBOWITZ, Daniel Keyes’ “Flowers for Algernon,” Roger Zelazny’s “A Rose for Ecclesiastes,” and many other classic tales, F&SF has played a tremendous role in humanizing science fiction and helping it mature as a fiction genre.

THE MAGAZINE OF FANTASY & SCIENCE FICTION will soon publish its 746th issue. Congratulations to current publisher Gordon Van Gelder and editor C. C. Finlay.

(The debut issue of THE MAGAZINE OF FANTASY was dated Fall 1949. It featured a photographic cover created by Bill Stone. The artist would go on to create two similar covers for FANTASY FICTION in 1950.)

Get Your Copy of THE PULPSTER

Sep 16, 2019 by

'The Pulpster' #28 (2019)Copies of THE PULPSTER #28 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

Echoing the “Children of the Pulps” portion of our PulpFest 2019 theme, THE PULPSTER takes a look at how characters and fictioneers from the pulpwood paper magazines influenced other characters, television, movies, and more that came after them.

Fronting the magazine is art by Rudolph Belarski from the cover for the September 1939 BLACK BOOK DETECTIVE magazine. It illustrates one aspect of how the pulps influenced the creation of the superhero in comics, with a decidedly Batman-looking Black Bat. That leads into the first of our cover stories.

Will Murray recalls how he and Anthony Tollin pieced together how the creators of Batman lifted elements from THE SHADOW MAGAZINE for their Dark Knight. Will also writes about Johnston McCulley, whom he calls the grandfather of the superhero. Meanwhile, D. Kepler looks at how McCulley’s most famous character — Zorro — on the 100th anniversary of his debut, has been portrayed on screens around the world.

Scott Tracy Griffin surveys how Edgar Rice Burroughs’ Tarzan begat generations of jungle men, women, and children in popular culture.

Three articles examine the pulp magazines’ influence on movies and television: Aaron H. Oliver writes about the 1960s western/spy TV series THE WILD WILD WEST; Jess Terrell looks at the original STAR WARS trilogy; and Sara Light-Waller details how Japanese anime (animated) and tokusatsu (live-action special effects film) drew from the pulps.

THE PULPSTER also celebrates the 100th anniversaries of two pulp magazines: ROMANCE and THE THRILL BOOK. Doug Ellis writes about how ROMANCE struggled for a year with its name and its place in the adventure field, while Richard Bleiler looks at the ambitious oddity that was THE THRILL BOOK.

Then editor emeritus of THE PULPSTER, Tony Davis, writes about Bertrand Sinclair and his nearly 50-year career in the pulps. And THE PULPSTER reprints a letter from fictioneer G. T. Fleming-Roberts in which he reflects on the influence of Sherlock Holmes on his career.

Of course, this issue has the regular departments: “Final Chapters,” by Davis, which notes those of the pulp community who have passed away during the last year; and columns by publisher Michael Chomko and editor Bill Lampkin. And we would be remiss without noting assistant editor Peter Chomko’s help with this issue.

If you’d like to order a copy of THE PULPSTER #28, please write to Mike Chomko at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #26 and 27 are available. The cost of each is $13, postage paid. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. All other issues of THE PULPSTER are out of print.

Please note that all issues of THE PULPSTER — included this year’s number — are in very short supply. Order your copies before they are gone!

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

To learn more about THE PULPSTER, please visit thepulpster.com. For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

(The cover art for THE PULPSTER #28 was originally painted by Rudolph Belarski  for the September 1939 BLACK BOOK DETECTIVE, published by Ned Pines’ Standard Magazines.)

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Thanks to Everyone Who Helped with PulpFest 2019

Sep 9, 2019 by

Year after year, there are countless individuals and organizations that help to make PulpFest such a great show. The PulpFest organizing committee would like them for their invaluable assistance in helping to make PulpFest 2019 a success. We could not have done it without you:

Our front desk staff – Maura Childers, Marge Coiner, Jack Cullers, and Sally Cullers.

Our panelists and presenters – Jason Aiken, Roger Alford, Jennifer Barnes and the writers from Raw Dog Screaming Press — Mike Arnzen, Carrie Gessner, John Edward Lawson, Jason Jack Miller, and Stephanie Wytovich — John Bruening, Christopher Paul Carey, Wayne Carey, Mike Chomko, Gene Christie, Jeremiah Dylan Cook, Bob Deis, Wyatt Doyle, Win Scott Eckert, John Gunnison, Rich Harvey, Morgan Holmes, Ed Hulse,  John Edward Lawson and the writers from Dog Star Books — Matt Betts, J. L. Gribble, Heidi Ruby Miller, K. W. Taylor, Albert Wendland, and K. Ceres Wright — Sara Light-Waller,  John Locke, William Patrick Maynard, Craig McDonald, Will Murray, Nicholas Parisi, Garyn Roberts, David Saunders, E. C. Skowronski, Paul Spiteri, Joab Stieglitz, Sara Tantlinger, George Vanderburgh, Chet Williamson, and John Wooley.

Thanks to Henry G. Franke, III and the Burroughs Bibliophiles for putting together our 2019 art show. We’d also like to thank Jason and Sunni Brock for authorizing our showing of their film, CHARLES BEAUMONT: THE SHORT LIFE OF TWILIGHT ZONE’S MAGIC MAN.

Many thanks to Mike Chomko and Barry Traylor for the time they devoted to assembling this year’s auction. Thanks also to our auctioneers John Gunnison and Joseph Saine and our auction staff, Maura Childers, Marge Coiner, and Sally Cullers.

We want to thank our technical staff – Bill Lampkin and William Patrick Maynard – and our behind-the-scenes help – Peter Chomko, Dan Zimmer, and Kate Knecht, Kirsty McCray, and Kyle Thompson and the terrific staff of the DoubleTree by Hilton Pittsburgh — Cranberry, including Austin and Stephanie, who helped a great deal with set-up.

The organizing committee would also like to thank the people who helped to create THE PULPSTER #28 – editor Bill Lampkin, assistant editor Peter Chomko, publisher Mike Chomko, Schuerholz Printing, plus contributors Richard Bleiler, Tony Davis, Doug Ellis, Scott Tracy Griffin, D. Kepler, Sara Light-Waller, Will Murray, Aaron H. Oliver, and Jess Terrell. We also want to thank James T. Roberts, Esq., for allowing us to reprint his father’s article about Sherlock Holmes. Many thanks are also offered to the magazine’s advertisers – Bear Manor Media, Black Hood Press, CONvergence, Heartwood Auctions, Meteor House Press, Mike Chomko Books, Murania Press, New Texture, the Pulp Factory Awards, Readercon, Recoverings, Stark House Press, ThePulp.Net, and the Windy City Pulp and Paper Convention.

Many thanks to the nominators and Lamont AwardMunsey Award, and Rusty Hevelin Service Award winners who helped to select the winner of this year’s Munsey, George Vanderburgh. Congratulations to George and to all of the nominees for our 2019 award. Thank you to 2018 Munsey winner Bill Lampkin for presenting this year’s award.

We’d like to thank the following organizations for the books and similar items that were donated to PulpFest for distribution to our members: Chaosium, Inc., Gordon Van Gelder and THE MAGAZINE OF FANTASY & SCIENCE FICTION,  and Mike Chomko, Books. We would also like to the Windy City Pulp and Paper Convention for loaning the convention their sound system. Thanks to Meteor House Press for sponsoring this year’s PulpFest banner and to our website sponsors, SmartWritingService.com and DoMyEssay.net.

Thanks must also be extended to John and Maureen Gunnison of Adventure House, David and Daniel Ritter of First Fandom Experience, Richard Meli of Heartwood Books and Art, Mike Croteau, Paul Spiteri and Win Scott Eckert of Meteor House Press, Mike Chomko, Books, Mark Redfield and Jennifer Rouse of Redfield Arts Audio, author Christopher Ryan, Steven Spilger of Mr. Polyester Books and Comics, Christopher Maffei of Well-Stacked Books, and Doug Ellis and John Gunnison of the Windy City Pulp and Paper Convention for sponsoring this year’s hospitality suite at the DoubleTree.

Finally, thanks to Ron Adams and Monster Bash, Jim Beard, Doug Ellis, Steve Ericson, Martin Grams, Steve Hager, Jeff Harper, Sara Light-Waller, Todd McDevitt and New Dimension Comics, Heidi Ruby Miller, Curt Phillips, Rick Thomas, Ray Walsh and the Curious Book Shop, Publicity Chair Karen Yun-Lutz and Confluence, and the many conventions, book and paper fairs, bookstores, comic and collectible shops, web sites, magazines, newspapers, and other media outlets that helped to promote our show by distributing and displaying our advertising materials. We should also mention Christopher Bowser of Geek’s Guide to Pittsburgh, Hanna Lynn and PITTSBURGH CITY PAPER, and Mike Robertson of VisitPittsburgh, who helped in various ways.

Thank you as well to the dealers, attending members and supporting members of PulpFest 2019. It was due to your encouragement and support that our convention was successful. We hope to see all of you in the coming year — along with a good many newcomers — for PulpFest 2020.

If we’ve neglected anyone, please accept our apology and our gratitude. Write to mike@pulpfest.com and we will correct the oversight.

Your PulpFest organizing committee — Mike Chomko, Jack Cullers, Sally Cullers, Bill Lampkin, William Patrick Maynard, and Barry Traylor

(Designed by PulpFest’s artistic director, William Lampkin, our PulpFest 2019 welcome banner —  sponsored by Meteor House Press — features the work of artist Walter Baumhofer. His painting was originally used as the cover to the March 1933 issue of Street & Smith’s DOC SAVAGE MAGAZINE.)

PulpFest 2020 Estate Auction

Sep 5, 2019 by

Over the Labor Day weekend, PulpFest acquired a substantial collection of pulps, digests, vintage paperbacks, first edition hardcovers, underground comics, fanzines, and more.

The primary focus of the magazine collection is the science fiction genre. There are also miscellaneous periodicals from the adventure, detective, hero, spicy, and war genres. The collection contains magazines in both the pulp and digest formats.

The vintage paperbacks run the gamut of genres that are popular in that area of book collecting.

The collection belonged to the late Carl Joecks, a retired television cameraman, electronic equipment repairman, and carpenter who lived in the state of Vermont. A graduate of Ottowa University in Kansas — where he majored in majored in history and political science, with a special interest in speech and debate — Carl served as one of the coaches for the speech and debate team at South Burlington High School in Vermont. He became enamored with science fiction, comic books, radio, and astronomy during his youth. In addition to books, Carl was passionate about photography, cars, watches, cameras, and anything else well engineered.

According to PulpFest member Lohr McKinstry — who helped to negotiate the exchange with the estate — the collection was kept in a darkened room. Most of the books and magazines were shelved in quality bags. The interior paper of many of the items appears to be quite nice.

PulpFest will begin selling the Carl Joecks Collection at our 2020 convention. Given its size, it will take a number of years to disperse the entire collection. Now begins the difficult and time-consuming work of organizing, cataloging, lotting, and photographing the collection. We will update you about our progress throughout the coming year.

To stay informed about our auction and PulpFest 2020 in general,  please bookmark pulpfest.com or like our Facebook page. Over on Twitter, catch our tweets. You’ll also find selected posts on various newsgroups, including Pulpmags. And don’t forget about our Instagram page!

PulpFest 2020 will focus on Bradbury, BLACK MASK, and Brundage. We may even throw in a touch of Brackett and Burroughs for good measure.

So stay tuned! We’re planning to announce a very special guest in a few weeks. You’ll find all that and a great auction at PulpFest 2020. It will be AMAZING!

(Wayne Francis Woodard — better known as Hannes Bok — painted the cover art for the November 1951 issue of MARVEL SCIENCE STORIES. PulpFest 2020 will be selling a copy of the issue during its auction on Saturday evening, August 8. We’ll keep you posted about the sale right here at pulpfest.com.)

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Thanks for Making PulpFest 2019 a Great Success!

Aug 26, 2019 by

Thanks to everyone who made PulpFest 2019 a resounding success. The PulpFest organizing committee is extremely pleased with the tremendous support that we received from everyone.

First, we want to thank our regular dealers who have been backing us since we mounted the first PulpFest in 2009. We are also happy about the dealers who were attending the convention for the first time or who were returning after being away for a few years. We hope that our 68 exhibitors had a great show.

We also have to thank everyone who attended the convention as a regular member. Without such support, our dealers would have no reason to come to PulpFest. Of course, thank you to all of the usual suspects who attend year after year. Thanks as well to all of those members who came to PulpFest for the first time or who returned after a few years’ absence. The convention’s attendance for 2019 was 430.

Planning is already well underway for PulpFest 2020 and the 49th convening of our summertime pulp con.  We’ll be setting our sights on Bradbury, BLACK MASK, and Brundage from August 6 – 9 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania. For good measure, we may add a touch of Brackett and Burroughs to the mix. As always, expect a terrific dealers’ room and superb programming.

To keep informed about PulpFest 2020,  please bookmark pulpfest.com or like our Facebook page. Over on Twitter, you’ll find tweets with our updates. You’ll also find selected posts on various newsgroups, including Pulpmags. And don’t forget about our Instagram page where we have been exploring “The Children of the Pulps.”

Wherever you look for PulpFest on the web, we’ll be sure to keep you informed of our plans.

(Designed by PulpFest’s advertising director, William Lampkin, our PulpFest 2020 post card features Margaret Brundage’s cover painting for the October 1933 issue of WEIRD TALES. Brundage’s work — one of the most iconic images ever created for “The Unique Magazine” — illustrates the first segment of Edmond Hamilton’s four-part serial, “The Vampire Master.” The novel features Hamilton’s psychic detective, Dr. John Dale.

“The Vampire Master” is one of four stories that Hamilton wrote under the pseudonym of Hugh Davidson. All were originally published by WEIRD TALES, and later reissued by Haffner Press in the collection THE VAMPIRE MASTER AND OTHER TALES OF HORROR.)

Get Nostalgic at the Mid-Atlantic Nostalgia Convention

Aug 19, 2019 by

PulpFest dealer Martin Grams hosts the Mid-Atlantic Nostalgia Convention. It celebrates the great movie classics, old-time radio and television, and more. Hollywood celebrities sign autographs and pose for photos. The movie room features rare films and TV shows. The convention also features first-class presentations on a wide range of popular culture. Check out the show’s “Seminars” page to get a taste for what’s in store at the 2019 celebration. There’s also Friday’s annual charity auction.

The dealers’ room at Martin’s show features over 200 vendor tables with merchandise ranging from books, magazines, photographs, movie posters, lobby cards, collectibles, toys, action figures, comic books, arts and crafts, tee shirts, DVDs, and much more. Even if you have no interest in meeting Hollywood celebrities or watching a classic movie in the screening room, the variety of merchandise at this event is worth the trip.

The 2019 Mid-Atlantic Nostalgia Convention will be September 12-14. It’s at the Hunt Valley Marriott Delta Hotel. For more information call 443-286-6821 or visit www.MidAtlanticNostalgiaConvention.comIt’s a great show!

While you’re waiting for next summer to arrive, remember to bookmark pulpfest.com. We’ll keep you posted about related conventions to help satisfy your craving for the arrival of PulpFest 2020. We’ll be setting our sights on Bradbury, BLACK MASK, and Brundage from August 6 – 9 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania. For good measure, we may add a touch of Brackett and Burroughs to the mix. You can never have too many bees!

 

Sunday at PulpFest 2019

Aug 18, 2019 by

PulpFest 2019 is drawing to a close, but there is still time to get in on the action. The dealers’ room will be open from 9 AM until 2 PM today. With most of our dealers getting ready to head for home, our admission for the day is only $10, which includes a copy of our highly collectible program book, THE PULPSTER. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. There are no programming events scheduled for Sunday.

Located in the Grand Ballroom of the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, contemporary genre fiction and pulp reprints, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. Although our dealers’ room will be open, buying opportunities may be limited as most of our dealers will be packing up to head home.

If you have not been able to attend PulpFest in 2019, start making your plans right now to join the 49th anniversary of summer’s annual pulp con in 2020. We’ll be setting our sights on Bradbury, BLACK MASK, and Brundage from August 6 – 9 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania. For good measure, we may add a touch of Brackett and Burroughs to the mix. Our FarmerCon friends should also be back to celebrate the life and legacy of Grand Master of Science Fiction Philip José Farmer. As always, expect a terrific dealers’ room and superb programming.

To keep informed about PulpFest 2020,  please bookmark pulpfest.com or like our Facebook page. Over on Twitter, you’ll find tweets with our updates. You’ll also find selected posts on various newsgroups, including Pulpmags. And don’t forget about our Instagram page where we have been exploring “The Children of the Pulps.” Wherever you look for PulpFest on the web, we’ll be sure to keep you informed of our plans.

Many thanks to all of you who attended this year’s convention. We hope that you enjoyed yourself and plan to return for PulpFest 2020. Please bring your friends!

Your PulpFest Organizing Committee — Mike Chomko, Jack Cullers, Sally Cullers, Bill Lampkin, William Patrick Maynard, & Barry Traylor

(PulpFest is the summertime destination for fans and collectors of popular fiction — old and new — and related materials. It seeks to honor the pulps by drawing attention to the many ways these throwaway magazines have inspired writers, artists, film directors, game designers, and other creators over the years.

While Batman artist Bob Kane cited Chester Gould’s Dick Tracy as one of his inspirations — particularly for his villains — Bill Finger, Batman’s writer, admitted that, “My first (Batman) script was a take-off on a Shadow story . . . . I patterned my style of writing Batman after the Shadow . . . . It was completely pulp style.” The Batman was introduced to readers in DETECTIVE COMICS #27, dated May 1939.

Although The Shadow certainly played the most influential role in the creation of the Batman saga, other pulp characters also inspired Bill Finger and Bob Kane.

PulpFest 2019 has focused on the many ways pulp fiction and pulp art have inspired and continue to inspire creators. Next year, the convention will set its sights on Bradbury, BLACK MASK, and Brundage (with a touch of Brackett and Burroughs thrown in for good measure).