Head North Young Pulp Fan

Apr 8, 2019 by

The Fantastic Pulps Show & Sale is celebrating its 23rd year! The show is held annually in the lower level of the Lillian H. Smith Branch of the Toronto Public Library, 239 College Street in Toronto, Ontario.

A small but terrific show featuring a wide variety of pulp and pulp-related items, you’ll find over twenty-five dealers’ tables crammed with collectible pulp magazines, pulp reprints, vintage paperbacks, posters, and other ephemera. There’s also a half-hour pulp magazine cover slide show. It’s a great time for both serious pulp collectors as well as the casually interested, with lots of great stuff to see!

Admission is only $3, with tickets available at the door. Children under ten are admitted free when accompanied by an adult.

So if you reside in the states, head north for the Fantastic Pulps Show & Sale on Saturday, May 4, beginning at 10 AM and running until 4 PM. For additional details, you can email Neil or Leigh Mechem at girasolcollectables@teksavvy.com. Please tell them that PulpFest sent you.

(This year’s Fantastic Pulps poster — designed by Neil and Leigh Mechem — features the art of the great Jerome Rozen. It originally appeared on the cover to the July 1935 issue of NICK CARTER MAGAZINE. A Street & Smith hero pulp, it ran for 34 issues.

The pulp was a revival of a dime-novel character that had debuted in 1886. “America’s top dime novel detective” appeared in several thousand stories, many written by Frederic van Rensselaer Dey. Nick also made it into the movies, both in France and the United States. There was also a radio program entitled NICK CARTER, MASTER DETECTIVE. It ran on the Mutual Broadcasting System from 1943 to 1955.

According to the Thrilling Detective website, “By 1949, it was estimated that Carter had appeared in over 4000 dime novels, pulps, films (both silents and talkies, including many in French), comic books, comic strips and radio shows. There were probably more Nick Carter adventures than those of any other fictional detective.”

Beginning in 1964, the character was revived as a super spy for paperback books. The NICK CARTER: KILLMASTER series was written by Michael Avallone, Bill Crider, Michael Collins, Dennis and Gayle Lynds, Robert J. Randisi, Martin Cruz Smith, and others, all writing under the house name of Nick Carter. At least 261 novels were released by a variety of publishers. The series ran until 1990.

Nick Carter has been inspiring creators for over 130 years. We hope you can join us at PulpFest 2019 to explore “Children of the Pulps and Other Stories.” The convention will begin on Thursday evening, August 15, and run through Sunday afternoon, August 18. It will be held at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania. Just click the button below the PulpFest banner to “Book a Room.)

Ten Years in The Shadow’s Sanctum — Anthony Tollin’s Sanctum Books

Jun 23, 2016 by

Shadow 1One of PulpFest‘s longtime supporters has been Anthony Tollin, the publisher of Sanctum Books. On Saturday, July 23, at 3 PM, PulpFest 2016 will salute the tenth anniversary of Sanctum Books. Our celebration of the occasion will take place in our programming area, located in the Union Rooms on the second floor of the Hyatt Regency Columbus.

Anthony Tollin launched his Sanctum double novel pulp reprints in July 2006. During the past decade, Sanctum Books has reprinted all 182 DOC SAVAGE pulp novels, all 24 of Paul Ernst’s AVENGER novels, the 14 WHISPERER novels from the original pulp series and more than 220 SHADOW novels — all in non-flaking editions with the classic color covers and original interior illustrations, plus comprehensive historical articles and features. Some of these features have included rare radio scripts as well as reprints of Street & Smith comic book stories such as the Iron Munro yarns of Theodore Sturgeon. Additionally, Sanctum Books has reprinted selected NICK CARTER, PHANTOM DETECTIVE, and THE SKIPPER adventures in the double novel format. The publisher has also added THE SPIDER and THE BLACK BAT to its publishing schedule. It goes without saying that Sanctum Books has been one of the leading pulp reprint houses for the last ten years.

Please join Anthony Tollin and his contributing editor Will Murray as they recall Sanctum’s first decade, preview its new anniversary special and annuals, and showcase some of its upcoming projects —  including a hardcover collection of the complete 1940 – 1942 SHADOW newspaper strips.

The only way that you can join this celebration of “Ten Years in The Shadow’s Sanctum” is to attend PulpFest 2016, “Summer’s AMAZING Pulp Con.” Find out “Who knows what evil lurks in the hearts of men?” only at PulpFest. Taking place in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center, it begins on Thursday, July 21 and runs through Sunday, July 24. As of June 21, the Hyatt Regency Columbus has a small number of rooms available for July 21 through July 23. Please see our post “There Are Rooms at the Hyatt!

At www.columbusconventions.com/thearea.php, you’ll find a list of area hotels courtesy of the Greater Columbus Convention Center. Alternately, you can search for a room at tripadvisor or a similar website to find a hotel near the convention. Thanks so much to everyone who has reserved a room at our host hotel. By staying at the Hyatt Regency, you’ve helped to ensure the convention’s success.

As of June 1, 2016, the Hyatt Regency is sold out on Friday, July 22. Please read our post “Friday Night Sell-Out” for alternatives. Thank you.

(Back in 2006, the advertising copy for the first of Sanctum Books’ double novel reprints read: “The Shadow returns in two of his greatest pulp adventures: “Crime, Insured” (acclaimed as Walter Gibson’s greatest thriller) and “The Golden Vulture” (revised by Gibson from Lester Dent’s 1932 tryout novel that won him the Doc Savage contract), featuring writers Walter B. Gibson and Lester Dent (writing as “Maxwell Grant”), and artists George Rozen and Edd Cartier. The first volume of this new series reproduces both original covers by George Rozen, plus all of the original interior illustrations by Edd Cartier. This book also includes new historical background articles by popular culture historians Anthony Tollin and Will Murray (who collaborated posthumously with Dent on Seven new Doc Savage novels previously published by Bantam).”

Over the past ten years, Sanctum’s format has not changed: two or three novels per book, the original covers and interior illustrations, and some sort of historical articles or materials are featured in each volume of the series. The only thing that has changed is the price: the early volumes cost $12.95, while today’s Sanctum reprints can be had for $14.95. They’re a tremendous value at both prices!)

100 Years of the Specialty Pulp

Oct 8, 2015 by

Although it’s not as widely collected as its successors — magazines such as BLACK MASK and DIME DETECTIVE — Street & Smith’s DETECTIVE STORY MAGAZINE was a trailblazer. Its debut issue, dated October 5, 1915, was the first pulp magazine successfully dedicated to one fiction genre. Its first editor, Frank E. Blackwell, explained in an early issue, “I feel that stories dealing with the detection of crime are of more interest to the reading public than any others.” Many more specialty pulps would follow in the ensuing years, culminating in single-character magazines such as THE SHADOW or DOC SAVAGE MAGAZINE.

DETECTIVE STORY MAGAZINE was a continuation of the nickel weekly, NICK CARTER STORIES, in which the first part of the lead story of the new pulp — “The Yellow Label” — had appeared. According to dime novel and story paper expert, J. Randolph Cox, “The intent was to transfer the reading public of Nick Carter’s adventures over to a more adult and sophisticated fiction magazine.” Judging from its long life — DETECTIVE STORY would run for thirty-four years, from October 5, 1915 through the Summer of 1949, a total of 1,057 issues — Street & Smith’s intent was very ably achieved.

Unlike its highly prized successors — particularly BLACK MASK, the magazine where the hard-boiled detective story first took shape — DETECTIVE STORY emphasized the more traditional or “clued” detective story. Carolyn Wells, Ernest M. Poate, Arthur B. Reeve, Agatha Christie, Dorothy L. Sayers, Ellery Queen, and others all wrote stories along the traditional line, while Edgar Wallace, J. S. Fletcher, Johnston McCulley, Christopher Booth, Herman Landon, and more offered tales of rogue or “bent” heroes. Sax Rohmer was also a contributor to the magazine, introducing the “yellow peril” theme to the magazine’s mix. In later years, the fiction took on a more realistic tone, resembling the stories found in ELLERY QUEEN’S MYSTERY MAGAZINE, the mystery digest that had debuted during the second half of 1941.

Although DETECTIVE STORY MAGAZINE did little to further the development of the detective or crime story, its success would lead to a proliferation of pulp magazines devoted to a single theme or genre. According to the late pulp and science-fiction scholar Sam Moskowitz, “While not the first of the specialized fiction magazines, being preceded by THE OCEAN and THE RAILROAD MAN’S MAGAZINE, it accomplished what they had not by creating a trend that would result in the proliferation of the pulps into western, love, air, science fiction, and supernatural, as well as detective.” Likewise in 1931, the CBS radio series inspired by the magazine’s fiction, DETECTIVE STORY HOUR, would introduce the public to The Shadow, the announcer for each episode. Soon thereafter, Street & Smith would launch THE SHADOW DETECTIVE MAGAZINE, and the single-character pulp would be born.

In 2016, PulpFest intends to salute one-hundred years of the specialty pulp, first popularized during the fall of 1915, when DETECTIVE STORY MAGAZINE premiered. Join us at the Hyatt Regency Columbus from  July 21 – 24, 2016. It should be a very special convention!

(The first issue of DETECTIVE STORY MAGAZINE featured front cover art by John A. Coughlin, a Chicago-born artist who got his start in his home town’s advertising business. Coughlin moved to New York City in 1912 and painted his first pulp cover a year later — for Street & Smith’s THE POPULAR MAGAZINE. Other pulp clients included ARGOSY, DETECTIVE FICTION WEEKLY, SHORT STORIES, TOP-NOTCH, and WILD WEST WEEKLY. He also contributed cover art for HARPER’S WEEKLY, FARM AND FIRESIDE MAGAZINE, and THE SATURDAY EVENING POST. According to pulp art scholar David Saunders, Coughlin’s cover for the March 7, 1931 issue of DETECTIVE STORY MAGAZINE marks the first painted appearance of The Shadow on a pulp magazine.)