PulpFest Profile — Christopher Paul Carey: To Khokarsa & Beyond

Oct 19, 2020 by

Pulp magazines have influenced writers, artists, film directors, software developers, and countless others over the years. Our “PulpFest Profiles” focus on contemporary creators who have drawn inspiration from these rough-paper fiction magazines.

 

 

William Patrick Maynard (WPM): Chris, you’re Director of Publishing at Edgar Rice Burroughs, Inc., as well as one of the leading lights in the Wold Newton Universe. How did you first discover the works of Edgar Rice Burroughs and Philip José Farmer?

Christopher Paul Carey: The first time I read ERB was at age eight, after my father took me to see the film adaptation of AT THE EARTH’S CORE. I picked up the Ace Books movie edition of the same novel off a grocery store spinner rack. My uncle was a big Burroughs fan. He used to read the Barsoom novels aloud to my siblings and me during my family’s annual summer trips from Pennsylvania to Illinois. It was a magical time. When I was twelve, I read A PRINCESS OF MARS. That was it — I became obsessed. I had to read every single story that ERB wrote as quickly as I could track them down, in addition to knowing I wanted to be a writer. During that glorious three-year period when I read almost all of ERB’s fiction, I found Farmer’s TARZAN ALIVE, HADON OF ANCIENT OPAR, and FLIGHT TO OPAR on the bookstore shelves. I was drawn to them, of course, because of the Burroughs connection. I could see right away that Farmer was modernizing and innovating on the same adventure formula that Burroughs had implemented in his own novels. So I began devouring all of Farmer’s works as well.

WPM: What is your approach to bringing Edgar Rice Burroughs and the Wold Newton Universe to new readers?

Christopher Paul Carey: My first several books were set in Farmer’s Khokarsa, the motherland civilization of Burroughs’ Opar. First and foremost, I tried to write them like I thought Phil would have. So you’re going to have a grittier, darker, more realistic story. But as I continued to write about Khokarsa and Ancient Opar, I decided to dial up ERB’s style very subtly. Actually, there’s a little H. Rider Haggard mixed in there, too. I’d like to write another trilogy in the Khokarsa cycle, which I’ve been referring to as the “Foundation of Kôr” series. This would be inspired by H. Rider Haggard’s Ayesha novels. I’ve got a lot of it outlined already. I’d also like to write two more novellas about Lupoeth, the priestess-heroine who was the protagonist in my novella EXILES OF KHO.

When I turned to writing SWORDS AGAINST THE MOON MEN, an authorized sequel to ERB’s THE MOON MAID, I tried to be as faithful to Burroughs’ works and style as possible. There’s no Farmer in there at all. Right now, I’m working on a novel in the Edgar Rice Burroughs Universe series titled VICTORY HARBEN: FIRES OF HALOS. This will be just as faithful to ERB’s works, though it begins in 1950 and features a young woman who was born in the hollow world of Pellucidar. Victory’s mother is from the outer crust and her father is from the Earth’s core.

Victory Harben is something of a prodigy in physics and science. She was university-educated in the outer world. So her voice and perspective are going to be different from the typical Burroughs hero, a bit more modern. She’s grown up with ERB’s famous heroes and heroines all around her: David Innes, Dian the Beautiful, Abner Perry, Jason Gridley, Tarzan, Jane, etc. She’s the most challenging and ambitious character I’ve written to date. A hybrid of old world and new. It’s exciting because she brings an opportunity to breathe new life into the canon.

A lot of people forget that when ERB was writing, he was expanding the canon and doing new and crazy things with it. It must have blown readers’ minds in 1929 when Burroughs sent Tarzan to the Earth’s core or in 1932 when he wrote a new series about a suicidal stunt pilot who, trained by a Hindu mystic in the art of mental projection, launched himself in a rocket intended for Mars and ended up on Venus instead. If he’d had an immortality elixir like Tarzan and was still writing today, Edgar Rice Burroughs would be taking his universe off in directions that people would never anticipate to keep things fun and fresh. The present and the past don’t have to compete with one another; they can blend gracefully together into the future.

WPM: As Creative Director of The Edgar Rice Burroughs Universe titles, tell us what is available, what is next in the pipeline, and which past continuation works are considered part of the ERB Universe canon?

Christopher Paul Carey: CARSON OF VENUS: THE EDGE OF ALL WORLDS by Matt Betts kicked off the new ERB Universe novels with what we’re calling the “Swords of Eternity” super-arc. TARZAN: BATTLE FOR PELLUCIDAR by Win Scott Eckert is up for preorder at ERBurroughs.com and will be published on October 27. That will be followed by JOHN CARTER OF MARS: GODS OF THE FORGOTTEN by Geary Gravel next spring, and my own novel, VICTORY HARBEN: FIRES OF HALOS later in the year. Moreover, we have two “Classic ERB Universe” titles available, TARZAN AND THE VALLEY OF GOLD by Fritz Leiber and TARZAN AND THE DARK HEART OF TIME by Philip José Farmer (the latter published through Meteor House, but also under the Edgar Rice Burroughs Universe banner). These are all considered canon alongside ERB’s original works.

WPM: Edgar Rice Burroughs, Inc., has taken on the ambitious task of reprinting all of ERB’s works in uniform hardcover editions. The first eight Tarzan books are presently available. What can fans expect to see over the next few years?

Christopher Paul Carey: We’re hard at work right now on volumes 9–12 of the Tarzan series. We’ll continue to put out batches of four volumes until we’ve published all of the Tarzan books. Then we’ll move on to the Barsoom series, and then each series in turn until we move on to the standalone books. In total, the Edgar Rice Burroughs Authorized Library will comprise eighty-plus volumes. It will be a multiyear project to release them all. Joe Jusko is adorning all of the books with stunning cover art and frontispieces. We’re also getting luminaries from different fields to write forewords and afterwords. As we continue to produce more volumes, we’ll dig deeper into the archives. So the bonus material included in each of the books will get even more interesting and in many cases longer.

WPM: How do you see Edgar Rice Burroughs’ place in the twenty-first century, particularly as the past is held up to an increasingly critical light?

Christopher Paul Carey: I think Edgar Rice Burroughs stands the test of time because his stories hit the same touchpoint as mythology. He was also a more complex writer than he is sometimes portrayed. There’s a lot of commentary, humor, and satire in ERB’s writing that is often missed or misinterpreted, but lofty critical and scholarly studies don’t really matter in the end. More than a hundred years after he began writing, Edgar Rice Burroughs’ stories remain popular. I can say that with certainty because it’s all we can do to keep up with all the orders that are pouring in for the new books we’re publishing!

WPM: You’ve done quite a bit to educate our readers as to the goals of Edgar Rice Burroughs, Inc. What personal creative aspirations have you set for yourself as an author that you still hope to achieve?

Christopher Paul Carey: One of the things I plan to write next is an original novel and a short story collection set in the continuity of my novelette “With Dust Their Glittering Towers,” about the mysterious legacy of Sir Francis Bacon. I also have a cross-genre historical/science fiction/fantasy novel set in Mongolia that I’d like to tackle someday. If I can get all the books I’ve talked about writing in this interview done in the time remaining to me, that would be more than good enough for me.

WPM: Chris, thank you for your time. This has truly been a pleasure.

(William Patrick Maynard is the licensed continuation author for the Sax Rohmer Literary Estate. His short fiction has been published in anthologies by Titan Books, Black Coat Press, Edge Publishing, Bold Venture Press, Riviere Blanche, Airship 27, and MX Books. He has authored over 250 articles for numerous magazines and websites. He has contributed Blu-ray commentary tracks and produced bonus features for releases by MGM, Shout Factory, Kino Lorber, and The Serial Squadron. Bill is on the editorial board of The Battered Silicon Dispatch Box and is a member of the PulpFest Organizing Committee where he serves as Assistant Director of Marketing and Afternoon Programming Director. He resides in Northeast Ohio.

The banner that heads our post is based on Chris Peuler‘s dust jacket art for SWORDS AGAINST THE MOON MEN by Christopher Paul Carey.)

 

Trademarks Edgar Rice Burroughs®, Edgar Rice Burroughs Universe™, Edgar Rice Burroughs Authorized Library™, Tarzan®, Opar™, John Carter of Mars®, Carson of Venus®, Pellucidar®, At the Earth’s Core™, David Innes™, Dian the Beautiful™, Abner Perry™, The Moon Maid™, Jason Gridley™, Victory Harben™, and Swords of Eternity™ owned by Edgar Rice Burroughs, Inc., and used by permission.

Introducing “PulpFest Profiles”

Aug 17, 2020 by

The pulp magazines of the early twentieth century have had a profound effect on popular culture across the globe. The fiction and art of the pulps reverberated through a wide variety of media — comic books, movies, paperbacks, television, men’s adventure magazines, radio drama, video, anime, manga, role-playing games, and more.

PulpFest seeks to honor the pulps by drawing attention to the many ways these rough-paper magazines have inspired writers, artists, film directors, software developers, and countless other creators over the years. Their influence extends to this very day.

In September, we’ll be introducing “PulpFest Profiles” to our homepage and social media sites. Appearing around the middle of each month, this exciting, new series will focus on contemporary creators who have been inspired by the throwaway fiction magazines called pulps. Our digest capsules about today’s pop culture creators will be orchestrated by a team of crack writers:

Sara Light-Waller has been a professional journalist and illustrator for over thirty years. She is also an accomplished new pulp fiction author/illustrator with two books out and more on the way. Sara is the winner of the 2020 Cosmos Prize for her illustrated short story, “Battle at Neptune.” A huge pulp fan, Sara is especially fond of science fiction pulps. The extent of her pulp fandom can best be measured by the oversized rendition of Frank R. Paul’s AMAZING STORIES cover that she painted on her garage. Sara is proud to be helping out with PulpFest to keep the stories and art alive and available to new readers who, as Sara puts it, “really need some whiz-bang in the face of the dystopian mess we’re living through.”

William Patrick Maynard is the licensed continuation author for the Sax Rohmer Literary Estate. His short fiction has been published in anthologies by Titan Books, Black Coat Press, Edge Publishing, Bold Venture Press, Riviere Blanche, Airship 27, and MX Books. He has authored over 250 articles for numerous magazines and websites. He has contributed Blu-ray commentary tracks and produced bonus features for releases by MGM, Shout Factory, Kino Lorber, and The Serial Squadron. Bill is on the editorial board of The Battered Silicon Dispatch Box and is a member of the PulpFest Organizing Committee where he serves as Assistant Director of Marketing and Afternoon Programming Director. He resides in Northeast Ohio.

Laurie Powers is the granddaughter of pulp author Paul S. Powers, Laurie Powers was introduced to the pulp community in 2007 through the publication of PULP WRITER: TWENTY YEARS IN THE AMERICAN GRUB STREET, her grandfather’s memoir of writing for the pulps, especially WILD WEST WEEKLY. She has also edited several collections of her grandfather’s work in various genres, releasing a number of previously unpublished stories. In 2013, she helped to arrange the donation of her grandfather’s personal papers as well as more than 400 pulp magazines featuring his work to the Rare Books and Manuscripts Library at Ohio State University in Columbus. She is the author of QUEEN OF THE PULPS: THE REIGN OF DAISY BACON AND LOVE STORY MAGAZINE, which was published by McFarland Books in 2019. At PulpFest 2016, Laurie presented “100 Years of the Specialty Pulp — LOVE STORY MAGAZINE and the Romance Pulp Phenomenon,” and was awarded the Munsey Award the same year. Laurie resides in Virginia.

Christopher Ryan has worn many creative hats in his life. An award-winning journalist and columnist in the Bronx and Manhattan, he also earned honors for playwriting, screenwriting, and acting. Active in community service, Chris has also taught high school, co-founded (as writer and performer) an urban comedy troupe, co-wrote a one-man show, and performed stand-up comedy. For over three decades, Chris has been a close collaborator of author Alex Simmons. The two discuss all things creative on their TELL THE DAMN STORY podcast.  An accomplished independent author and publisher with over a dozen books to his name. Most of Chris’ work is focused on detectives Mallory and Gunner in a modern urban interpretation of Dante’s “The Divine Comedy.” Chris teaches at Hackensack High School in northern New Jersey where he lives with his wife and their twin sons.

For our initial “PulpFest Profile,” Sara Light-Waller will be joined by David & Daniel Ritter of First Fandom Experience. Father and son, the Ritters are working to recreate the sense of wonder that was experienced by the early fans of science fiction. Their recent books include THE EARLIEST BRADBURY and THE VISUAL HISTORY OF SCIENCE FICTION FANDOM, VOLUME 1.

Watch for the first “PulpFest Profile” on Monday, September 14. Later profiles will include Win Scott Eckert, Joe Lansdale, Will Murray, Alex Simmons, Nicky Wheeler-Nicholson, and other contemporary creators.

(One of the major themes of PulpFest 2021 will be a celebration of the 90th anniversary of THE SHADOW, A DETECTIVE MAGAZINE. The Street & Smith pulp magazine debuted with its April 1931 number. Pictured here is its December 1, 1932 number, featuring a profile of The Shadow painted by George Rozen.

The first single character or hero pulp, THE SHADOW revived a fiction format that had disappeared with the demise of the dime novels and story papers. Author Walter B. Gibson refashioned The Shadow — the sinister narrator of CBS Radio’s THE DETECTIVE STORY HOUR — into the first pulp hero. Gibson’s character was a dark and mysterious crime-busting super-sleuth who embodied the iconic power of classic villains like Dracula. The Shadow served as the template for other hero pulps and, later, scores of comic book superheroes. Gibson and his occasional fill-in, Theodore Tinsley, also introduced the concept of super-crooks and super-crime. Lasting 325 issues and spanning eighteen years, THE SHADOW pulp was canceled in 1949.

We hope you’ll join us next year in Mars, Pennsylvania for “Love in the Shadows,” a celebration of ninety glorious years of The Dark Avenger, 100 years of LOVE STORY MAGAZINE, and much more. You’ll find us at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry from August 18 – 21 for PulpFest 2021.)

Lost John Carradine Fu Manchu Screening at PulpFest

Jun 10, 2019 by

There are a number of Holy Grails that every collector seeks. It is said the quest is more important than the treasure. This is probably because few such treasures are ever discovered. For fans of Sax Rohmer’s Fu Manchu series, one of the most obscure relics is a 1952 pilot film shot for NBC for a FU MANCHU television series starring John Carradine as the Devil Doctor. The pilot was never broadcast. A still has never been published in books or magazines. Many fans dismissed the pilot as nothing more than a rumor — an idea that was never actually filmed.

They were wrong.

William Cameron Menzies, the legendary Hollywood production designer, directed the highly stylized pilot film. It is a surprisingly faithful adaptation of the 1912 Sax Rohmer story that started it all — “The Zayat Kiss.” Cedric Hardwicke plays Nayland Smith, the driven British colonial official obsessed with capturing the elusive criminal mastermind, Dr. Fu Manchu. John Carradine — appropriately menacing as a silhouetted figure behind a screen intoning his commands in an educated hiss that is far removed from the province of yellowface performances — is the most faithful Fu Manchu ever to grace the big or small screen.

Born out of imperialist Britain’s fear of a Yellow Peril emerging from the East, Rohmer ingeniously imbued his fictional villain with greater intelligence and integrity than his Western protagonists.  Rohmer’s initial description of the character in “The Zayat Kiss” is unforgettable and one he would strive to re-create over the years without ever falling into direct imitation:

“Imagine a person, tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true-cat green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government — which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man.”

Dr. Fu-Manchu does not even make a physical appearance in the story, yet his presence pervades the atmosphere and hysteria of “The Zayat Kiss.” Set in a mad world filled with conspiracy theories, bizarre assassinations, and death traps, there was no way Rohmer’s story could not have been a smashing success when it debuted in print in October 1912. All of the ingredients were there to build a winning formula.

Thursday night, August 15, PulpFest 2019 will offer the first of three public screenings of a complete and pristine print of Carradine’s legendary lost classic. Also featured will be such rarities as the silent FU MANCHU serials made by Stoll Productions in the 1920s. Alongside the lost NBC pilot, these silent chapters are the most faithful adaptations of Sax Rohmer’s works ever attempted. There will be two encore presentations of the lost pilot on Friday afternoon, August 16, and Saturday night, August 17. The silent rarities screened with it during the encore presentations will be unique to each screening. This will allow repeat attendees to maximize their enjoyment. For reasons of copyright control, no copies can be made, distributed, or sold at these free public exhibitions that are open to any attendee of PulpFest 2019.

Join the licensed continuation author of the Fu Manchu thrillers, William Patrick Maynard, for these three very special screenings at PulpFest 2019. You’ll see John Carradine as Fu Manchu for the first time in 67 years and then enjoy the equally rare treat of seeing Fu Manchu serial chapters made nearly a century ago. You’ll bask in shimmering location footage genuinely shot on the streets and alleyways of London — including Limehouse — as it looked in the years when the names of Sax Rohmer and Fu Manchu were on everyone’s breath.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh in Mars, PA. We’ll be celebrating “Children of the Pulps and Other Stories” — focusing on the pulp influences in popular culture — at this year’s gathering.

Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(THE MYSTERIOUS DR. FU MANCHU — directed by Rowland V. Lee and starring Warner Oland in the title role — was released by Paramount Pictures in 1929. The first talking Fu Manchu movie, it was based on Sax Rohmer’s novel, THE MYSTERY OF DR. FU MANCHU. Set during the Boxer Rebellion in China, Dr. Fu Manchu’s wife and child are killed by foreigners. Enraged, he vows to take his revenge on the British army officers he holds responsible for the killings. The poster advertising the film — one of several — was created by an unknown artist.)

Contemporary Pulp: Writing Genre Fiction

May 10, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!

At 3:15 PM on Saturday, August 17, please join Fu Manchu continuation author William Patrick Maynard in the PulpFest 2019 programming hall for a look at contemporary genre fiction. Joining him for the panel will be a quintet of established authors.

John C. Bruening is the co-founder of Flinch Books, publisher of Bruening’s critically acclaimed Prohibition-era pulp hero series MIDNIGHT GUARDIAN that began with 2016’s HOUR OF DARKNESS and continues with the 2019 publication of THE ANNIHILATION MACHINE. Bruening has also edited Flinch Books‘  adventure, horror, and science fiction anthologies BIG TOP TALES, RESTLESS, and QUEST FOR THE SPACE GODS

Recently named the Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey is also among the most accomplished of the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series. He is also the authorized continuation chronicler of Philip Jose Farmer’s KHOKARSA series that bridges the works of Edgar Rice Burroughs and H. Rider Haggard. Carey has authored the novels SWORDS AGAINST THE MOON MEN, BLOOD OF ANCIENT OPAR, HADON — KING OF OPAR, EXILES OF KHO, and THE SONG OF KWASIN. He is also an accomplished editor, comic book writer, essayist, and author of short fiction.

2019 Munsey Award nominee Win Scott Eckert launched the first Wold Newton website, The Wold Newton Universe in 1997. Over the next twenty-two years, he has written or co-written novels and short stories featuring characters such as Philip José Farmer’s Patricia Wildman, cult favorites Honey West and T. H. E. Cat, and classic properties such as The Green Hornet, Zorro, The Phantom, The Lone Ranger, The Green Ghost, Phileas Fogg, The Domino Lady, and Sherlock Holmes. His latest novel is HUNT THE AVENGER. A tireless chronicler of Farmer’s idiosyncratic view of a broad shared universe, Eckert has shown remarkable fidelity to Farmer’s vision and serves as an inspiration to the many who have followed in his wake.

Author of the Edgar-nominated HECTOR LASSITER historical crime series, Craig McDonald is an award-winning novelist, journalist and editor. The HECTOR LASSITER series chronicles the exploits of a fictional BLACK MASK author and his encounters with such notable figures as Ernest Hemingway, Orson Welles, Ian Fleming, and Lester Dent. McDonald’s internationally acclaimed works have found a global audience and have also been adapted in graphic novel format. His works have been published by Simon & Schuster and Macmillan Press.

It is arguable if a man who has penned so many introductions needs one of his own, but Will Murray’s many accomplishments and the esteem in which he is held by his peers demand recognition. Will Murray is the legendary author, historian, and comic book writer who continues to set the bar for everyone else in the field. The official continuation author of Doc Savage, Murray has also been licensed to continue the adventures of Tarzan, The Shadow, and King Kong. A tireless researcher of pulp and comics history, Murray has written extensively for both Marvel and DC Comics and co-created Squirrel Girl with the late Steve Ditko. Recipient of numerous industry awards for his scholarship, his fiction has also been recognized with Pulp Ark and Pulp Factory with Awards for Best Series Revival and Best Novel, respectively. A Lamont Award recipient in 1979 for his contributions to the betterment of the pulp community, Will Murray is just as vital 40 years later as he has ever been.

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(In 2018, acclaimed artist Mark Wheatley shared with PulpFest the extensive array of illustrations that he created for the novel, SWORDS AGAINST THE MOON MEN.

In his novel, Christopher Paul Carey expands on Edgar Rice Burroughs’ Moon novels, while remaining solidly true to the established lore of the series. “This was a great project to be a part of,” Wheatley told us. “As a long-time Burroughs fan, I can tell you that Christopher is an excellent author. If I had any problem illustrating this book, it was that I was limited to eighteen pages of illustrations, and Christopher easily had a hundred great scenes in his manuscript!”)

Friday’s New Fictioneers

May 6, 2019 by

PulpFest is proud that over 30 popular fiction writers will be attending our 2019 convention. “Back in the day,” the authors who labored for the rough paper industry liked to call themselves scribes, word-slingers, penny-a-worders, and, perhaps the most favored term of all, fictioneers. Join PulpFest as we celebrate today’s fictioneers — the authors writing today’s pulp fiction!  On Friday and Saturday, we’ll feature nine authors reading from their works and answering questions from the audience.

 

Reading from their works on Friday, August 16

 

12:30 – 1:05 PM — Wayne Carey.

A regular contributor to QUATERMAIN: THE NEW ADVENTURES, published by Airship 27, Wayne Carey has gained recognition as one of the finest New Pulp writers for both Airship 27 and Pro Se Press. His passion for Edgar Rice Burroughs, H. G. Wells, Isaac Asimov, Talbot Mundy, Robert E. Howard, and H. Rider Haggard informs and permeates his own fiction. Carey’s pulp influences coalesced in his new adventures of Haggard’s seminal adventurer, Allan Quatermain. He has contributed both novels and short stories to the expanded Quatermain canon, including ALLAN QUATERMAIN AND THE BEAST MEN and ALLAN QUATERMAIN AND THE LIGHTNING BIRD. His most recent addition is the short story, “The Unholy Alliance” appearing in Volume Five of Airship 27’s QUATERMAIN: THE NEW ADVENTURES anthology series. Join Wayne Carey Friday afternoon, August 16, at PulpFest for a sampling of his thrilling pulp adventure works.

 

1:10- 1:45 PM — Craig McDonald.

Author of the Edgar-nominated HECTOR LASSITER historical crime series, Craig McDonald is an award-winning novelist, journalist and editor. The HECTOR LASSITER series chronicles the exploits of a fictional BLACK MASK author and his encounters with such notable figures as Ernest Hemingway, Orson Welles, Ian Fleming, and Lester Dent. McDonald’s internationally acclaimed works have found a global audience and have also been adapted in graphic novel format. His works have been published by Simon & Schuster and Macmillan Press. Meet Craig McDonald Friday afternoon, August 16, at PulpFest and become a fan of Hector Lassiter’s adventures in Hollywood, Paris, Key West, Cuba, Vienna, Berlin, Brazil, Mexico, the Midwest, and the Deep South. McDonald has created, in Hector Lassiter, the perfect vehicle to chart the key events of the last century that did so much to shape the present world. Pulp fiction of literate quality is a rarity to be cherished and Craig McDonald has earned entry in that rarified strata.

 

1:50- 2:25 PM — Joab Stieglitz.

The author of the UTGARDA pulp adventure series, Joab Stieglitz has crossed his love for cosmic horror and fantasy and Role-Playing Games into a Lovecraftian occult horror series that will appeal to pulp fans, Cthulhu Mythos acolytes, gamers, and horror movie fans in equal measure. The UTGARDA trilogy comprises three titles: THE OLD MAN’S REQUEST, THE MISSING MEDIUM, and THE OTHER REALM. The UTGARDA trilogy is a fast-paced, well-written supernatural thriller that channels H. P. Lovecraft and August Derleth’s Cthulhu Mythos in detailing the unspeakable entity that was unleashed upon the world in the 1920s by The Cabal. Come meet Joab Stieglitz in person Friday afternoon, August 16,  at PulpFest as he ushers UTGARDA into the 21st Century.

 

2:30- 3:05 PM — Christopher Paul Carey.

Please note that this reading has been replaced in the schedule by our Enter the Edgar Rice Burroughs Universe” panel. Christopher Paul Carey will be serving as the panel’s moderator.

Recently named the Director of Publishing for Edgar Rice Burroughs, Inc., Christopher Paul Carey is also among the most accomplished of the stable of licensed authors in THE WILD ADVENTURES OF EDGAR RICE BURROUGHS series. He is also the authorized continuation chronicler of Philip Jose Farmer’s KHOKARSA series that bridges the works of Edgar Rice Burroughs and H. Rider Haggard. Carey has authored the novels SWORDS AGAINST THE MOON MEN, BLOOD OF ANCIENT OPAR, HADON — KING OF OPAR, EXILES OF KHO, and THE SONG OF KWASIN. He is also an accomplished editor, comic book writer, essayist, and author of short fiction. A tireless champion of Wold Newtonian chronologies and Pathfinder RPG publications, Carey’s work stands out for its literate, often tragic view of history and empires that rise and fall from the actions of flawed characters who changed their world. Come meet Christopher Paul Carey in person at PulpFest Friday afternoon, August 16.

 

3:10 – 3:50 PM — William Patrick Maynard.

The licensed continuation author of Sax Rohmer’s Fu Manchu thrillers, William Patrick Maynard has written hundreds of articles for BlackGate.com, TheCimmerian.com, and DMRBooks.com among others. He has also contributed audio commentaries, liner notes, and rare footage to DVD and Blu-Ray releases by MGM, Shout Factory, Kino Lorber, and The Serial Squadron.  His short fiction and essays have appeared in numerous publications from Titan Books, Black Coat Press, EDGE Publishing, Airship 27, MX Books, Stark House Press, Black Dog Books, and Meteor House. Maynard is among the editorial staff of The Battered Silicon Dispatch Box and also serves as Assistant Director of Marketing for PulpFest. Come  meet William Patrick Maynard in person at PulpFest Friday afternoon, August 16.

 

PulpFest 2019 will begin on Thursday, August 15, and run through Sunday, August 18.  Join PulpFest at the DoubleTree by Hilton Hotel Pittsburgh – Cranberry, just north of Pennsylvania’s “Steel City” of Pittsburgh. We’ll be celebrating “Children of the Pulps and Other Stories” at this year’s gathering. Click our Programming button below our homepage banner to get a preview of all the great presentations at this year’s event.

To join PulpFest 2019, click the Register button below our homepage banner. To book a room at the DoubleTree by Hilton — our host hotel — click the Book a Room button, also found on our homepage.

(Our featured image for this post is a photograph of a Remington Noiseless 8 typewriter from 1937. Writers believed to have used Remingtons — “unrivaled in popularity until the Underwood locomotive roared onto the scene” — include Agatha Christie, Arthur C. Clarke, Harlan Ellison, William Faulkner, Dashiell Hammett, L. Ron Hubbard, Rudyard Kipling, Stan Lee, Sinclair Lewis, H. P. Lovecraft, H. L.Mencken, George Orwell, Ernie Pyle, Damon Runyon, Cornell Woolrich, and Philip Wylie.)