The Secret Life of Women Pulp Artists

May 20, 2019 by

The sensational pulp magazines were illustrated by many legendary artists with colorful personalities. They often competed for free-lance assignments. Among the ranks of this pecking order there were exceptional women, such as Constance Bailey, Margaret Brundage, Dorothy Flack, Madge Geyer, Thelma Gooch, Alice Kirkpatrick, Zoe Mozert, Margery Stocking, Gloria Stoll Karn, Xena Wright, and Irene Zimmerman. These women defied social norms and pursued their own art careers in the male-dominated world of publishing.

Please join PulpFest 2019 on Friday, August 16, as we learn all about “The Secret Life of Women Pulp Artists.” Pulp art historian, David Saunders, will share biographical profiles of these cultural pioneers who worked beyond glass ceilings.

David Saunders is the son of pulp artist Norman Saunders, and is also a foremost scholar of American illustration art. His free public website, Field Guide to Wild American Pulp Artists, has over five-hundred biographical profiles of artists.He has also written artist biographies for ILLUSTRATION MAGAZINE and several coffee-table books on pulp artists. To find out more, visit theillustratedpress.com. A New York artist, David’s own artworks have been exhibited worldwide and are collected by the Museum of Modern Art and the Metropolitan Museum of Art. Additionally, David is the creator of the Munsey Award.

This year’s PulpFest will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Irene Zimmerman — who used the pen-name Irene Endris — started her commercial art career during the 1920’s in newspapers and THE GOLDEN BOOK MAGAZINE. During the thirties, she began to draw pen and ink interior illustrations for Harry Donenfeld’s spicy pulp magazines. Zimmerman also painted covers for CRACK DETECTIVE, SPEED DETECTIVE, TEN DETECTIVE ACES — including the August 1946 number — and LIBERTY MAGAZINE.

Another woman pulp artist who David will discuss is Pittsburgh resident Gloria Stoll Karn.  The city’s public television station, WQED, recently released a documentary about five visual artists from Western Pennsylvania. Gloria Stoll Karn is one of the artists featured, sharing her work and stories about the rewards and challenges of being a woman in her field.

Entitled VISIBLE, the WQED documentary also features author and PulpFest member Heidi Ruby Miller. You’ll find a link to Gloria’s segment here and to the entire documentary here. PulpFest would like to thank the film’s producers, Anne Casper and Andrew Holman, for the opportunity to contribute to this wonderful project.)

 

Buying at PulpFest 2019

Apr 26, 2019 by

PulpFest is a paradise for fans of pulp magazines, digests, vintage paperbacks, original artwork, and other collectibles. Collectors will also find first edition hardcovers, men’s adventure and true crime magazines, series books, dime novels, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, vintage comic books, and more in our spacious dealers’ room. W’ere at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of Pittsburgh.

For those who simply like to read pulp or genre fiction, you’ll find science-fiction hardcovers and paperbacks, mysteries, adventure fiction, and countless pulp reprints from publishers such as Adventure HouseAge of AcesAltus PressMeteor HouseSanctum Books, and Stark House Press. Fans of contemporary fiction will have readings by authors on both Friday and Saturday, plus books for sale from Will Murray’s Adventures in Bronze, Flinch Books, Raw Dog Screaming Press, and other publishers.

In addition to our great dealers’ room, PulpFest 2019 will hold a live auction on Saturday night.

Accommodating over 100 tables, our dealers’ room will be open from 10 AM to 4:45 PM on August 16 and 17. It will be open from 9 AM until 2 PM on Sunday, August 18. Sunday buying and selling opportunities may be limited as many dealers will be packing to return home.

We will also have early-bird shopping on Thursday evening, August 15, from 4 to 8 PM. If you stay at the DoubleTree, PulpFest is pleased to offer free early-bird privileges. That’s a great savings to reward loyal attendees who reduce the convention’s costs by staying at our host hotel. If you stay elsewhere, you can still purchase early-bird privileges for $30.

You can book a room at the DoubleTree by clicking the “Book a Room” button below the PulpFest banner on our home page. You can also reserve a room by calling 1-800-222-8733. Be sure to mention PulpFest to receive the special convention rate of $129 plus tax per night.

To learn more about registering for the convention, please click the “register” button below the PulpFest banner on our home page.

If you read or collect pulps, genre fiction, books, vintage paperbacks or comic books, original artwork, or other pop culture collectibles, PulpFest is the place to be.

(Perhaps you’ll find the November 1941 issue of WEIRD TALES — featuring cover art by Hannes Bok — at this year’s PulpFest. Or how about a copy of John Bruening’s Midnight Guardian novel, HOUR OF DARKNESS? The one with cover art by Tom Gianni.

Start planning now to attend PulpFest and its celebration of mystery, adventure, science fiction, and more. This year, we’ll be focusing on “The Children of the Pulps and Other Stories.” Our programming will explore the many ways pulp fiction and pulp art have inspired and continue to inspire pop culture creators.

Be sure to join PulpFest 2019 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry this summer. We’ll be there August 15 – 18, just outside of Pittsburgh, Pennsylvania.

If you’d like a copy of our PulpFest 2019 newsletter — packed with information about the convention — you can download a copy by clicking here or by writing to Jack Cullers at 1272 Cheatham Way, Bellbrook, OH 45305 or jack@pulpfest.com.)

120 Years of Hubert Rogers

Dec 17, 2018 by

Hubert Rogers was born December 21, 1898. Best known as ASTOUNDING SCIENCE FICTION‘s primary cover artist from 1939 to 1953, Rogers’ illustrations also graced the covers and interiors of ADVENTURE, ARGOSY, SHORT STORIES, DETECTIVE STORY,  THE WHISPERER, THE WIZARD, ACE-HIGH, WEST, ROMANCE, LOVE STORY, and SPORT STORY. Outside of the pulp world, Rogers worked in the art department of THE NEW YORK HERALD TRIBUNE and later served as art editor of THE NEW YORK TIMES.

Born to a respectable family on Prince Edward Island, his paternal grandfather was a successful shipbuilder who became Lieutenant Governor, Rogers trained at the Acadia Art Academy in Nova Scotia. As an art student of exceptional promise, he was introduced to the prestigious Group of Seven with A. Y. Jackson becoming his lifelong friend and mentor. After enlisting in the Canadian Army to fight in the First World War, Rogers settled in the United States where he continued his art studies in Boston and New York.

Having opened his own art studio in Brooklyn Heights, Rogers had a daughter and ex-wife to support while continuing his studies. He supplemented his income with newspaper work and by freelancing for pulp magazines. Rogers’ association with the pulps would limit his ability to find work with some of the higher-paying slicks and publishing houses.

During the Great Depression, Rogers relocated to New Mexico where he lived and worked among a thriving community of artists and bohemians for five years. The growing volume of pulp assignments brought him back to New York in 1936 where he settled in Greenwich Village and met and married his second wife. Moving back to Canada in 1942, Rogers was employed by the Wartime Information Board in Ottawa where he produced numerous wartime propaganda posters.

After the Second World War, Rogers moved his wife and their young son to Vermont where his second daughter would be born in 1947. Rogers stayed busy with pulp assignments through the early 1950s. Later in life, Rogers painted landscapes and commissioned portraits of U.S. and Canadian politicians and other prominent citizens. He died in Ottawa in 1982 at age 83.

Keep watching our website for more on the pulp greats. Then plan to attend next year’s PulpFest. We’ll be highlighting the many ways that pulp fiction and pulp art have inspired writers, artists, film directors, software developers, game designers, and other creators over the decades. PulpFest 2019 will take place August 15 – 18 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.

(Among Hubert Rogers many exceptional cover illustrations are Edgar Rice Burroughs’ “Tarzan and the Magic Men” for the September 19, 1936 cover of ARGOSY; numerous covers of ASTOUNDING SCIENCE FICTION illustrating E. E. Smith’s “Skylark” space operas or works by Isaac Asimov and Robert A. Heinlein; and this classic October 1937 cover of ADVENTURE illustrating Thomas McMorrow’s story, “Here’s Luck.”

Pulp historian, Windy City Pulp & Paper organizer, and PulpFest dealer Doug Ellis is currently working with Hubert Rogers’ daughter on a book about the artist and his work.)

Happy Birthday Gloria Stoll Karn

Nov 12, 2018 by

In 2017, PulpFest welcomed pulp artist Gloria Stoll Karn as as its Guest of Honor. A resident of Pittsburgh, the artist is one of very few living individuals who worked in the pulp magazine industry. Tomorrow is her 95th birthday.

In a field dominated by men, Gloria Stoll was quite unique. At age seventeen, she began contributing black and white interior illustrations to pulp magazines. In a few years, Stoll was painting covers.

Rafael DeSoto inspired Gloria to become a commercial artist. A graduate of New York’s High School of Music and Art, Stoll became an interior artist for Popular Publications. This evolved into painting covers for the publisher’s line of women’s pulps. She contributed covers to ALL-STORY LOVELOVE BOOKLOVE NOVELS, LOVE SHORT STORIES, NEW LOVE, RANGELAND ROMANCES, ROMANCE, and ROMANCE WESTERN.

In late 1943, Stoll began painting covers for Popular’s mystery and detective pulps. Her work was featured on BLACK MASK, DETECTIVE TALES, DIME MYSTERY MAGAZINE, and NEW DETECTIVE. She also did interior illustrations for ARGOSY magazine. Gloria continued working in the pulp field until 1949.

In Ms. Stoll Karn’s own words: “Pulp artists were required to come up with ideas for the magazine covers which reflected the general flavor of the stories within. Moving on to painting covers for mystery and detective magazines involved a radical conceptual switch. It was a surprise when I came up with gruesome ideas and concluded that, within the human psyche, there is a shadow side of which we are often unaware. I am grateful that my work struck a balance which uncovered the dark side within, along with the light side depicting the joys of romance.”

Gloria’s pulp career ended when she married Fred Karn in 1948. The couple moved to Pittsburgh, Pennsylvania where they raised three children. In the 1950s, Stoll Karn began teaching art classes. Her work has been exhibited at the Carnegie Museum of Art, the Brooklyn Museum’s National Print Annual, the Pittsburgh Watercolor Society’s International Exhibition, and the Norman Rockwell Museum. It is in the permanent collections of Yale University, the Carnegie Museum of Art, Westinghouse Corporation, the Speed Art Museum, the Brooklyn Museum of Art, and the Pittsburgh Department of Education. She is listed in WHO’S WHO IN AMERICAN ART. She currently works in abstraction and draws upon her life experience.

(One of Gloria Stoll’s cover paintings graced the March 1945 issue of Popular Publications’ BLACK MASK. Although tomorrow is Tuesday the 13th, we thought it was close enough. PulpFest wishes the best of luck to Gloria Stoll Karn on her 95th birthday.)

Life and Death on the Front Lines: The Art of the War Pulps

Jun 8, 2018 by

At this year’s convention, PulpFest 2018 will honor the 100th anniversary of the armistice that ended the First World War. Our programming will focus on the so-called “war pulps” of the early twentieth century and the depiction of war in popular culture. The first of these pulps — WAR STORIES — debuted with its November 1926 number and demonstrated that tales of men in battle could sell magazines, including ones about the war in the air.

Of course, it wasn’t only the stories that sold such magazines. Although the writers and editors “made” the magazines, it was the cover and interior artists who often piqued the interest of potential readers. Artists such as Rudolph Belarski, Frederick Blakeslee, H. T. Fisk, Eugene Franzden, F. R. Glass, John Fleming Gould, George and Jerome Rozen, Frank Tinsley, and others coaxed many a coin out of a Depression era pocket. Join PulpFest on Saturday, July 28, at 8:25 PM for “Life and Death on the Front Lines: The Art of the War Pulps.”

Pulp art historian David Saunders will explore the sensational cover art of the war pulps, often painted by artist veterans of the Great War, who served as Army Doughboys, Naval Gunners, Ace Aviators, or Marine Corps Sergeants. The “blood and guts” cover art of the war genre makes it a perfect example of how Pulp Art is different from the mundane art of Slick Magazine illustration.

PulpFest 2018 will also be celebrating the 100th birthday of Philip José Farmer with FarmerCon 100. We’ll be welcoming  Joe Lansdale — the author of over forty novels, numerous short stories, and more — as our Guest of Honor and hosting a rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley. Additionally, there will be author readings, a great programming line-up, two auctions featuring unique collectibles, and a dealers’ room filled with pulps, digests, and men’s adventure magazines, collectible paintings and illustrations, rare first editions, vintage paperbacks and comic books, unique films and more. All this, plus you can get ten dollars off the daily admission to Confluence. It’s taking place the same weekend as summer’s AMAZING pulp con! All you have to do is show your PulpFest badge at the door to Pittsburgh’s long-running science fiction, fantasy and horror conference.

PulpFest 2018 begins on Thursday, July 26, and runs through Sunday, July 29 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. You can join both PulpFest and FarmerCon by clicking the Register for 2018 button on the PulpFest home page. And don’t forget to book a room at the DoubleTree while you’re visiting the PulpFest site. They’re going fast!

(The son of pulp artist Norman Saunders, David Saunders was awarded a special “retro” Lamont Award to recognize his substantial service to the pulp community over the years. David is, quite probably, the foremost scholar of American pulp illustrators. His free public website, Field Guide to Wild American Pulp Artists, has over three-hundred biographical profiles of these creators of popular culture including Rudolph Belarski, who painted the cover for the April 1929 issue of Ramer Reviews’ AIRPLANE STORIES. Additionally, he has written biographical profiles of artists for ILLUSTRATION MAGAZINE and several coffee-table art books on pulp artists.)

 

Buying at PulpFest

Apr 20, 2018 by

Year after year, PulpFest is a paradise for the fan of pulp magazines, digests, vintage paperbacks, original artwork, and other collectibles. The collector will also find first edition hardcovers, men’s adventure and true crime magazines, series books, dime novels, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, Golden and Silver Age comic books, and more in our spacious dealers’ room, located at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh.

In addition to our great dealers’ room, PulpFest 2018 will hold two live auctions. The convention will be offering pulps and other materials from the estates of Woody Hagadish and Larry Latham. We’ll have pulps and digests from such diverse genres as science fiction, adventure, sports, and the western field. Also included will be some rare premiums offered to pulp readers, over twenty Gnome Press, Shasta, and Avalon first edition hardcovers, rare science fiction paperbacks, British science fiction magazines, and more. The auctions will follow our programming on both Friday and Saturday nights.

For those who simply like to read pulp and genre fiction, you’ll find science-fiction hardcovers and paperbacks, mysteries, adventure fiction, and countless pulp reprints from publishers such as Adventure HouseAge of AcesAltus PressMeteor HouseSanctum Books, and Stark House Press. Fans of new pulp will have readings by their favorite authors on both Friday and Saturday, plus books for sale from Will Murray’s Adventures in BronzeAirship 27, Flinch Books, and other purveyors of today’s finest genre fiction.

Accommodating over 100 tables, our dealers’ room will be open to all comers from 10 AM to 4:45 PM on July 27 and 28, and from 9 AM until 2 PM on Sunday, July 29. However, buying and selling opportunities may be limited on Sunday as many of our dealers will be packing up for their return trip home.

Don’t forget about our early-bird hours on Thursday evening, July 26, from 5:30 to 8:30 PM. For an additional $30 over your regular membership fee, you’ll be able to purchase early-bird privileges for an extra three hours of shopping. Better still, if you stay at the DoubleTree, PulpFest is pleased to offer free early-bird privileges. That’s a very significant savings to reward loyal attendees who help us reduce the convention’s costs by staying at our host hotel!

You can book your room at the DoubleTree by clicking one of the Book a Room buttons on our home page. To learn more about registering for the convention, click one of the Register buttons on our home page. Remember, if you read or collect pulps, genre fiction, pulp reprints, books, vintage paperbacks, original artwork, golden-age or silver-age comic books, PulpFest is the place to be.

(Perhaps you’ll find an issue of Fawcett’s BATTLE STORIES at this year’s PulpFest. Perhaps it will be the July 1930 issue, featuring cover art by George Rozen.  Debuting with its September 1927 number, BATTLE STORIES was one of the leaders in its fiction category. It debuted about a year after Dell’s WAR STORIES, the first of the so-called “war pulps.”

We’ll be honoring the 100th anniversary of the armistice that ended the First World War. The convention will focus on the war pulps of the early twentieth century and the depiction of war in popular culture. We’ll also be celebrating the centennial of the birth of Grand Master of Science Fiction Philip José Farmer. Our guest of honor will be award-winning author Joe Lansdale.

Start planning now to attend PulpFest and its celebration of mystery, adventure, science fiction, and more. Be sure to join PulpFest 2018 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry this summer. We’ll be there July 26 – 29, just outside of Pittsburgh, Pennsylvania at the “pop culture center of the universe.”

If you’d like a copy of our PulpFest 2018 newsletter — packed with information about the convention — you can download a copy by clicking here or by writing to Jack Cullers at 1272 Cheatham Way, Bellbrook, OH 45305 or jack@pulpfest.com.)

125 Years of Eugene Frandzen

Apr 13, 2018 by

Beginning on Thursday evening, July 26, and running through Sunday, July 29, PulpFest 2018 will honor the 100th anniversary of the end of the First World War. On November 11, 1918, an armistice was signed that brought more than four years of hostilities to a close. The convention’s focus will be the so-called “war pulps” of the early twentieth century. It will also explore the depiction of war in popular fiction and art.

One of the leading artists who brought The Great War alive for pulp readers was Eugene M. Frandzen. Born on April 13, 1893, today marks the 125th anniversary of his birth.

Orphaned in his early teens, Frandzen used his inheritance money to study at the Art Institute of Chicago. According to pulp art historian David Saunders, the artist moved to New York City in 1921 and opened an “illustration studio.” Not long after, “his pen and ink story illustrations began to appear regularly in THE NEW YORK TIMES.” While he continued his studies under Dean Cornwell and others, Frandzen found more work as a magazine illustrator. “From 1929 to 1939 his work regularly appeared as interior story illustrations and covers for many aviation pulp magazines, such as AIRPLANE STORIES, FLYING ACES, THE LONE EAGLE, SKY BIRDS, SKY FIGHTERS, WAR ACES, and WAR BIRDS.

During the 1930s, Eugene Frandzen became a mainstay for Ned Pines’ Standard Magazines. The artist painted all of the covers for the Thrilling Group’s SKY FIGHTERS beginning with its first issue — dated July 1932 — until he left the pulp field in 1939. Likewise, starting with the first issue of THE LONE EAGLE — dated September 1933 — Frandzen’s cover art appeared on all but two issues of the magazine through its April 1939 number.

The artist returned to his native California in 1937 and turned to landscape art. He also taught a printmaking class at his home and regularly exhibited in both local and national art shows. Eugene M. Frandzen passed away on July 5, 1972.

Make your plans to celebrate “The Armistice that Ended The Great War” and “125 Years of Eugene Frandzen.” We’ll also be celebrating the 100th anniversary of the birth of science fiction Grand Master Philip Jose Farmer and welcoming award-winning author Joe Lansdale as our guest of honor.

Please join us July 26 – 29 for PulpFest 2018 at the beautiful DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just outside Pennsylvania’s Steel City. We hope to see you there.

(THE LONE EAGLE debuted with its September 1933 issue. It ran for 66 issues through its June 1941 number. The title was then changed to THE AMERICAN EAGLE for eight more issues. It finished its run as AMERICAN EAGLES with its Spring 1943 number. Telling the heroic adventures of Air Intelligence Agent John Masters, “the world’s greatest Sky Fighter,” the pulp debuted in the late summer of 1933.

Published by Standard Publications, many of the adventures of The Lone Eagle are believed to have been written by F. E. Rechnitzer. The “Lt. Scott Morgan” house name masked the author’s true name. Robert Sidney Bowen probably contributed most of the later novels. In all, 75 tales of “the world’s greatest Sky Fighter” would appear in the variously titled pulp, published for ten years by the Thrilling Group of magazines.)

120 Years of Frederick Blakeslee

Dec 4, 2017 by

Beginning on Thursday evening, July 26, and running through Sunday, July 29, PulpFest 2018 will honor the 100th anniversary of the end of the First World War. On November 11, 1918, an armistice was signed that brought more than four years of hostilities to a close. The convention’s focus will be the so-called “war pulps” of the early twentieth century. It will also explore the depiction of war in popular fiction and art.

One of the leading artists who brought The Great War alive for pulp readers was Frederick Blakeslee. Born on December 4, 1898, next year will mark the 120th anniversary of his birth.

Trained in mechanical drafting, Blakeslee began to study art at the Pratt Institute while working for the Curtiss Aeroplane Factory. Among his classmates were Walter Baumhofer, John Fleming Gould, and Rudolph Belarski. The latter helped Frederick Blakeslee to get his first cover assignments for the pulp magazines.

According to pulp art historian David Saunders, “Blakeslee became a leader in the field of aviation pulps, as well as a top cover artist for railroad pulps. He was also a top pen & ink man, who drew over one thousand interior black and white story illustrations for Popular Publications, his primary publisher. Blakeslee painted 423 pulp covers — 306 of those appeared on every issue of BATTLE BIRDS, CAPTAIN COMBAT, DARE-DEVIL ACES, DUSTY AYRES AND HIS BATTLE BIRDS, and G-8 AND HIS BATTLE ACES . . . an amazing feat that no other pulp artist can claim.”

After serving in the U.S. Coast Guard Reserve during the Second World War, freelance work became harder to find. Frederick Blakeslee returned to industrial drafting, where he finished his professional career. On March 5, 1973, the artist passed at age 74.

Make your plans to celebrate “The Armistice that Ended The Great War” and “120 Years of Frederick Blakeslee.” We’ll also be celebrating the 100th anniversary of the birth of science fiction Grand Master Philip Jose Farmer and welcoming award-winning author Joe Lansdale as our guest of honor.

Please join us July 26 – 29 for PulpFest 2018 at the beautiful DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just outside Pennsylvania’s Steel City. We hope to see you there.

(G-8 AND HIS BATTLE ACES debuted with its October 1933 issue. It ran for 110 issues through its June 1944 number. Published by Popular Publications, the magazine featured a lead novel — written by Robert J. Hogan — and cover art by Frederick Blakeslee. John Fleming Gould — a pen-and-ink artist who will also be celebrated at PulpFest 2018 — contributed the interior art.

Blakeslee’s cover for the January 1935 number of G-8 illustrated Hogan’s lead novel, “The X-Ray Eye.” The author’s and artist’s version of World War I took a rather fantastic bent, an idea that will likewise be explored at PulpFest 2018.)

 

Happy Birthday Gloria Stoll Karn

Nov 13, 2017 by

PulpFest was extremely proud to welcome pulp artist Gloria Stoll Karn as our 2017 Guest of Honor. A resident of Pittsburgh, the artist is one of the very few individuals alive today who worked in the pulp magazine industry. Today is her 94th birthday.

In a field dominated by men, it was highly unusual for a woman to be painting covers for pulp magazines. But at age seventeen, Gloria Stoll began contributing black and white interior illustrations to pulp magazines. In a few years, the young artist was painting covers.

It was Rafael DeSoto who inspired Gloria to become a commercial artist and introduced her to Popular Publications. A graduate of New York’s High School of Music and Art, Gloria Stoll began her career doing black and white interior illustrations for Popular. This evolved into painting covers for the publisher’s line of women’s pulps. She contributed covers to Popular’s ALL-STORY LOVELOVE BOOKLOVE NOVELS, LOVE SHORT STORIES, NEW LOVE, RANGELAND ROMANCES, ROMANCE, and ROMANCE WESTERN, as well as Standard Publications’ THRILLING LOVE.

Beginning in late 1943, Stoll also began painting covers for Popular’s mystery and detective pulps. Her work was featured on BLACK MASK, DETECTIVE TALES, DIME MYSTERY MAGAZINE, and NEW DETECTIVE. In addition, she did interior illustrations for ARGOSY magazine. The artist continued working in the pulp field until 1949.

In Ms. Stoll Karn’s own words: “Pulp artists were required to come up with ideas for the magazine covers which reflected the general flavor of the stories within. Moving on to painting covers for mystery and detective magazines involved a radical conceptual switch. It was a surprise when I came up with gruesome ideas and concluded that, within the human psyche, there is a shadow side of which we are often unaware. I am grateful that my work struck a balance which uncovered the dark side within, along with the light side depicting the joys of romance.”

Gloria’s pulp artist career ended abruptly when she married Fred Karn in 1948. The couple moved to Pittsburgh, Pennsylvania where they raised three children. In the 1950s, Stoll Karn began teaching art classes. Her work has been exhibited at the Carnegie Museum of Art, the Brooklyn Museum’s National Print Annual, and the Pittsburgh Watercolor Society’s International Exhibition. Her work is in the permanent collections of Yale University, the Carnegie Museum of Art, Westinghouse Corporation, the Speed Art Museum, the Brooklyn Museum of Art, and the Pittsburgh Department of Education. She is listed in WHO’S WHO IN AMERICAN ART. Her current work is in abstraction and draws upon her life experience.

PulpFest would like to wish Gloria a very happy birthday.

(One of Gloria Stoll’s pulp covers graced the December 1943 issue of Popular Publications’ LOVE SHORT STORIES. Painted during the Second World War, it was one of several covers depicting members of the United States military.

Gloria Stoll Karn was PulpFest’s 2017 Guest of Honor. Award-winning author Joe Lansdale will be PulpFest‘s Guest of Honor in 2018. The convention will begin on Thursday evening, July 26, and run through Sunday, July 29. We hope to see you at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry.)

 

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Shopping for Collectibles at PulpFest 2017

Jun 7, 2017 by

Year after year, PulpFest is a paradise for the fan of pulp magazines, digests, vintage paperbacks, original artwork, and other collectibles. The collector will also find first edition hardcovers, men’s adventure and true crime magazines, series books, dime novels, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age comic books in our spacious dealers’ room, located at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh.

For those who simply like to read pulp and genre fiction, you’ll find science-fiction hardcovers and paperbacks, mysteries, adventure fiction, and countless pulp reprints from publishers such as Adventure HouseAge of AcesAltus Press, Meteor House, Sanctum Books, and Stark House Press. Fans of new pulp will have readings by their favorite authors on both Friday and Saturday as well as a panel moderated by Ron Fortier, plus books for sale from Will Murray’s Adventures in BronzeAirship 27, and other purveyors of today’s pulp fiction.

Accommodating over 100 tables, our dealers’ room will be open to all comers from 10 AM to about 4:45 PM on July 28 and 29, and from 9 AM until 2 PM on Sunday, July 30 (although buying and selling opportunities may be limited on our final day as many of our dealers will be packing up for their return trip home). And don’t forget about our early-bird hours on Thursday evening, July 27, from 6 PM to 9 PM. For an additional $30 over your regular membership fee, you’ll be able to purchase early-bird privileges for an extra three hours of shopping. Better still, to reward loyal attendees who help to defray the convention’s substantial costs by staying at our host hotel, PulpFest is pleased to offer free early-bird privileges. That’s a very significant savings!

You can book your room at the DoubleTree by clicking one of the Book a Room buttons on our home page. To learn about registering for the convention, click the Register for 2017 button below our home page banner. Remember, if you read or collect pulps, pulp reprints, books, vintage paperbacks, original artwork, golden-age or silver-age comic books, PulpFest is the place to be.

(Perhaps you’ll find one of the early issues of Popular Publications’ DIME DETECTIVE MAGAZINE — such as the July 1932 issue, featuring cover artwork by William Reusswig — at this year’s PulpFest. Debuting with its November 1931 number, DIME DETECTIVE was one of the leaders in its fiction category and helped to turn Popular into a powerhouse of the pulp magazine industry.

We’ll be celebrating the “hardboiled dicks, dangerous dames, and a few psychos” of the pulps at this year’s convention. Start planning now to attend PulpFest 2017 and its celebration of pulp fiction and pulp art. Join us July 27 – 30, just outside of Pittsburgh, Pennsylvania at the “pop culture center of the universe” in the DoubleTree by Hilton Hotel Pittsburgh – Cranberry for PulpFest 2017.)