Our 2016 Award Winners

Jul 23, 2016 by

Final Munsey AwardLaurie Powers has been named the winner of the 2016 Munsey Award. Nominated by the general pulp community, Laurie was selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award is a fine art print created by Dan Zimmer of a David Saunders painting, presented annually to a person who has worked for the betterment of the pulp community. J. Barry Traylor, the recipient of the 2014 Rusty Award presented Laurie were her well-deserved Munsey.

The granddaughter of pulp author Paul S. Powers, Laurie was introduced to the pulp community in 2007 through the publication of PULP WRITER: TWENTY YEARS IN THE AMERICAN GRUB STREET, an autobiography and appreciation of her grandfather. She has also edited several collections of her grandfather’s work in various genres, releasing a number of previously unpublished stories. In 2013, she helped to arrange the donation of her grandfather’s personal papers as well more than 400 pulp magazines featuring his work to the Rare Books and Manuscripts Library at Ohio State University in Columbus. Laurie also publishes Laurie’s Wild West, an Internet blog site that has become a favorite destination for those interested in the pulps. She has published articles on “Who Read the Pulps?,” female pulp writers, a series of articles put together by various pulp fans entitled “My Favorite Pulps,” and many other topics. Although relatively new to the world of pulps, Laurie has shown tremendous support for the community by spreading the word about pulp fiction and publicizing the conventions that salute our wonderful hobby. She is currently working on a biography of pulp editor Daisy Bacon, editor of LOVE STORY MAGAZINE. At PulpFest 2016, Laurie presented “100 Years of the Specialty Pulp — LOVE STORY MAGAZINE and the Romance Pulp Phenomenon” during our evening programming on Thursday, July 22.

In a surprise announcement during on Friday evening programming on July 23, David Saunders was presented with a special “retro” Lamont Award to recognize his substantial service to the pulp community over the years. Since a limited edition of thirty-six numbered and signed prints — designed by David — serves as the Munsey and Rusty awards, it was decided to honor David’s significant contributions to the pulp world with one of the few remaining copies of Pulpcon‘s Lamont Award. The award was presented by our 2015 Munsey Award winner, Stephen T. Miller.

Born in 1954, David Saunders is a New York artist. His work has been collected worldwide and can be found in the Museum of Modern Art, The Metropolitan Museum of Art, The Brooklyn Museum of Art, and the Hirschhorn Museum of Art in Washington, DC. He has taught art at Yale, Oberlin, and the Kansas City Art Institute, as well as art schools in France, Korea, Mexico and Japan.

David’s father was the legendary illustrator, Norman Saunders. His mother, Ellene Politis Saunders, worked at Fawcett Publications as Chief Executive Editor for WOMAN’S DAY. In 1972, David became his father’s business secretary, which started a long project to catalog his father’s 7,000 published illustrations. He spent the next seventeen years gathering published examples of his father’s work from used bookshops and submitting each new entry to his father’s inspection. What began as a sentimental hobby for a father and son grew into an impressive archive of 20th century American illustration. After his father’s death in 1989, he completed the archive on his own. He interviewed his father’s surviving associates to record their oral histories. These transcripts helped to broaden his viewpoint of the popular culture publishing industry and also documented vital information about the lives of other artists. Some of this material has been published as biographical profiles in ILLUSTRATION MAGAZINE and several coffee-table art books on pulp artists.

David is, quite probably, the foremost scholar of American pulp illustrators. His free public website, Field Guide to Wild American Pulp Artists, has over three-hundred biographical profiles of these creators of popular culture. David continues to research, document, and promote a greater appreciation of pulp artists. To find out more, please visit davidsaunders.biz, normansaunders.com, and theillustratedpress.com.

Congratulations to both Laurie and David.

Nominations are now being accepted for the 2017 Munsey and/or Rusty Awards. If you have someone in mind that you feel worthy of either award, please send the person’s name and a brief paragraph describing why you feel that person should be honored to Mike Chomko, 2217 W. Fairview Street, Allentown, PA 18104-6542 or to mike@pulpfest.com. Previous winners of the Lamont, Munsey, or Rusty Award are not eligible for the award. Click here for a list of our previous winners.

The deadline for nominations is May 31, 2017. Please click here for additional details. Thanks for your help.

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2016 Munsey Award Nominees

May 27, 2016 by

Final Munsey AwardThe PulpFest Organizing Committee is pleased to announce that ten individuals have been nominated by their peers for the 2016 Munsey Award. Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. Congratulations to all of the nominees for this prestigious award, presented annually at PulpFest.

The nominees listed below — who received multiple nominations — will be forwarded to a committee made up of all the living Lamont, Munsey, and Rusty Award winners who will select the person to receive the 2016 Munsey. No one was nominated for a 2016 Rusty Award.

CAMILLE CAZEDESSUS has been publishing a fanzine devoted to pulp fiction for more than fifty years, first as ERB-DOM and later as THE FANTASTIC COLLECTOR. All told, he has edited and published almost 250 issues, as well as several books. In its earliest incarnation, Caz’s magazine focused on the work of Edgar Rice Burroughs, presenting background information and bibliographic details about the author’s work as it appeared in magazines, books, comics, and movies. ERB-DOM won a Hugo Award in 1966. In the late nineties, Caz rechristened his fanzine as PULPDOM, a publication devoted to “studying the authors that wrote for the pulps and reprinting the ‘fantastic adventure’ type stories from pulp magazines.” With the help of various writers and indexers including Gary Lovisi, Al Lybeck, Jerry Page and, most recently, Mike Taylor, PULPDOM has explored nearly every pre-1932 general fiction pulp ever published, including ARGOSY, ALL-STORY, BLUE BOOK, CAVALIER, and THE POPULAR. Caz continues to publish PULPDOM today as a free, online pulp fanzine.

RON FORTIER has been a professional writer for three decades. In 2007, Ron teamed up with illustrator Rob Davis to start Airship 27 Productions and build a home for new adventures featuring long moribund pulp characters such as the Green Lama, the Masked Rider, Secret Agent X, and Fortier’s own version of Ace Periodicals’ Captain Hazzard. Ron’s books have inspired contemporary writers and artists to turn out new adventures featuring many of the characters long remembered by the pulp community. They have also served as ports of entry for new people to become involved with the world of pulps. In 2009, Ron helped develop the Pulp Factory Awards, inaugurated to support and encourage the creation of new pulp fiction and art. The first PFAs were awarded at the 2010 Windy City Pulp and Paper Convention. Recently, Ron helped publish LEGENDS OF NEW PULP FICTION, an all-new anthology to benefit new pulp publisher, editor, and writer Tommy Hancock, recently diagnosed with congestive heart failure. All proceeds of the book will help Tommy to defray some of his medical bills. On Saturday, July 24, Ron will be moderating a panel on new pulp fiction at PulpFest.

JOEL FRIEMAN worked for many years in the publishing industry. He was the person most responsible for taking The Shadow to a new paperback house, Pyramid/Jove, after it had failed at Bantam Books. It was Joel who worked to have Jim Steranko do the covers for the new Shadow line. Joel was also responsible for the Pocket Books editions of The Spider in the 1970s and, as the fiction editor at Freeway Press, he reprinted several Operator 5 adventures in paperback, featuring cover art by pulp illustrator George Gross. In 1981, Joel purchased Popular Publications from Popular Publications International. Joel has been directly involved with every Popular Publications reprint in any format ever since. He licensed The Spider to paperback numerous times, as well as G-8 and His Battle AcesOperator 5, and numerous novels from ARGOSY for various book projects. Joel rarely attends conventions outside of New York, but he is well known by pulp fans and publishers throughout the country.

CHRIS KALB is known in pulp circles for his hero pulp websites, like The 86th Floor and The Spider Returns, ventures that have helped to attract people who are new to the pulps. There isn’t anyone out there making better use of all the new technology while still preserving the “oldness” of pulps and popular culture. He has become the person to go to for publishers who want a retro-design for their books or website, including Ed Hulse’s Murania Press. He is also the lead designer for Age of Aces Books, a pulp reprint house that specializes in air war fiction. In 2010, Age of Aces received two National Indie Excellence Awards for Chris’ work on the bestselling THE SPIDER VS. THE EMPIRE STATE. Chris is the designer of PulpFest‘s original website and for many years, put together the convention’s print advertisements.

WILLIAM LAMPKIN is a freelance writer/editor and publication designer who has spent much of his work life in the newspaper field, much like Rambler Murphy (but without the cool nickname and crime-solving). Like many from his generation, Bill discovered the pulps through paperback reprints of Edgar Rice Burroughs, Robert E. Howard, The Shadow, Doc Savage, and The Spider. He bought his first actual pulp in the seventies. Bill runs The Pulp.Net, which he created in 1996, and also writes the Yellowed Perils blog. He founded the Facebook group Southern Pulpsters in 2015. A resident of Florida, he has designed THE PULPSTER since 2008, and beginning with its 22nd issue, became editor of the award-winning program book. The first twenty-one issues of the magazine were edited by Tony Davis, winner of the 1999 Lamont Award, who calls Bill: “One of the unsung heroes of contemporary pulp fandom.” In late 2013, Bill also began to design PulpFest‘s print advertisements, badges, and other materials. He is a member of the PulpFest organizing committee, serving as the convention’s advertising director.

LAURIE POWERS is the granddaughter of pulp author Paul S. Powers, Laurie was introduced to the pulp community in 2007 through the publication of PULP WRITER: TWENTY YEARS IN THE AMERICAN GRUB STREET, an autobiography and appreciation of her grandfather. She has also edited several collections of her grandfather’s work in various genres, releasing a number of previously unpublished stories. In 2013, she helped to arrange the donation of her grandfather’s personal papers as well more than 400 pulp magazines featuring his work to the Rare Books and Manuscripts Library at Ohio State University in Columbus. Laurie also publishes Laurie’s Wild West, an Internet blog site that has become a favorite destination for those interested in the pulps. She has published articles on “Who Read the Pulps?,” female pulp writers, a series of articles put together by various pulp fans entitled “My Favorite Pulps,” and many other topics. Although relatively new to the world of pulps, Laurie has shown tremendous support for the community by spreading the word about pulp fiction and publicizing the conventions that salute our wonderful hobby. She is currently working on a biography of pulp editor Daisy Bacon, editor of LOVE STORY MAGAZINE. At PulpFest 2016, Laurie will be discussing “100 Years of the Specialty Pulp — LOVE STORY MAGAZINE and its Romantic Sisters” during our evening programming on Thursday, July 22.

PHIL STEPHENSEN-PAYNE is a prolific bibliographer and pulp researcher based in the United Kingdom. For many years, he has been compiling extremely useful “working bibliographies,” (often in collaboration with the late Gordon Benson, Jr.) of speculative fiction writers, many of whom got their start writing for the pulps. These bibliographies, numbering about sixty, are some of the best reference resources available today in the area of science fiction and fantasy. Additionally, his Galactic Central website contains an online checklist of all known fiction magazines that is attempting to include the cover to every such magazine ever published. It also indexes bibliographies, pulps, science fiction magazines, and other genre magazines. Stephensen-Payne is also a significant contributor and host to the FictionMags Index — principally edited by William G Contento — and co-author (with Stephen T. Miller and William G. Contento) of the CRIME, MYSTERY, AND GANGSTER FICTION MAGAZINE INDEX, originally released on CD-ROM by Locus Press in 2011.

GEORGE VANDERBURGH has published over 600 books through his Battered Silicon Dispatch Box, many of them directly related to the pulps. He was largely responsible for finally getting all of Fred Davis’ classic Moon Man stories back into print. And what about his Peter the Brazen series, his five volumes featuring the work of Seabury Quinn, THE COMPLEAT ADVENTURES OF THE PARK AVENUE HUNT CLUB, his Green Ghost set, THE COMPLEAT SAGA OF JOHN SOLOMON, THE ADVENTURES OF THE GOLDEN AMAZON, and THE COMPLEAT ADVENTURES OF THE SUICIDE SQUAD? He has also given us numerous collections of detective fiction, including volumes featuring the Thinking Machine, Dr. Thorndyke, and Martin Hewitt. Looking at his website, his future plans include several books reprinting pulp authors who have been unjustly forgotten. Along with Robert Weinberg, George served as the co-editor of Arkham House Publishers until the death of April Derleth. A regular attendee of pulp conventions, George has helped both longtime and new fans to collect the tales of some of the most fantastic heroes from the pulps.

For the last twenty-five years, HOWARD WRIGHT has been publishing the Doc Savage fan magazine THE BRONZE GAZETTE. He created his magazine when there was no real Internet and very little information readily available about Lester Dent’s “Man of Bronze.” His main reason for starting the publication was to gather information about Doc Savage, disseminate this news to the “Fans of Bronze,” and keep Doc fans going during the “lean” years when Doc was, for the most part, a mere memory. Through Howard’s sustained efforts, interest in Doc was maintained and his return to the limelight assured. His final issue of the GAZETTE was published at the beginning of this year. The magazine will be continued by Terry Allen, Kez Wilson, and Chuck Welch, creator of the Hidalgo Trading Company and a member of the PulpFest organizing committee.

DAN ZIMMER has been working to promote greater awareness of pulp artists by producing and distributing ILLUSTRATION MAGAZINE since 2001. He recently published the fiftieth issue of his magazine. Dan has tirelessly contributed his time, expertise and personal wealth to promote a more respectful awareness of the artistic accomplishments of pulp artists through the deluxe publication of the many biographical articles on such artists that have appeared in his magazine, distributed around the globe. He has done this despite the overwhelming fact that his creative vision is far beyond receiving any reasonable economic return for his efforts. His devotion to classic American illustrators is manifest in the elegant presentation of his magazine and has helped to turn the tide in our culture’s growing appreciation of pulp art. Dan has also published illustrated biographies of pulp artists Walter Baumhofer, H. J. Ward, and Norman Saunders through his book-publishing arm, The Illustrated Press. Additionally, he has supported the pulp community by drawing his readers’ attention to various pulp conventions, including the Windy City Pulp and Paper Convention, Pulpcon, and PulpFest. Dan has also served as the sponsor of Windy City’s annual pulp art exhibit and created the limited edition print of David Saunder’s Munsey Award painting without cost to the PulpFest organizing committee.

Andrew Nette — who posts about vintage paperbacks on facebook — was also nominated.

The recipient of the 2016 Munsey Award will be announced on July 23 as part of the Saturday evening programming, open to all PulpFest 2016 registrants. A limited edition of thirty-six numbered and signed prints (pictured above), designed by artist and pulp enthusiast David Saunders, serves as the Munsey Award.

(A New York artist whose work can be found in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, The New Museum and at other museums and in public buildings throughout the United States and other countries, David Saunders has taught art at Yale, Oberlin and many other colleges worldwide, including schools in Paris, London and Tokyo. An expert on pulp art, he has been a guest speaker on the subject, including The Pulp Art Show held at the Brooklyn Museum in 2003, and has served as the guest of honor at various pulp conventions. David has written biographical articles on pulp artists Allen Anderson, Rudolph Belarski, Frederick Blakeslee, Ernest Chiriacka, Rafael DeSoto, John Newton Howitt, J. W. Scott, and others. He is also the author of WALTER BAUMHOFER, NORMAN SAUNDERS, and H. J. WARD, book-length biographies and appreciations of these great pulp artists. David’s website — Field Guide to Wild American Pulp Artists — is a leading source of information for those interested in the artwork found in the pulp magazines.)

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Last Call for Munsey Nominations

Apr 18, 2016 by

Final Munsey AwardEvery year, PulpFest recognizes the efforts of those who work to keep the pulps alive for this and future generations through its Munsey Award (pictured at left). Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. Nominations for the 2016 Munsey are now being accepted. All members of the pulp community, whether they plan to attend PulpFest 2016 or not (of course, we certainly hope that you do attend the convention), are welcome to nominate a deserving person for this year’s award.

You can also nominate someone for the Rusty Hevelin Service Award, designed to recognize those persons who have worked long and hard for the pulp community with little fanfare. It is meant to reward those who work behind-the-scenes, helping us all.

If you have someone in mind that you feel worthy to receive either of these prestigious awards, please let us know. All members of the pulp community, excepting past winners of the Munsey, Hevelin, or Lamont Awards (which had been awarded by Pulpcon, the predecessor of PulpFest), are eligible. Please send the person’s name and a brief explanation describing why you feel that person should be honored to PulpFest marketing and programming director Mike Chomko, 2217 W. Fairview Street, Allentown, PA 18104-6542 or to mike@pulpfest.com. The deadline for nominations is April 30, 2016. The recipient of the Munsey and/or Rusty Hevelin Service Award will be selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award will be presented on Saturday, July 23rd, during the convention’s evening programming.

Our 2015 Munsey Award winner was Stephen T. Miller. You can read about Steve by clicking here. No one was nominated for the Rusty Hevelin Service Award.

(The Munsey Award was created in 2009 by artist David Saunders, the son of legendary illustrator Norman Saunders. Dan Zimmer of The Illustrated Press and publisher of ILLUSTRATION MAGAZINE has produced a limited edition of thirty-six numbered and signed prints. The PulpFest Committee is indebted to both David and Dan for their generous support of our convention.)

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Even YOU Can Nominate Someone for the 2016 Munsey

Nov 9, 2015 by

Final Munsey AwardEvery year, PulpFest recognizes the efforts of those who work to keep the pulps alive for this and future generations through its Munsey Award (pictured at left). Named after Frank A. Munsey, the man who published the first pulp magazine, this annual award recognizes an individual who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. Nominations for the 2016 Munsey are now being accepted. All members of the pulp community, whether they plan to attend PulpFest 2016 or not (of course, we certainly hope that you do attend the convention), are welcome to nominate a deserving person for this year’s award.

You can also nominate someone for the Rusty Hevelin Service Award, designed to recognize those persons who have worked long and hard for the pulp community with little fanfare. It is meant to reward those who work behind-the-scenes, helping us all.

If you have someone in mind that you feel worthy to receive either of these prestigious awards, please let us know. All members of the pulp community, excepting past winners of the Munsey, Hevelin, or Lamont Awards (which had been awarded by Pulpcon, the predecessor of PulpFest), are eligible. Please send the person’s name and a brief explanation describing why you feel that person should be honored to PulpFest marketing and programming director Mike Chomko, 2217 W. Fairview Street, Allentown, PA 18104-6542 or to mike@pulpfest.com. The deadline for nominations is April 30, 2016. The recipient of the Munsey and/or Rusty Hevelin Service Award will be selected through a vote cast by all the living Lamont, Munsey, and Rusty Award winners. The award will be presented on Saturday, July 23rd, during the convention’s evening programming.

Our 2015 Munsey Award winner was Stephen T. Miller. You can read about Steve by clicking here. No one was nominated for the Rusty Hevelin Service Award.

(The Munsey Award was created in 2009 by artist David Saunders, the son of legendary illustrator Norman Saunders. Dan Zimmer of The Illustrated Press and publisher of ILLUSTRATION MAGAZINE has produced a limited edition of thirty-six numbered and signed prints. The PulpFest Committee is indebted to both David and Dan for their generous support of our convention.)

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