PulpFest Historical — Rudolph Belarski

May 27, 2020 by

Rudolph Belarski was born 120 years ago today on May 27, 1900. The son of unskilled immigrants from Europe, he grew up in the mining town of Dupont, Pennsylvania. Forced to quit school after sixth grade, he labored for ten years at the Pittston Mines. Young Rudolph’s nights were spent following his dream to become a professional illustrator as he completed mail-order art courses from the International Correspondence School, Inc. of Scranton, Pennsylvania.

Moving to New York City in 1922, Belarski studied at the Pratt Institute in Brooklyn. He began teaching there in 1928, the same year he entered the pulp industry through Dell Publications, providing interiors and covers for WAR ACES, WARBIRDS, WAR NOVELS, and WAR STORIES. He would leave the Pratt Institute behind in 1933 to work for Fiction House, Thrilling Publications, and Munsey. Rudolph Belarski painted covers for ACES, ALL-AMERICAN FICTION, ARGOSY, CAPTAIN FUTURE, DETECTIVE FICTION WEEKLY, MYSTERY BOOK, POPULAR DETECTIVE, RED STAR ADVENTURES, THRILLING DETECTIVE, WINGS, and other rough-paper titles.

Too old to serve in the Second World War, Belarski drew portrait sketches for hospitalized servicemen on both sides of the Atlantic. After the war, he became one of Ned Pines’ top paperback cover artists at Popular Library as well as a leading illustrator for the men’s adventure magazines. He finished his career as a teacher at the world’s foremost correspondence art school, the Famous Artists School of Westport, Connecticut. He retired in 1972. Rudolph Belarski passed away at age 83 on Christmas Eve, 1983.

(We had hoped to find a Ray Bradbury cover painted by Rudolph Belarski to go along with this article. However, by the time Bradbury was writing, Earle Bergey was painting most of the science fiction and fantasy covers for the Standard Magazines pulp line. So instead, we decided to go with a Belarski painting of Tarzan, one of Ray Bradbury’s longtime heroes.

Rudolph Belarski’s painting was created for the cover of the March 19, 1938 ARGOSY WEEKLY, illustrating the Edgar Rice Burroughs serial, “The Red Star of Tarzan.” The story — which was originally published in six weekly installments — would be titled TARZAN AND THE FORBIDDEN CITY when it appeared later the same year in book form.

We’ll have plenty of programming related to the work of Edgar Rice Burroughs. So please stayed tuned to pulpfest.com in the weeks ahead.

William Patrick Maynard was born and raised in Northeast Ohio. An avid reader of vintage thriller fiction and a keen student of film and comic art, he has been writing fiction since childhood. Since 2009, he has been authorized by the Sax Rohmer literary estate to continue the Fu Manchu series. Apart from his novels, he also writes mystery and sci-fi short fiction and screenplays. He has authored nearly 300 pop culture articles and has contributed DVD commentaries to classic films of the last century. In late 2018, Bill joined the PulpFest marketing department as a writer. Since then, he has contributed significantly to our website. Bill is the convention’s assistant director of marketing and director of afternoon programming. To reach him by email, write to wpm@pulpfest.com.)

Ray Bradbury in the 25th Century

May 20, 2020 by

Bradbury and the Comics

Like movies, that “magician of words,” Ray Bradbury, was a graphic story enthusiast long before such people became commonplace. When he was nine years old, the future author spotted a brand new comic strip — BUCK ROGERS IN THE 25TH CENTURY — in his hometown newspaper, the WAUKEGAN NEWS. It was October 1929. The young Bradbury began to save every episode.

Two years later, the future writer discovered Hal Foster’s Sunday TARZAN strip. In early 1934, came Alex Raymond’s FLASH GORDON. Foster’s PRINCE VALIANT followed in 1937. He collected them all.

“Without all this splendid mediocrity, this sublime and wondrous trash in my background, I don’t think I would be any sort of writer today.”

According to Orty Ortwein, author of “Ray Bradbury: Comic Book Hero,” the comics helped to create the writer that Bradbury became. In return, the writer helped move the graphic storytelling medium forward.

In 1951, E.C. Comics began adapting Ray Bradbury’s fiction to the graphic format without payment or credit to the young author. In 2002, E.C. artist and editor Al Feldstein explained during a panel with Bradbury, Mark Evanier, and Julius Schwartz at Comic-Con International in San Diego, California:

“You have to understand how we worked, Bill Gaines and I. Bill Gaines was taking Dexedrine pills to lose weight, only he used to take them at night before dinner, so he was up all night wired. And he used to read, and he’d read things, and we used to have story ideas four times a week, and he brought in some story ideas, and I said those two combined would be great, and that’s the two stories into one that I wrote as an original story.”

Feldstein was referring to “Home to Stay,” a story featuring artwork by Wally Wood that was published in E.C. Comics’s WEIRD FANTASY #13, dated May-June 1952. The adaptation was drawn from “Kaleidoscope” and “Rocket Man,” two stories collected by Bradbury and published in THE ILLUSTRATED MAN (1951). Unbeknownst to the author at the time, E.C. had also adapted two stories from his book, DARK CARNIVAL (1947).

Rather than threatening the company with a lawsuit, Ray Bradbury wrote to E.C. publisher Bill Gaines:

“Just a note to remind you of an oversight. You have not as yet sent on the check for $50 to cover the use of secondary rights on my two stories ‘The Rocket Man’ and ‘Kaleidoscope.’ . . .  I feel this was probably overlooked in the general confusion of the office work, and look forward to your payment in the near future.”

Now in his thirties and very much a fan of the graphic storytelling format, Bradbury was actually pleased to see what E.C. had done with his stories. He ended his letter with a suggestion . . .

“Have you ever considered doing an entire issue of your magazine based on my stories in DARK CARNIVAL, or my other two books, THE ILLUSTRATED MAN and THE MARTIAN CHRONICLES?”

Although Gaines did not take the author up on his idea for an all-Bradbury comic book, nor acknowledge his company’s trespass, he did pay Ray Bradbury the $50. He also arranged to adapt more stories, eventually publishing about thirty graphic adaptations based on Bradbury’s fiction.

Al Feldstein called the time when he was adapting Ray Bradbury’s stories to the comic book format, the most inspiring period of his life:

“To have the privilege to take this guy’s work, which was spectacular, and adapt it into the comic format, and try to be faithful to it, all of it, because every word is precious. It was a great pleasure and also a great tutorial for me as a writer. And I was really just a part-time writer. I wasn’t really a professional writer. I was an artist, and you’re an inspiration to me as an artist, because the way you wrote. You wrote like a painting. You took words that were colors and phrases that were brushstrokes, and you painted a visual picture that everyone in their own minds saw.”

In addition to some of the best illustrators in comic books — Jack Davis, Will Elder, Graham Ingels, Jack Kamen, Joe Orlando, Al Williamson, Wally Wood, and others — adapting his work, Bradbury was the only writer whose name was regularly displayed on E.C. covers. Although he received just $25 for each adaptation, the E.C. adaptations were introducing the author’s fiction to legions of young readers. Many surely went on to read the writer’s stories in the Bantam paperback editions of THE MARTIAN CHRONICLES, THE ILLUSTRATED MAN, and later books.

As his name grew in stature, Ray Bradbury asked E.C. Comics to remove his name from their comic book covers. However, he allowed them to adapt his work for as long as they desired. Unfortunately, as E.C. became the bane of those who claimed such books led to “juvenile delinquency and homosexuality,” the publisher ended its comic book line in early 1956.

In 1993, writer, editor, and publisher Byron Preiss reprised the E.C. Comics/Ray Bradbury success story when he gathered together some of the best comic book illustrators of his day — Richard Corben, Dave Gibbons, Mike Mignola, P. Craig Russell, Daniel Torres, Tim Truman, Matt Wagner, and others — to adapt some of the author’s best-known works to the graphic story format. The result was a seven-book anthology series with the overarching title, THE RAY BRADBURY CHRONICLES. Over a dozen of these stories also appeared in a five-issue comic book series that was published by Topps Comics. Bradbury himself wrote introductions for all five issues of RAY BRADBURY COMICS.

More recently, Hill & Wang published FAHRENHEIT 451, THE MARTIAN CHRONICLES, and SOMETHING WICKED THIS WAY COMES in the graphic novel format. Adapted by contemporary illustrators and released from 2009 to 2011, none received much acclaim.

Ninety years ago, Ray Bradbury’s classmates mocked him for collecting BUCK ROGERS. They taunted, “There aren’t going to be any rocket ships. We aren’t ever going to land on Mars or the moon.”

Initially, his peers convinced him. He tore apart his scrapbooks and tossed his collection into the trash. “It was all kids’ stuff, the ray guns and the rocket ships. But it was also Ray Bradbury’s head, heart, and soul.

Today, the graphic story medium is a leading popular culture format across the globe. As Ray Bradbury wrote in his introduction to THE AUTUMN PEOPLE, a collection of E.C. comic book adaptations of his work that was published by Ballantine Books in 1965:

“. . . it appears we are vindicated. The Pop Art people come along, late in the day, to tell us about comic strips and characters. . . . Our answer is: we knew it all the time! Don’t tell us about what we have already loved and loved well!

Please join PulpFest 2020 on Friday, August 7, as we welcome Don Simpson to discuss graphic visions of Ray Bradbury’s work at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry in Mars, Pennsylvania. It’s part of our celebration of the 100th anniversary of the birth of author Ray Douglas Bradbury.

(Ray Bradbury received the 2010 Icon Award from Comic-Con International, recognizing his efforts to create “greater awareness of and appreciation for comic books and related popular art forms.”

Pittsburgh’s Donald E. Simpson is the cartoonist/creator of the comic books MEGATON MAN, BORDER WORLDS, and BIZARRE HEROES. He’s also the creator of several international underground comix sensations, published under the pseudonym Anton Drek, and the author of the young adult maxi-series, MS. MEGATON MAN. Don has taught workshops in cartooning and figure drawing for a number of years, and earned a Ph.D. from the University of Pittsburgh in History of Art and Architecture in 2013. He regularly reviews fiction and nonfiction books for the PITTSBURGH POST-GAZETTE.

Orty Ortwein is a librarian in Zionsville, Indiana and a volunteer for the Ray Bradbury Experience Museum in Waukegan, Illinois. His article “Ray Bradbury: Comic Book Hero” ran in the August 22, 2019 THE SATURDAY EVENING POST and proved to be an invaluable reference for this article. We recommend Orty’s article to anyone interested in Ray Bradbury and/or the graphic medium of storytelling.

Of course, pictured above you’ll find Joe Orlando’s cover for WEIRD FANTASY #19 — dated May/June 1953 — and the fourth volume of THE RAY BRADBURY CHRONICLES, with front cover art by William Stout.

For a look at our entire programming schedule, please click the Programming button below the PulpFest banner on our home page.)

 

The Return of Carson of Venus — And Other True Accounts from Strange Worlds!

Apr 29, 2020 by

The secret is out! We at Edgar Rice Burroughs, Inc., are again receiving transmissions from other worlds, just as Edgar Rice Burroughs himself did during the first half of the twentieth century. And just like Mr. Burroughs, we are presenting the accounts of these transmissions to an eager reading public under the guise of “novels,” featuring a spectacular array of heroes and heroines such as Tarzan, John Carter of Mars, and more.

The first out of the gate is CARSON OF VENUS: THE EDGE OF ALL WORLDS, transcribed by author Matt Betts. The whole thing began when Matt visited our Tarzana offices last year and had an unexpected encounter with Carson Napier. In Matt’s book, which was released last week, we finally catch up with Carson on the planet Amtor after more than a half century of silence. Napier’s last recorded adventure, THE WIZARD OF VENUS, was first published in 1964.

CARSON OF VENUS: THE EDGE OF ALL WORLDS is set in 1950, the year of Mr. Burroughs’ passing. It launches what we are calling the Swords of Eternity super-arc, a cycle of “novels” and “novelettes” set in the interconnected Edgar Rice Burroughs Universe. Here is a teaser for the new tale:

When a mysterious enemy attacks his adopted nation of Korva, Earthman Carson Napier discovers his own arrival on Venus years ago may have unknowingly triggered the strike. The invaders’ trail of death and destruction leads Carson and his beloved princess Duare headlong into battle against a seemingly invincible, primordial race. But that is not Carson’s only challenge, for an uncanny phenomenon has entangled him with two strange individuals from beyond spacetime. Will Carson be able to solve the mysteries of his past and the enigmatic visitors before the entire planet descends into chaos?

But wait — I can already hear your question! How can these “novels” and “novelettes” possibly be real? We know that Venus is too hot and inhospitable to support human life, and that the many Martian landers have indicated that Mars — the adopted home of that famed fighting man of Virginia, John Carter — appears to be uninhabited. Moreover, Pellucidar, the hollow world at the Earth’s core that Mr. Burroughs wrote of — how could it feasibly exist?

The latter is just the question that young physics student Victory Harben asks at the opening of “Pellucidar: Dark of the Sun,” the bonus “novelette” at the end of CARSON OF VENUS: THE EDGE OF ALL WORLDS. I have personally transcribed this tale from transmissions received via our Gridley Wave set, here in Tarzana. We recently discovered the device in a locked drawer in Mr. Burroughs’ old desk. As the Swords of Eternity super-arc continues in new releases over the next year, the reader will discover the answers to these enigmatic questions and learn to ask new ones.

The saga of the Edgar Rice Burroughs Universe is just getting started! Stay tuned for further accounts of adventure and wonder over the coming months, including TARZAN: BATTLE FOR PELLUCIDAR by Win Scott Eckert, JOHN CARTER OF MARS: GODS OF THE FORGOTTEN by Geary Gravel, and VICTORY HARBEN: FIRES OF HALOS by yours truly. I can assure you, the ERB Universe is a reality you’re going to want to get lost in!

(Christopher Paul Carey is the author of several books, including SWORDS AGAINST THE MOON MEN — an authorized sequel to Edgar Rice Burroughs’ THE MOON MAID — and the forthcoming ERB Universe novel VICTORY HARBEN: FIRES OF HALOS. He has also scripted comic books featuring Burroughs’ characters such as Tarzan, Dejah Thoris, and Carson of Venus. He is Director of Publishing at Edgar Rice Burroughs, Inc., and the creative director of the Edgar Rice Burroughs Universe series.

Covered by clouds and shrouded in mystery, the planet Venus was the last place Carson Napier expected to touch down when he launched his rocket for Mars. But a miscalculation sent him hurtling out of control through the cloaking mists of Earth’s sister world. When Napier’s rocket crashed on Venus, he knew that there would be no return to Earth for him.

Edgar Rice Burroughs originally wrote about the world of Venus — known as Amtor — during the 1930s for ARGOSY. The first novel in the series — “The Pirates of Venus” — was serialized in six parts by the Munsey pulp magazine. The initial segment of the story appeared in the September 17, 1932 issue, behind a cover by Paul Stahr.

Burroughs’ original Venus series included five novels, first published between 1932 and 1964. Matt Betts continues the adventures of Carson Napier this April with THE EDGE OF ALL WORLDS. Published by Edgar Rice Burroughs, Inc., it features cover art by Chris Peuler.

Copyright © Edgar Rice Burroughs, Inc. All rights reserved. Trademarks Edgar Rice Burroughs®, Edgar Rice Burroughs Universe™, ERB Universe™, Tarzan®, John Carter®, John Carter of Mars®, Carson of Venus®, Pellucidar®, and Victory Harben™ owned by Edgar Rice Burroughs, Inc. All relevant logos, characters, names, and the distinctive likenesses thereof are trademarks or registered trademarks of ERB, Inc. Used by permission.)

Saturday at PulpFest 2019

Aug 17, 2019 by

There’s still time to get in on the action. The PulpFest dealers’ room will be open today from 10 AM until 4:45 PM. Located in the Grand Ballroom of the DoubleTree, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, contemporary genre fiction and pulp reprints, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Single day memberships will be available for $20 for Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. The general public is welcome to attend.

You will be able to register for the convention at any time during regular dealers’ room hours. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here or through the link found on our registration page. Registration forms will also be available at the door.

There is ample free parking surrounding our host hotel, the DoubleTree by Hilton Hotel Pittsburgh – Cranberry. The hotel is very conveniently located at the intersection of three major roadways in Cranberry Township. It’s just off the Pennsylvania Turnpike and Interstate-79. The address is 910 Sheraton Drive, MarsPennsylvania. We have a map on our home page or click here for a link to a large map of the area.

Our author readings will begin at 10:00 AM with “Popular Fiction from Seton Hill” (introduced by Heidi Ruby Miller) and continue with the “Dog Star Books Rapid-Fire Read & Sweet Sixteen Celebration” at 11:00 AM. Coffee, tea, and sweets will be available, compliments of the publisher. Flinch Fest, featuring John Bruening, begins at 12:30 PM and is followed by Roger Alford at 1:10 PM, Sara Light-Waller at 1:50 PM, and Christopher Ryan at 2:30 PM.

Our author signings will begin at 1:30 PM at the main entrance. Win Scott Eckert, Nicholas Parisi, and John Wooley will be available to sign your books. “The Art of Edgar Rice Burroughs” will open at 2:30 PM, while the “Genre Fiction Panel” will begin at 3:15 PM. The afternoon wraps up with the Auction Preview at 4:15 PM.

From 5 to 6:45 PM, join your friends — old and new — at ember & vine in the heart of the DoubleTree Cranberry for our popular Saturday Night Dinner. It’s an opportunity to socialize after a hearty day of collecting in the PulpFest dealers’ room, prior to taking in the convention’s exceptional evening programming.

Saturday evening’s events will include the PulpFest 2019 business meeting, starting at 7 PM. Please try to attend as we will be discussing the future of PulpFest. The meeting will be followed by the 2019 Munsey Award presentation. Bill Lampkin — winner of last year’s Munsey  — will reveal the name of this year’s recipient. The Munsey is a fine art print created by David  and published by Dan Zimmer of The Illustrated Press.

Following the Munsey presentation, FarmerCon XIV will get underway at 7:45 PM, followed by John Locke’s presentation on Arthur J. Burks at 8:30 PM. Last minute auction viewing is at 9:30 PM, immediately before the Saturday Night Auction at 9:45 PM. The Fu Manchu Film Festival Encore will follow the conclusion of our auction.

All members of PulpFest 2019 can submit items to our auction. If you’d like to submit something, you’ll find instructions in your registration packet. Your lots must be submitted by 2 PM on the day of the auction. If you have questions concerning the PulpFest auctions, please talk to programming and marketing director Mike Chomko at his dealer tables.

You can find additional details about all of our programming by clicking the button found at the top of our home page. Or click here to link to our 2019 mobile schedule. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. Watch for the “panels” banner to find our programming area at the convention.

PulpFest members are also welcome to socialize together in our hospitality suite at the DoubleTree.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, you can try calling 1-800-222-8733 to reach our host hotel. Perhaps there is an opening. Please be sure to mention PulpFest in order to receive any special convention deals that may still be available.

PulpFest 2019 will continue tomorrow. Our dealers’ room will be open to all members from 9 AM to 2 PM as our exhibitors pack up. If you are coming just for the day, please be aware that buying and selling opportunities may be limited. Admission to the convention for Sunday, July 29, will be $10, the cost of our annual program book, THE PULPSTER.

Please join us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry — just north of Pennsylvania’s “Steel City” — for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Arthur J. Burks was a prolific and successful pulp writer who usually wrote over one million words per year. He wrote hundreds of stories for the adventure, aviation, detective, fantasy, science fiction, sports, war, and weird menace pulps.

Burks wrote fourteen stories for ASTOUNDING STORIES and its later incarnation, ASTOUNDING SCIENCE FICTION. Most of these tales were of novella or longer length. “The Mind Master” — a two-part serial featured in the January (with cover art by H. W. Wessolowski) and February 1932 issues — concerns a mad scientist who replaces the brains of several apes with human brains. It’s part of a short series that Burks began in 1931 with the story, “Manape the Mighty.”

Come and go ape at the DoubleTree over summer’s pulp con! Our complete schedule for Saturday, August 17, is below. If you’d like to access our schedule via your mobile phone or tablet, go to http://www.pulpfest.com/schedule/.)

 

PULPFEST 2019 SCHEDULE

Saturday, August 17

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

Author Readings — Today’s Fictioneers

10:00 – 10:50 AM — Popular Fiction from Seton Hill (introduced by Heidi Ruby Miller)

Readings by Jeremiah Dylan Cook, E. C. Skowronski, and Sara Tantlinger

11:00 – 12:20 AM — Dog Star Books Rapid-Fire Read & Sweet Sixteen Celebration (Publisher John Edward Lawson)

Readings by Matt Betts, J. L. Gribble, Heidi Ruby Miller, K. W. Taylor, Albert Wendland, and K. Ceres Wright, plus coffee, tea, and sweets, compliments of the publisher

12:30 – 1:05 PM — Flinch Fest, featuring John Bruening, author of The Midnight Guardian Series

1:10 – 1:45 PM — Roger Alford, author of The Black Spectre Series

1:50 – 2:25 PM — Sara Light-Waller, author of ANCHOR and LANDSCAPE OF DARKNESS 

2:30 – 3:05 PM — Win Scott Eckert, author of HUNT THE AVENGER and many other works

Afternoon Programming

1:30 – 2:30 PM — Author Signings — Win Scott Eckert, Nicholas Parisi, and John Wooley will be available for signings at our main entrance

2:30 – 4:30 PM — The Art of Edgar Rice Burroughs (sponsored by The Burroughs Bibliophiles)

3:15 – 4:30 PM — Contemporary Pulp: Writing Genre Fiction (featuring John Bruening, Christopher Paul Carey, Win Scott Eckert, Craig McDonald, and Will Murray, with William Patrick Maynard moderating)

4:15 – 4:45 PM — Auction Preview

Evening Programming

5:00 – 6:45 PM — PulpFest 2019 Group Meal

7:00 – 7:30 PM — PulpFest Annual Business Meeting (meet the convention organizers)

7:30 – 7:40 PM — Munsey Award Presentation (presented by William Lampkin)

7:45 – 8:25 PM — FarmerCon XIV: Farmer of the Pulps: A Harvest of Influences (featuring Jason Aiken, Christopher Paul Carey, Win Scott Eckert, and Garyn G. Roberts, with Paul Spiteri moderating)

8:30 – 9:30 PM — Born Writing: The Unparalleled Career of Arthur J. Burks (John Locke)

9:30 – 9:45 PM —  Last Minute Auction Viewing

9:45 – 12:00 AM — Saturday Night Auction

12:00 – 1:00 AM — Fu Manchu Film Festival Encore (William Patrick Maynard)

Win Scott Eckert — HUNT THE AVENGER

Aug 11, 2019 by

PulpFest 2019 is pleased to announce that Win Scott Eckert will read from his newest book, HUNT THE AVENGER, on Saturday, August 17 at 2:30 PM.

2019 Munsey Award nominee Win Scott Eckert launched the first Wold Newton website, The Wold Newton Universe in 1997. Over the next twenty-two years, he has written or co-written novels and short stories featuring characters such as Philip José Farmer’s Patricia Wildman, cult favorites Honey West and T. H. E. Cat, and classic properties such as The Green Hornet, Zorro, The Scarlet Pimpernel, The Phantom, The Lone Ranger, The Green Ghost, Captain Midnight, Phileas Fogg, Doc Ardan, Sexton Blake, and Sherlock Holmes. His latest novel is HUNT THE AVENGER which pairs The Avenger and The Domino Lady for a new pulp adventure.

Win is the editor of and a contributor to MYTHS FOR THE MODERN AGE: PHILIP JOSÉ FARMER’S WOLD NEWTON UNIVERSE — a 2007 Locus Awards finalist — and co-editor with Christopher Paul Carey of TALES OF THE WOLD NEWTON UNIVERSE. He was co-editor  with Paul Spiteri of FARMERPHILE from 2007–2009. His massive timeline of crossover stories — CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD— was published by Black Coat Press in 2010. A tireless chronicler of Philip José Farmer’s idiosyncratic view of a broad shared universe, Eckert has shown remarkable fidelity to Farmer’s vision and serves as an inspiration to the many new pulp writers and pulp fiction scholars who have followed in his wake. Like Farmer, Win is one of the leading “Children of the Pulps.”

Win’s Saturday afternoon reading immediately follows his 1:30 PM book signing. After the author reading, please join Win as he takes part in the panel, Contemporary Pulp: Writing Genre Fiction alongside Will Murray, Christopher Paul Carey, John C. Bruening, Craig McDonald, and moderator William Patrick Maynard. Saturday evening at 7:45 PM, Win joins Christopher Paul Carey, Garyn G. Roberts, Jason Aiken, and moderator Paul Spiteri for FarmerCon XIV: Farmer of the Pulps: A Harvest of Influences.

Next year, Win will contribute TARZAN: BATTLE FOR PELLUCIDAR to the new Edgar Rice Burroughs Universe series of canonical novels coming from Edgar Rice Burroughs, Inc. He will take part in Friday afternoon’s panel, Entering the Edgar Rice Burroughs Universe with Matt Betts, Heidi Ruby Miller, and moderator Christopher Paul Carey. Win is also working on a third Pat Wildman adventure and completing Philip José Farmer’s manuscript of THE MONSTER ON HOLD, the fourth novel in the Secrets of the Nine series.

Win’s appearance takes the place of the previously announced reading by Christopher Ryan, author of Alex Simmon’s Blackjack and The Mallory and Gunner Series. Chris, unfortunately, had to change his plans at the last minute and will not be able to attend this summer’s convention.

(Win Scott Eckert’s HUNT THE AVENGER was recently released by Moonstone Books. It features cover art by Malcolm McClinton.)

What’s This PulpFest All About?

Jul 5, 2019 by

So what’s this PulpFest that has so many people talking? With over 3,200 likes on Facebook, hundreds of followers on Instagram, and nearly 1,100 followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

PulpFest is named for pulp magazines — fiction periodicals named after the cheap pulp paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. Stories like Edgar Rice Burroughs’ “Tarzan and the Apes” and Max Brand’s “Destry Rides Again” really got things moving.

The pulps started to flourish following the introduction of specialized magazines such as DETECTIVE STORY and LOVE STORY. Publishing legends BLACK MASKWEIRD TALES and AMAZING STORIES debuted during the 1920s. The early thirties introduced the hero pulps, while science fiction exploded as the world went to war in 1939.

By the early fifties, the pulps had largely disappeared. Although displaced by paperback books, comics, radio, television, movies, and more, the rough-paper periodicals had a profound effect on popular culture across the globe. They inspired everything from STAR WARS and JURASSIC PARK to Batman and Spider-Man. The fiction and art of the pulps reverberated through comic books, movies, paperbacks, television, and even anime and role-playing games.

PulpFest 2019 will focus on the many ways pulp fiction and pulp art have inspired and continue to inspire creators. We’re calling this year’s theme, “Children of the Pulps and Other Stories,” an examination of the pervasive influence of pulp magazines on contemporary pop culture. To see what PulpFest is all about, click the Programming button below our home page banner to get a taste for the topics that we’ll explore in 2019.

Beyond our programming, the PulpFest dealers’ room will feature tens of thousands of pulp magazines, vintage paperbacks, digests, genre books, original art, first edition hardcovers, series books, reference books, men’s adventure and true crime magazines, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and collectible comic books and newspaper adventure strips.

The convention will take place from Thursday evening, August 15, through Sunday afternoon, August 18, at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just nineteen miles north of the exciting city of Pittsburgh. You can book your room directly through the PulpFest website. Just click the button below the PulpFest banner to “Book a Room. Alternately, you can call 1-800-222-8733 to book a room by telephone. When calling, be sure to mention PulpFest to get the special convention rate.

Start planning now to join PulpFest 2019 at the “pop culture center of the universe.” You can join the convention by clicking the Register button below our home page banner. If you’d like to pay for your membership via Paypal, you’ll find our Paypal link on our registration page.

(Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee painted the front cover art for the magazine.

Burroughs’ Tarzan is the most famous character to emerge from the pulps. Others include Zorro, Conan the Barbarian, Dr. Kildare, The Shadow, Buck Rogers, Sam Spade, Doc Savage, and Cthulhu.

Come to PulpFest 2019 and learn how the pulps continue to inspire the world’s pop culture creators.)

Free Stuff at PulpFest 2019

Jul 4, 2019 by

Bring on the fireworks! It’s time to celebrate our nation’s freedom. What better time for PulpFest to say thanks for all of the donations we’ve received? We’ll be giving them to our members free of charge. The only requirement is to attend PulpFest 2019 at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry between August 15 and August 18!

In alphabetical order, we’d like to thank Dustin Wright and Chaosium Inc., the publisher of CALL OF CTHULHU and other role-playing games. Chaosium has donated a selection of horror and fantasy books to be used as door prizes during PulpFest 2019.

Edgar Rice Burroughs, Inc. has donated several softcover copies of books inspired by the fantastic work of Edgar Rice Burroughs. PulpFest is also happy to welcome Christopher Paul Carey — the Director of Publishing for Edgar Rice Burroughs, Inc. — to this year’s convention. He’ll be reading from his own fiction and appearing on a number of panels. Christopher is the authorized continuation chronicler of Philip Jose Farmer’s KHOKARSA series and among the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series.

Gordon Van Gelder and THE MAGAZINE OF FANTASY & SCIENCE FICTION — celebrating its 70th anniversary in 2019 — has provided PulpFest with several cartons of back issues. These will be handed out by our registration staff as long as supplies last. The award-winning magazine has been supporting PulpFest — and Pulpcon before it — for many years. We’re extremely grateful for the long-standing support of F&SF.

Science fiction and fantasy publisher Meteor House has sponsored this year’s “Welcome to PulpFest” banner. It will be on display at our registration desk. Watch for our post about this year’s banner in August.

Mike Chomko, Books — a longtime dealer at PulpFest, Pulpcon, and other conventions — has contributed a handful of recent Sherlock Holmes books to be offered as prizes to attendees of “The Game’s Afoot: Sherlock Holmes and the Pulps” on Friday evening, August 16.

Mike is also helping to sponsor our hospitality suite. PulpFest‘s host hotel has provided a room near its elevators where our members can socialize after a hearty day of collecting and programming. Stop by to enjoy drinks and snacks with your comrades in collecting.

Raw Dog Screaming Press — the recipient of the 2018 Horror Writers Association Specialty Press Award for outstanding horror, dark fantasy, and weird fiction — for deciding to hold their “Sweet Sixteen” celebration at this year’s PulpFest. Coffee, tea, and sweets — celebrating sixteen years of high quality fiction — will be available at their “Rapid-Fire Reads” on both Friday and Saturday morning.

We’d also like to thank the many bookstores and comic shops throughout the Pittsburgh area, as well as the book fairs and conventions throughout the United States that have helped to promote “Summer’s Pulp Con” through the past year. Special thanks to Jim Beard, Steve Ericson of Books from the Crypt, Martin Grams, Steve Hager, John Koch, Sara Light-Waller, Todd McDevitt of New Dimension Comics, Heidi Ruby Miller, Curt Phillips, and Rick Thomas for their help promoting us at various venues.

If you are not from the Pittsburgh area and have yet to book your room for this year’s PulpFest, July 31 is the last day to receive the special convention rate. You can book your room directly through the PulpFest website. Below our banner, you’ll find a link that reads “Book a Room.” Click on this link and you’ll be redirected to a secure site where you can book a room at the DoubleTree. You can also reserve a room by calling 1-800-222-8733. Please be sure to mention PulpFest in order to receive the special rate. Thanks so much to everyone who has reserved a room at our host hotel. By staying at the DoubleTree, you’ve helped to ensure the convention’s success.

(On July 4, the United States celebrates Independence Day. Herbert Morton Stoops‘ cover to the March 1946 issue of THE BLUE BOOK MAGAZINE — entitled “The Birth of a Nation” — is a perfect illustration for the occasion. From January through November 1946, BLUE BOOK ran an eleven-part series of Stoops cover paintings entitled “This Is Our Land.”

The first issue of THE MAGAZINE OF FANTASY & SCIENCE FICTION was released in the Fall of 1949. Help it celebrate seventy years of publishing great speculative fiction by picking up a copy of the July and August 2019 number, featuring cover art by Mondolithic Studios.)

The Art of Edgar Rice Burroughs

Jul 3, 2019 by

The late Ray Bradbury called Edgar Rice Burroughs “the most influential writer, bar none,” of the twentieth century. In TARZAN: THE CENTENNIAL CELEBRATION, Tracy Scott Griffin labels Burroughs’ Tarzan as “one of the greatest literary achievements in history,” placing the character alongside “King Arthur, Robin Hood, and Superman in worldwide popularity.”

As part of our focus on the many ways pulp fiction and pulp art have inspired and continue to inspire creators, PulpFest 2019 will host an exhibition dedicated to artwork inspired by Edgar Rice Burroughs. On display will be original art for books, newspaper strips, comic books, graphic albums, and fan magazines, created by such major illustrators as Bob Abbett, Richard Hescox, Joe Jusko, and Richard Powers. Other prominent professional and fan artists will also be featured in the show.

A follow-up to last year’s rare gallery showing of original art by acclaimed writer-illustrator Mark Wheatley, here is your chance to view works featured in some of the most prominent archive editions and books featuring Burroughs’ work. With the support of The Burroughs Bibliophiles — the nonprofit literary society devoted to Burroughs and his works — this year’s PulpFest art show promises to be a unique way to experience the creative worlds of Edgar Rice Burroughs.

Join PulpFest 2019 on Friday, August 16, and Saturday, August 17, for this special art exhibition examining of the pervasive influence of Edgar Rice Burroughs on popular culture. “The Art of Edgar Rice Burroughs” will be open for viewing from 2:30 to 4:30 PM on both days.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA.

To become a member of PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Founded in September 1960, The Burroughs Bibliophiles is a worldwide organization of aficionados who share a love for the works and characters of American author Edgar Rice Burroughs, the celebrated creator of Tarzan. The group’s membership list boasts its fair share of bestselling authors, artists, scientists, teachers, and academicians, as well as readers who simply love a good story well told. Their logo is based upon J. Allen St. John‘s dust jacket art for TARZAN AND THE GOLDEN LION, published by A.C. McClurg & Co. in 1923.)

 

 

Head for Arizona and the 2019 Dum-Dum

Jul 1, 2019 by

While you’re waiting for PulpFest 2019 to arrive, why not check out this year’s Dum-Dum, the annual gathering of Edgar Rice Burroughs enthusiasts? Taking place August 1 – 4 in Willcox, Arizona, the convention is hosted by the Apache Devils Chapter of The Burroughs Bibliophiles and the Sulphur Springs Valley Historical Society. You can book a room at the convention’s host hotel — the Holiday Inn Express in Willcox — by calling 520-384-3333 and using the ERB letter code.

The dealers’ room and most of the programming will be at the Willcox Community Center. Bob Boze Bell, president and executive editor of TRUE WEST MAGAZINE, will be the keynote speaker. His presentation will examine “Edgar Rice Burroughs and the Apache Kid.” There will also be presentations on the Apache Wars, and a showing of the film TARZAN’S GREATEST ADVENTURE at the historic Willcox Theater.

To learn more about the 2019 Dum-Dum — including how to register — please visit erbzine.com/dumdum/ or contact Frank Puncer at fwpuncer@gmail.com or by phone at 520-281-1818.

And lest you forget, PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

To keep abreast of all our PulpFest announcements, please bookmark pulpfest.com or like our Facebook page. Over on Twitter, you’ll find tweets with our updates. You’ll also find selected posts on various newsgroups, including Pulpmags. And don’t forget about our Instagram  page! PulpFest is exploring “The Children of the Pulps” on that site.

(The focus of the 2019 Dum-Dum will be the Apache novels of Edgar Rice Burroughs. The first of these — “The War Chief” — was serialized in five parts, beginning with the April 16, 1927 issue of ARGOSY ALL-STORY WEEKLY. The author’s second Apache novel began about a year later in the May 19, 1928 issue of the same magazine. Entitled “The Apache Devil,” it was serialized in six parts. The first segment copped the cover spot of the magazine, featuring a painting by Paul Stahr. From 1924 until 1934, Stahr worked extensively as a pulp cover artist for the Munsey magazines. He also painted covers for many books.

Writing about the Apache novels, Edgar Rice Burroughs, Inc. suggests that, “Burroughs’ great respect for the West and compassion for the exploitative treatment of the Indians at the hands of the treacherous pin-dah-lickoyee (“white eyes”) is manifested throughout this honest, vivid, and sympathetic portrait of the West that does credit to both the Indians and Edgar Rice Burroughs.”)

Children of the Pulps and Other Stories

Dec 3, 2018 by

Programming for PulpFest 2019

 

PulpFest 2019 postcardPulpFest is the summertime destination for fans and collectors of of popular culture both old and new. It seeks to honor the pulps by drawing attention to the many ways these throwaway magazines have inspired writers, artists, film directors, game designers, and other creators over the years.

Our 2019 convention will focus on the many ways pulp fiction and pulp art have inspired and continue to inspire creators. We’re calling this year’s theme “Children of the Pulps and Other Stories,” an examination of the pervasive influence of pulp magazines on contemporary pop culture. Our planned schedule appears below.

Of course, we’ll also have a spacious dealers’ room. It will feature tens of thousands of pulp magazines, vintage paperbacks, digests, genre books, original art, first edition hardcovers, series books, reference books, men’s adventure and true crime magazines, dime novels and story papers, Big Little Books, B-Movies, serials and related paper collectibles, old-time radio shows, and collectible comic books and newspaper adventure strips.

Please join PulpFest 2019 for our celebration of mystery, adventure, science fiction, and more. We’ll be back at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” in Mars, PA. Click the button below the PulpFest banner to “Book a Room.”

If you enjoy  genre writers such as J. K. Rowling, Lee Child, Michael Connelly, John Scalzi, or Stephen King, you’ll love PulpFest!

 

PulpFest 2019 Schedule

Thursday, August 15

Dealers’ Room

3:00 PM – 10:00 PM — Dealers’ Room Set-Up

4:00 PM – 8:00 PM — Member Registration and Early-Bird Shopping

Evening Programming

8:15 – 9:00 PM — Bob Davis — Grandfather of Science Fiction (Gene Christie)

9:05 – 9:50 PM — A Century of Zorro — (Rich Harvey)

9:55 – 10:40 PM — Hollywood Pulp — From Pulp Page to the Silver Screen (Ed Hulse)

10:45 – 11:30 PM — Two Sought Adventure — Eighty Years of Fritz Leiber’s Fafhrd & the Gray Mouser (Jason Aiken & Morgan Holmes)

11:40 – 1:00 AM — Fu Manchu Film Festival (William Patrick Maynard)

Friday, August 16

Dealers’ Room

9:00 AM – 10:00 AM — Early Registration and Dealers’ Room Set-Up

10:00 AM – 4:45 PM — Dealers’ Room Open to All

Author Readings — Today’s Fictioneers

11:00 – 12:20 AMRaw Dog Screaming Press Rapid-Fire Read & Sweet Sixteen Celebration (Publisher Jennifer Barnes)

Readings by Mike Arnzen, Carrie Gessner, John Edward Lawson, Jason Jack Miller, and Stephanie Wytovich, plus coffee, tea, and sweets, compliments of the publisher

12:30 – 1:05 PM — Wayne Carey, author of Quatermain: The New Adventures

1:10 – 1:45 PM — Craig McDonald, author of The Hector Lassiter Series

1:50 – 2:25 PM — Joab Stieglitz, author of The Utgarda Series

2:30 – 3:05 PM — Christopher Paul Carey, The Wild Adventures of Edgar Rice Burroughs Series and The Khokarsa Series author, will be moderating our “Enter the Edgar Rice Burroughs Universe” at this time

3:10 – 3:50 PM — William Patrick Maynard, authorized author of Fu Manchu

Afternoon Programming

1:30 – 2:30 PM — Author SigningsJohn Locke, Will Murray, and Chet Williamson will be available for signings at our main entrance

2:30 – 3:05 PM — Enter the Edgar Rice Burroughs Universe (featuring Matt Betts, Win Scott Eckert, and Heidi Ruby Miller, with Christopher Paul Carey moderating)

2:30 – 4:30 PM — The Art of Edgar Rice Burroughs (sponsored by The Burroughs Bibliophiles)

4:00 – 4:40 PM — Fu Manchu Film Festival Encore (William Patrick Maynard)

Evening Programming

6:55 – 7:00 PM — Welcome to PulpFest (Convention Chairman Jack Cullers)

7:05 – 7:50 PM — ARGOSY, ADVENTURE and BLUE BOOK — The Men’s Adventure Pulps (Bob Deis & Wyatt Doyle)

7:55 – 8:40 PM — The Game’s Afoot: Sherlock Holmes and the Pulps (George Vanderburgh & Garyn Roberts)

8:45 – 9:30 PM — The Secret Life of Women Pulp Artists (David Saunders)

9:35 – 10:25 PM — Dashiell Hammett and the Detective Story (John Wooley with John Gunnison)

10:25 – 11:10 PM — The Key of Imagination: THE TWILIGHT ZONE and the Pulps (Nicholas Parisi)

11:15 – 12:45 AM — Charles Beaumont: The Short Life of Twilight Zone’s Magic Man (A film by Jason V. Brock)

Saturday, August 17

Dealers’ Room

10:00 AM – 4:45 PM — Dealers’ Room Open to All

Author Readings — Today’s Fictioneers

10:00 – 10:50 AMPopular Fiction from Seton Hill (introduced by Heidi Ruby Miller)

Readings by Jeremiah Dylan Cook, E. C. Skowronski, and Sara Tantlinger

11:00 – 12:20 AMDog Star Books Rapid-Fire Read & Sweet Sixteen Celebration (Publisher John Edward Lawson)

Readings by Matt Betts, J. L. Gribble, Heidi Ruby Miller, K. W. Taylor, Albert Wendland, and K. Ceres Wright, plus coffee, tea, and sweets, compliments of the publisher

12:30 – 1:05 PMFlinch Fest, featuring John Bruening, author of The Midnight Guardian Series

1:10 – 1:45 PM — Roger Alford, author of The Black Spectre Series

1:50 – 2:25 PM — Sara Light-Waller, author of ANCHOR and LANDSCAPE OF DARKNESS 

2:30 – 3:05 PM — Win Scott Eckert, author of HUNT THE AVENGER and many other works

Afternoon Programming

1:30 – 2:30 PM — Author SigningsWin Scott Eckert, Nicholas Parisi, and John Wooley will be available for signings at our main entrance

2:30 – 4:30 PM — The Art of Edgar Rice Burroughs (sponsored by The Burroughs Bibliophiles)

3:15 – 4:30 PMContemporary Pulp: Writing Genre Fiction (featuring John Bruening, Christopher Paul Carey, Win Scott Eckert, Craig McDonald, and Will Murray, with William Patrick Maynard moderating)

4:15 – 4:45 PM — Auction Preview

Evening Programming

5:00 – 6:45 PM — PulpFest 2019 Group Meal

7:00 – 7:30 PM — PulpFest Annual Business Meeting (meet the convention organizers)

7:30 – 7:40 PM — Munsey Award Presentation (presented by William Lampkin)

7:45 – 8:25 PM — FarmerCon XIV: Farmer of the Pulps: A Harvest of Influences (featuring Jason Aiken, Christopher Paul Carey, Win Scott Eckert, and Garyn G. Roberts, with Paul Spiteri moderating)

8:30 – 9:30 PM — Born Writing: The Unparalleled Career of Arthur J. Burks (John Locke)

9:30 – 9:45 PM —  Last Minute Auction Viewing

9:45 – 12:00 AM — Saturday Night Auction

12:00 – 1:00 AM — Fu Manchu Film Festival Encore (William Patrick Maynard)

Sunday, August 18

Dealers’ Room

9:00 AM – 2:00 PM — Dealers’ Room Open to All (many dealers will be packing up; buying opportunities may be limited)

To learn more about each presentations, click on the available links.

Click here to link to our 2019 mobile schedule.

Please note that the schedule above is subject to change.

(Every year, PulpFest celebrates mystery, adventure, science fiction, and other forms of genre fiction. The rough paper magazines played a major role in the development of fiction categories. Pulp publisher Street & Smith pioneered the specialized fiction magazine when it introduced DETECTIVE STORY MAGAZINE in late 1915. Eighteen years later, the same publisher introduced the first superhero: Lester Dent’s Doc Savage. The character debuted in the March 1933 issue of DOC SAVAGE MAGAZINE, featuring cover art by Walter M. Baumhofer.

About five years later, Superman made his first appearance in the June 1938 issue of ACTION COMICS. Before long, the Man of Steel was joined by many other superheroes. This is just one example of the many ways pulp fiction and pulp art have influenced writers, artists, film directors, software developers, game designers, and other creators over the decades.

Watch for our post cards featuring Walter Baumhofer’s classic Doc Savage image at book stores, comic shops, collectible conventions, and other venues. With a Superman portrait painted by H. J. Ward on its flip side, our post card is a great collectible in itself. It was designed by PulpFest Advertising Director, William Lampkin.

And watch for more adventures of The Man of Bronze via The All-New Wild Adventures of Doc Savage. They’re written by PulpFest 2019 panelist, Will Murray.)