Friday at PulpFest

Jul 22, 2016 by

Amazing Stories 47-09PulpFest 2016 enters it second day, following a successful night of dealer set-up, early registration, early-bird shopping, and a full slate of exciting programming. If you missed our first day, there’s still plenty of action to come.

From 9 to 10 AM today, the dealers’ room will be open only to dealers for set-up. All visitors will also be able to register for the convention this morning — beginning at 9 PM — and at any time during regular dealers’ room hours. Three-day memberships will be available at the door for $40. Single day memberships will be available for $20 for Friday or Saturday and $10 for Sunday. Children who are fifteen and younger and accompanied by a parent, will be admitted free of charge. To help things move smoothly, please bring along a completed registration form. You can download a copy by clicking here. Paper forms will also be available at the door. Those who have prepaid for their memberships, will also be able to pick up their registration packets at our door. Please visit our registration page for further details.

For those visiting PulpFest for the day, you can also use the Chestnut Street Garage for parking. Rates vary based on time, but at this writing, $14 will get you a day’s parking. Additional parking is available at the Convention Center underground garage. Again, rates are time-based and, at this writing, $14 will get you parking for 12 hours with no in and out privileges. Click here for a more detailed look at parking near the Hyatt Regency. Alternately, if you don’t mind walking a few blocks, there are many inexpensive options. Click here for an interactive parking map of Columbus and search near 350 North High Street.

The dealers’ room will open to all at 10 AM and will remain open until 4:45 PM. Located in Battelle South exhibition hall on the third floor of the Greater Columbus Convention Center, our dealers’ room will feature exhibitors selling and trading pulp magazines and related materials, digests, vintage paperbacks, men’s adventure and true crime magazines, first-edition hardcovers, series books, dime novels, original art, Big Little Books, B-movies, serials and related paper collectibles, old-time-radio shows, and Golden and Silver Age as well as pulp-related comic books and games. That’s why PulpFest is known as the “pop culture center of the universe!”

Western Story 1932-09-03Our afternoon programming will start at 1 PM with our New Fictioneers readings. Our evening programming will begin shortly before 7 PM as PulpFest chairman Jack Cullers offers an official welcome to all attendees. Friday night’s programming will include our FarmerCon XI presentation which will feature a panel of writers who will discuss their collaborations with Grand Master of Science Fiction Philip José FarmerPulpFest favorite David Saunders starts off our celebration of the 120th anniversary of the first pulp magazine with “The Artists Who Make ARGOSY — 120 Years of Sensational Pulp Art;” our salute to the 90th anniversary of the first science fiction magazine continues when Joseph Coluccio, president of the Pittsburgh Area Fantasy and Science Fiction Club, explores the history of AMAZING STORIES during the pulp era; closing out the evening will be pulp historian Laurie Powers with a look at “LOVE STORY MAGAZINE and the Romance Pulp Phenomenon” and author and pop culture scholar Will Murray examining “WESTERN STORY MAGAZINE and the Evolution of the Pulp Western,” both part of PulpFest‘s remembrance of “A Century of the Specialty Pulp.”

You can find additional details about these and all of our presentations by clicking the 2016 Schedule Button found at the top of our home page. Each event on the schedule is linked to a post that provides further information on that event. Just click on the event’s title. All of our programming events will take place in the Union Rooms on the second floor of the Hyatt Regency. Watch for the “panels” banner and you’re there.

If you are not from the Columbus area and have yet to book your room for this year’s PulpFest, you can try calling 1-888-421-1442 to reach the Hyatt Regency. Perhaps there has been a cancellation. Alternately, you can search for a room at tripadvisor  or a similar website to find a hotel near the convention. Other sites include of the Greater Columbus Convention Center, and the Experience Columbus lodging page at

PulpFest 2016 will continue on Saturday and Sunday. It concludes at 2 PM on Sunday, July 24. Please join us in the Columbus, Ohio Arena district at the Hyatt Regency hotel and the city’s spacious convention center for “Summer’s AMAZING Pulp Con!” You’ll have a FANTASTIC time!

(Artist Malcolm Smith‘s cover painting for the September 1947 issue of  AMAZING STORIES illustrated Edmond Hamilton’s “The Star Kings,” one of the author’s finest space operas. Smith’s first cover for AMAZING was the January 1942 number. He also contributed covers and illustrations to FANTASTIC ADVENTURES and Ziff-Davis’s MAMMOTH line of pulp magazines.

Walter M. Baumhofer — best remembered for his classic covers that appeared on DOC SAVAGE MAGAZINE — was one of many great artists whose work — including the September 3, 1932 issue — graced the front covers to Street & Smith’s WESTERN STORY MAGAZINE.)

Happy New Year from PulpFest

Jan 1, 2016 by

Love Story 38-12-31

Ring in the new year by planning to join PulpFest 2016! You’ll be as content as the two lovebirds featured on Modest Stein’s cover to the December 31, 1938 issue of Street & Smith’s LOVE STORY MAGAZINE.

Although the Munsey group published the first specialized pulp magazines — beginning with THE RAILROAD MAN’S MAGAZINE in 1906, followed by THE OCEAN in 1907 — both pulps were a mixture of fact and fiction. It would be up to Street & Smith to originate the specialized pulp-fiction magazine in the fall of 1915 when it introduced DETECTIVE STORY MAGAZINE to the reading public.

Originally published twice a month, DETECTIVE STORY became a weekly before the end of its second year of publication. Despite its great success, the new pulp did not immediately inspire many imitators. It would be up to Street & Smith itself to develop the trend: WESTERN STORY MAGAZINE arrived in 1919, followed by LOVE STORY in 1921, SEA STORIES in 1922, and SPORT STORY MAGAZINE in 1923. It was not until 1924 that the single-genre fiction pulp would start to take off as other publishers began to release their own specialty pulps.

In 2016, PulpFest will be saluting one-hundred years of the specialty pulp with presentations on the development of the pulp western and the romance pulps. Join us at the Hyatt Regency Columbus from  July 21 – 24, 2016 for a look at these fascinating magazines. It should be a very special convention! Stay tuned to to learn more about “Summer’s AMAZING Pulp Con.” We’ll be offering an argosy of special announcements in the weeks to come.

(Modest Stein began contributing covers to the pulp market in 1910, selling to both the Munsey and Street & Smith chains. By the twenties, he was largely employed by the latter, painting covers for ASTOUNDING SCIENCE FICTION, CLUES, CRIME BUSTERS, DOC SAVAGE, FAR WEST ILLUSTRATED, LOVE STORY MAGAZINE, ROMANTIC RANGE, THE SHADOW, UNKNOWN, and other Street & Smith titles. Following the publisher’s 1949 exit from the pulp field, Stein worked predominantly as a portrait artist. He died in 1958.)

Saddle Up! Thrilling’s Western Heroes

Jun 8, 2015 by

Buffalo Bill Stories 1909-04-24The western story got its start with James Fenimore Cooper’s Leatherstocking Tales, a fictional adaptation of the adventures of frontiersman Daniel Boone. In the years following Cooper’s Natty Bumppo series, authors such as Bret Harte, Francis Parkman, and Mark Twain further expanded the field.

According to an essay written by pulp scribe John A. Saxon and published in 1945 by WRITER’S DIGEST, the western story became a genre of its own during the second half of the 19th century. In 1869, writer Edward Zane Carroll Judson convinced hunter, scout, and showman William F. Cody to lend his name and reputation to a fictionalized account of his life, “Buffalo Bill, King of the Borderman,” originally serialized in Street & Smith’s NEW YORK WEEKLY. Phenomenally received, Judson found a public hungry for further adventures of the real life hero of the American frontier. Thus started “. . . the fictionalized form of the Western story . . . based partly on fact, but mostly on imagination.”

Given the great success of Street & Smith’s Buffalo Bill tales, nickel weeklies and dime novels devoted to western heroes and outlaws soon followed: DEADWOOD DICK LIBRARY, DIAMOND DICK LIBRARY, JAMES BOYS WEEKLY, KLONDIKE KIT LIBRARY, WILD WEST WEEKLY, and more. These as well as stories featuring detective heroes such as Nick Carter and Old Sleuth and sports heroes such as Frank Merriwell, reigned supreme for nearly forty years. Then, following the introduction of the pulp magazine by Frank A. Munsey in 1896, the story papers and dime novels began to give way to these more economical rough-paper periodicals.

The first all-western pulp magazine was introduced by Street & Smith when they converted their tired old story paper, NEW BUFFALO BILL WEEKLY, to WESTERN STORY MAGAZINE in 1919. Within a year, the magazine reached a circulation of 300,000 copies per issue and began to be released weekly, a status it enjoyed for the next twenty-five years. Soon thereafter, the magazine began publishing the western fantasies of poet turned pulp writer Frederick Schiller Faust–better known as Max Brand–and really took off. By the late 1920s, WESTERN STORY was competing against countless imitators–ACE-HIGH, COWBOY STORIES, FRONTIER, GOLDEN WEST, LARIAT, NORTH-WEST STORIES, RANCH ROMANCES, WEST, and others.

With the collapse of the world economy in 1929 and spare change hard to come by, ten-cent western pulps began to flood the market. Introduced by Popular Publications in late 1931 when they debuted DIME WESTERN MAGAZINE, other companies followed suit with their own ten-cent western fiction magazines. One of these firms was Ned Pines’ Standard Magazines, with managing editor Leo Margulies riding herd over the new publisher’s Thrilling Group.

Although Margulies seemed to be forever complaining that western writers were “deceiving themselves in the belief that all a Western story needed was plenty of gun slinging; plenty of people killed; plenty of fights, but never mind a good reason,” his line of western pulps featured “. . . thrilling tales of the gallant West where danger lurks and cowboys are supermen.” According to pulp scholar John Dinan, Standard’s typical western superhero “could absorb more than his share of punishment” and was “characterized by immediate action in response to a dilemma or conflict which was always external.”

Texas Rangers 1946-11On Thursday, August 13th, Ed Hulse will explore the Standard line of western superhero pulps, from TEXAS RANGERS, launched in 1936 and featuring the “Lone Wolf” Ranger, Jim Hatfield; to MASKED RIDER WESTERN MAGAZINE, purchased from Ranger Publications in 1938 and starring Wayne Morgan, “the Robin Hood of the West;” to RANGE RIDERS and its “stories of western avengers in action;” to THE RIO KID WESTERN, a pulp that featured “the fictional exploits of the Kid . . . interwoven with actual historical characters;” to WEST and its lengthy series featuring Johnston McCulley’s Zorro; and HOPALONG CASSIDY’S WESTERN MAGAZINE, featuring Louis L’Amour’s blend of Clarence E. Mulford’s original character with the movie version popularized by actor William Boyd. Ed will also be touching on such characters as Alamo Paige, Navajo Raine, and W. C. Tuttle’s Tombstone and Speedy, all featured in EXCITING WESTERN, and A. Leslie Scott’s Texas Ranger Walt Slade, whose adventures ran in Standard’s flagship western title, THRILLING WESTERN.

For decades now, Ed Hulse has been scouring the back alleys and deserted farmhouses of his home state of New Jersey, searching for old pulps and 16mm prints of vintage motion pictures. Not content with what he was finding in Jersey, he can now be found rummaging through boxes of old pulp magazines in places as far away as Singapore and Kodiak, Alaska, trying to find a pulp that measures up to his lofty standards. When not sifting through eBay listings, Ed works as a free-lance journalist. One of the founders of PulpFest, Ed has been helping to organize pulp and film conventions for many years. He’s the guy who runs the movie projector at the Windy City Pulp and Paper Convention and also publishes BLOOD ‘N’ THUNDER, the leading pulp and popular culture fanzine of our day and age, and Murania Press books such as J. Allan Dunn’s THE ISLAND and his own HANDSOME HEROES AND VICIOUS VILLAINS. Additionally, Ed has written extensively about both the pulp and motion-picture fields. His THE BLOOD ‘N’ THUNDER GUIDE TO PULP FICTION should be on the bookshelves of every pulp collector. Ed’s publications are available through and other fine booksellers. In 2007, Ed was presented with the Lamont Award for his exceptional work within the pulp community.

“Saddle Up! Thrilling’s Western Heroes” will begin at 9:20 PM on Thursday, August 13th, on the second floor of the Hyatt-Regency hotel in beautiful downtown Columbus, Ohio. It’s all part of this year’s “Salute to Standard Magazines,” taking place at PulpFest 2015. Learn how you can register for “Summer’s Great Pulp Con” by clicking here.

(THE BUFFALO BILL STORIES was the first publication devoted to fiction about frontiersman William F. Cody. A weekly publication “devoted to border history,” it debuted with its May 18, 1901 number and was published by Street & Smith. Pictured here is the April 24, 1909 issue. To learn more about the evolution of the pulp western, read John Dinan’s THE PULP WESTERN, Ron Goulart’s CHEAP THRILLS, and Will Murray’s WORDSLINGERS. According to dime novel scholar J. Randolph Cox, most of the covers for Street & Smith periodicals published during the early 1900s were drawn by Charles L. Wrenn, Marmaduke Russell, Ed. Johnson, and J. A. Cahill.

TEXAS RANGERS was by far the most successful western pulp magazine devoted to a single character. Launched in 1936 to commemorate the centennial of the historical Texas Rangers, the magazine lasted for over twenty years, running for 206 issues (more than any other single-character pulp except for THE SHADOW). A. Leslie Scott or Tom Curry wrote many of the lead novels, using the house name of Jackson Cole. There’s an excellent chapter on Standard’s western superheroes in Don Hutchison’s history of the single-character magazines, THE GREAT PULP HEROES. Pictured here is the November 1946 issue of TEXAS RANGERS, featuring front cover art by Sam Cherry.)