Get a Copy of THE PULPSTER #29

Aug 10, 2020 by

THE PULPSTER #29As Bill Lampkin — editor of THE PULPSTER — recently wrote: “While 2020 may be looking like the “Year Without Pulp Conventions,” we have something for you to look forward to — this year’s number of THE PULPSTER.”

The annual magazine for PulpFest will soon be available, despite the convention having been canceled due to the COVID-19 pandemic. Copies of THE PULPSTER #29 will be available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

This year’s Pulpster won’t be a regular edition. While not as thick as a Ziff-Davis AMAZING STORIES QUARTERLY, THE PULPSTER #29 will be almost twice as large as last year’s edition. Weighing in at 84 pages, plus covers, think of the forthcoming issue as THE PULPSTER ANNUAL . . . or PulpFest without the trip to Pittsburgh.

Like our canceled convention, the dual centennials of Ray Bradbury’s birth and the debut of BLACK MASK magazine are the focus of THE PULPSTER #29. To learn more about what’s inside the issue, read “Highlights from THE PULPSTER” on our homepage. Or click right here.

Copies of THE PULPSTER #29  will be available for shipping by early September. The cost of the new issue will be $15, plus postage. It will be mailed in a sturdy cardboard envelope. First-class postage should cost between $4 – 5 within the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

If you’re interested in reserving your copy of THE PULPSTER #29, please contact Mike Chomko at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The magazine will also be available through Bud’s Art Books, Adventure House, and other purveyors of fine, pulp-related publications.

Please note that if you had registered for PulpFest 2020, you will not be receiving a complimentary copy of THE PULPSTER #29. This special issue of the convention’s award-winning programming book will only be available for purchase.

If you are looking for back issues, only four lightly bumped copies of THE PULPSTER #28 remain available. The per-copy cost is $10, postage paid within the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. All other issues of THE PULPSTER are out of print. Please order your copy of the remaining back number through Mike Chomko, Books before it sells out!

To learn more about THE PULPSTER, visit thepulpster.com. For questions about submissions to THE PULPSTER, write to Bill Lampkin at bill@pulpfest.com. For questions about advertising in THE PULPSTER, write to Mike Chomko at mike@pulpfest.com.

(The cover art for THE PULPSTER #29 was originally painted by Frank Kelly Freas’ artwork to illustrate Leigh Brackett’s and Ray Bradbury’s “Lorelei of the Red Mist,” for the Fall 1953 issue of TOPS IN SCIENCE FICTION, originally published by Fiction House.

For those who had already registered for PulpFest 2020, the convention will be more than happy to refund your registration fee. However, if you’d like to attend PulpFest 2021, the convention will honor your 2020 registration for next year’s convention at no additional cost to you. These offers apply to both regular attendees and dealers. Please write to the convention’s chairman, Jack Cullers, at jack@pulpfest.com or by regular mail at 1272 Cheatham Way, Bellbrook, OH 45305 with any questions or concerns. 

PulpFest 2021 will take place at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania from August 18 – 21, 2021.)

 

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Highlights from THE PULPSTER

Jul 27, 2020 by

THE PULPSTER #29While 2020 may be looking like the “Year Without Pulp Conventions,” we have something for you to look forward to — this year’s number of THE PULPSTER.

Yes, the annual magazine for PulpFest will be available soon despite PulpFest being canceled due to the COVID-19 pandemic.

It won’t be a regular edition. Think of it as THE PULPSTER ANNUAL. While not Sears Roebuck catalog thick like an AMAZING STORIES ANNUAL, number 29 of THE PULPSTER will be almost twice as large as last year’s edition, coming in at 84 pages plus covers.

And a lot of great content will be filling those pages!

THE PULPSTER has two major themes this year: the 100th anniversary of the birth of author Ray Bradbury, and the 100th anniversary of the debut of BLACK MASK.

Garyn G. Roberts heads up the section on Ray Bradbury with three pieces: a general look at the life of the writer, an essay on Bradbury his friend, and a look at Bradbury’s contributions to the Popular Publication detective pulps. Samuel James Maronie offers a fan’s reflection on meeting Bradbury at a 1996 convention.

Next, we shift from Bradbury himself to the author’s Martian legacy. Leading off, Michael Chomko writes about the influences that led Bradbury to create his singular vision of the Red Planet in THE MARTIAN CHRONICLES. Then, Sara Light-Waller looks at the depiction of Mars through the pulp years. Henry G. Franke III writes about “Bradbury, Burroughs, and Mars,” and how Edgar Rice Burroughs’ Barsoom inspired a young Bradbury. Wrapping up, Albert Wendland discusses how the exploration of Mars by orbiters and rovers has changed the way the planet is portrayed in science fiction.

The second feature section — celebrating BLACK MASK — kicks off with an excerpt from Milton Shaw’s book, JOSEPH T. SHAW: THE MAN BEHIND “BLACK MASK.” Milton Shaw looks at the beginnings of BLACK MASK, and what his father, “Cap” Shaw, accomplished during his 10 years at the pulp magazine’s influential editor.

Will Murray looks at the BLACK MASK writers who “left too many tales untold.” Next, John Wooley looks at Kenneth White, who took over the editor’s fedora at BLACK MASK during the 1940s. Christopher Ryan tells of the surprising response from high school seniors in his lit class to reading a BLACK MASK story, William Cole’s “Waiting for Rusty.” Then Craig McDonald explores the possibility that there may have been an actual killer in the pages of BLACK MASK. And wrapping up the BLACK MASK section, Brooks E. Hefner, co-director of the Circulating American Magazine project, looks at the pulp’s circulation from 1925 – 1940.

If that weren’t enough, we have several other articles in store for readers.

Darrell Schweitzer treats us to a discussion he had with science-fiction authors and couple Leigh Brackett and Edmond Hamilton in 1977, shortly before Hamilton’s death. Stuart Hopen takes a deeper look at Philip Wylie, whose works inspired both the Man of Bronze and the Man of Steel — Doc Savage and Superman — and other fictional heroes.

Tony Davis celebrates the brief reign of Canada’s “King of the Pulp Writers,” Thomas P. Kelley. And Martin Grams Jr. traces the history of “Renfrew of the Mounties.” We also take a look at folk-rocker Bob Dylan’s use of pulp magazine images, written by yours truly.

Robert Deis writes about model and actress Eva Lynd, who was featured in numerous men’s adventure magazine covers and illustrations during the 1960s. Eva was to be the guest of honor at PulpFest 2020 and hopes to attend next year.

Rounding out the magazine is our “Final Chapters” department, celebrating the lives of those in the pulp community that we’ve recently lost.

We hope to have THE PULPSTER to the printer by mid-August, so copies should be available for purchase through Mike Chomko, Books, Bud’s Art Books, and other purveyors by September. (The price is to be determined.) If you’re interested in reserving your copy now, please contact Mike at mike@pulpfest.com.

(The cover of THE PULPSTER #29 features Frank Kelly Freas’ artwork for “Lorelei of the Red Mist,” from the Fall 1953 issue of TOPS IN SCIENCE FICTION, originally published by Fiction House.)

Advertise in THE PULPSTER

Jun 8, 2020 by

THE PULPSTER #29Although the 2020 PulpFest has been postponed until August 19 – 22 in 2021, that doesn’t mean that you’ll have to go without our award-winning program book. For almost thirty years, a complimentary copy of THE PULPSTER has been presented annually to all PulpFest members. We’re not going to mess with that kind of record!

Currently, editor Bill Lampkin and publisher Mike Chomko are assembling an expanded issue of this pulp-packed publication. Our 2020 program book will be about thirty pages longer than the normal issue. The 29th number of THE PULPSTER will focus on the life and work of that “magician of words,” Ray Bradbury, and the legendary BLACK MASK — the pulp magazine where the hardboiled detective story first took root. There will also be articles on various authors, tributes to recently departed pulp scholars, a look at Eva Lynd, the talented actress and artist’s model, and even a piece on Bob Dylan and the pulps.

In past years, THE PULPSTER has been given away to PulpFest attendees as part of their registration packet. Without a 2020 convention, THE PULPSTER #29  will be sold through independent bookstores, including Mike Chomko, Books and Bud’s Art Books. PulpFest is also reaching out to additional booksellers interested in carrying the magazine. Generally, each issue of the convention’s program book has a circulation of approximately 450 – 500 copies. Currently, we don’t have a price for the expanded issue.

Our special 2020 PULPSTER will serve as a fundraiser for PulpFest‘s future promotional activities. Your support for our special number will be very much appreciated.

Be a part of PulpFest by placing an advertisement in this year’s issue of THE PULPSTER. The magazine’s advertising rates are very reasonable: inside color full-page – $100; inside black-and-white full-page – $80; color half-page – $80; black-and-white half-page – $50; black-and-white quarter-page – $30. Please note that all of the cover spaces have already been reserved.

Please write to Mike Chomko, publisher of THE PULPSTER, at mike@pulpfest.com to reserve a space in our program book. All spaces are sold on a first-come, first-served basis, with payment expected upon placing your order. You must reserve your advertising space by Sunday, July 5.

The deadline for receipt of your advertising copy is Saturday, August 1, 2020. Mike Chomko will provide technical specifications when you reserve your space.

PulpFest sponsorships for 2021 are also available. You can sponsor the convention’s badges, our welcome banner, the PulpFest hospitality suite, and more. To learn more about sponsorship opportunities at PulpFest, please contact the convention’s marketing and programming director Mike Chomko at mike@pulpfest.com.

(The cover art for this mock-up of THE PULPSTER #29 was originally painted by Margaret Brundage for the October 1933 WEIRD TALES. Please note that it is not our final cover for the 2020 issue of THE PULPSTER.

A few copies of THE PULPSTER #27 and 28 are still available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field. The cost of each issue is $13 or $24 for both, postage paid, in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. For additional information, please write to Mike at mike@pulpfest.com.

Back issues may also available through Bud Plant.)

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Advertise in THE PULPSTER

Apr 15, 2020 by

THE PULPSTER #29One of the many highlights of PulpFest is the convention’s program book, THE PULPSTER. For almost thirty years, a complimentary copy of this pulp-packed publication has been given annually to all PulpFest members.

Although THE PULPSTER reflects the themes of each year’s PulpFest, it’s pretty much open to all things pulp. So you’ll find articles on magazines, authors and artists, collecting, how contemporary creators are still inspired by the pulps, and much more. THE PULPSTER reaches a serious core of pop culture collectors and enthusiasts. Each issue of the convention’s program book has a circulation of 450 – 500 copies.

Be a part of PulpFest 2020 by placing an advertisement in this year’s issue of THE PULPSTER. The magazine’s advertising rates are very reasonable: color back cover – $250; inside front color cover – $150; inside back color cover – $125; inside color full page – $100; inside black-and-white full page – $80; color half-page – $80; black-and-white half-page – $50; black-and-white quarter page – $30.

Please write to PulpFest marketing director Mike Chomko at mike@pulpfest.com to reserve your space in THE PULPSTER. You have until June 15 to buy an ad. All spaces are sold on a first-come, first-served basis, with payment expected upon placing your order. Please be aware that our cover spaces sell almost immediately.

Another way to advertise at PulpFest is to donate material to be provided free to our members or to serve as door prizes. Over the years Chaosium, Edgar Rice Burroughs, Inc., THE MAGAZINE OF FANTASY AND SCIENCE FICTION, Radio Archives, Stark House Press, and other organizations have donated a variety of materials that have been given away free of charge to PulpFest attendees. Your donation will be acknowledged on our website and at the convention. To make a donation, please contact Mike Chomko at mike@pulpfest.com.

Sponsorships are also available. You can sponsor the convention’s badges, our welcome banner, the PulpFest hospitality suite and more. To learn more about sponsorship opportunities at PulpFest, please contact the convention’s marketing and programming director Mike Chomko at mike@pulpfest.com.

(The cover art for this mock-up of THE PULPSTER #29 was originally painted by Margaret Brundage for the October 1933 WEIRD TALES.

A few copies of THE PULPSTER #27 and 28 are still available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field. The cost of each issue is $13 or $24 for both, postage paid, in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. For additional information, please write to Mike at mike@pulpfest.com.

Back issues are also available through Bud Plant.)

Contribute to THE PULPSTER

Nov 18, 2019 by

The PulpsterEven though the next issue of THE PULPSTER won’t be released until PulpFest 2020, we’re already starting work on it.

Top on the to-do list is filling out the lineup for the issue, and that means turning to you for those for articles.

The theme of next year’s PulpFest is “Bradbury, BLACK MASK, and Brundage.” We’re always happy to have articles related to that theme, but we don’t limit contributions to the convention’s theme. We like to have a variety of articles in each issue, articles related to the men and women who wrote, illustrated, edited, and published the pulps, and to the pulp collecting hobby itself.

There are two routes you can take to help us out:

• Do you have an idea for an article that you would like to write for THE PULPSTER? Please let us know.

• Or, do you have an idea for an article that you would like to read in THE PULPSTER (but not necessarily write)? Let us know that, too, and we will see what we can do about finding someone to write it.

'The Pulpster' #28 (2019)You can drop editor Bill Lampkin an email at bill@pulpfest.com. The sooner he hears from you, the better. He has to plan space for articles and start collecting artwork and illustrations.

If you’d like to advertise in THE PULPSTER, please write to PulpFest marketing and programming director (and THE PULPSTER‘s publisher) Mike Chomko at mike@pulpfest.com. Mike can provide pricing and print specifications.

There are limited quantities of issues #27 (2018) and #28 (2019) remaining in stock at Mike Chomko, Books. Visit his website for details.

If you missed out getting your copy of THE PULPSTER this year, don’t delay. Register for PulpFest 2020 to ensure you get a copy of next year’s issue. (If you can’t attend PulpFest, consider registering as a supporting member, and your free copy of the issue will be mailed following the convention.)

(The cover art for THE PULPSTER #28 was painted by Rudolph Belarski  for the September 1939 BLACK BOOK DETECTIVE, published by Ned Pines’ Standard Magazines.)

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Get Your Copy of THE PULPSTER

Sep 16, 2019 by

'The Pulpster' #28 (2019)Copies of THE PULPSTER #28 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

Echoing the “Children of the Pulps” portion of our PulpFest 2019 theme, THE PULPSTER takes a look at how characters and fictioneers from the pulpwood paper magazines influenced other characters, television, movies, and more that came after them.

Fronting the magazine is art by Rudolph Belarski from the cover for the September 1939 BLACK BOOK DETECTIVE magazine. It illustrates one aspect of how the pulps influenced the creation of the superhero in comics, with a decidedly Batman-looking Black Bat. That leads into the first of our cover stories.

Will Murray recalls how he and Anthony Tollin pieced together how the creators of Batman lifted elements from THE SHADOW MAGAZINE for their Dark Knight. Will also writes about Johnston McCulley, whom he calls the grandfather of the superhero. Meanwhile, D. Kepler looks at how McCulley’s most famous character — Zorro — on the 100th anniversary of his debut, has been portrayed on screens around the world.

Scott Tracy Griffin surveys how Edgar Rice Burroughs’ Tarzan begat generations of jungle men, women, and children in popular culture.

Three articles examine the pulp magazines’ influence on movies and television: Aaron H. Oliver writes about the 1960s western/spy TV series THE WILD WILD WEST; Jess Terrell looks at the original STAR WARS trilogy; and Sara Light-Waller details how Japanese anime (animated) and tokusatsu (live-action special effects film) drew from the pulps.

THE PULPSTER also celebrates the 100th anniversaries of two pulp magazines: ROMANCE and THE THRILL BOOK. Doug Ellis writes about how ROMANCE struggled for a year with its name and its place in the adventure field, while Richard Bleiler looks at the ambitious oddity that was THE THRILL BOOK.

Then editor emeritus of THE PULPSTER, Tony Davis, writes about Bertrand Sinclair and his nearly 50-year career in the pulps. And THE PULPSTER reprints a letter from fictioneer G. T. Fleming-Roberts in which he reflects on the influence of Sherlock Holmes on his career.

Of course, this issue has the regular departments: “Final Chapters,” by Davis, which notes those of the pulp community who have passed away during the last year; and columns by publisher Michael Chomko and editor Bill Lampkin. And we would be remiss without noting assistant editor Peter Chomko’s help with this issue.

If you’d like to order a copy of THE PULPSTER #28, please write to Mike Chomko at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #26 and 27 are available. The cost of each is $13, postage paid. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. All other issues of THE PULPSTER are out of print.

Please note that all issues of THE PULPSTER — included this year’s number — are in very short supply. Order your copies before they are gone!

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

To learn more about THE PULPSTER, please visit thepulpster.com. For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

(The cover art for THE PULPSTER #28 was originally painted by Rudolph Belarski  for the September 1939 BLACK BOOK DETECTIVE, published by Ned Pines’ Standard Magazines.)

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Highlights from THE PULPSTER

Aug 7, 2019 by

'The Pulpster' #28 (2019)The 28th edition of THE PULPSTER will be in your hands at PulpFest 2019 in just a week, and, once again, it lands with a Pow! Smash!

Echoing the “Children of the Pulps” portion of this year’s PulpFest theme, THE PULPSTER takes a look at how characters and fictioneers from the pulpwood paper magazines influenced other characters, television, movies, and more that came after them.

Fronting the magazine is art by Rudolph Belarski from the cover for the September 1939 BLACK BOOK DETECTIVE magazine. It illustrates one aspect of how the pulps influenced the creation of the superhero in comics, with a decidedly Batman-looking Black Bat. That leads into the first of our cover stories.

Will Murray recalls how he and Anthony Tollin pieced together how the creators of Batman lifted elements from THE SHADOW MAGAZINE for their Dark Knight. Will also writes about Johnston McCulley, whom he calls the grandfather of the superhero. Meanwhile, D. Kepler looks at how McCulley’s most famous character — Zorro — on the 100th anniversary of his debut, has been portrayed on screens around the world.

Scott Tracy Griffin surveys how Edgar Rice Burroughs’ Tarzan begat generations of jungle men, women, and children in popular culture.

Three articles examine the pulp magazines’ influence on movies and television: Aaron H. Oliver writes about the 1960s western/spy TV series THE WILD WILD WEST; Jess Terrell looks at the original STAR WARS trilogy; and Sara Light-Waller details how Japanese anime (animated) and tokusatsu (live-action special effects film) drew from the pulps.

THE PULPSTER also celebrates the 100th anniversaries of two pulp magazines: THE THRILL BOOK and ROMANCE. Richard Bleiler looks at the ambitious oddity that was THE THRILL BOOK, while Doug Ellis writes about how ROMANCE struggled for a year with its name and its place in the adventure field.

Then editor emeritus of THE PULPSTER, Tony Davis, writes about Bertrand Sinclair and his nearly 50-year career in the pulps. And THE PULPSTER reprints a letter from fictioneer G. T. Fleming-Roberts in which he reflects on the influence of Sherlock Holmes on his career.

Of course, this issue has the regular departments: “Final Chapters,” by Davis, which notes those of the pulp community who have passed away during the last year; and columns by publisher Michael Chomko and editor Bill Lampkin. And we would be remiss without noting assistant editor Peter Chomko’s help with this issue.

A longstanding tradition cherished by attendees of the summer pulp con, THE PULPSTER will be released at PulpFest 2019. Every member of PulpFest — including supporting members — will receive a complimentary copy of THE PULPSTER.

(The cover art for THE PULPSTER #28 was originally painted by Rudolph Belarski  for September 1939 BLACK BOOK DETECTIVE, published by Better Publications Inc.

Following the convention, a limited number of copies of our program book will be available for purchase through Mike Chomko, Books. Please write to Mike — who also serves as the marketing and programming director for PulpFest — at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542 to reserve your copy. Mike also has selected back issues of THE PULPSTER. Please write to him to learn about availability.

For questions about submissions to THE PULPSTER or comments about the issue, please write to Bill Lampkin at bill@pulpfest.com. For any questions about advertising in future issues of THE PULPSTER, back issues, or ordering issue #28 of THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.)

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Advertise in THE PULPSTER

Feb 11, 2019 by

THE PULPSTER #27As we learned last week, Bill Lampkin is hard at work on the next issue of THE PULPSTER. You can expect another great issue from the esteemed editor and designer of our award-winning program book. Every member of PulpFest will receive a complimentary copy of THE PULPSTER.

Why not be part of the 2019 PULPSTER by placing an advertisement in the magazine? You have until June 15 to do so. All advertising is sold on a first-come, first-served basis, with payment expected upon reserving a space. Our cover spaces sell almost immediately.

Advertising rates for THE PULPSTER are very reasonable: color back cover – $250; inside front color cover – $150; inside back color cover – $125; inside color full page – $100; inside black-and-white full page – $80; color half-page – $80; black-and-white half-page – $50; black-and-white quarter page – $30. Please write to PulpFest marketing director Mike Chomko at mike@pulpfest.com to reserve your space in the magazine. THE PULPSTER has a circulation of 450+ copies.

Another way to advertise at PulpFest is to donate material for our members or to serve as door prizes. Over the years Chaosium, Edgar Rice Burroughs, Inc., THE MAGAZINE OF FANTASY AND SCIENCE FICTION, Radio Archives, Stark House Press, and other organizations have donated a variety of materials that have been given away free of charge to PulpFest attendees. Your donation will be acknowledged on our website and at the convention. If you’d like to offer something for our giveaway table or a door prize, please contact Mike Chomko at mike@pulpfest.com.

Sponsorships are also available. You can sponsor our 2019 “Welcome to PulpFest” banner for $150. For a contribution of $50 or more, you can be a hospitality suite sponsor. The annual cost of a website sponsorship is $150 per year. That’s just $12.50 per month. Your link will appear in the bar along the right side of our home page. To learn more about sponsorship opportunities at PulpFest, please contact PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com.

(The cover art for our 2018 PULPSTER was originally painted by Rudolph Belarski  for the April 1940 THRILLING ADVENTURES, published by Ned Pines’ Standard Magazines.

Copies of THE PULPSTER #26 and 27 are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field. The cost of each issue is $13 or $24 for both, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. For additional information, please write to Mike at mike@pulpfest.com.)

THE PULPSTER: Call for Contributions

Nov 5, 2018 by

Like PulpFest, planning for next year’s issue of THE PULPSTER begins well in advance of the annual convention.

The Pulpster logoWe always start with a clean slate, other than the usual departments, and that means we need your help with articles.

The theme for the 2019 PulpFest is “Children of the Pulps and Other Stories,” an exploration of how the pulp magazines influenced today’s genre fiction and popular culture.

Although we like to echo the convention’s theme in THE PULPSTER, we also include other articles pertaining to the pulps, to the men and women who wrote, illustrated, edited, and published the pulps, and to the pulp collecting hobby itself.

Do you have an idea for an article that you would like to write for THE PULPSTER? Please let us know.

THE PULPSTER #27Do you have an idea for an article that you would like to read in THE PULPSTER (but not necessarily write)? Let us know that, too, and we will see what we can do about finding someone to write it.

You can drop Editor Bill Lampkin an email at bill@pulpfest.com. The sooner he hears from you, the better. He has to plan space for articles and start collecting artwork and illustrations.

If you’re interested in advertising in THE PULPSTER, please write to PulpFest marketing and programming director Mike Chomko at mike@pulpfest.com. Mike can provide pricing and print specifications.

Copies of THE PULPSTER #27, the latest issue, are available from Mike Chomko, Books. He also has limited copies of issues #23 and #26.

(THE PULPSTER #27 marked the 100th anniversary of the end of World War I and how the Great War influenced the pulps. The cover, depicting a charge by French soldiers across “No Man’s Land,” was by Rudolph Belarski for the April 1940 THRILLING ADVENTURES.)

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Get Your Copy of THE PULPSTER

Aug 27, 2018 by

THE PULPSTER #27Copies of THE PULPSTER #27 — the annual PulpFest program book — are available for purchase through Mike Chomko, Books, one of the leading purveyors of pulp-related publications in the field.

THE PULPSTER is back with a battle-scarred 27th issue tied to the themes of PulpFest 2018 — World War I and Grand Master of Science Fiction Philip José Farmer.

Tom Krabacher takes a look at editor Arthur Sullivant Hoffman’s World War I-era ADVENTURE and how it showed that pulps could be more than just escapist fiction. There’s also an article by Hoffman himself where he recounts the creation of the original American Legion in the pages of his magazine. And illustrator and cartoonist George Evans looks back at growing up reading air-war pulps.

There’s a short biography of Farmer — written by the man himself — as well as a piece on Farmer by PulpFest 2018 Guest of Honor Joe R. Lansdale.

But that’s not all . . .

A letter by author and editor Irene Cumming Kleeberg describes her time as a college intern working summers at Popular Publications in the early 1950s. David W. Smith examines the original Suicide Squad, a team of G-Men who battled crime well before DC Comics’ super-villain team took the name. And editor William Lampkin offers a glimpse at the reading material of Fatty Arbuckle’s cellmate.

Rounding out the issue, are columns by the editor, publisher Michael Chomko, and “Final Chapters,” in which editor emeritus Tony Davis remembers those of the pulp community who have passed away during the last year.

If you’d like to order a copy of THE PULPSTER #27, please write to Mike Chomko at mike@pulpfest.com or 2217 W. Fairview St., Allentown, PA 18104-6542. The cost of the issue is $13, postage paid in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order.

Back issues of THE PULPSTER are also available through Mike Chomko, BooksA limited number of copies of THE PULPSTER #23 and 26 are available. The cost of each is $13, postage paid. Reduced postage is available on orders for multiple books. These prices are good only in the United States. Buyers from outside the United States should inquire about shipping charges, prior to placing an order. All other issues of THE PULPSTER are out of print.

Mike will accept payments made via check or money order or through Paypal. Please write to him at mike@pulpfest.com or 2217 W. Fairview Street, Allentown, PA 18104-6542 for further instructions.

To learn more about THE PULPSTER, please visit thepulpster.com. For questions about submissions to THE PULPSTER, please write to Bill Lampkin at bill@pulpfest.com. For questions about advertising in THE PULPSTER, please write to Mike Chomko at mike@pulpfest.com.

(The cover art for THE PULPSTER #27 was originally painted by Rudolph Belarski  for April 1940 THRILLING ADVENTURES, published by Ned Pines’ Standard Magazines.)

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